Ventes d'œuvres le 1813.05.31

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  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Madonna and Child. -- The Madonna, clad in a scarlet drapery, with the Child naked, resting on her knees; behind is seen several Figures entering a Gate, and some part of the Holy City. This Master has been deservedly held in estimation not only for his scarcity, but for his own intrinsic merits (Andrea Del Solario)|The Madonna and Child. -- The Madonna, clad in a scarlet drapery, with the Child naked, resting on her knees; behind is seen several Figures entering a Gate, and some part of the Holy City. This Master has been deservedly held in estimation not only for his scarcity, but for his own intrinsic merits]] réalisée par Andrea Del Solario, vendue par John Willett Willett, achetée par Woodburn au prix de 25.4 £. [64]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Burning the Books at Ephesus. -- This Artist, so deservedly styled the French Raphael, displays, in most of his Pictures, the excellence he derived from the study of the Works of his great Prototype: and this instance shows a very near approach to his simple and unaffected manner. -- From the Collection of Newton, Bishop of Bristol (Le Seur)|Burning the Books at Ephesus. -- This Artist, so deservedly styled the French Raphael, displays, in most of his Pictures, the excellence he derived from the study of the Works of his great Prototype: and this instance shows a very near approach to his simple and unaffected manner. -- From the Collection of Newton, Bishop of Bristol]] réalisée par Le Seur, vendue par John Willett Willett, achetée par Carpenter Bond Street au prix de 28.7 £. [73]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Holy Family in Egypt. -- A grand Landscape, embellished with Egyptian Architecture and Sculpture, is enlivened with the sacred Story, in which is represented Joseph and the Virgin, occupied in domestic employment; while the Infant Object of their cares is reposing, surrounded by ministering Cherubim. The circumstances, though trite, are represented with elegance; and the Picture has an air of sanctity that interests and delights (Francesco Mola)|The Holy Family in Egypt. -- A grand Landscape, embellished with Egyptian Architecture and Sculpture, is enlivened with the sacred Story, in which is represented Joseph and the Virgin, occupied in domestic employment; while the Infant Object of their cares is reposing, surrounded by ministering Cherubim. The circumstances, though trite, are represented with elegance; and the Picture has an air of sanctity that interests and delights]] réalisée par Francesco Mola, vendue par John Willett Willett, achetée par Peach au prix de 21.0 £. [75]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Bathsheba. -- The care and attention of this Artist to the finishing of his Pictures, have given them great value. This Specimen of his abilities has all the exquisite completion of enamel. The lovely Wife of Uriah, seated in the Bath, is receiving an intimation of the effect of her Charms; and the Artist has arrayed her with so much beauty and fascination, that far from being surprised at the King's inclination, it is matter of wonder that he himself did not fall into the error of Pygmalion, and become enamoured of his own Production. The rich Drapery and Stuffs which surround the Figure, add considerably to the value of the Picture, as a Work of Art. -- From the Collection of Sir Gregory Page (Chevalier Vander Werf)|Bathsheba. -- The care and attention of this Artist to the finishing of his Pictures, have given them great value. This Specimen of his abilities has all the exquisite completion of enamel. The lovely Wife of Uriah, seated in the Bath, is receiving an intimation of the effect of her Charms; and the Artist has arrayed her with so much beauty and fascination, that far from being surprised at the King's inclination, it is matter of wonder that he himself did not fall into the error of Pygmalion, and become enamoured of his own Production. The rich Drapery and Stuffs which surround the Figure, add considerably to the value of the Picture, as a Work of Art. -- From the Collection of Sir Gregory Page]] réalisée par Chevalier Vander Werf, vendue par John Willett Willett, achetée par Hill Greek St au prix de 22.1 £. [76]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Marriage at Cana. -- The Guests appear in a large Saloon: at the Head of the principal Table is seated the Saviour; numerous Friends of the Bridegroom occupy the Apartment. Servants pouring out the Water, which is miraculously changed, give an air of bustle and festivity. The whole has a fine disposition of Chiaro-scuro (Tintoretto)|Marriage at Cana. -- The Guests appear in a large Saloon: at the Head of the principal Table is seated the Saviour; numerous Friends of the Bridegroom occupy the Apartment. Servants pouring out the Water, which is miraculously changed, give an air of bustle and festivity. The whole has a fine disposition of Chiaro-scuro]] réalisée par Tintoretto, vendue par John Willett Willett, achetée par Pares au prix de 18.18 £. [77]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Sea-Port. -- A rocky and mountainous Landscape on one side, and collected Vessels on the other, with a variety of animated Figures, compose a striking and picturesque effect. The daring of this Master's mind, though not put to the stretch, is discernible in the arrangement and decision of the parts; and the Light, beaming on the Horizon, gives that brilliancy to the objects which is such a beautiful feature in Salvator's performances (Salvator Rosa)|A Sea-Port. -- A rocky and mountainous Landscape on one side, and collected Vessels on the other, with a variety of animated Figures, compose a striking and picturesque effect. The daring of this Master's mind, though not put to the stretch, is discernible in the arrangement and decision of the parts; and the Light, beaming on the Horizon, gives that brilliancy to the objects which is such a beautiful feature in Salvator's performances]] réalisée par Salvator Rosa, vendue par John Willett Willett, achetée par Edwards au prix de 18.7 £. [81]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Magdalen. -- The repentant Magdalen, recumbent in a wild Landscape, is directing her tear-swollen eyes to Heaven, from whence rays of Light, indicative of Mercy, are issuing upon her. The solemn grandeur of the Scenery is suitable to the action, and the idea is unfolded with this great Master's wonted freedom and energy (P.P. Rubens)|A Magdalen. -- The repentant Magdalen, recumbent in a wild Landscape, is directing her tear-swollen eyes to Heaven, from whence rays of Light, indicative of Mercy, are issuing upon her. The solemn grandeur of the Scenery is suitable to the action, and the idea is unfolded with this great Master's wonted freedom and energy]] réalisée par P.P. Rubens, vendue par John Willett Willett, achetée par Carpenter au prix de 5.15 £. [82]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Landscape, Buildings, and Figures. -- A rich open Landscape, presenting an elevated back-ground enriched with Buildings, has given this elegantly gifted Painter an opportunity of showing his classic taste. His intimate acquaintance with the varieties of Nature, either in her sublime or beautiful Scenes, enabled him to exhibit her with increase of charms in either appearance: -- for he threw embellishments over barrenness; and softened down ruggedness and asperity to a pleasing suavity. His calm Landscapes present us with Scenes that would have suited the retirement of Tully or Pliny: and when we see the Villa rising from the bosom of the Grove, we fancy ourselves approaching the Seats of those philosophic and tasteful Characters. All in this Picture is of the beautiful order; and displays taste, feeling, and delicate execution (Gaspar Poussin)|Landscape, Buildings, and Figures. -- A rich open Landscape, presenting an elevated back-ground enriched with Buildings, has given this elegantly gifted Painter an opportunity of showing his classic taste. His intimate acquaintance with the varieties of Nature, either in her sublime or beautiful Scenes, enabled him to exhibit her with increase of charms in either appearance: -- for he threw embellishments over barrenness; and softened down ruggedness and asperity to a pleasing suavity. His calm Landscapes present us with Scenes that would have suited the retirement of Tully or Pliny: and when we see the Villa rising from the bosom of the Grove, we fancy ourselves approaching the Seats of those philosophic and tasteful Characters. All in this Picture is of the beautiful order; and displays taste, feeling, and delicate execution]] réalisée par Gaspar Poussin, vendue par John Willett Willett, achetée par Barnet au prix de 51.9 £. [85]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Girl warming her Hands. -- The simplicity of attitude, and satisfied expression of countenance, exhibited by this little Lady, are a pleasing proof of Sir Joshua's attention to children's enjoyments. With a free and rapid pencil he has accomplished a most forcible effect, and given the excellence of high finish (Sir Joshua Reynolds)|Girl warming her Hands. -- The simplicity of attitude, and satisfied expression of countenance, exhibited by this little Lady, are a pleasing proof of Sir Joshua's attention to children's enjoyments. With a free and rapid pencil he has accomplished a most forcible effect, and given the excellence of high finish]] réalisée par Sir Joshua Reynolds, vendue par John Willett Willett, achetée par Richmond Bookseller German Street au prix de 52.10 £. [86]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Silenus and Bacchanals. -- The inebriated Deity, surrounded by his usual Companions, is carried along in a state of complete helplessness. An unconstrained indulgence of jollity pervades the whole group; and the rapid, masterly, and inventive hand of Rubens predominates in every expression (Rubens)|Silenus and Bacchanals. -- The inebriated Deity, surrounded by his usual Companions, is carried along in a state of complete helplessness. An unconstrained indulgence of jollity pervades the whole group; and the rapid, masterly, and inventive hand of Rubens predominates in every expression]] réalisée par Rubens, vendue par John Willett Willett, achetée par Barnet au prix de 26.5 £. [87]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[A Philosopher in his Study. -- This is one of the very few Portraits painted by this Artist as large as life. It exhibits a studious Old Man reflecting on some abstruse subject, with a large Book open before him, and several others lying on the Table near him. The whole is an instance of careful labour, and ingenious talent, that is truly surprising; the Hands and Countenance of the Figure are life itself; and the Books, Hour Glass, and other objects, are painted to deception (Gerhard Douw)|A Philosopher in his Study. -- This is one of the very few Portraits painted by this Artist as large as life. It exhibits a studious Old Man reflecting on some abstruse subject, with a large Book open before him, and several others lying on the Table near him. The whole is an instance of careful labour, and ingenious talent, that is truly surprising; the Hands and Countenance of the Figure are life itself; and the Books, Hour Glass, and other objects, are painted to deception]] réalisée par Gerhard Douw, vendue par John Willett Willett, achetée par Lord Falmouth au prix de 61.19 £. [88]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Christ Praying on the Mount of Olives. -- The Saviour devoutly deprecating, yet piously resigning himself to the bitter affliction necessary for the Propitiation of Mankind, is comforted by an Angel, from whom a splendid brightness is thrown over the three Disciples, who, wearied with watching, are sunk in the arms of slumber. -- The Landscape is grand and solemn, suitable to the gravity and majesty of the Subject (Giacomo Bassano)|Christ Praying on the Mount of Olives. -- The Saviour devoutly deprecating, yet piously resigning himself to the bitter affliction necessary for the Propitiation of Mankind, is comforted by an Angel, from whom a splendid brightness is thrown over the three Disciples, who, wearied with watching, are sunk in the arms of slumber. -- The Landscape is grand and solemn, suitable to the gravity and majesty of the Subject]] réalisée par Giacomo Bassano, vendue par John Willett Willett, achetée par Woodburn au prix de 21.0 £. [89]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Landscape, and View of a River. -- This delightful Cabinet Picture has all the spirit of Teniers, and lightness of Van Goyen. A busy bustling Scene presents itself in all parts; Waggons, Men, and Boats, in action, and Cattle standing in the centre, form an interesting Composition. -- There is a freedom of handling, seldom witnessed in so small a Picture; and an effect of light, that if the name of Schalcke were not upon it, would be strongly presumptive of the hand of Rembrandt (Schalcke)|Landscape, and View of a River. -- This delightful Cabinet Picture has all the spirit of Teniers, and lightness of Van Goyen. A busy bustling Scene presents itself in all parts; Waggons, Men, and Boats, in action, and Cattle standing in the centre, form an interesting Composition. -- There is a freedom of handling, seldom witnessed in so small a Picture; and an effect of light, that if the name of Schalcke were not upon it, would be strongly presumptive of the hand of Rembrandt]] réalisée par Schalcke, vendue par John Willett Willett, achetée par Harris au prix de 58.16 £. [90]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Apelles and Campaspe. -- The well-known story of Alexander the Great generously resigning his favourite Mistress, Campaspe, to the enamoured Apelles, is here told with great propriety and elegance. As Bellucci was himself a man of superior accomplishments, and of a disposition formed for susceptibility, he was well calculated to give tenderness of expression to his Characters, when placed in situations of delicate embarrassment. The Portrait of the Lover, in this Picture, is supposed to be his own; and, perhaps, an event, not dissimilar, led him to adopt the subject. It is painted with his accustomed vivacity of Colouring, beauty of arrangement, and graceful effect (Bellucci)|Apelles and Campaspe. -- The well-known story of Alexander the Great generously resigning his favourite Mistress, Campaspe, to the enamoured Apelles, is here told with great propriety and elegance. As Bellucci was himself a man of superior accomplishments, and of a disposition formed for susceptibility, he was well calculated to give tenderness of expression to his Characters, when placed in situations of delicate embarrassment. The Portrait of the Lover, in this Picture, is supposed to be his own; and, perhaps, an event, not dissimilar, led him to adopt the subject. It is painted with his accustomed vivacity of Colouring, beauty of arrangement, and graceful effect]] réalisée par Bellucci, vendue par John Willett Willett, achetée par Smart au prix de 15.15 £. [91]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Boors Carousing. -- An Interior, furnished with the usual Appendages of Dutch enjoyment, and Characters suited to such enjoyment, give this admired Painter an opportunity of displaying his particular beauties. -- The Characters are given with discrimination; and light and shadows managed with all the truth, delicacy, and skill of the Master (Bega)|Boors Carousing. -- An Interior, furnished with the usual Appendages of Dutch enjoyment, and Characters suited to such enjoyment, give this admired Painter an opportunity of displaying his particular beauties. -- The Characters are given with discrimination; and light and shadows managed with all the truth, delicacy, and skill of the Master]] réalisée par Bega, vendue par John Willett Willett, achetée par Smith au prix de 43.1 £. [92]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Nymph and Satyrs. -- A Nymph recumbent, is sleeping on a Garment of white Linen; two Satyrs are attentively looking on, with a young Bacchanal standing near them: a crimson Drapery thrown over a fallen Tree, with rugged Rocks, a few Trees, and a lurid Sky, complete the Scene. The magical effect of light and shade was never more forcibly exhibited than in this Exemplar. -- A broad diffusive gleam thrown over the Bosom of the sleeping Nymph, illumines the center of the Scene, and gives a splendour to the chief Object, that astonishes and delights. -- The sombrous shades of the rugged Rocks and falling Trees, with other interesting objects, tend, on the other hand, to give force and brilliancy to the chiaro; and thus produce one of the finest instances of Scenic Effect that, perhaps, has come from the Hand of this great Master (Nicolo Poussin)|Nymph and Satyrs. -- A Nymph recumbent, is sleeping on a Garment of white Linen; two Satyrs are attentively looking on, with a young Bacchanal standing near them: a crimson Drapery thrown over a fallen Tree, with rugged Rocks, a few Trees, and a lurid Sky, complete the Scene. The magical effect of light and shade was never more forcibly exhibited than in this Exemplar. -- A broad diffusive gleam thrown over the Bosom of the sleeping Nymph, illumines the center of the Scene, and gives a splendour to the chief Object, that astonishes and delights. -- The sombrous shades of the rugged Rocks and falling Trees, with other interesting objects, tend, on the other hand, to give force and brilliancy to the chiaro; and thus produce one of the finest instances of Scenic Effect that, perhaps, has come from the Hand of this great Master]] réalisée par Nicolo Poussin, vendue par John Willett Willett, achetée par Edwards au prix de 20.9 £. [93]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Death of Joseph. -- The betrothed Husband of Mary appears in the last stage of dissolution, attended by the Virgin and Christ; the Angel of Death appears above; and two Cherubim are looking down on the Scene. The graceful attitude which Lanfranco gave to his Figures, and which he learnt from the Caracci, and by his attention to the best Works of Correggio, are conspicuous in this Picture. The benevolent regard of the Saviour, seemingly in the act of assuring the dying Man of eternal bliss; the resignation which the dying Saint exhibits at the assurance, and the tenderness of the Virgin watching the last breathings of her affianced Companion, are given with the highest elegance and pathos. -- A strong effect of light, thrown over the principal parts of the Composition, produce in it all the force and energy of Carravaggio; and the knowledge shown in the drawing of the anatomical parts, and the noble draperies, combine examples of this excellent Artist's talents, that are rarely found in one Picture (Lanfranco)|The Death of Joseph. -- The betrothed Husband of Mary appears in the last stage of dissolution, attended by the Virgin and Christ; the Angel of Death appears above; and two Cherubim are looking down on the Scene. The graceful attitude which Lanfranco gave to his Figures, and which he learnt from the Caracci, and by his attention to the best Works of Correggio, are conspicuous in this Picture. The benevolent regard of the Saviour, seemingly in the act of assuring the dying Man of eternal bliss; the resignation which the dying Saint exhibits at the assurance, and the tenderness of the Virgin watching the last breathings of her affianced Companion, are given with the highest elegance and pathos. -- A strong effect of light, thrown over the principal parts of the Composition, produce in it all the force and energy of Carravaggio; and the knowledge shown in the drawing of the anatomical parts, and the noble draperies, combine examples of this excellent Artist's talents, that are rarely found in one Picture]] réalisée par Lanfranco, vendue par John Willett Willett, achetée par Smith au prix de 23.12 £. [94]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[The Martyrdom of Saint Bartholomew. -- The scarcity of this Master's Works is not the only inducement to Connoisseurs to purchase them at high prices; they have an intrinsic merit to recommend them; and, trusting to their own excellences, they are sure of being highly appreciated. Much of the fame of Annibal and Ludovico is due to Agostino; but the general name of Caracci destroys frequently the distinction. This Specimen is authenticated as his undoubted Work, and is from the splendid Gallery of the Duke of Orleans (Agostino Caracci)|The Martyrdom of Saint Bartholomew. -- The scarcity of this Master's Works is not the only inducement to Connoisseurs to purchase them at high prices; they have an intrinsic merit to recommend them; and, trusting to their own excellences, they are sure of being highly appreciated. Much of the fame of Annibal and Ludovico is due to Agostino; but the general name of Caracci destroys frequently the distinction. This Specimen is authenticated as his undoubted Work, and is from the splendid Gallery of the Duke of Orleans]] réalisée par Agostino Caracci, vendue par John Willett Willett, achetée par Marquis M Stafford au prix de 21.0 £. [95]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Peasants' Children. -- Gainsborough's light freedom of pencil has seldom been exercised with more felicity than in this instance. The Landscape is tender, delicate, and expansive; the Figures natural, easy, and appropriate. Rusticity of appearance is their prevailing feature; but there is a beautiful naiveté in the manner, that takes away all idea of vulgarity: they are the simple Children of Nature, and have all the frankness that belongs to their character, and the glow of health that results from temperate living and industrious habits (Gainsborough)|Peasants' Children. -- Gainsborough's light freedom of pencil has seldom been exercised with more felicity than in this instance. The Landscape is tender, delicate, and expansive; the Figures natural, easy, and appropriate. Rusticity of appearance is their prevailing feature; but there is a beautiful naiveté in the manner, that takes away all idea of vulgarity: they are the simple Children of Nature, and have all the frankness that belongs to their character, and the glow of health that results from temperate living and industrious habits]] réalisée par Gainsborough, vendue par John Willett Willett, achetée par Tuffen 21 Park Lane au prix de 43.1 £. [96]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Sampson and Dalilah. -- Sampson, resting his head on the knees of his perfidious Mistress, is submitting to the fatal operation, the loss of his Nazarene Locks. The muscular strength of the Jewish Hero is depicted with great energy; the rich habits of his Mistress have all the brilliancy of the Venetian School; and the Performance is worthy of Paul Veronese (Lodovico Gigoli)|Sampson and Dalilah. -- Sampson, resting his head on the knees of his perfidious Mistress, is submitting to the fatal operation, the loss of his Nazarene Locks. The muscular strength of the Jewish Hero is depicted with great energy; the rich habits of his Mistress have all the brilliancy of the Venetian School; and the Performance is worthy of Paul Veronese]] réalisée par Lodovico Gigoli, vendue par John Willett Willett, achetée par Smith au prix de 16.5 £. [97]
  • 1813.05.31/ maison de ventes : Coxe (Peter). Vente de l'œuvre décrite comme [[Madonna and Infant. -- The Madonna is resting her left arm on an ornamented marble Pedestal; at the bottom of which is an Apple, emblematic of Man's Fall: in her lap is the Holy Infant, holding Fruit, and looking back to his Mother. A rich and elegant Landscape is seen through an opening or window of the Chamber, given in the usual brilliant style of this great Master, and producing the finest effect imaginable in the Picture. The accomplished Lionardo commanded the admiration of his contemporaries, and insured the approbation of posterity. -- Princes were ambitious to be thought his friends or his patrons; and Princes are still proud of possessing his productions, and ranking him among their favourites. But Lionardo owes his elevation to his own merits: -- and, whenever such Specimens of his abilities are shown as the present, he is sure of a confirmation of his contemporaries' applause. Elevated in his conceptions, learned in his adaptations, and judicious in his dispositions; he adds gracefulness of Character to propriety of Costume; and delicacy and beauty of Colouring to correct and natural Delineation (Lionardo da Vinci)|Madonna and Infant. -- The Madonna is resting her left arm on an ornamented marble Pedestal; at the bottom of which is an Apple, emblematic of Man's Fall: in her lap is the Holy Infant, holding Fruit, and looking back to his Mother. A rich and elegant Landscape is seen through an opening or window of the Chamber, given in the usual brilliant style of this great Master, and producing the finest effect imaginable in the Picture. The accomplished Lionardo commanded the admiration of his contemporaries, and insured the approbation of posterity. -- Princes were ambitious to be thought his friends or his patrons; and Princes are still proud of possessing his productions, and ranking him among their favourites. But Lionardo owes his elevation to his own merits: -- and, whenever such Specimens of his abilities are shown as the present, he is sure of a confirmation of his contemporaries' applause. Elevated in his conceptions, learned in his adaptations, and judicious in his dispositions; he adds gracefulness of Character to propriety of Costume; and delicacy and beauty of Colouring to correct and natural Delineation]] réalisée par Lionardo da Vinci, vendue par John Willett Willett, achetée par Hill au prix de 54.12 £. [99]
  • 1813.05.31/ maison de ventes : Sleumer (A.T.). Vente de l'œuvre décrite comme [[1 extra fraay Dorpgezigt, op Doek, voorstellende een Boere Kermis, in 't verschiet ziet men vrolyke Boeren, Kramers, Liedjeszangers, en daar by een Huis van een Kastelyn, waar voor zig een Wagen stil houd, met de Paarden voor de Krib, verder een oude Vrouw, welke Druiven schynt te verkoopen aan een kind, fiks gepenceeld door K. Roos, in zwart ebbenhoute Lyst (K. Roos)|1 extra fraay Dorpgezigt, op Doek, voorstellende een Boere Kermis, in 't verschiet ziet men vrolyke Boeren, Kramers, Liedjeszangers, en daar by een Huis van een Kastelyn, waar voor zig een Wagen stil houd, met de Paarden voor de Krib, verder een oude Vrouw, welke Druiven schynt te verkoopen aan een kind, fiks gepenceeld door K. Roos, in zwart ebbenhoute Lyst]] réalisée par K. Roos, vendue par Neeltje Kocq. [101]
  • 1813.05.31/ maison de ventes : Sleumer (A.T.). Vente de l'œuvre décrite comme [[1 dito dito fraay Dorpgezigt, op dito Doek, zynde een niet minder als de voorgande Landgezigt, met het gezigt op een Herberg het Zwaantje, daarby geplaast een rustend Edelman, welke in een verliefde houding op het byzynde Meisje van de oude Kastelyn een roemer Wyn aanneemt, en verder bywerk, door denzelve K. Roos, in dito dito zwart ebbenhoute Lyst (K. Roos)|1 dito dito fraay Dorpgezigt, op dito Doek, zynde een niet minder als de voorgande Landgezigt, met het gezigt op een Herberg het Zwaantje, daarby geplaast een rustend Edelman, welke in een verliefde houding op het byzynde Meisje van de oude Kastelyn een roemer Wyn aanneemt, en verder bywerk, door denzelve K. Roos, in dito dito zwart ebbenhoute Lyst]] réalisée par K. Roos, vendue par Neeltje Kocq. [102]
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