Ventes d'œuvres le 1813.07.-

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  • 1813.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Horrors of War: Russian scenery, a desolated country, a city deserted and in flames, bridges broken down, ships wrecked and on fire, commerce and every other comfort destroyed, vultures instead of doves are seen upon the smoaking ruins of the once smiling cottage; even the stern bombardiers and pioneers, inured to war, bloodshed and plunder, seem moved with the extensive scene of misery and desolation with which they are surrounded. Hodges, R. A. the figures by Stothard, R. A. -- engraved. See the Companion, No. 174 (Hodges, R. A.)|The Horrors of War: Russian scenery, a desolated country, a city deserted and in flames, bridges broken down, ships wrecked and on fire, commerce and every other comfort destroyed, vultures instead of doves are seen upon the smoaking ruins of the once smiling cottage; even the stern bombardiers and pioneers, inured to war, bloodshed and plunder, seem moved with the extensive scene of misery and desolation with which they are surrounded. Hodges, R. A. the figures by Stothard, R. A. -- engraved. See the Companion, No. 174]] réalisée par Hodges, R. A.. [1]
  • 1813.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Venus reposing in a classical landscape, from the Nabob of Tanjore's palace in India. The inimitable Titian has here represented his own fair daughter as the goddess of beauty; the richness of the colouring and the exquisite symmetry of the limbs have been pronounced truly admirable (Titian)|Venus reposing in a classical landscape, from the Nabob of Tanjore's palace in India. The inimitable Titian has here represented his own fair daughter as the goddess of beauty; the richness of the colouring and the exquisite symmetry of the limbs have been pronounced truly admirable]] réalisée par Titian. [22]
  • 1813.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A spirited and valuable sketch of Paul Veronese, preparation for an execution, the Roman officers persuade a Christian Martyr to worship Apollo, and renounce Christianity; the fortitude and pious resignation of the Saint most admirably represented (Paul Veronese)|A spirited and valuable sketch of Paul Veronese, preparation for an execution, the Roman officers persuade a Christian Martyr to worship Apollo, and renounce Christianity; the fortitude and pious resignation of the Saint most admirably represented]] réalisée par Paul Veronese. [68]
  • 1813.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Marriage of St. Catharine: a most elegant and valuable performance. Parmegiano. Being a present from the Grand Duke of Hevro to the chapel of the blessed Virgin at Loretto; the ducal coronet and arms are ingeniously carved on the frame, which must have cost at least 100 Louis dors (Parmegiano)|The Marriage of St. Catharine: a most elegant and valuable performance. Parmegiano. Being a present from the Grand Duke of Hevro to the chapel of the blessed Virgin at Loretto; the ducal coronet and arms are ingeniously carved on the frame, which must have cost at least 100 Louis dors]] réalisée par Parmegiano. [72]
  • 1813.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Esther before Ahasuerus. Gaspar de Crayer. "And Esther spake yet again before the king, and fell down at his feet and besought him with tears to put away the mischief of Haman the Agagite, and his device that he had devised against the Jews." (Gaspar de Crayer)|Esther before Ahasuerus. Gaspar de Crayer. "And Esther spake yet again before the king, and fell down at his feet and besought him with tears to put away the mischief of Haman the Agagite, and his device that he had devised against the Jews."]] réalisée par Gaspar de Crayer. [77]
  • 1813.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Origin of Painting. Wright of Derby. Venus the Goddess of Beauty is here represented as the inventor of Painting; Adonis having returned fatigued from hunting, falls asleep in an Apartment adjoining Vulcan's workshop, whilst Venus appears tracing the Profile of her favourite upon the Wall, from the shadow occasioned by the light of a suspended lamp (Wright of Derby)|The Origin of Painting. Wright of Derby. Venus the Goddess of Beauty is here represented as the inventor of Painting; Adonis having returned fatigued from hunting, falls asleep in an Apartment adjoining Vulcan's workshop, whilst Venus appears tracing the Profile of her favourite upon the Wall, from the shadow occasioned by the light of a suspended lamp]] réalisée par Wright of Derby, vendue par [[[Wedgwood]]]. [95]
  • 1813.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Crucifixion, by the younger Murillio, from a Convent in Salamanca. St. Alaesius, St. Ignatius, Blessed Virgin, St. John Regis, St. Francisco Xavier, St. Stanislaus, St. John the Evangelist, three Martyrs, and St. Francis Borgei Duke of Candia, are represented worshiping the crucified Jesus (the younger Murillio)|The Crucifixion, by the younger Murillio, from a Convent in Salamanca. St. Alaesius, St. Ignatius, Blessed Virgin, St. John Regis, St. Francisco Xavier, St. Stanislaus, St. John the Evangelist, three Martyrs, and St. Francis Borgei Duke of Candia, are represented worshiping the crucified Jesus]] réalisée par the younger Murillio. [101]
  • 1813.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A Swinish Family. Morland: this extraordinary Artist stands unrivalled as a Pig Painter, and this picture may be considered his finest production in that line; it was painted for his brother whom he has designated upon the picture "H. White Morland, Pig dealer" (Morland)|A Swinish Family. Morland: this extraordinary Artist stands unrivalled as a Pig Painter, and this picture may be considered his finest production in that line; it was painted for his brother whom he has designated upon the picture "H. White Morland, Pig dealer"]] réalisée par Morland. [105]