Ventes d'œuvres le 1813.07.22

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  • 1813.07.22/ maison de ventes : Brydone (C.). Vente de l'œuvre décrite comme [[Bacchus and Ariadne -- painted by this great Master, after the celebrated Titian, now in the collection of Earl Grosvenor, and lately in that of Lord Kinnaird. -- This splendid copy is unquestionably the work of Poussin, and finished with all his exquisite care; united with a power of colouring equal to the original (Nicholas Poussin)|Bacchus and Ariadne -- painted by this great Master, after the celebrated Titian, now in the collection of Earl Grosvenor, and lately in that of Lord Kinnaird. -- This splendid copy is unquestionably the work of Poussin, and finished with all his exquisite care; united with a power of colouring equal to the original]] réalisée par Nicholas Poussin. [23]
  • 1813.07.22/ maison de ventes : Brydone (C.). Vente de l'œuvre décrite comme [[A Landscape with Figures and Cattle -- a most valuable and highly finished specimen of the Master. A beautiful group of cattle and figures give animation to a sweet Italian scene. The whole is finished with the greatest care, and in beautiful silvery tone and effect (Zuccarelli)|A Landscape with Figures and Cattle -- a most valuable and highly finished specimen of the Master. A beautiful group of cattle and figures give animation to a sweet Italian scene. The whole is finished with the greatest care, and in beautiful silvery tone and effect]] réalisée par Zuccarelli. [25]
  • 1813.07.22/ maison de ventes : Brydone (C.). Vente de l'œuvre décrite comme [[A View in Flanders, with Figures. -- For force and effect, this picture might rival the works of Titian; it has been presumed to be wholly painted by Teniers, to imitate Reubens. It is in the highest state of preservation, and ranks with the highest class of landscapes (Artois)|A View in Flanders, with Figures. -- For force and effect, this picture might rival the works of Titian; it has been presumed to be wholly painted by Teniers, to imitate Reubens. It is in the highest state of preservation, and ranks with the highest class of landscapes]] réalisée par Artois. [34]
  • 1813.07.22/ maison de ventes : Brydone (C.). Vente de l'œuvre décrite comme [[A Landscape, with St. John baptising Our Saviour -- In a landscape, worthy of the finest manner of Caracci: the Painter has introduced a group of figures in the fine taste of Dominichino. -- This picture is in the highest state of preservation, and worthy a place in the highest class of Italian art (Francesco Mola)|A Landscape, with St. John baptising Our Saviour -- In a landscape, worthy of the finest manner of Caracci: the Painter has introduced a group of figures in the fine taste of Dominichino. -- This picture is in the highest state of preservation, and worthy a place in the highest class of Italian art]] réalisée par Francesco Mola. [36]
  • 1813.07.22/ maison de ventes : Brydone (C.). Vente de l'œuvre décrite comme [[A View in Hampshire. -- The works of this Artist are daily rising in value and estimation, and have in several late instances rivalled the works of Wilson, and of Sir Joshua Reynolds, in the prices they have brought. -- This picture has always been held to be one of his most happy effects of picturesque selection, and certainly finished with more care than his latter works generally are. It is evidently in his first manner, when he emulated the talents of Wynants and Rysdael (Gainsborough)|A View in Hampshire. -- The works of this Artist are daily rising in value and estimation, and have in several late instances rivalled the works of Wilson, and of Sir Joshua Reynolds, in the prices they have brought. -- This picture has always been held to be one of his most happy effects of picturesque selection, and certainly finished with more care than his latter works generally are. It is evidently in his first manner, when he emulated the talents of Wynants and Rysdael]] réalisée par Gainsborough. [37]
  • 1813.07.22/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[Martyrdom of St. Laurence. Rubens. All the parts and lights are of the highest excellence, the zeal of chiaro scuro, and the truth and glowing beauty of the colouring is astonishing, the facility of composition and justness of expression in which he is happy beyond measure must evidently oblige us to rate this performance as one of the finest productions of his extraordinary mind (Rubens)|Martyrdom of St. Laurence. Rubens. All the parts and lights are of the highest excellence, the zeal of chiaro scuro, and the truth and glowing beauty of the colouring is astonishing, the facility of composition and justness of expression in which he is happy beyond measure must evidently oblige us to rate this performance as one of the finest productions of his extraordinary mind]] réalisée par Rubens, vendue par David Fitzgerald au prix de 13.1 £. [70]
  • 1813.07.22/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[Landscape, Cattle, and Figures. Solmaker. This capital picture is in the highest preservation, the works of this master are very scarce and valuable, his ensemble can be only equalled by Berchem, his charming tone and spirited bold full pencil justly ranks him among the most esteemed professors in his walk of this divine art (Solmaker)|Landscape, Cattle, and Figures. Solmaker. This capital picture is in the highest preservation, the works of this master are very scarce and valuable, his ensemble can be only equalled by Berchem, his charming tone and spirited bold full pencil justly ranks him among the most esteemed professors in his walk of this divine art]] réalisée par Solmaker, vendue par David Fitzgerald au prix de 7.6 £. [72]
  • 1813.07.22/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[The Card Players. Berkheyden. This valuable unique is a jeu d'Esprit of Berkheyden in which he has introduced the portraits of Rembrand, Teniers, Palamedes, and himself, one would almost think it was painted by Rembrandt it has so much of chiaroscuro with his bold depth of transparent colouring -- the author's name is on the picture (Barkheyden)|The Card Players. Berkheyden. This valuable unique is a jeu d'Esprit of Berkheyden in which he has introduced the portraits of Rembrand, Teniers, Palamedes, and himself, one would almost think it was painted by Rembrandt it has so much of chiaroscuro with his bold depth of transparent colouring -- the author's name is on the picture]] réalisée par Barkheyden, vendue par David Fitzgerald au prix de 31.17 £. [73]
  • 1813.07.22/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[The Crucifixion. Polidori. "The last work of this great master in which he designed a multitude of figures, Horsemen, Soldiers, Pharisees, Women, and Children, who attended on the occasion, and he disposed them with the utmost elegance and propriety of character. The whole is painted admirably, and in that composition he seems desirous to give an incontestible proof of his refined taste, his extensive genius, and the power of his pencil." -- See Pilkington's Dictionary (Polidori)|The Crucifixion. Polidori. "The last work of this great master in which he designed a multitude of figures, Horsemen, Soldiers, Pharisees, Women, and Children, who attended on the occasion, and he disposed them with the utmost elegance and propriety of character. The whole is painted admirably, and in that composition he seems desirous to give an incontestible proof of his refined taste, his extensive genius, and the power of his pencil." -- See Pilkington's Dictionary]] réalisée par Polidori, vendue par David Fitzgerald au prix de 34.2 £. [74]
  • 1813.07.22/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[A Landscape. Claude. A genuine picture of this great master, the avidity with which his works are sought, makes the acquisition of them seldom attainable and rarely to be seen except in the first cabinets in Europe, nor indeed is it surprising that it should be so when one considers for a moment the magic illusions of his inimitable pencil (Claude)|A Landscape. Claude. A genuine picture of this great master, the avidity with which his works are sought, makes the acquisition of them seldom attainable and rarely to be seen except in the first cabinets in Europe, nor indeed is it surprising that it should be so when one considers for a moment the magic illusions of his inimitable pencil]] réalisée par Claude, vendue par David Fitzgerald au prix de 56.17 £. [75]
  • 1813.07.22/ maison de ventes : Herbert (J.D.). Vente de l'œuvre décrite comme [[Drowning of Pharoah's host. Mompert and Breughel. The confusion of Pharoah and his followers are managed with surprising art. The groups of the Israelites are beautifully opened and painted with a bold and decided pencil. The style of drawing and character, the chiaro-scuro, the colouring and indeed every thing in it is particularly fine (Mompert)|Drowning of Pharoah's host. Mompert and Breughel. The confusion of Pharoah and his followers are managed with surprising art. The groups of the Israelites are beautifully opened and painted with a bold and decided pencil. The style of drawing and character, the chiaro-scuro, the colouring and indeed every thing in it is particularly fine]] réalisée par Mompert, vendue par David Fitzgerald au prix de 18.4 £. [84]