Ventes d'œuvres le 1814.07.-

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  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Woman taken in Adultery. Sebastian del Piombo. "They say unto him, Master, this woman was taken in Adultery, in the very act. Now Moses in the law commanded us that such should be stoned: but what sayest thou? So when they continued asking him, he lifted up himself, and said unto them, He that is without sin among you, let him cast a stone at her." For harmony of colouring and variety of expression, this valuable performance has perhaps never been excelled; painted on a very thick plank, and engraved (Sebastian del Piombo)|The Woman taken in Adultery. Sebastian del Piombo. "They say unto him, Master, this woman was taken in Adultery, in the very act. Now Moses in the law commanded us that such should be stoned: but what sayest thou? So when they continued asking him, he lifted up himself, and said unto them, He that is without sin among you, let him cast a stone at her." For harmony of colouring and variety of expression, this valuable performance has perhaps never been excelled; painted on a very thick plank, and engraved]] réalisée par Sebastian del Piombo. [1]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Marriage a-la-mode. "'Tis from high life these characters are drawn." A portly nobleman of high birth, and a worshipful alderman signing the marriage settlement, while the young viscount with perfect indifference is viewing himself in a mirror, displaying his gold snuff box and glittering ring, the lady equally careless plays with her wedding ring, whilst Counsellor Silvertongue, an insidious lawyer, appears at her right hand, "Like Satan, whispering in the ear of Eve, By nature form'd to ruin and deceive." These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Callender)|Marriage a-la-mode. "'Tis from high life these characters are drawn." A portly nobleman of high birth, and a worshipful alderman signing the marriage settlement, while the young viscount with perfect indifference is viewing himself in a mirror, displaying his gold snuff box and glittering ring, the lady equally careless plays with her wedding ring, whilst Counsellor Silvertongue, an insidious lawyer, appears at her right hand, "Like Satan, whispering in the ear of Eve, By nature form'd to ruin and deceive." These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Callender. [19]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["Behold how Vice her votary rewards, After a night of folly, frolic, cards." Wearied, languid and spiritless, from the dissipations of the night, the modish viscount comes home at noon, and finds his lady just arisen, and seated en dishabille at her breakfast table. A cap and ribbon which hang out of his pocket, occupy the attention of the dog. The old Steward having brought a number of bills for payment, by his countenance forsees the gulph of ruin opening for the infatuated pair These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Callender)|"Behold how Vice her votary rewards, After a night of folly, frolic, cards." Wearied, languid and spiritless, from the dissipations of the night, the modish viscount comes home at noon, and finds his lady just arisen, and seated en dishabille at her breakfast table. A cap and ribbon which hang out of his pocket, occupy the attention of the dog. The old Steward having brought a number of bills for payment, by his countenance forsees the gulph of ruin opening for the infatuated pair These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Callender. [20]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["To Galen's great descendant list -- oh list! Behold a surgeon, sage, anatomist, Mechanic, antiquarian, seer, collector, Physician, barber, bone-setter, dissecter." The noble Viscount appears here in the apartment of a quack doctor, who had imposed upon him by giving a false bill of health to Betsy Careless, whilst the old Procuress unclasps her knife to defend her character and family surgeon, the enraged Nobleman lifts his cane, and seems ready to bastinado both the Bawd and the Doctor These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Callender)|"To Galen's great descendant list -- oh list! Behold a surgeon, sage, anatomist, Mechanic, antiquarian, seer, collector, Physician, barber, bone-setter, dissecter." The noble Viscount appears here in the apartment of a quack doctor, who had imposed upon him by giving a false bill of health to Betsy Careless, whilst the old Procuress unclasps her knife to defend her character and family surgeon, the enraged Nobleman lifts his cane, and seems ready to bastinado both the Bawd and the Doctor These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Callender. [21]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["The new made Countess treads enchanted ground, And madly whirls in pleasure's airy round; To love's fond tale the fair her ear inclines, To Satan's agent all her soul resigns." By the old Peer's death our fair heroine, now a countess, treads every maze of fashionable dissipation; her morning levee crowded with persons of rank, Italian singers, &c. Counsellor Silvertongue, her paramour, seems making an assignation for the masquerade. The contemptuous leer of a black footman who is serving chocolate, is particularly striking These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Callender)|"The new made Countess treads enchanted ground, And madly whirls in pleasure's airy round; To love's fond tale the fair her ear inclines, To Satan's agent all her soul resigns." By the old Peer's death our fair heroine, now a countess, treads every maze of fashionable dissipation; her morning levee crowded with persons of rank, Italian singers, &c. Counsellor Silvertongue, her paramour, seems making an assignation for the masquerade. The contemptuous leer of a black footman who is serving chocolate, is particularly striking These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Callender. [22]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["Her dream of dissipation o'er, The bubble pleasure charms no more. Misery! to madness near allied, And ignominious suicide. Thy minion's meeds by fate's decree, Is death -- a death of infamy!" The exasperated Peer suspecting his wife's infidelity, follows her in disguise to the masquerade, and from thence to the bagnio, bursts open the bed-room door, and attacks the spoiler of his honour, with a sword, but neglects his own guard, and is mortally wounded. The lawyer attempts to escape. Struck with horror at the fate of her husband she kneels at his feet, and implores forgiveness These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Callender)|"Her dream of dissipation o'er, The bubble pleasure charms no more. Misery! to madness near allied, And ignominious suicide. Thy minion's meeds by fate's decree, Is death -- a death of infamy!" The exasperated Peer suspecting his wife's infidelity, follows her in disguise to the masquerade, and from thence to the bagnio, bursts open the bed-room door, and attacks the spoiler of his honour, with a sword, but neglects his own guard, and is mortally wounded. The lawyer attempts to escape. Struck with horror at the fate of her husband she kneels at his feet, and implores forgiveness These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Callender. [23]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["Forlorn, degraded and distrest, The furies tear her tortured breast. To poison -- sad resort! she frantic flies, And, self-destroyed, the wretched Countess dies!" The last sad scene is in the house of her father, to which she returned after her husband's death, and taking the horrid resolution of ending her days by poison, she puts it in execution by bribing her father's servant to procure her a dose of laudanum. Close to the phial upon the floor, Hogarth has judiciously placed Counsellor Silvertongue's last dying speech, to shew that he also received the punishment he so justly deserved. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible (Callander)|"Forlorn, degraded and distrest, The furies tear her tortured breast. To poison -- sad resort! she frantic flies, And, self-destroyed, the wretched Countess dies!" The last sad scene is in the house of her father, to which she returned after her husband's death, and taking the horrid resolution of ending her days by poison, she puts it in execution by bribing her father's servant to procure her a dose of laudanum. Close to the phial upon the floor, Hogarth has judiciously placed Counsellor Silvertongue's last dying speech, to shew that he also received the punishment he so justly deserved. These six instructive pictures are the only copies ever taken from Hogarth's celebrated set of Marriage a-la-mode, in the possession of John Julius Angerstein, Esq. who liberally permitted Mr. Callender, the ingenious artist, to spend several months in his house; that he might have ample time and opportunity to render them as near the originals as possible]] réalisée par Callander. [24]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Pope Paul the III. with Sarmoneta de Gaeta, his cousin and mistress, with their infant son, afterwards Duke of Parma and Placentia, represented as the Holy Family, with Giovanni Michieli, Cardinal and Patriarch of Constantinople, as St. Francis; Tomaso Donato, Cardinal and Patriarch of Venice, as St. Thomas a Becket, &c. by Giovanni Bellini: a truly valuable historical picture, in the highest state of preservation, painted in 1494 (Giovanni Bellini)|Pope Paul the III. with Sarmoneta de Gaeta, his cousin and mistress, with their infant son, afterwards Duke of Parma and Placentia, represented as the Holy Family, with Giovanni Michieli, Cardinal and Patriarch of Constantinople, as St. Francis; Tomaso Donato, Cardinal and Patriarch of Venice, as St. Thomas a Becket, &c. by Giovanni Bellini: a truly valuable historical picture, in the highest state of preservation, painted in 1494]] réalisée par Giovanni Bellini. [35]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A very tempting Fruit Market. Snyders. Even Covent Garden itself in the most plentiful season cannot exhibit a greater variety or a more brilliant display. The artist's favourite cat looking from under the table, seems quite alive, and ready to spring out of the canvas (Snyders)|A very tempting Fruit Market. Snyders. Even Covent Garden itself in the most plentiful season cannot exhibit a greater variety or a more brilliant display. The artist's favourite cat looking from under the table, seems quite alive, and ready to spring out of the canvas]] réalisée par Snyders. [40]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Last Supper. Albert Durer. "And he said, 'the hand of him that betrayeth me is with me on the table, And they, the disciples, began to enquire among themselves, which of them it was that should do this thing.' This valuable cabinet picture was painted in the year 1503, as appears by the date, and has been justly esteemed the chef d'oeuvre of Albert Durer, who attempted to excel Leonardi da Vinci in this divine performance: in point of colouring and composition, he has perhaps succeeded; it is painted on copper, and in the highest state of preservation: from a private chapel at Nuremberg (Albert Durer)|The Last Supper. Albert Durer. "And he said, 'the hand of him that betrayeth me is with me on the table, And they, the disciples, began to enquire among themselves, which of them it was that should do this thing.' This valuable cabinet picture was painted in the year 1503, as appears by the date, and has been justly esteemed the chef d'oeuvre of Albert Durer, who attempted to excel Leonardi da Vinci in this divine performance: in point of colouring and composition, he has perhaps succeeded; it is painted on copper, and in the highest state of preservation: from a private chapel at Nuremberg]] réalisée par Albert Durer. [66]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [["The Smugglers defeated." A romantic view on the coast of Sussex, with a smart rencontre between a small detachment of dragoons and a band of Smugglers, in which the former are completely victorious. Sir Francis Bourgeois: this animated performance is engraved, and esteemed the chef d'oeuvre of the departed knight (Sir Francis Bourgeois)|"The Smugglers defeated." A romantic view on the coast of Sussex, with a smart rencontre between a small detachment of dragoons and a band of Smugglers, in which the former are completely victorious. Sir Francis Bourgeois: this animated performance is engraved, and esteemed the chef d'oeuvre of the departed knight]] réalisée par Sir Francis Bourgeois. [73]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The late Sir Brook Watson bathing in the harbour of Havannah, in the Island of Cuba, was attacked by an enormous shark, who dreadfully mangled one of his legs: he was providentially rescued by his comrades just as the rapacious monster was about to take off his head. Copley. Being the original sketch for his celebrated picture (Copley)|The late Sir Brook Watson bathing in the harbour of Havannah, in the Island of Cuba, was attacked by an enormous shark, who dreadfully mangled one of his legs: he was providentially rescued by his comrades just as the rapacious monster was about to take off his head. Copley. Being the original sketch for his celebrated picture]] réalisée par Copley. [92]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Part of St. Mark's Place, the Bucentaur at anchor, with a great variety of figures, gondolas, &c. most correctly described; from the Cabinet of the late Lord Halifax This picture with its companion were brought from Italy by the late Lord Halifax, and rank among the most valuable productions of this great master (Cannaletti)|Part of St. Mark's Place, the Bucentaur at anchor, with a great variety of figures, gondolas, &c. most correctly described; from the Cabinet of the late Lord Halifax This picture with its companion were brought from Italy by the late Lord Halifax, and rank among the most valuable productions of this great master]] réalisée par Cannaletti. [105]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Church and Island of St. Giorgio, with the surrounding buildings. An elegant view in the finest time of Canaletti. This picture with its companion were brought from Italy by the late Lord Halifax, and rank among the most valuable productions of this great master (Canaletti)|The Church and Island of St. Giorgio, with the surrounding buildings. An elegant view in the finest time of Canaletti. This picture with its companion were brought from Italy by the late Lord Halifax, and rank among the most valuable productions of this great master]] réalisée par Canaletti. [106]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Siege of Valenciennes. Loutherbourg, R.A. This grand national picture will transmit to posterity, faithful portraits of the following illustrious and celebrated characters, viz. 1 Prince Frederick of Orange, Dutch Cavalry. 2 Colonel Moncrief, killed before Dunkirk. 3 Marquis of Huntley, Lieut. Col. 3d Regiment of Guards. 4 Hereditary Prince of Orange, Dutch Guards. 5 His Royal Highness Prince Ernest, Hanoverian Cavalry. 6 Field Marshall Freytag, Commander of the Hanoverian Troops. 7 Sir James Murray, Adjutant General to the British Forces in Flanders 8 Colonel Hulse, 1st Regiment of Guards 9 Colonel Leigh, 3d Guards, headed the Grenadiers who took possession of the horn work. 10 General Count Ferraris, Chief Engineer of the Imperial Army. 11 A Hussar Officer of the Regiment of Barco. 12 His Royal Highness Prince Adolphus, Hanoverian Guards. 13 Major General Lake, Commander of the Brigade of Guards. 14 General Count Walmoden, Hanoverian Cavalry. 15 His Royal Highness the Duke of York, Commander of the Besieging Armies, to whom Valenciennes surrendered. 16 Prince Hohenlohoe, General of Cavalry in the Imperial Army. 17 Major General Abercrombie, who commanded the Column of British appointed to storm. 18 The Arch-Duke Charles Louis, Governor General of the Austrian Netherlands, and brother to the Emperor of Germany. 19 Lieutenant Colonel St. Leger, 1st. Guards, Deputy Adjutant General. 20 Ensign Tollemache, 1st. Regiment of Guards, killed by the bursting of a shell in the trenches, on the night of the storm. 21 Lieutenant Colonel Doyle, 14th Regiment of Foot, of the storming party. 22 An Officer of the Imperial Regiment of Stuart. 23 Major Congreve, Commander of the British Artillery. 24 Lieutenant Thornton, Royal Artillery, who accompanied Col. Leigh, on the night of the storm. 25 General Count Clarifait, to whom Quesnoy surrendered. 26 Prince Ferdinand of Wurtemberg, to whom Condé surrendered. 27 Major General Baron De Wenckheim, who commanded the column of Imperialists appointed to storm the place. 28 His Serene Highness the Prince of Saxe Cobourg, Field Marshall, and Commander in Chief of the Combined Armies (Loutherbourg, R.A.)|The Siege of Valenciennes. Loutherbourg, R.A. This grand national picture will transmit to posterity, faithful portraits of the following illustrious and celebrated characters, viz. 1 Prince Frederick of Orange, Dutch Cavalry. 2 Colonel Moncrief, killed before Dunkirk. 3 Marquis of Huntley, Lieut. Col. 3d Regiment of Guards. 4 Hereditary Prince of Orange, Dutch Guards. 5 His Royal Highness Prince Ernest, Hanoverian Cavalry. 6 Field Marshall Freytag, Commander of the Hanoverian Troops. 7 Sir James Murray, Adjutant General to the British Forces in Flanders 8 Colonel Hulse, 1st Regiment of Guards 9 Colonel Leigh, 3d Guards, headed the Grenadiers who took possession of the horn work. 10 General Count Ferraris, Chief Engineer of the Imperial Army. 11 A Hussar Officer of the Regiment of Barco. 12 His Royal Highness Prince Adolphus, Hanoverian Guards. 13 Major General Lake, Commander of the Brigade of Guards. 14 General Count Walmoden, Hanoverian Cavalry. 15 His Royal Highness the Duke of York, Commander of the Besieging Armies, to whom Valenciennes surrendered. 16 Prince Hohenlohoe, General of Cavalry in the Imperial Army. 17 Major General Abercrombie, who commanded the Column of British appointed to storm. 18 The Arch-Duke Charles Louis, Governor General of the Austrian Netherlands, and brother to the Emperor of Germany. 19 Lieutenant Colonel St. Leger, 1st. Guards, Deputy Adjutant General. 20 Ensign Tollemache, 1st. Regiment of Guards, killed by the bursting of a shell in the trenches, on the night of the storm. 21 Lieutenant Colonel Doyle, 14th Regiment of Foot, of the storming party. 22 An Officer of the Imperial Regiment of Stuart. 23 Major Congreve, Commander of the British Artillery. 24 Lieutenant Thornton, Royal Artillery, who accompanied Col. Leigh, on the night of the storm. 25 General Count Clarifait, to whom Quesnoy surrendered. 26 Prince Ferdinand of Wurtemberg, to whom Condé surrendered. 27 Major General Baron De Wenckheim, who commanded the column of Imperialists appointed to storm the place. 28 His Serene Highness the Prince of Saxe Cobourg, Field Marshall, and Commander in Chief of the Combined Armies]] réalisée par Loutherbourg, R.A., vendue par [[[Vernon]]]. [111]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Earl Howe's glorious victory over the French fleet, June the 1st, 1794. Loutherbourg, R.A. The scene of this memorable action was 140 leagues E. half N. off Ushant; the time chosen by this inimitable artist, is the instant when Earl Howe, on board the Queen Charlotte is seen passing between the Montagne, the French Admiral's ship, which was to windward, and the Sans Pareille to leeward. During this thundering conflict the fore-top mast of the Queen Charlotte, on which was hoisted the signal, "To bear up, and engage her opponent in the line," was shot away. The spritsail having had its lift shot away, Sir Andrew Douglas is seen ordering five sailors on the yard, to bear it down to take the wind. On the fore-top and bowsprit end, the sailors are clearing away the disabled rigging. At the mizen top-mast head is the signal for engaging closer; and the union flag is flying at the main top-gallant mast head. Earl Howe is on the quarter-deck, ordering the Queen Charlotte to grapple with the Montagne, which the French Admiral perceiving, is sheering off. Sir Roger Curtis is stationed near Earl Howe. The surf of the water, the smoke distinct by itself, or mingling into air, have never been more truly represented; magnitude and motion, particularly of the Queen Charlotte and Montagne, are so wonderfully deceptive, that the spectator feels alarmed, and ready to start aside for fear of being run down by such tremendous objects (Loutherbourg, R.A.)|Earl Howe's glorious victory over the French fleet, June the 1st, 1794. Loutherbourg, R.A. The scene of this memorable action was 140 leagues E. half N. off Ushant; the time chosen by this inimitable artist, is the instant when Earl Howe, on board the Queen Charlotte is seen passing between the Montagne, the French Admiral's ship, which was to windward, and the Sans Pareille to leeward. During this thundering conflict the fore-top mast of the Queen Charlotte, on which was hoisted the signal, "To bear up, and engage her opponent in the line," was shot away. The spritsail having had its lift shot away, Sir Andrew Douglas is seen ordering five sailors on the yard, to bear it down to take the wind. On the fore-top and bowsprit end, the sailors are clearing away the disabled rigging. At the mizen top-mast head is the signal for engaging closer; and the union flag is flying at the main top-gallant mast head. Earl Howe is on the quarter-deck, ordering the Queen Charlotte to grapple with the Montagne, which the French Admiral perceiving, is sheering off. Sir Roger Curtis is stationed near Earl Howe. The surf of the water, the smoke distinct by itself, or mingling into air, have never been more truly represented; magnitude and motion, particularly of the Queen Charlotte and Montagne, are so wonderfully deceptive, that the spectator feels alarmed, and ready to start aside for fear of being run down by such tremendous objects]] réalisée par Loutherbourg, R.A., vendue par [[[Vernon]]]. [112]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[Pharoah and his Host drowning in the Red Sea, whilst Moses and the Israelites have safely passed over. Coypel. This classical picture possesses all the correctness of Nicolo Poussin, and has more than once been sold under the name of that great master (Coypel)|Pharoah and his Host drowning in the Red Sea, whilst Moses and the Israelites have safely passed over. Coypel. This classical picture possesses all the correctness of Nicolo Poussin, and has more than once been sold under the name of that great master]] réalisée par Coypel. [120]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The beautiful Marie Antoinette late Queen of France, consort of the unfortunate Louis XVI. led to execution by the savage Parisian Regicides: an interesting historical performance. Hamilton. Containing portraits of the principal actors in that infernal tragedy (Hamilton)|The beautiful Marie Antoinette late Queen of France, consort of the unfortunate Louis XVI. led to execution by the savage Parisian Regicides: an interesting historical performance. Hamilton. Containing portraits of the principal actors in that infernal tragedy]] réalisée par Hamilton. [142]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[The Queen of Bohemia with her interesting family. Gerrardo della Notte. He had the honour to instruct this Royal Family in the art of Painting. The Princess Louisa the second daughter was considered the most celebrated female artist in Europe; whilst the Princess Elizabeth her eldest sister was allowed to be the most learned lady of the age: the Princess Sophia the youngest daughter was mother of George the First of England, and universally esteemed the most accomplished of her sex (Gerrardo della Notte)|The Queen of Bohemia with her interesting family. Gerrardo della Notte. He had the honour to instruct this Royal Family in the art of Painting. The Princess Louisa the second daughter was considered the most celebrated female artist in Europe; whilst the Princess Elizabeth her eldest sister was allowed to be the most learned lady of the age: the Princess Sophia the youngest daughter was mother of George the First of England, and universally esteemed the most accomplished of her sex]] réalisée par Gerrardo della Notte. [144]
  • 1814.07.-/ maison de ventes : European Museum. Vente de l'œuvre décrite comme [[A superb bouquet of flowers. Van Huysum; who stands unrivalled in this department of art, whether we consider the delicacy of his touch, the brilliancy of his colouring, the tasteful arrangement of the various parts, or the elegant selection in his compositions, in every point of view he is truly inimitable (Van Huysum)|A superb bouquet of flowers. Van Huysum; who stands unrivalled in this department of art, whether we consider the delicacy of his touch, the brilliancy of his colouring, the tasteful arrangement of the various parts, or the elegant selection in his compositions, in every point of view he is truly inimitable]] réalisée par Van Huysum. [147]