Ventes d'œuvres le 1814.08.03

De Wikipast
Aller à la navigation Aller à la recherche
  • 1814.08.03/ maison de ventes : Ballantyne (John). Vente de l'œuvre décrite comme [[Still life, a genuine and finely executed picture of this artist, who flourished at Haerlem about 1690. It is said that Sir Peter Lely diverted him from painting portraits from a principle of jealousy; but his own genius inclined him to subjects of still life, in which he was unrivalled in his day, at which period his pictures brought 40 and 50l. each (Roestraeten)|Still life, a genuine and finely executed picture of this artist, who flourished at Haerlem about 1690. It is said that Sir Peter Lely diverted him from painting portraits from a principle of jealousy; but his own genius inclined him to subjects of still life, in which he was unrivalled in his day, at which period his pictures brought 40 and 50l. each]] réalisée par Roestraeten. [10]
  • 1814.08.03/ maison de ventes : Ballantyne (John). Vente de l'œuvre décrite comme [[Market-place on copper This artist, known by the appellation of Velvet Brueghel, was in the habit of painting landscapes in which Rubens and other ancient masters inserted the figures; although his own excellence afterwards in this branch of the art occasioned him to be employed by Mompert, Steenwyck, and others, to paint figures to adorn their pictures (Brueghel)|Market-place on copper This artist, known by the appellation of Velvet Brueghel, was in the habit of painting landscapes in which Rubens and other ancient masters inserted the figures; although his own excellence afterwards in this branch of the art occasioned him to be employed by Mompert, Steenwyck, and others, to paint figures to adorn their pictures]] réalisée par Brueghel. [12]
  • 1814.08.03/ maison de ventes : Ballantyne (John). Vente de l'œuvre décrite comme [[A fine large picture (landscape and figures) of this artist, of whom Pilkington observes, "No painter could possibly possess a greater share of public esteem or admiration than Ruysdaal; nor has his reputation been impaired even to this day. The grounds of his landscapes are agreeably broken, his skies clear, his trees delicately handled, and every part has the look of true nature" (Ruysdaal)|A fine large picture (landscape and figures) of this artist, of whom Pilkington observes, "No painter could possibly possess a greater share of public esteem or admiration than Ruysdaal; nor has his reputation been impaired even to this day. The grounds of his landscapes are agreeably broken, his skies clear, his trees delicately handled, and every part has the look of true nature"]] réalisée par Ruysdaal. [18]