Ventes d'œuvres le 1815.05.13

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  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Crucifixion. No scene can be more finely arranged for effect than the one here represented; and it would be difficult to bestow a stronger air of reality. All the persons are fully employed, and every one of the part intended for their performance. A solemn rich tone of colour most suitably predominates, and gives force to the general expression (Tintoretto)|The Crucifixion. No scene can be more finely arranged for effect than the one here represented; and it would be difficult to bestow a stronger air of reality. All the persons are fully employed, and every one of the part intended for their performance. A solemn rich tone of colour most suitably predominates, and gives force to the general expression]] réalisée par Tintoretto au prix de 136.10 £. [25]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Flagellation. In treating the subject the Painter has avoided the common mode of exhibiting a scene which harrows the mind of the beholder: he has contented himself with showing "the meek and lowly Man of sorrows" in the attitude of expostulation with his tormentors. The figure is at once elegant and impressive, and cannot fail to interest both the Man of feeling and the Admirer of superior Art (Giorgione)|The Flagellation. In treating the subject the Painter has avoided the common mode of exhibiting a scene which harrows the mind of the beholder: he has contented himself with showing "the meek and lowly Man of sorrows" in the attitude of expostulation with his tormentors. The figure is at once elegant and impressive, and cannot fail to interest both the Man of feeling and the Admirer of superior Art]] réalisée par Giorgione au prix de 136.10 £. [37]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The worship of Agbarus. This brilliant Picture from the Orleans Collection, has hitherto been denominated "The Adoration of the Kings," but as that appellation calls to the imagination the worship of the Magi, and seems to accuse the Painter of being guilty of an Anachronism, it perhaps may not be deemed improper to alter it to the name applied. The story is apocryphal; but a story related in a manner so brilliant is sure of delighting every one that has taste to enjoy a most beautiful production of Cagliari's pencil (Cagliari, called P. Veronese)|The worship of Agbarus. This brilliant Picture from the Orleans Collection, has hitherto been denominated "The Adoration of the Kings," but as that appellation calls to the imagination the worship of the Magi, and seems to accuse the Painter of being guilty of an Anachronism, it perhaps may not be deemed improper to alter it to the name applied. The story is apocryphal; but a story related in a manner so brilliant is sure of delighting every one that has taste to enjoy a most beautiful production of Cagliari's pencil]] réalisée par Cagliari, called P. Veronese au prix de 66.3 £. [38]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Conversation. The principal figures a Cavalier drinking to the charms of his mistress. The arrangement tasteful; the colour brilliant; the keeping fine, the second distance being in a clear transparent tone, while the more powerful effect of light is brought with judgment on the chief persons in the scene. -- A capital Picture of the master (Palamedes)|A Conversation. The principal figures a Cavalier drinking to the charms of his mistress. The arrangement tasteful; the colour brilliant; the keeping fine, the second distance being in a clear transparent tone, while the more powerful effect of light is brought with judgment on the chief persons in the scene. -- A capital Picture of the master]] réalisée par Palamedes au prix de 25.14 £. [41]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Holy Family, a Reposo. Treated in a most beautiful manner, and with an uncommon shew of originality. The figures are distributed in the principal parts of the Picture, yet connected by a chain of light that forms them into one exquisite groupe. The Landscape is truly grand, and a brilliant sky illumines the distance: in short the lovely and interesting forms, the masterly arrangement, and the splendid colour of this Picture render it one of the most valuable Cabinet examples of the Master (Anibale Caracci)|The Holy Family, a Reposo. Treated in a most beautiful manner, and with an uncommon shew of originality. The figures are distributed in the principal parts of the Picture, yet connected by a chain of light that forms them into one exquisite groupe. The Landscape is truly grand, and a brilliant sky illumines the distance: in short the lovely and interesting forms, the masterly arrangement, and the splendid colour of this Picture render it one of the most valuable Cabinet examples of the Master]] réalisée par Anibale Caracci au prix de 141.15 £. [43]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Samson taken by the Philistines. Painted with all the fire and vigour of genius; the Athletic forms of Samson, and the Philistine Soldiers, are fine instances of his anatomical knowledge, and the diversity of passion, so well expressed, proves his intimacy with the inward working of the mind under different impulses. -- A splendid and masterly Picture (Vandyck)|Samson taken by the Philistines. Painted with all the fire and vigour of genius; the Athletic forms of Samson, and the Philistine Soldiers, are fine instances of his anatomical knowledge, and the diversity of passion, so well expressed, proves his intimacy with the inward working of the mind under different impulses. -- A splendid and masterly Picture]] réalisée par Vandyck au prix de 210.0 £. [44]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Annunciation. The rich glow of Titian is so conspicuous in this work that it might have been attributed to him, if it were not equally important as being from the hand of his favourite disciple. Nothing can exceed the splendour and beauty of the tout ensemble, for judicious conception, fine drawing, and grandeur of expression (Palma)|The Annunciation. The rich glow of Titian is so conspicuous in this work that it might have been attributed to him, if it were not equally important as being from the hand of his favourite disciple. Nothing can exceed the splendour and beauty of the tout ensemble, for judicious conception, fine drawing, and grandeur of expression]] réalisée par Palma au prix de 68.5 £. [61]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Christ healing the Sick. This divine subject is treated with all the reverental feeling its sublimity demands. The sacred character is well preserved; the general ordonnance scientific without ostentation, and the details fully expressive of the subject. The Landscape in the back ground is deserving of particular attention for its force and beauty (Dietrichy)|Christ healing the Sick. This divine subject is treated with all the reverental feeling its sublimity demands. The sacred character is well preserved; the general ordonnance scientific without ostentation, and the details fully expressive of the subject. The Landscape in the back ground is deserving of particular attention for its force and beauty]] réalisée par Dietrichy au prix de 40.19 £. [68]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Winter Scene. A very lively representation of the enjoyment of the season; the Landscape is so critically correct in perspective arrangement that it appears rather to be a reduction in a camera obscura than the mere effect of colour and shadow (Vanderneer)|A Winter Scene. A very lively representation of the enjoyment of the season; the Landscape is so critically correct in perspective arrangement that it appears rather to be a reduction in a camera obscura than the mere effect of colour and shadow]] réalisée par Vanderneer au prix de 43.1 £. [69]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Landscape, enriched with buildings, figures and cattle. The rich tints of the morning sun shine "through the horizontal misty air," and tip the luxuriant foilage of the trees with splendid embroidery. The scene is calm and classic; and the eye expatiates over an extensive range of mountains (Claude)|A Landscape, enriched with buildings, figures and cattle. The rich tints of the morning sun shine "through the horizontal misty air," and tip the luxuriant foilage of the trees with splendid embroidery. The scene is calm and classic; and the eye expatiates over an extensive range of mountains]] réalisée par Claude au prix de 84.0 £. [73]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Landscape. This Picture, which is in a perfect state of preservation, was purchased by a Nobleman from the Altieri Palace; on his decease it came to the hands of the present proprietor. The light beaming behind the cluster of trees spreads a charming warmth over the extensive Landscape; the distance is managed with much tenderness and beauty, and the eye conducted along the irrigating stream to the utmost range, with great felicity (Claude)|A Landscape. This Picture, which is in a perfect state of preservation, was purchased by a Nobleman from the Altieri Palace; on his decease it came to the hands of the present proprietor. The light beaming behind the cluster of trees spreads a charming warmth over the extensive Landscape; the distance is managed with much tenderness and beauty, and the eye conducted along the irrigating stream to the utmost range, with great felicity]] réalisée par Claude au prix de 78.15 £. [81]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Landscape with a Grand Waterfall. From the wild and rugged appearance of the scenery, it is conjectured that this is a view in Norway: the Artist has not failed to portray it with all the energy of his powerful mode of representation; the Spectator may imagine the deep roar of the water tumbling abruptly over the loose intercepting fragments. -- Capital (Ruysdael)|Landscape with a Grand Waterfall. From the wild and rugged appearance of the scenery, it is conjectured that this is a view in Norway: the Artist has not failed to portray it with all the energy of his powerful mode of representation; the Spectator may imagine the deep roar of the water tumbling abruptly over the loose intercepting fragments. -- Capital]] réalisée par Ruysdael au prix de 73.10 £. [123]
  • 1815.05.13/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Landscape. A rich and beautiful view of a highly picturesque country, improved by the introduction of classic ruins and pastoral figures. The fall of water in the centre disturbs the tranquillity of the scene, but only so far as to give more pleasure by the repose which the adjacent dell presents. The figures unusually graceful, and very happily introduced (Claude)|Landscape. A rich and beautiful view of a highly picturesque country, improved by the introduction of classic ruins and pastoral figures. The fall of water in the centre disturbs the tranquillity of the scene, but only so far as to give more pleasure by the repose which the adjacent dell presents. The figures unusually graceful, and very happily introduced]] réalisée par Claude au prix de 99.15 £. [129]
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