Ventes d'œuvres le 1816.05.15

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  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Landscape, with a Fall of Water, broken by Rocky Fragments; Two Figures in Conversation on the right of the Picture, and a Shepherd in the middle distance with a Flock of Sheep: the back-ground exhibits a view of a mountainous country: on Canvass (Moucheron)|A Landscape, with a Fall of Water, broken by Rocky Fragments; Two Figures in Conversation on the right of the Picture, and a Shepherd in the middle distance with a Flock of Sheep: the back-ground exhibits a view of a mountainous country: on Canvass]] réalisée par Moucheron, vendue par Lucien Buonaparte, Prince of Canino au prix de 12.1 £. [10]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Philoctetes on the Island of Lemnos, kills the favourite Raven of Apollo. This Artist is at present Director of the Academy at Rome, and the same who painted the magnificent Picture now exhibiting in London, representing the Judgement of Brutus (Le Thiere)|Philoctetes on the Island of Lemnos, kills the favourite Raven of Apollo. This Artist is at present Director of the Academy at Rome, and the same who painted the magnificent Picture now exhibiting in London, representing the Judgement of Brutus]] réalisée par Le Thiere, vendue par Lucien Buonaparte, Prince of Canino au prix de 17.17 £. [17]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Artist's Study. In the Apartment are seen a variety of Articles, consisting of Musical Instruments, Armour, a Globe, Shells, Books, and other Objects, to display the skill of the Painter. On the Easel before him is a Picture on which he has been employed; and he probably meant, by representing himself Playing on the Guitar, to show the mode in which he relaxed from the great fatigue of his assiduous and sedentary labours: on Pannel (Gerard Douw)|The Artist's Study. In the Apartment are seen a variety of Articles, consisting of Musical Instruments, Armour, a Globe, Shells, Books, and other Objects, to display the skill of the Painter. On the Easel before him is a Picture on which he has been employed; and he probably meant, by representing himself Playing on the Guitar, to show the mode in which he relaxed from the great fatigue of his assiduous and sedentary labours: on Pannel]] réalisée par Gerard Douw, vendue par Lucien Buonaparte, Prince of Canino au prix de 21.0 £. [19]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Portrait of his Mistress. The rich and beautiful Carnation receives additional force from the dark Hair, and the vivacious Eyes that accompany it. The air of the Portrait is piquante, and the Drapery in harmony with the liveliness of the Expression: on Canvass (Murillo)|The Portrait of his Mistress. The rich and beautiful Carnation receives additional force from the dark Hair, and the vivacious Eyes that accompany it. The air of the Portrait is piquante, and the Drapery in harmony with the liveliness of the Expression: on Canvass]] réalisée par Murillo, vendue par Lucien Buonaparte, Prince of Canino au prix de 52.10 £. [26]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Resuscitation of Lazarus. This Picture, in fresco, is from the Pencil of one of the principal Disciples of Raffaelle, and is composed with a grandeur and dignity worthy of that Master himself. The chief Figures, that of Christ and Lazarus, are striking and full of character; and the other parts of the Picture correct and appropriate. It may be considered a fine Example of the high class of Historical Painting. This is a curious instance of a Picture, painted originally on a wall in fresco, removed on canvass, of which there are but very few in this country (Perino Del Vaga)|The Resuscitation of Lazarus. This Picture, in fresco, is from the Pencil of one of the principal Disciples of Raffaelle, and is composed with a grandeur and dignity worthy of that Master himself. The chief Figures, that of Christ and Lazarus, are striking and full of character; and the other parts of the Picture correct and appropriate. It may be considered a fine Example of the high class of Historical Painting. This is a curious instance of a Picture, painted originally on a wall in fresco, removed on canvass, of which there are but very few in this country]] réalisée par Perino Del Vaga, vendue par Lucien Buonaparte, Prince of Canino au prix de 15.15 £. [27]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[St. John Preaching. The Saint appears in the centre surrounded by Six Groupes of Figures listening to his Predications. The Designs remind the Observer of the manners of Raffaelle and A. del Sarto: but there is a certain grand style and gusto that belong to the Master, and are found in all his Works, of which this is a good Specimen: on Pannel, (Puntormo)|St. John Preaching. The Saint appears in the centre surrounded by Six Groupes of Figures listening to his Predications. The Designs remind the Observer of the manners of Raffaelle and A. del Sarto: but there is a certain grand style and gusto that belong to the Master, and are found in all his Works, of which this is a good Specimen: on Pannel,]] réalisée par Puntormo, vendue par Lucien Buonaparte, Prince of Canino au prix de 46.4 £. [28]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Miracle. The Saviour appears performing a Miracle on a Man habited in a Scarlet Drapery, and bound with Cords, which another in a Blue Robe is loosing. Two other Figures are near the Saviour, and a number of Demons occupy the right of the Picture. The Back-Ground is formed by ancient Architecture. This may be reckoned a very beautiful Example of an extremely rare Master: the Figure of Christ, in particular, is as fine as Raffaelle: on Pannel (Beata Da Fiesole)|A Miracle. The Saviour appears performing a Miracle on a Man habited in a Scarlet Drapery, and bound with Cords, which another in a Blue Robe is loosing. Two other Figures are near the Saviour, and a number of Demons occupy the right of the Picture. The Back-Ground is formed by ancient Architecture. This may be reckoned a very beautiful Example of an extremely rare Master: the Figure of Christ, in particular, is as fine as Raffaelle: on Pannel]] réalisée par Beata Da Fiesole, vendue par Lucien Buonaparte, Prince of Canino au prix de 24.3 £. [35]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Christ on the Mount of Olives, in earnest Prayer, is comforted by an Angel, while the Three Disciples, overpowered, are asleep in the Fore-Ground: in the Distance are seen Judas and the Multitude seeking them. For fine Composition, correct Drawing, and rich Colouring, this may be cited as an Example of the highest class, and does infinite credit to the Talents of the celebrated Biographer: on Pannel (Giorgio Vasari)|Christ on the Mount of Olives, in earnest Prayer, is comforted by an Angel, while the Three Disciples, overpowered, are asleep in the Fore-Ground: in the Distance are seen Judas and the Multitude seeking them. For fine Composition, correct Drawing, and rich Colouring, this may be cited as an Example of the highest class, and does infinite credit to the Talents of the celebrated Biographer: on Pannel]] réalisée par Giorgio Vasari, vendue par Lucien Buonaparte, Prince of Canino au prix de 105.0 £. [36]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Boat. This Picture takes its name from the principal Object being a Passage Boat, in which are a number of Figures and Animals. The Man at the Steerage is said to be the Artist. The Colouring is remarkably mellow and transparent; and the whole has the appearance of being performed with great care; it has been Engraved several times: on Canvass (Weenix)|The Boat. This Picture takes its name from the principal Object being a Passage Boat, in which are a number of Figures and Animals. The Man at the Steerage is said to be the Artist. The Colouring is remarkably mellow and transparent; and the whole has the appearance of being performed with great care; it has been Engraved several times: on Canvass]] réalisée par Weenix, vendue par Lucien Buonaparte, Prince of Canino au prix de 54.12 £. [38]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Interior of a Dutch Cottage, with a Peasant, his Wife, a Boy and Child, seated near the Fire. A number of Utensils, a Cat and Dog, form the Accessories. The Subjects are true to Nature; and a fine display of chiaro scuro gives value to the Picture: on Pannel (Le Nain)|Interior of a Dutch Cottage, with a Peasant, his Wife, a Boy and Child, seated near the Fire. A number of Utensils, a Cat and Dog, form the Accessories. The Subjects are true to Nature; and a fine display of chiaro scuro gives value to the Picture: on Pannel]] réalisée par Le Nain, vendue par Lucien Buonaparte, Prince of Canino au prix de 50.8 £. [39]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A brisk Gale off the Coast of Holland. In the fore part of the Picture is seen two small Vessels contending with the agitated Elements, one of them having lost its Mast: various other Vessels, among which is a Ship of War bearing a tri-coloured Flag, are in the Distance, and also the View of a City. The Scene is grand and imposing; and the central light on the waves heightens the effect by the power of contrast: on Canvass (Backhuysen)|A brisk Gale off the Coast of Holland. In the fore part of the Picture is seen two small Vessels contending with the agitated Elements, one of them having lost its Mast: various other Vessels, among which is a Ship of War bearing a tri-coloured Flag, are in the Distance, and also the View of a City. The Scene is grand and imposing; and the central light on the waves heightens the effect by the power of contrast: on Canvass]] réalisée par Backhuysen, vendue par Lucien Buonaparte, Prince of Canino au prix de 73.10 £. [40]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Magdalen and Two Angels. This beautiful composition, from Capo da Monte, represents the repentant Magdalen reclining her Head on her Hand, and on each side an Angel; the one holding the Emblem of Mortality, under which is placed a Book and sundry Ornaments; the other a Vase. The Design and Management are quite Corregiesque, the Draperies are in a noble style, and the whole has an impressive effect. It has been Engraved several times: on Pannel (Schidone)|Magdalen and Two Angels. This beautiful composition, from Capo da Monte, represents the repentant Magdalen reclining her Head on her Hand, and on each side an Angel; the one holding the Emblem of Mortality, under which is placed a Book and sundry Ornaments; the other a Vase. The Design and Management are quite Corregiesque, the Draperies are in a noble style, and the whole has an impressive effect. It has been Engraved several times: on Pannel]] réalisée par Schidone, vendue par Lucien Buonaparte, Prince of Canino au prix de 88.4 £. [43]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Discovery of Calista. This exquisite production, the subject of which is so well known throughout Europe, is the finished Study for the great Picture painted for the Emperor Charles the Vth, and which was burnt at the fire of Buen Retiro, at Madrid. It is needless to remark on what is so well known and appreciated: on Canvass (Titian)|The Discovery of Calista. This exquisite production, the subject of which is so well known throughout Europe, is the finished Study for the great Picture painted for the Emperor Charles the Vth, and which was burnt at the fire of Buen Retiro, at Madrid. It is needless to remark on what is so well known and appreciated: on Canvass]] réalisée par Titian, vendue par Lucien Buonaparte, Prince of Canino au prix de 59.17 £. [45]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Portrait of a Gentleman of the Medici Family. Not more attractive for the air of openness and candour in the Person represented, than for the beautiful style and management of the Artist. The Figure is habited in a black scholastic robe, with white silk sleeves, and holds a miniature Portrait in his right hand. The Carnations are remarkably clear and brilliant; and indeed every part has received the most careful and elaborate finish: on Pannel (Bronzino)|Portrait of a Gentleman of the Medici Family. Not more attractive for the air of openness and candour in the Person represented, than for the beautiful style and management of the Artist. The Figure is habited in a black scholastic robe, with white silk sleeves, and holds a miniature Portrait in his right hand. The Carnations are remarkably clear and brilliant; and indeed every part has received the most careful and elaborate finish: on Pannel]] réalisée par Bronzino, vendue par Lucien Buonaparte, Prince of Canino au prix de 86.2 £. [46]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Shipwreck. The Picture represents a subsiding Storm, with the fatal Effects resulting from its fury on a large Vessel, which occupies the centre, a complete Wreck. Several of the Sufferer's are seen clinging to Fragments of the Wreck, while others are seeking safety on a Rock, over which the Waves are dashing. A Boat is hastening to their relief, and in the middle distance a larger Vessel appears down towards them. The foaming Sprays beating against the Rock receive the principal light, which is continued in fine gradation over the undulating Waves to each extremity. It has been Engraved several times, and is a fine Specimen of the Master (Vernet)|A Shipwreck. The Picture represents a subsiding Storm, with the fatal Effects resulting from its fury on a large Vessel, which occupies the centre, a complete Wreck. Several of the Sufferer's are seen clinging to Fragments of the Wreck, while others are seeking safety on a Rock, over which the Waves are dashing. A Boat is hastening to their relief, and in the middle distance a larger Vessel appears down towards them. The foaming Sprays beating against the Rock receive the principal light, which is continued in fine gradation over the undulating Waves to each extremity. It has been Engraved several times, and is a fine Specimen of the Master]] réalisée par Vernet, vendue par Lucien Buonaparte, Prince of Canino au prix de 73.10 £. [47]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Portrait of the Duke of Alva. This famous Person is represented wearing a slashed Jerkin, according to the Costume of the time, over a rich quilted Vest, and round his Neck is an immense ornamental Chain. The expression and tone are uncommonly fine, and very little inferior to the best Works of Titian: on Canvass (Moro)|Portrait of the Duke of Alva. This famous Person is represented wearing a slashed Jerkin, according to the Costume of the time, over a rich quilted Vest, and round his Neck is an immense ornamental Chain. The expression and tone are uncommonly fine, and very little inferior to the best Works of Titian: on Canvass]] réalisée par Moro, vendue par Lucien Buonaparte, Prince of Canino au prix de 35.14 £. [48]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Leda. This exquisite Production was formerly in the Orleans' Collection, and is well known by the Engraving. The Form of Leda is peculiarly graceful, and the Children are represented with much simplicity. The rich Back-ground gives a fine effect to the Carnations, which are in the best tone of the Master's Pencil: on Pannel (Andrea Del Sarto)|Leda. This exquisite Production was formerly in the Orleans' Collection, and is well known by the Engraving. The Form of Leda is peculiarly graceful, and the Children are represented with much simplicity. The rich Back-ground gives a fine effect to the Carnations, which are in the best tone of the Master's Pencil: on Pannel]] réalisée par Andrea Del Sarto, vendue par Lucien Buonaparte, Prince of Canino au prix de 231.0 £. [49]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Flight into Egypt. The Virgin and Child are in repose, attended by Angels; two are looking on the sleeping Infant with admiration, while four others are gathering Palm Branches above. The Back-ground is in the grand gusto, and the Figures are full of colour: on Canvass (Domenichino)|The Flight into Egypt. The Virgin and Child are in repose, attended by Angels; two are looking on the sleeping Infant with admiration, while four others are gathering Palm Branches above. The Back-ground is in the grand gusto, and the Figures are full of colour: on Canvass]] réalisée par Domenichino, vendue par Lucien Buonaparte, Prince of Canino au prix de 52.10 £. [52]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The St. George. The Christian Champion, and titular Saint of England, armed cap-á-pied, and mounted on a superb white Courser, is portrayed vanquishing the Dragon, which lies overthrown beneath the Horse's Feet, by a deadly thrust of the Knight's Spear, broke in the conflict. A Female, wearing a radiated Crown, is in the distance, apparently praying for the Champion's success. Under these Figures, it is well known, Raffaelle intended to represent the danger of the Christian Church from diabolical malignity, and its victory by piety, courage, and perseverance. This Picture was long considered one of the greatest jewels in the royal French Collection, and is particularly described by d'Argenville, and other Writers. The Connoisseur will, no doubt, feel great pleasure in contemplating it rather as a work of art, than for any mystical signification it may contain; and as such it is entitled to the highest praise for the boldness of the design, the sweetness of the execution, and the very skilful manner in which every part unites together. On Canvass (Rafaelle)|The St. George. The Christian Champion, and titular Saint of England, armed cap-á-pied, and mounted on a superb white Courser, is portrayed vanquishing the Dragon, which lies overthrown beneath the Horse's Feet, by a deadly thrust of the Knight's Spear, broke in the conflict. A Female, wearing a radiated Crown, is in the distance, apparently praying for the Champion's success. Under these Figures, it is well known, Raffaelle intended to represent the danger of the Christian Church from diabolical malignity, and its victory by piety, courage, and perseverance. This Picture was long considered one of the greatest jewels in the royal French Collection, and is particularly described by d'Argenville, and other Writers. The Connoisseur will, no doubt, feel great pleasure in contemplating it rather as a work of art, than for any mystical signification it may contain; and as such it is entitled to the highest praise for the boldness of the design, the sweetness of the execution, and the very skilful manner in which every part unites together. On Canvass]] réalisée par Rafaelle, vendue par Lucien Buonaparte, Prince of Canino au prix de 210.0 £. [54]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Portrait of a Sultana of Venice. This Portrait of a beautiful Woman, richly habited, her Head-dress splendidly decorated with Pearls and precious Stones, and holding a Squirrel by a gold Chain, is perhaps, among the most desirable of the Master. The glow of the Carnation is finely harmonized by the magnificence of the accessorial parts; and the whole presents a rich variety, seldom to be found on so small a surface. From the Riccardi Palace. On Canvass (Titian)|Portrait of a Sultana of Venice. This Portrait of a beautiful Woman, richly habited, her Head-dress splendidly decorated with Pearls and precious Stones, and holding a Squirrel by a gold Chain, is perhaps, among the most desirable of the Master. The glow of the Carnation is finely harmonized by the magnificence of the accessorial parts; and the whole presents a rich variety, seldom to be found on so small a surface. From the Riccardi Palace. On Canvass]] réalisée par Titian, vendue par Lucien Buonaparte, Prince of Canino au prix de 152.5 £. [55]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Riposo. The Holy Mother is watching over the Sleeping Infant, and near her are Two Angels: St. Joseph, standing by the Ass, is looking on; a Vessel and some Packages indicate that they are Reposing during their Flight into Egypt. It is painted in the best style of the Master, and treated in a very interesting manner: on Canvass (Murillo)|Riposo. The Holy Mother is watching over the Sleeping Infant, and near her are Two Angels: St. Joseph, standing by the Ass, is looking on; a Vessel and some Packages indicate that they are Reposing during their Flight into Egypt. It is painted in the best style of the Master, and treated in a very interesting manner: on Canvass]] réalisée par Murillo, vendue par Lucien Buonaparte, Prince of Canino au prix de 84.0 £. [56]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Children slain by Bears. The effect of the Prophet Elisha's imprecation on the Children who mocked him on his going up to Bethel, is represented in a pathetic manner: the Landscape is given in the grand style, and enriched with Ancient Ruins: it is acknowledged the Chef-d'oeuvre of the Master: on Canvass (La Hire)|Children slain by Bears. The effect of the Prophet Elisha's imprecation on the Children who mocked him on his going up to Bethel, is represented in a pathetic manner: the Landscape is given in the grand style, and enriched with Ancient Ruins: it is acknowledged the Chef-d'oeuvre of the Master: on Canvass]] réalisée par La Hire, vendue par Lucien Buonaparte, Prince of Canino au prix de 68.5 £. [57]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[La Zingarella. This remarkably beautiful Composition, formerly the chief Ornament of the Gallery at Capo di Monte, is, perhaps, the most famous Picture of the Master, not even excepting the "Notte." It contains every beauty of Correggio's style: on Pannel (Correggio)|La Zingarella. This remarkably beautiful Composition, formerly the chief Ornament of the Gallery at Capo di Monte, is, perhaps, the most famous Picture of the Master, not even excepting the "Notte." It contains every beauty of Correggio's style: on Pannel]] réalisée par Correggio, vendue par Lucien Buonaparte, Prince of Canino au prix de 105.0 £. [58]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Portrait of Francesco Penni, the Friend and Heir of Raffaelle, will be found deserving the minute attention of those who wish to become acquainted with his Works at the best period. On the Letter which he holds in his hand, is the Writing of the Artist. These circumstances, no doubt, add value to this Picture, which is a beautiful Example of Art, and in perfect preservation: on Pannel (Raffaelle)|Portrait of Francesco Penni, the Friend and Heir of Raffaelle, will be found deserving the minute attention of those who wish to become acquainted with his Works at the best period. On the Letter which he holds in his hand, is the Writing of the Artist. These circumstances, no doubt, add value to this Picture, which is a beautiful Example of Art, and in perfect preservation: on Pannel]] réalisée par Raffaelle, vendue par Lucien Buonaparte, Prince of Canino au prix de 178.10 £. [59]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Landscape, with the Story of Tobit and the Angel. The present Landscape is one of those delightful romantic Scenes by Salvator, where the truth of Perspective, and the clear tones of the Atmosphere, are so conspicuous. The Trees are painted with spirit, the Water transparent, the Figures elegantly drawn, and introduced with judgment: indeed the whole Picture has the finest Effect, and it may be classed among the best of the Master's Works: on Canvass (Salvator Rosa)|A Landscape, with the Story of Tobit and the Angel. The present Landscape is one of those delightful romantic Scenes by Salvator, where the truth of Perspective, and the clear tones of the Atmosphere, are so conspicuous. The Trees are painted with spirit, the Water transparent, the Figures elegantly drawn, and introduced with judgment: indeed the whole Picture has the finest Effect, and it may be classed among the best of the Master's Works: on Canvass]] réalisée par Salvator Rosa, vendue par Lucien Buonaparte, Prince of Canino au prix de 199.10 £. [60]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Venus and Cupid. A glorious Production of the Pencil, and a most splendid instance of the Venetian style of Colouring. It has passed a long time for the Work of Titian, and is a Picture that would add honour even to the Prince of the Venetian School: on Canvass (Paduanino)|Venus and Cupid. A glorious Production of the Pencil, and a most splendid instance of the Venetian style of Colouring. It has passed a long time for the Work of Titian, and is a Picture that would add honour even to the Prince of the Venetian School: on Canvass]] réalisée par Paduanino, vendue par Lucien Buonaparte, Prince of Canino au prix de 178.10 £. [61]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A Landscape, with the Story of the Flight into Egypt. The Scene is beautifully laid on the Banks of a large winding River, which extends to the Sea in the horizon: the Country is rich and varied; and in the Fore-ground a fine broad Mass of luxuriant Trees overshadows the Ruins of an Ancient Temple. Two Men in a Boat are looking after the Travellers; and a Herd of Cattle are approaching the River to drink. The warm glow of a Summer Evening is thrown over the whole, and produces a magnificent Effect. Formerly in the Colonna Gallery at Rome; afterwards in the Collection of the Bishop of Bristol, by whose name it is generally known, and is Engraved in the Liber Veritatis: on Canvass (Claude)|A Landscape, with the Story of the Flight into Egypt. The Scene is beautifully laid on the Banks of a large winding River, which extends to the Sea in the horizon: the Country is rich and varied; and in the Fore-ground a fine broad Mass of luxuriant Trees overshadows the Ruins of an Ancient Temple. Two Men in a Boat are looking after the Travellers; and a Herd of Cattle are approaching the River to drink. The warm glow of a Summer Evening is thrown over the whole, and produces a magnificent Effect. Formerly in the Colonna Gallery at Rome; afterwards in the Collection of the Bishop of Bristol, by whose name it is generally known, and is Engraved in the Liber Veritatis: on Canvass]] réalisée par Claude, vendue par Lucien Buonaparte, Prince of Canino au prix de 514.10 £. [62]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Basket of Fruit. A Female bearing a Basket of Fruit in front gives name to the Picture: two others are seen by Candlelight: a Parrot sits perched to the left; and round the Figures is a mixed Architectural Design in relief. The introduction of two Lights shows great knowledge in that branch of the Art, and is equal to Rubens in Effect. The Picture has been often Engraved. On Canvass (Jordaens)|The Basket of Fruit. A Female bearing a Basket of Fruit in front gives name to the Picture: two others are seen by Candlelight: a Parrot sits perched to the left; and round the Figures is a mixed Architectural Design in relief. The introduction of two Lights shows great knowledge in that branch of the Art, and is equal to Rubens in Effect. The Picture has been often Engraved. On Canvass]] réalisée par Jordaens, vendue par Lucien Buonaparte, Prince of Canino au prix de 178.10 £. [63]
  • 1816.05.15/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Fête Champêtre. A beautiful Example in the clear and argentine manner of the Master. The various Groupes are arranged with skill, and are full of spirit; the Landscape every way appropriate; and the whole bearing evidence of the genius, skill, and attention of the Painter. Formerly in the possession of Monsieur Tartre, and has been Engraved by Le Bas. On Copper (Teniers)|Fête Champêtre. A beautiful Example in the clear and argentine manner of the Master. The various Groupes are arranged with skill, and are full of spirit; the Landscape every way appropriate; and the whole bearing evidence of the genius, skill, and attention of the Painter. Formerly in the possession of Monsieur Tartre, and has been Engraved by Le Bas. On Copper]] réalisée par Teniers, vendue par Lucien Buonaparte, Prince of Canino au prix de 315.0 £. [64]
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