Ventes d'œuvres le 1816.06.01

• 1816.06.01/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Painting, 3 prints, and a washing tub réalisée par un.e artiste anonyme, vendue par C B Sq, achetée par Harrison au prix de 0.9 £. [1]

• 1816.06.01/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Two paintings réalisée par un.e artiste anonyme, vendue par Cruiz. [2]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Card-players -- a picture which for force and richness of colouring, rivals the works of Adrian Ostade réalisée par Dusart. [3]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Landscape réalisée par Gaspar Poussin. [4]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Female coming out of the bath -- a very uncommon, and fine picture of this master réalisée par Chev. Vanderwerf. [5]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Travelling Musicians: lately in the celebrated collection formed by the Empress Josephine, at Malmaison, where it was esteemed the chef d'oeuvre of this master -- This composition is truly laughable réalisée par Jordaens, vendue par [[[David?]]]. [6]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Temptation of St. Anthony; from the King of Spain's Gallery at Madrid -- the flowers by Breughel -- the whole painted with great clearness and spirit réalisée par D. Teniers. [7]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Portrait of the Dwarf of Philip IV. of Spain: from the royal gallery at Madrid. -- This portrait is unfinished, and affords an example of the facility and freedom with which this rare master painted his pictures réalisée par Velasquez. [8]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A Family Piece, wherein the principal character is represented distributing alms réalisée par Gonzales Cocke, vendue par [[[Buchanan?]]]. [9]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Venus and Adonis -- a finished study for a large picture réalisée par Giorgione. [10]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A group of Gypsies, with other figures and horses -- a brilliant picture of the master réalisée par Ph. Wouvermans. [11]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Virgin, Child and St. Francis -- a fine example of this master, and painted with great firmness and force of colouring réalisée par P. da Cortona. [12]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A Monk: this picture was in the Royal Palace of the Escurial; it is painted in the very finest manner of the master, who was the most correct draughtsman of the Spanish School réalisée par Velasquez. [13]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Village Surgeon réalisée par Brauwer. [14]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Virgin and Child réalisée par Guido Cagnacci. [15]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Conveyancer -- a picture full of fun and character; the Old Smoaker in this piece, is Francis Mieris; his own portrait, is that of the fiddler réalisée par Jan Steen, vendue par [[[Dr E Peart?]]]. [16]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A grand composition; which was formerly in a Convent at Madrid -- painted by this master at Venice, when he was studying the works of the Italian masters réalisée par Vandyck. [17]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Quack Doctor -- a fine picture of this master réalisée par Jan Miel. [18]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A beautifully clear, and transparently painted picture of this esteemed master, which happily blends a subject, purely pastoral, with classic scenery réalisée par Berchem. [19]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Interior of a Cathedral -- a fine specimen of this master réalisée par Steenwych. [20]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Card-players -- a picture particularly mentioned in the life of this master by Descamp réalisée par Jan Steen. [21]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme View of a town in Holland -- painted much in the manner of Vander Heyden réalisée par Ruysdael. [22]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Holy Family and Saints, in a Landscape -- This fine picture comes from the collection at Malmaison, and is one of those grand compositions, in which the master has shewn his great powers as a landscape painter, as well as a painter of figures: it was originally in the Justiniani Palace, at Rome (Titian)|Holy Family and Saints, in a Landscape -- This fine picture comes from the collection at Malmaison, and is one of those grand compositions, in which the master has shewn his great powers as a landscape painter, as well as a painter of figures: it was originally in the Justiniani Palace, at Rome]] réalisée par Titian, vendue par [[[David?]]]. [23]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Riposo of the Holy Family in Egypt, attended by Angels -- This magnificent picture, was originally in the collection of the Cardinal Mazarine, and may truly be considered as one of the most capital pictures which now exists of this very rare master; the composition is grand, and noble; the figures throughout are finely disposed; and while there is a force of colouring in it, which belongs exclusively to the Venetian School, there is also a most delightful harmony, and repose, which will lead the intelligent Amateur to regard its various beauties with much pleasure (Georgione)|Riposo of the Holy Family in Egypt, attended by Angels -- This magnificent picture, was originally in the collection of the Cardinal Mazarine, and may truly be considered as one of the most capital pictures which now exists of this very rare master; the composition is grand, and noble; the figures throughout are finely disposed; and while there is a force of colouring in it, which belongs exclusively to the Venetian School, there is also a most delightful harmony, and repose, which will lead the intelligent Amateur to regard its various beauties with much pleasure]] réalisée par Georgione. [24]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Landscape with figures -- painted in the free and light manner of this master réalisée par D. Teniers. [25]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Peter denying Christ réalisée par un.e artiste anonyme, vendue par [[[David?]]]. [26]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Moses driving the Shepherds from the Well -- This picture has always been considered as one of the finest works of the master, and approaches much in character the works of Nicholas Poussin, whose friend and cotemporary he was. -- The landscape of this composition is uncommonly fine, and the plants and shrubs are painted with a truth and finish equal to Claude Lorraine (Stella)|Moses driving the Shepherds from the Well -- This picture has always been considered as one of the finest works of the master, and approaches much in character the works of Nicholas Poussin, whose friend and cotemporary he was. -- The landscape of this composition is uncommonly fine, and the plants and shrubs are painted with a truth and finish equal to Claude Lorraine]] réalisée par Stella. [27]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Moon-light -- a picture painted with a fine effect of clair obscure réalisée par Vanderneer. [28]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A beautiful small picture of this master, formerly in the Praslin collection réalisée par Ph. Wouvermans. [29]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Landscape and figures -- a freely painted picture of this master réalisée par Wynants, vendue par [[[Dr E Peart?]]]. [30]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Head of St. John -- a very precious picture of this rare master; formerly at Milan, and which Le Brun of Paris purchased there in 1807 réalisée par L. da Vinci. [31]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Dutch merry-making -- one of the most powerful coloured pictures of this master, painted at his best time, and in his finest manner réalisée par Jan Steen, vendue par [[[Buchanan?]]]. [32]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A hawking party -- This small picture painted much in the manner of Berchem, formed one of the gallery of pictures which belonged to the Queen of Spain, and was procured by General Sebastiani while at Madrid réalisée par Ph. Wouvermans, vendue par [[[General Sebastiani]]]. [33]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Our Saviour on the Cross -- This sublime picture may be considered as one of the finest small works of the master, as well for the grandeur of its general composition, as for its fine drawing and character. It is one of the most affecting subjects which the mind can contemplate (A. Carracci)|Our Saviour on the Cross -- This sublime picture may be considered as one of the finest small works of the master, as well for the grandeur of its general composition, as for its fine drawing and character. It is one of the most affecting subjects which the mind can contemplate]] réalisée par A. Carracci, vendue par [[[Dr E Peart?]]]. [34]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Dead Christ and Maries -- The finished study for the great picture known by the name of the Caprola picture. This picture has been etched by himself réalisée par Annibal Carracci, vendue par [[[Dr E Peart?]]]. [35]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Holy Family with St. Francis réalisée par Ang. Caracci, vendue par [[[Dr E Peart?]]]. [36]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Incredulity of St. Thomas -- painted with much richness of colouring réalisée par G. Flink, vendue par [[[Dr E Peart?]]]. [37]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The young Christ and St. Francis, attended by Angels -- painted with great truth, and simplicity of colouring réalisée par Pereda. [38]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Adoration of the Magi -- a fine example of this early master réalisée par J. Van Eick. [39]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Autumn réalisée par Breughel. [40]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Holy Family with Saints -- a rich specimen of this esteemed Venetian master, not yielding in point of colouring to the works of Titian or Georgione réalisée par Palma Vecchio. [41]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Sea Piece, painted in a light and pleasing manner réalisée par W. Vanderveldt. [42]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme View of a Sea Port, with a strong effect of sun light -- a picture which has always been much valued in Paris réalisée par Claude. [43]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Venus and Adonis réalisée par W. Mieris, vendue par [[[Dr E Peart?]]]. [44]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Christ among the Doctors réalisée par Bramer, vendue par [[[Dr E Peart?]]]. [45]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Esther before Ahasuerus -- The composition of this picture is admirable. The contour of the group of females, evidently has been taken from the celebrated group of the Laocoon, and possesses that character of the antique, for which this master's works have been so celebrated. This picture deserves every attention (N. Poussin)|Esther before Ahasuerus -- The composition of this picture is admirable. The contour of the group of females, evidently has been taken from the celebrated group of the Laocoon, and possesses that character of the antique, for which this master's works have been so celebrated. This picture deserves every attention]] réalisée par N. Poussin, vendue par [[[Dr E Peart?]]]. [46]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A Sea Engagement -- formerly at Malmaison réalisée par Backhuysen, vendue par [[[David?]]]. [47]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Tiberius and Cleopatra -- one of the high finished specimens of this master réalisée par F. Mieris. [48]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Deliverance of Genoa -- This grand composition was painted by Pereda for the Court of Spain, in order to commemorate an historical event in Spanish History -- It represents the moment of time when the Doge of Genoa with the Senate come out to receive the Marquis of Santa Cruz with his generals, who with a powerful army had just landed for the purpose of raising the siege of that city, which in consequence of a long investment by the French army was reduced to a state of the greatest distress, and must soon have capitulated. The misery depicted in the pallid countenances of the Doge and his attendants, compared with the independent and characteristic gait of the Spaniards, forms a contrast exceedingly powerful, and renders the whole highly interesting. The great applause which this picture met with, and the distinguished situation in which it was placed in the Retiro Palace at Madrid, procured for the young artist the most flattering reputation; and down to the period of its leaving that Royal Palace, it has always been considered as one of the finest pictures in that capital. In it will be discovered much of the style and manner of Rubens, whose works had gained great ascendancy and reputation in Spain (Pereda)|The Deliverance of Genoa -- This grand composition was painted by Pereda for the Court of Spain, in order to commemorate an historical event in Spanish History -- It represents the moment of time when the Doge of Genoa with the Senate come out to receive the Marquis of Santa Cruz with his generals, who with a powerful army had just landed for the purpose of raising the siege of that city, which in consequence of a long investment by the French army was reduced to a state of the greatest distress, and must soon have capitulated. The misery depicted in the pallid countenances of the Doge and his attendants, compared with the independent and characteristic gait of the Spaniards, forms a contrast exceedingly powerful, and renders the whole highly interesting. The great applause which this picture met with, and the distinguished situation in which it was placed in the Retiro Palace at Madrid, procured for the young artist the most flattering reputation; and down to the period of its leaving that Royal Palace, it has always been considered as one of the finest pictures in that capital. In it will be discovered much of the style and manner of Rubens, whose works had gained great ascendancy and reputation in Spain]] réalisée par Pereda, vendue par [[[General Sebastiani]]]. [49]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Smoakers: a small picture réalisée par David Teniers. [50]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme St. Jerome in the Desert réalisée par Domenichino, vendue par [[[Dr E Peart?]]]. [51]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme St. James -- This picture is taken from the legend of St. James, having appeared in one of the most bloody battles which the Spaniards had with the Moors, and animated the former to victory réalisée par Tiepolo, vendue par [[[Edmond Bourke]]]. [52]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The original picture of Cupid réalisée par Sir J. Reynolds. [53]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Marriage of St. Catherine: from the picture in the Royal collection at Naples The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master (Mr. Guttenbrunn)|Marriage of St. Catherine: from the picture in the Royal collection at Naples The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master]] réalisée par Mr. Guttenbrunn. [54]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[La Notte: from the celebrated picture in the Dresden Gallery The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master (Mr. Guttenbrunn)|La Notte: from the celebrated picture in the Dresden Gallery The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master]] réalisée par Mr. Guttenbrunn. [55]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The St. Jerome: from the picture at Parma, lately at the Louvre The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master (Mr. Guttenbrunn)|The St. Jerome: from the picture at Parma, lately at the Louvre The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master]] réalisée par Mr. Guttenbrunn. [56]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The St. George: from the picture at Dresden, called The Day The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master (Mr. Guttenbrunn)|The St. George: from the picture at Dresden, called The Day The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master]] réalisée par Mr. Guttenbrunn. [57]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Magdalen: from the picture at Dresden The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master (Mr. Guttenbrunn)|Magdalen: from the picture at Dresden The five following Pictures were copied by Mr. Guttenbrunn, Member of the Academy at Milan, &c. after the most celebrated works of Correggio. They become highly interesting from the consideration, that no wealth whatever could procure the Originals from the galleries where they now remain; that the Originals have always been considered as the principal works of this most esteemed, and scarce master; and that in England there is no positive certainty of ever being able to find any work of magnitude, by this master]] réalisée par Mr. Guttenbrunn. [58]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Portrait réalisée par Pourbus. [59]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Dead Christ and Maries réalisée par John Van Eick. [60]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Spring réalisée par Breughel. [61]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Lady and Doctor: -- a picture formerly in the collection of Van Leyden of Amsterdam, and one of his high finished works réalisée par Jan Steen. [62]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Landscape and Cattle réalisée par Ruysdael. [63]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Magdalen in the Desert réalisée par An. Caracci, vendue par [[[Dr E Peart?]]]. [64]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Virgin réalisée par Sasso Ferrato. [65]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Susannah brought before Daniel. -- This picture and its companion, have always been esteemed two of the finest pictures of this master, whose works upon a large scale are very scarce réalisée par Valentin. [66]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[King Charles I. -- This very capital picture, and its companion, the Queen Henrietta Maria, lately formed two of the principal ornaments of the gallery at Malmaison, and will be readily recognised by those who have seen that fine collection previous to its dispersion. In no picture of this Eminent Patron and Encourager of the Fine Arts, has Vandycke displayed his great talents more happily, or with greater force, and effect; it blends the character of the sovereign, with that of the perfect gentleman: and the picture itself in every respect has always been considered as a chef d'oeuvre (Vandycke)|King Charles I. -- This very capital picture, and its companion, the Queen Henrietta Maria, lately formed two of the principal ornaments of the gallery at Malmaison, and will be readily recognised by those who have seen that fine collection previous to its dispersion. In no picture of this Eminent Patron and Encourager of the Fine Arts, has Vandycke displayed his great talents more happily, or with greater force, and effect; it blends the character of the sovereign, with that of the perfect gentleman: and the picture itself in every respect has always been considered as a chef d'oeuvre]] réalisée par Vandycke, vendue par [[[David?]]]. [67]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Village Festival: -- formerly in the collection of the Duc de Choiseul. It is well known from the engraving réalisée par D. Teniers. [68]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Portrait of a Burgomaster of Antwerp -- This fine picture and its companion No. 72, are well known from the high character which they held while in the gallery of Hesse-Cassel; afterwards when removed into France, they were selected for the collection of the Empress Josephine at Malmaison, and were there still called the Hesse-Cassel pictures. It is well known, that the Emperor of Russia, last year became the purchaser of twenty-five of the finest pictures of the Flemish and Dutch Schools, which were in the Malmaison collection; but these two portraits, with a few others, having been removed before the arrival of the Allies, a very large sum was afterwards offered by his Imperial Majesty to those in whose possession they were, to induce them to produce them, but to no effect. The superior excellence of these two pictures will now recommend them to the judicious connoisseur (Rembrandt)|Portrait of a Burgomaster of Antwerp -- This fine picture and its companion No. 72, are well known from the high character which they held while in the gallery of Hesse-Cassel; afterwards when removed into France, they were selected for the collection of the Empress Josephine at Malmaison, and were there still called the Hesse-Cassel pictures. It is well known, that the Emperor of Russia, last year became the purchaser of twenty-five of the finest pictures of the Flemish and Dutch Schools, which were in the Malmaison collection; but these two portraits, with a few others, having been removed before the arrival of the Allies, a very large sum was afterwards offered by his Imperial Majesty to those in whose possession they were, to induce them to produce them, but to no effect. The superior excellence of these two pictures will now recommend them to the judicious connoisseur]] réalisée par Rembrandt, vendue par [[[David?]]]. [69]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Head of our Saviour: from the Royal Palace of the Escurial réalisée par Murillo. [70]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Holy Family in a grand landscape: from the Royal Palace of the Escurial réalisée par Paris Bordone. [71]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A grand Landscape, with the view of a ruined Abbey -- always considered in France to be the chef d'oeuvre of this master, and for which Mr. Denon offered a large sum of money for the purpose of being placed in the National Gallery of France réalisée par Ruysdael. [72]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme A Village Festival: formerly in the Choiseul collection; companion to No. 66 réalisée par D. Teniers, Jun.. [73]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Portrait of the Burgomaster's Wife. -- This picture companion to No. 67, presents one of the most finished examples of portrait-painting, in the clear and transparent manner of this master. It combines both nature, and art This fine picture and its companion No. 72, are well known from the high character which they held while in the gallery of Hesse-Cassel; afterwards when removed into France, they were selected for the collection of the Empress Josephine at Malmaison, and were there still called the Hesse-Cassel pictures. It is well known, that the Emperor of Russia, last year became the purchaser of twenty-five of the finest pictures of the Flemish and Dutch Schools, which were in the Malmaison collection; but these two portraits, with a few others, having been removed before the arrival of the Allies, a very large sum was afterwards offered by his Imperial Majesty to those in whose possession they were, to induce them to produce them, but to no effect. The superior excellence of these two pictures will now recommend them to the judicious connoisseur (Rembrandt)|Portrait of the Burgomaster's Wife. -- This picture companion to No. 67, presents one of the most finished examples of portrait-painting, in the clear and transparent manner of this master. It combines both nature, and art This fine picture and its companion No. 72, are well known from the high character which they held while in the gallery of Hesse-Cassel; afterwards when removed into France, they were selected for the collection of the Empress Josephine at Malmaison, and were there still called the Hesse-Cassel pictures. It is well known, that the Emperor of Russia, last year became the purchaser of twenty-five of the finest pictures of the Flemish and Dutch Schools, which were in the Malmaison collection; but these two portraits, with a few others, having been removed before the arrival of the Allies, a very large sum was afterwards offered by his Imperial Majesty to those in whose possession they were, to induce them to produce them, but to no effect. The superior excellence of these two pictures will now recommend them to the judicious connoisseur]] réalisée par Rembrandt, vendue par [[[David?]]]. [74]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Head of an Apostle; from the Royal Palace of the Escurial -- a picture painted with great bravura, and powerful effect réalisée par Spagnolett. [75]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[The Judgement of Solomon: -- This picture which forms a companion to No. 63, is treated in a manner highly worthy of admiration, and is painted in a style of freedom, and with an effect, equal to the best works of Michael Angelo Carravaggio: the subject requires no description (Valentin)|The Judgement of Solomon: -- This picture which forms a companion to No. 63, is treated in a manner highly worthy of admiration, and is painted in a style of freedom, and with an effect, equal to the best works of Michael Angelo Carravaggio: the subject requires no description]] réalisée par Valentin. [76]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Queen Henrietta Maria. -- This beautiful portrait of the Queen of King Charles I. of England, and daughter of Henry IV. of France, formed, with its companion, two of the leading ornaments in the gallery of the Empress Josephine, at Malmaison -- In it Vandycke has displayed the whole delicacy of his art, and has admirably adapted his pencil, to the elegance and personal beauty of the personage represented. -- These pictures may not only be classed among the finest works of art, but are peculiarly interesting to the British Nation in general, from the high characters they represent (Vandycke)|Queen Henrietta Maria. -- This beautiful portrait of the Queen of King Charles I. of England, and daughter of Henry IV. of France, formed, with its companion, two of the leading ornaments in the gallery of the Empress Josephine, at Malmaison -- In it Vandycke has displayed the whole delicacy of his art, and has admirably adapted his pencil, to the elegance and personal beauty of the personage represented. -- These pictures may not only be classed among the finest works of art, but are peculiarly interesting to the British Nation in general, from the high characters they represent]] réalisée par Vandycke, vendue par [[[David?]]]. [77]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Landscape: -- This charming little picture, painted at the best time of the master, and in the same manner as that now in the British Gallery, belonging to Ph. J. Miles, Esq. was formerly selected by Pond, for his series of engravings, after landscapes by Poussin, Claude, and Salvator Rosa, at the period when it formed one of the fine collection of W. Locke, Esq. It may be considered as the multum in parvo of this classical master's best compositions. -- It does not appear to have been ever cleaned (Gaspar Poussin)|Landscape: -- This charming little picture, painted at the best time of the master, and in the same manner as that now in the British Gallery, belonging to Ph. J. Miles, Esq. was formerly selected by Pond, for his series of engravings, after landscapes by Poussin, Claude, and Salvator Rosa, at the period when it formed one of the fine collection of W. Locke, Esq. It may be considered as the multum in parvo of this classical master's best compositions. -- It does not appear to have been ever cleaned]] réalisée par Gaspar Poussin. [78]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Virgin and Child: evidently painted on the principles of Correggio, whose works he always endeavoured to imitate réalisée par Baroccio. [79]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Landscape: known by the name of the Coach: -- formerly in the collection of the Duc de Choiseul; and engraved in the book known by the title of the Cabinet du Choiseul. No landscapes are more rare, or have been more prized by connoisseurs, than those of Rembrandt -- the present is in a most genuine and perfect state, never having undergone the operation of cleaning (Rembrandt)|Landscape: known by the name of the Coach: -- formerly in the collection of the Duc de Choiseul; and engraved in the book known by the title of the Cabinet du Choiseul. No landscapes are more rare, or have been more prized by connoisseurs, than those of Rembrandt -- the present is in a most genuine and perfect state, never having undergone the operation of cleaning]] réalisée par Rembrandt, vendue par [[[Dr E Peart?]]]. [80]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Magdalen: -- a picture fron the Escurial; painted much in the manner of Vandycke réalisée par Cereso, vendue par [[[Edmond Bourke]]]. [81]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Card players réalisée par Old Teniers. [82]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Last Supper: -- a finished study for the great picture in the Cathedral of Mechlin réalisée par Rubens, vendue par [[[Dr E Peart?]]]. [83]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Christ and Woman at the Well réalisée par Seb. del Piombo, vendue par [[[Dr E Peart?]]]. [84]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Sea Port: a magnificent composition réalisée par Claude. [85]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Pan and Syrinx réalisée par Carlo Maratti, vendue par [[[Dr E Peart?]]]. [86]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Nativity réalisée par Orente. [87]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Apollo and Daphne réalisée par Carlo Maratti, vendue par [[[Dr E Peart?]]]. [88]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Entombment réalisée par Caracci. [89]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Holy Family réalisée par Baroccio. [90]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Pilgrim: from the King of Spain's collection at Madrid: an engraved picture réalisée par Zurberan. [91]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Magdalen réalisée par Schidone, vendue par [[[Dr E Peart?]]]. [92]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme [[Assumption of the Virgin: -- This fine picture, painted by one of the most favourite masters of the Spanish School, was formerly the great Altar-piece in the Cathedral at Grenada, and was procured by General Sebastiani while in that capital. It possesses much of the style of the light painted pictures of Murillo; the azure tints in it are very beautiful, and well adapted to the subject (Alonzo Cano)|Assumption of the Virgin: -- This fine picture, painted by one of the most favourite masters of the Spanish School, was formerly the great Altar-piece in the Cathedral at Grenada, and was procured by General Sebastiani while in that capital. It possesses much of the style of the light painted pictures of Murillo; the azure tints in it are very beautiful, and well adapted to the subject]] réalisée par Alonzo Cano, vendue par [[[General Sebastiani]]]. [93]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme The Triumph of Divine Love: -- a subject etched by himself réalisée par A. Carracci, vendue par [[[Dr E Peart?]]]. [94]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Three portraits of eminent French characters réalisée par Pourbus. [95]

• 1816.06.01/ maison de ventes : Buchanan (William). Vente de l'œuvre décrite comme Triumph of Augustus: -- one of the best compositions of this master réalisée par P. da Cartona. [96]