Ventes d'œuvres le 1819.04.29

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Henry VII. on pannel, back part of the portrait broke and lost, 23 in. robe rich with Ermine, &c. stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [1]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Henry VIII. in same state, full face with the collar. &c. stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [2]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[James I. on pannel, with order of the Garter, hat and jewels, 2 ft. 1 in. by 1 ft. 6 in. in rich ancient carved frame, in fine state stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell (artiste anonyme)|James I. on pannel, with order of the Garter, hat and jewels, 2 ft. 1 in. by 1 ft. 6 in. in rich ancient carved frame, in fine state stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell]] réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [3]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Sir James Dyer, Chief Justice, in scarlet robe, collar and legal cap, on pannel, with arms and inscription stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [4]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[Lord Treasurer Burleigh, with staff, orders and hat with jewels, on pannel, 23 in. back part of the portrait broke and lost stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell (artiste anonyme)|Lord Treasurer Burleigh, with staff, orders and hat with jewels, on pannel, 23 in. back part of the portrait broke and lost stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell]] réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [5]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Earl of Essex, own hair and ruff, perfect stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [6]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Portrait of a Bishop, on pannel stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [7]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Portrait of a Gentleman, in white velvet dress, on pannel stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [8]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Portrait of ditto a Gentleman, on pannel, Fletcher, the Dramatist stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [9]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Portrait of ditto a Gentleman ditto on pannel Beaumont ditto the Dramatist stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [10]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Lord Verulam, on canvas stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [11]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Sir Francis Drake or Columbus, cannot ascertain which, on pannel stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [12]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Portrait in time of Charles 1st. stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par Vandyke, vendue par [[[Rev Roger Butler Clough?]]]. [13]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[Portraits of Thomas Sackville, Earl of Dorset, Lord High Treasurer, and his Secretary, temp. Eliz. full lengths, with petitions on table, garter on knee, white staff on the table, letters inscribed "The humble Petition of the Merchant Adventurers" "The humble Petition of John Hodgkins, Tanner." "The humble petition of Thomas Henshaw, Merchant. To the Right Hon. Thomas, Earle of Dorset, Lord High Treasurer of England, highly finished in the style of Holbein stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell (Holbein)|Portraits of Thomas Sackville, Earl of Dorset, Lord High Treasurer, and his Secretary, temp. Eliz. full lengths, with petitions on table, garter on knee, white staff on the table, letters inscribed "The humble Petition of the Merchant Adventurers" "The humble Petition of John Hodgkins, Tanner." "The humble petition of Thomas Henshaw, Merchant. To the Right Hon. Thomas, Earle of Dorset, Lord High Treasurer of England, highly finished in the style of Holbein stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell]] réalisée par Holbein, vendue par [[[Rev Roger Butler Clough?]]]. [14]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Portrait of Erasmus, on pannel, in plain black frame, 24 in. by 13. These form a set by the same master, (Holbein) stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par Holbein, vendue par [[[Rev Roger Butler Clough?]]]. [15]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[A Group of Portraits, on one pannel, 24 in. by 30, Melancthon, Luther, and Poemeranus These form a set by the same master, (Holbein) stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell...the Reformers were painted by Hans Holbein for his patron Erasmus (Holbein)|A Group of Portraits, on one pannel, 24 in. by 30, Melancthon, Luther, and Poemeranus These form a set by the same master, (Holbein) stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell...the Reformers were painted by Hans Holbein for his patron Erasmus]] réalisée par Holbein, vendue par [[[Rev Roger Butler Clough?]]]. [16]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[Portrait of Agricola, on pannel, 24 in. by 13. Inscription: Agricola elatio primus deducere Musas: Ausus es in Patriam Docte Rodolphe tuam. The Dutch Inscription: Thy Rodolphe Agricola drebt eerst, bestaen met Verstandt, &c. These form a set by the same master, (Holbein) stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell (Holbein)|Portrait of Agricola, on pannel, 24 in. by 13. Inscription: Agricola elatio primus deducere Musas: Ausus es in Patriam Docte Rodolphe tuam. The Dutch Inscription: Thy Rodolphe Agricola drebt eerst, bestaen met Verstandt, &c. These form a set by the same master, (Holbein) stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell]] réalisée par Holbein, vendue par [[[Rev Roger Butler Clough?]]]. [17]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Portrait of Earl of Clarendon, 2 ft. 5 in. by 3 ft. 2 in. Soft and delicate expression stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par Vandyke, vendue par [[[Rev Roger Butler Clough?]]]. [18]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Two Portraits of Philip and Mary stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [19]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[Portrait of the Earl of Derby, 2 ft. 2 in. by 2 ft. This undoubted original Picture of this great patriot is rendered truly interesting from his exertions and sufferings in this county stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell (artiste anonyme)|Portrait of the Earl of Derby, 2 ft. 2 in. by 2 ft. This undoubted original Picture of this great patriot is rendered truly interesting from his exertions and sufferings in this county stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell]] réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [20]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[An original Portrait of Dean Swift, 2 ft. by 1 ft. 10 in. A very fine Portrait, certainly by an eminent Artist, and in a fine state of preservation stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell (artiste anonyme)|An original Portrait of Dean Swift, 2 ft. by 1 ft. 10 in. A very fine Portrait, certainly by an eminent Artist, and in a fine state of preservation stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell]] réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [21]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme An original Portrait of Judge Jeffries in his robes stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [22]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Several Portraits of value, but likenesses not ascertained stated by tradition to have occupied the rooms in Ruthin Castle, and were removed previous to its destruction by Cromwell réalisée par un.e artiste anonyme, vendue par [[[Rev Roger Butler Clough?]]]. [23]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[Landscape and Figures, 4 ft. 1 in. by 3 ft. 10 in. The originality of this Picture is well authenticated; a view of the Picture ascertains the master, the Figures are by Andrew Both. The genius of John led him to the study of Landscape, in which he so much excelled, that his works are mentioned by some in competition with those of Claude Lorrain, whose style he made his model. These brothers had different talents, but each admirable in his way. Andrew designed figures in the manner of Bamboccio, which he used to insert in his brother's landscapes, and they are always so well adapted, that every picture appears only the work of one master. The works of these associate brothers are justly admired and universally sought for through all Europe, and are purchased at very high prices (John Both)|Landscape and Figures, 4 ft. 1 in. by 3 ft. 10 in. The originality of this Picture is well authenticated; a view of the Picture ascertains the master, the Figures are by Andrew Both. The genius of John led him to the study of Landscape, in which he so much excelled, that his works are mentioned by some in competition with those of Claude Lorrain, whose style he made his model. These brothers had different talents, but each admirable in his way. Andrew designed figures in the manner of Bamboccio, which he used to insert in his brother's landscapes, and they are always so well adapted, that every picture appears only the work of one master. The works of these associate brothers are justly admired and universally sought for through all Europe, and are purchased at very high prices]] réalisée par John Both, vendue par Hugh Bulkeley Owen. [24]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Our Saviour bearing his Cross. A small cabinet Picture. The most celebrated disciple of Corregio, whose brilliant colouring and execution is clearly shewn in this small but exquisite performance réalisée par Schidone, vendue par Hugh Bulkeley Owen. [25]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[Interior, Dutch Boors regaling." 1 ft. 1 in. by 1 ft 5 in. This Picture, by authorities which will be produced, was purchased from the collection of the Ex-empress Josephine, at Mal-maison; his works are exceedingly scarce and when genuine, no price is accounted too high for them (Ostade)|Interior, Dutch Boors regaling." 1 ft. 1 in. by 1 ft 5 in. This Picture, by authorities which will be produced, was purchased from the collection of the Ex-empress Josephine, at Mal-maison; his works are exceedingly scarce and when genuine, no price is accounted too high for them]] réalisée par Ostade, vendue par Hugh Bulkeley Owen. [26]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme The Alchymist in his Laboratory. 1 f. 3 in. by 1 f. 6 in. In his best style; a picture of great transparence, most highly finished and every lover of the art must be eagerly desirous to possess such a specimen of this great Artist's work réalisée par David Teniers, vendue par Hugh Bulkeley Owen. [27]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[Old Woman Spinning, with Cat. 1 ft. 7 in. by 1 ft. 4 in. This picture is finished in a most exquisite manner, the whole appearing full of harmony; he was one of the best painters of the Flemish School. This came from the collection of Marshall Ney (Gaspar Netcher)|Old Woman Spinning, with Cat. 1 ft. 7 in. by 1 ft. 4 in. This picture is finished in a most exquisite manner, the whole appearing full of harmony; he was one of the best painters of the Flemish School. This came from the collection of Marshall Ney]] réalisée par Gaspar Netcher, vendue par Hugh Bulkeley Owen. [28]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Interior of a Wood, with Figures and Cattle. 1 ft. 8 in. by 1 ft. 7 in. A painter of the present day, residing at the Hague, whose great excellence is, a minute execution of his trees, and effect of warm tints réalisée par Vesteige, vendue par Hugh Bulkeley Owen. [29]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme A small Picture, Boy playing on a Pipe, on pannel réalisée par Van Helmont, vendue par Hugh Bulkeley Owen. [30]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Two Old Heads réalisée par Spagnoletto, vendue par Hugh Bulkeley Owen. [31]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme A small Interior réalisée par Hemskirk, vendue par Hugh Bulkeley Owen. [32]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme The Fish Market. A really fine work réalisée par Tintoret, vendue par Hugh Bulkeley Owen. [33]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme The Head of St. Cicilia réalisée par Govart Flink, vendue par Hugh Bulkeley Owen. [34]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme Jacob's Dream. A very fine picture, in his softest and most mellow manner réalisée par Murillio, vendue par Hugh Bulkeley Owen. [35]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme An Interior, by candlelight, in a cellar. A most excellent work, equal to Gerard Douw réalisée par Schalken, vendue par Hugh Bulkeley Owen. [36]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[Flower and Fruit Piece. 1 ft. 4 in. by 1 ft. 8 in. The execution of this picture is so singularly exact after nature, so beautifully grouped, and so delicately finished, approaching so near to reality, that on view it demands unqualified admiration (Van Os)|Flower and Fruit Piece. 1 ft. 4 in. by 1 ft. 8 in. The execution of this picture is so singularly exact after nature, so beautifully grouped, and so delicately finished, approaching so near to reality, that on view it demands unqualified admiration]] réalisée par Van Os, vendue par Hugh Bulkeley Owen. [37]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme [[5 ft. 4 in. by 3 ft. 10 in. In viewing this picture, which was bought at the sale of Mr. Astley's, at Dukenfield, on reference to that Catalogue, we find the following just observation: "Grand Heroic scenery, enriched with groups of figures, disposed and touched with a spirited and powerful effect; a sublime harmony of colour pervades the whole picture (Salvator Rosa)|5 ft. 4 in. by 3 ft. 10 in. In viewing this picture, which was bought at the sale of Mr. Astley's, at Dukenfield, on reference to that Catalogue, we find the following just observation: "Grand Heroic scenery, enriched with groups of figures, disposed and touched with a spirited and powerful effect; a sublime harmony of colour pervades the whole picture]] réalisée par Salvator Rosa, vendue par Hugh Bulkeley Owen. [38]

• 1819.04.29/ maison de ventes : Broster (John). Vente de l'œuvre décrite comme The Effect of both Moon and Fire Light réalisée par Adam Elsheimer, vendue par Hugh Bulkeley Owen. [39]

• 1819.04.29/ maison de ventes : Jones (George). Vente de l'œuvre décrite comme Six pictures and canvasses in oil réalisée par un.e artiste anonyme. [40]