Ventes d'œuvres le 1821.05.01

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  • 1821.05.01/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Reposo: -- The Virgin seated in a rich Landscape, is holding the infant upright on her lap: -- St. Joseph leaning against a Tree. -- There is a simplicity and richness in this fine Picture, that mark it for one of the finest productions of the master (Jordaens)|A Reposo: -- The Virgin seated in a rich Landscape, is holding the infant upright on her lap: -- St. Joseph leaning against a Tree. -- There is a simplicity and richness in this fine Picture, that mark it for one of the finest productions of the master]] réalisée par Jordaens, vendue par [[[Richard Vickris Pryor]]], achetée par Johnson au prix de 15.15 £. [14]
  • 1821.05.01/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A richly wooded Landscape, designed with a free and bold pencil, with a Rush of Water in Front, and a lively distance, with Figures representing St. Eustachius alighted from off his Horse and adoring the Cross, that appears on the head of a Stag (Gaspar Poussin)|A richly wooded Landscape, designed with a free and bold pencil, with a Rush of Water in Front, and a lively distance, with Figures representing St. Eustachius alighted from off his Horse and adoring the Cross, that appears on the head of a Stag]] réalisée par Gaspar Poussin, achetée par Piazzetta au prix de 74.11 £. [15]
  • 1821.05.01/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Madona with the Infant in the Clouds, St. Catharine and St. George, standing on the front ground; size of Life -- a chef d'oeuvre of this celebrated master, who has displayed much grace and beauty in the design and colouring of this picture -- suited for an Altar Piece (Moreto)|The Madona with the Infant in the Clouds, St. Catharine and St. George, standing on the front ground; size of Life -- a chef d'oeuvre of this celebrated master, who has displayed much grace and beauty in the design and colouring of this picture -- suited for an Altar Piece]] réalisée par Moreto, vendue par [[[Richard Vickris Pryor]]], achetée par Peacock au prix de 23.2 £. [18]
  • 1821.05.01/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Madona with the Infant in Glory, surrounded by Cherubim, two Female Saints are kneeling on the Clouds beside her, and two Others are seated on the Landscape below. The whole in fine harmony, and executed with great freedom of pencil: it is cited by Ridolfi, vol. 1, p. 342 (Carletto Cagliari, son of Paul Veronese)|The Madona with the Infant in Glory, surrounded by Cherubim, two Female Saints are kneeling on the Clouds beside her, and two Others are seated on the Landscape below. The whole in fine harmony, and executed with great freedom of pencil: it is cited by Ridolfi, vol. 1, p. 342]] réalisée par Carletto Cagliari, son of Paul Veronese, vendue par [[[Richard Vickris Pryor]]], achetée par Count Woronzow au prix de 84.0 £. [19]
  • 1821.05.01/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Raising of Lazarus. While the Saviour, surrounded by his Disciples, is performing the Miracle, one of the Sisters of the Deceased is kneeling before him, and the other appears penetrated with gratitude, on seeing her Brother restored to Life. The figures are whole length, and of natural size; the countenances worthy of the school of Raphael; the colouring not inferior to that of Titian. This picture is quoted by Ridolfi, as well as by Lanza in his Storia Pittorica, where, in his Life of Pordenone, he says, "You will scarcely find any thing to compare with that very fine Picture, the Raising of Lazarus at Brescia, in the possession of Count Lecchi." (Pordenone)|The Raising of Lazarus. While the Saviour, surrounded by his Disciples, is performing the Miracle, one of the Sisters of the Deceased is kneeling before him, and the other appears penetrated with gratitude, on seeing her Brother restored to Life. The figures are whole length, and of natural size; the countenances worthy of the school of Raphael; the colouring not inferior to that of Titian. This picture is quoted by Ridolfi, as well as by Lanza in his Storia Pittorica, where, in his Life of Pordenone, he says, "You will scarcely find any thing to compare with that very fine Picture, the Raising of Lazarus at Brescia, in the possession of Count Lecchi."]] réalisée par Pordenone, vendue par [[[Richard Vickris Pryor]]], achetée par Peacock au prix de 52.10 £. [20]