Ventes d'œuvres le 1822.10.15

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  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A rocky Landscape with St. Jerome kneeling in Prayer, before a Crucifix. The Civetta, or small Italian Owl, is introduced, as was generally the case in the works of this rare Master, who was therefore colled Civetta. This beautiful specimen was obtained by the late Mr. Strange, at Venice, in 1770, from the collection of the Nuncio di Verona (Henri di Blois called Civetta)|A rocky Landscape with St. Jerome kneeling in Prayer, before a Crucifix. The Civetta, or small Italian Owl, is introduced, as was generally the case in the works of this rare Master, who was therefore colled Civetta. This beautiful specimen was obtained by the late Mr. Strange, at Venice, in 1770, from the collection of the Nuncio di Verona]] réalisée par Henri di Blois called Civetta, vendue par Fonthill Abbey, Wilts. [35]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin presenting the Infant, who is standing on a cradle, to Elizabeth, with the Infant St. John, accompanied by two Saints. A Landscape, which is seen through an opening above the Group, is surmounted by the Heavenly Choir: an admirable chef d'oeuvre (Garofalo)|The Virgin presenting the Infant, who is standing on a cradle, to Elizabeth, with the Infant St. John, accompanied by two Saints. A Landscape, which is seen through an opening above the Group, is surmounted by the Heavenly Choir: an admirable chef d'oeuvre]] réalisée par Garofalo, vendue par Fonthill Abbey, Wilts. [42]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin, in richly coloured Drapery, holding the Infant in her Lap. In the distance, is a Landscape with view of part of the buildings of a fortified town, with a clear and brilliant sky. This beautiful specimen of one of the scarcest Masters of the early Venetian School, formerly belonged to Mr. Strange, and was originally in the collection of the Nuncio di Verona (Cima di Conegliano)|The Virgin, in richly coloured Drapery, holding the Infant in her Lap. In the distance, is a Landscape with view of part of the buildings of a fortified town, with a clear and brilliant sky. This beautiful specimen of one of the scarcest Masters of the early Venetian School, formerly belonged to Mr. Strange, and was originally in the collection of the Nuncio di Verona]] réalisée par Cima di Conegliano, vendue par Fonthill Abbey, Wilts. [44]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait of the Doge Loredano. The truth with which this distinguished personage is represented, the warmth of tone, and the agreeable effect of chiaro scuro, rank this Portrait among the finest of the master. It was purchased by Lord Cawdor, from the Grimani Palace (G. Bellini)|Portrait of the Doge Loredano. The truth with which this distinguished personage is represented, the warmth of tone, and the agreeable effect of chiaro scuro, rank this Portrait among the finest of the master. It was purchased by Lord Cawdor, from the Grimani Palace]] réalisée par G. Bellini, vendue par Fonthill Abbey, Wilts. [69]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Ecce Homo. The character of the Saviour is contrasted by that of two others, one front face, the other in profile; the drapery of the former, open in front, exposes the livid marks of stripes upon his body -- very richly and finely coloured; and worthy of Leonardo da Vinci, to whom it has been often attributed by Connoisseurs of Eminence (Solario)|Ecce Homo. The character of the Saviour is contrasted by that of two others, one front face, the other in profile; the drapery of the former, open in front, exposes the livid marks of stripes upon his body -- very richly and finely coloured; and worthy of Leonardo da Vinci, to whom it has been often attributed by Connoisseurs of Eminence]] réalisée par Solario, vendue par Fonthill Abbey, Wilts. [78]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Christ in the Garden; his Disciples sleeping in the Front Ground: in the half distance, in a sultry Landscape, are armed Figures and Captives, with allusion to the Persecution of the early Christian Converts: in the Sky, is an Angel with a cup -- a very surprising and valuable early specimen (A. Mantegna)|Christ in the Garden; his Disciples sleeping in the Front Ground: in the half distance, in a sultry Landscape, are armed Figures and Captives, with allusion to the Persecution of the early Christian Converts: in the Sky, is an Angel with a cup -- a very surprising and valuable early specimen]] réalisée par A. Mantegna, vendue par Fonthill Abbey, Wilts. [81]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin supporting the Infant on a Table covered with oil-cloth. The child is attempting to run, and the word "Veni" is inscribed in letters of gold before his extended hand; a beautiful miniature Landscape back-ground. This rare and very curious picture was presented by Philip V. to a convent of nuns at Saragoça (A. Durer)|The Virgin supporting the Infant on a Table covered with oil-cloth. The child is attempting to run, and the word "Veni" is inscribed in letters of gold before his extended hand; a beautiful miniature Landscape back-ground. This rare and very curious picture was presented by Philip V. to a convent of nuns at Saragoça]] réalisée par A. Durer, vendue par Fonthill Abbey, Wilts. [105]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A small Landscape with Cattle feeding and reposing on a rising Pasture Ground; a Shepherd and Shepherdess piping on the left; with a hilly distance, and a very brilliant sky This pure and exquisite bijou was formerly in the Cabinet de Praslin. Where it ranked high, as the Diamant de Berghem (Berghem)|A small Landscape with Cattle feeding and reposing on a rising Pasture Ground; a Shepherd and Shepherdess piping on the left; with a hilly distance, and a very brilliant sky This pure and exquisite bijou was formerly in the Cabinet de Praslin. Where it ranked high, as the Diamant de Berghem]] réalisée par Berghem, vendue par Fonthill Abbey, Wilts. [111]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Laughing Boy, with a toy in his hand: half-figure: a beautiful bit of Nature, exhibiting, with happiest effect, the truth and sweetness which distinguish the works of this great Master It was bequeathed to the late Sir William Hamilton, by Lady Elizabeth Germaine; and formerly adorned the so justly celebrated Arundel Collection (L. da Vinci)|The Laughing Boy, with a toy in his hand: half-figure: a beautiful bit of Nature, exhibiting, with happiest effect, the truth and sweetness which distinguish the works of this great Master It was bequeathed to the late Sir William Hamilton, by Lady Elizabeth Germaine; and formerly adorned the so justly celebrated Arundel Collection]] réalisée par L. da Vinci, vendue par Fonthill Abbey, Wilts. [112]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Sculptured Vase of Flowers placed on a Marble Table in a Garden Scene; a truly fine specimen of the noble taste with which Van Huysum embellished his correct representations of Nature. It is painted on a light ground, and is of his finest time and manner It was formerly in the Praslin Cabinet, and is described in No. 88 of that Catalogue (Van Huysum)|A Sculptured Vase of Flowers placed on a Marble Table in a Garden Scene; a truly fine specimen of the noble taste with which Van Huysum embellished his correct representations of Nature. It is painted on a light ground, and is of his finest time and manner It was formerly in the Praslin Cabinet, and is described in No. 88 of that Catalogue]] réalisée par Van Huysum, vendue par Fonthill Abbey, Wilts. [114]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Poulterer's Shop -- the well-known Choiseuil G. Dow. At the opening of an arched window is seen a Girl bargaining with an Old Woman for a Hare, which the latter holds up in her left hand. Upon the cill of the window are Poultry and a Blanket, which are reflected as in a mirror on the highly polished surface of a metal pail; a Cock in a Basket is feeding below; a Peasant appears near a door in the distance, bargaining with a Woman for a Fowl: the interior is illumined in a tender warm tone. This exquisite chef d'oeuvre is one of his most elaborate performances (G. Dow)|The Poulterer's Shop -- the well-known Choiseuil G. Dow. At the opening of an arched window is seen a Girl bargaining with an Old Woman for a Hare, which the latter holds up in her left hand. Upon the cill of the window are Poultry and a Blanket, which are reflected as in a mirror on the highly polished surface of a metal pail; a Cock in a Basket is feeding below; a Peasant appears near a door in the distance, bargaining with a Woman for a Fowl: the interior is illumined in a tender warm tone. This exquisite chef d'oeuvre is one of his most elaborate performances]] réalisée par G. Dow, vendue par Fonthill Abbey, Wilts. [115]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A grand Landscape, composed of fine mountainous Scenery, and at the foot of it a woody Glade, where Figures are Reposing; a Conflagration of some Buildings on the half-ascent of the hills, is represented with great spirit, and gives a lively interest to the scene (G. Poussin)|A grand Landscape, composed of fine mountainous Scenery, and at the foot of it a woody Glade, where Figures are Reposing; a Conflagration of some Buildings on the half-ascent of the hills, is represented with great spirit, and gives a lively interest to the scene]] réalisée par G. Poussin, vendue par Fonthill Abbey, Wilts. [116]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The very celebrated Sea Port of the Praslin Cabinet, termed the Embarquement des Vivres; and noticed in the Catalogue as one of the three principal ornaments of that Collection. It represents a group of Figures and Cattle on the Shore of the Gulf of Genoa, which is enlivened with Buildings and Shipping, painted in the finest style of the Master (Berghem)|The very celebrated Sea Port of the Praslin Cabinet, termed the Embarquement des Vivres; and noticed in the Catalogue as one of the three principal ornaments of that Collection. It represents a group of Figures and Cattle on the Shore of the Gulf of Genoa, which is enlivened with Buildings and Shipping, painted in the finest style of the Master]] réalisée par Berghem, vendue par Fonthill Abbey, Wilts. [117]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Interview between Job and his Friends, one of whom, habited as a Philosopher, is reasoning with him, while a Soldier, clad in Armour, with uplifted arms, and bitter expression of grief upon his lip, is commiserating the Patriarch. The Tempter appears above. The pathos of the story is greatly enhanced by the solemnity of the colouring It was formerly in the Santa Croce collection, and has always been considered to be of the finest of S. Rosa's productions (S. Rosa)|The Interview between Job and his Friends, one of whom, habited as a Philosopher, is reasoning with him, while a Soldier, clad in Armour, with uplifted arms, and bitter expression of grief upon his lip, is commiserating the Patriarch. The Tempter appears above. The pathos of the story is greatly enhanced by the solemnity of the colouring It was formerly in the Santa Croce collection, and has always been considered to be of the finest of S. Rosa's productions]] réalisée par S. Rosa, vendue par Fonthill Abbey, Wilts. [118]
  • 1822.10.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Sibylla Lybica. The Sibyl is seated before a Tablet, and surrounded by a Group of Boys, who are busily employed in collecting and recording her predictions. The figure of the Female is in broad and simple style; those of the Boys, who are in action, display the finest anatomical design. This Picture was formerly of high celebrity at Ferrara, and was subsequently in the Lansdowne Collection (Lod. Carracci)|Sibylla Lybica. The Sibyl is seated before a Tablet, and surrounded by a Group of Boys, who are busily employed in collecting and recording her predictions. The figure of the Female is in broad and simple style; those of the Boys, who are in action, display the finest anatomical design. This Picture was formerly of high celebrity at Ferrara, and was subsequently in the Lansdowne Collection]] réalisée par Lod. Carracci, vendue par Fonthill Abbey, Wilts. [119]