Ventes d'œuvres le 1823.06.14

De Wikipast
Aller à la navigation Aller à la recherche
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[View of a Church and Village, with Ruins, on the Skirts of which are Booths, and numerous Figures at a Fair, among which are a Party assembled round an Itinerant Dentist; Villagers dancing with Spirit, and a Religious Procession; clear and silvery. From Mr. Purling's Collection (Breemborg)|View of a Church and Village, with Ruins, on the Skirts of which are Booths, and numerous Figures at a Fair, among which are a Party assembled round an Itinerant Dentist; Villagers dancing with Spirit, and a Religious Procession; clear and silvery. From Mr. Purling's Collection]] réalisée par Breemborg, vendue par George Watson Taylor, Esq, achetée par [[Hume for Mr Beck[ford]]] au prix de 93.9 £. [35]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An unfinished Sketch for the great Picture at Florence, of the Triumph of Henry the IV. of France, after the Battle of Ypres. A fine specimen of Rubens's facility and grandeur in composing. On the upper part of the panel are detached pentimenti, for Groups marked in with great vigour and spirit. From the collection of Mr. Von Scamp, of Ghent (Rubens)|An unfinished Sketch for the great Picture at Florence, of the Triumph of Henry the IV. of France, after the Battle of Ypres. A fine specimen of Rubens's facility and grandeur in composing. On the upper part of the panel are detached pentimenti, for Groups marked in with great vigour and spirit. From the collection of Mr. Von Scamp, of Ghent]] réalisée par Rubens, vendue par George Watson Taylor, Esq, achetée par J Stuart Wortley au prix de 53.11 £. [39]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A cool fresh Landscape, with a Stream of Water rushing between the Ruins of an Abbey Mill, and forming a double Cascade. The Buildings are crowned with some Trees, and backed by a Hill thickly covered with underwood. A Boat with a Fisherman in it, is seen under a Meadow-bank on the right. This charming composition is treated with the finest effect of chiaro scuro, and is one of the very powerful productions of his pencil. From the collection of Baron Nagel (Ruysdael)|A cool fresh Landscape, with a Stream of Water rushing between the Ruins of an Abbey Mill, and forming a double Cascade. The Buildings are crowned with some Trees, and backed by a Hill thickly covered with underwood. A Boat with a Fisherman in it, is seen under a Meadow-bank on the right. This charming composition is treated with the finest effect of chiaro scuro, and is one of the very powerful productions of his pencil. From the collection of Baron Nagel]] réalisée par Ruysdael, vendue par George Watson Taylor, Esq au prix de 315.0 £. [44]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape with a Stream of Water, interrupted in its course by Rocky Fragments, on the skirts of a Forest. The woody mass on the right is relieved by a silvery light upon a decayed Trunk, and a Stem of fallen Timber in the front ground, and by the Smoke wafted among the Trees in the half distance, where some Timber-Cutters are charring wood. The Picture is in the most elegant style of the Master. From the collection of Monsieur Le Perier (Ruysdael)|A Landscape with a Stream of Water, interrupted in its course by Rocky Fragments, on the skirts of a Forest. The woody mass on the right is relieved by a silvery light upon a decayed Trunk, and a Stem of fallen Timber in the front ground, and by the Smoke wafted among the Trees in the half distance, where some Timber-Cutters are charring wood. The Picture is in the most elegant style of the Master. From the collection of Monsieur Le Perier]] réalisée par Ruysdael, vendue par George Watson Taylor, Esq, achetée par Lord Gower au prix de 283.10 £. [47]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Hercules with the Distaff, enduring the Laughter of Iole and her Female Attendants. A beautiful display of this elegant Painter's Taste, and to be admired for the graceful attitudes of the figures, the correctness of the outline, convexity of the Limbs, and sweet silvery tone. It was formerly in the collection of Monsieur de Calonne (Alessandro Veronese)|Hercules with the Distaff, enduring the Laughter of Iole and her Female Attendants. A beautiful display of this elegant Painter's Taste, and to be admired for the graceful attitudes of the figures, the correctness of the outline, convexity of the Limbs, and sweet silvery tone. It was formerly in the collection of Monsieur de Calonne]] réalisée par Alessandro Veronese, vendue par George Watson Taylor, Esq, achetée par Sir R Brooke 8 Sherrard St Golden Sq au prix de 189.0 £. [49]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait of Himself, in an oval, surrounded by beautiful young Figures, who are attaching Medals, impressed with the Family Arms of V. der Werff, to the frame of his Portrait. Implements of his art are on the ground below. This interesting and delicately finished Picture was painted for, and presented to, the late Sir Gregory Page, by the Chevalier V. der Werff (V. der Werff)|Portrait of Himself, in an oval, surrounded by beautiful young Figures, who are attaching Medals, impressed with the Family Arms of V. der Werff, to the frame of his Portrait. Implements of his art are on the ground below. This interesting and delicately finished Picture was painted for, and presented to, the late Sir Gregory Page, by the Chevalier V. der Werff]] réalisée par V. der Werff, vendue par George Watson Taylor, Esq, achetée par Seguier for Mr Pares au prix de 105.0 £. [55]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait of Justino Neve, a Canon of Seville, seated in a Chair, with a favourite Dog at his feet; a Volume, a Table-Clock, and a Bell are on a table near him. An opening from the apartment to a Garden or Terrace behind him, admits a freshness and air that contribute a very sweet relief to the simple colouring of the Picture. This fine chef d'oeuvre is from the Refectory of the venerable Fathers at Seville (Murillo)|Portrait of Justino Neve, a Canon of Seville, seated in a Chair, with a favourite Dog at his feet; a Volume, a Table-Clock, and a Bell are on a table near him. An opening from the apartment to a Garden or Terrace behind him, admits a freshness and air that contribute a very sweet relief to the simple colouring of the Picture. This fine chef d'oeuvre is from the Refectory of the venerable Fathers at Seville]] réalisée par Murillo, vendue par George Watson Taylor, Esq au prix de 995.10 £. [56]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Jason pouring the Liquor of Enchantment upon the Dragon. The celebrated original Picture, well-known by Engravings from it, which was formerly in the collection of the Duke of Chandos, and afterwards in that of the Earl of Besborough, at Roehampton. An admirable chef d'oeuvre (S. Rosa)|Jason pouring the Liquor of Enchantment upon the Dragon. The celebrated original Picture, well-known by Engravings from it, which was formerly in the collection of the Duke of Chandos, and afterwards in that of the Earl of Besborough, at Roehampton. An admirable chef d'oeuvre]] réalisée par S. Rosa, vendue par George Watson Taylor, Esq, achetée par Wm Ponsonby 19 St James's Sq au prix de 315.0 £. [57]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. Paul caught up into the Third Heaven. An admirable composition; the result of very elevated feeling, and treated not only with grandeur, but with perfect taste and elegance. This justly prized, and very beautiful cabinet Gem, was formerly in the Orleans Collection (Nic. Poussin)|St. Paul caught up into the Third Heaven. An admirable composition; the result of very elevated feeling, and treated not only with grandeur, but with perfect taste and elegance. This justly prized, and very beautiful cabinet Gem, was formerly in the Orleans Collection]] réalisée par Nic. Poussin, vendue par George Watson Taylor, Esq au prix de 320.5 £. [58]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Martyrdom of St. Apollonia, on copper. An exquisite cabinet jewel, formerly in the Orleans collection. In the printed account of the contents of that famous Gallery, it is noticed, that this Picture was first brought from Rome, by the Cardinal d'Estrées, from whence it passed into the possession of the Regent (Guido)|The Martyrdom of St. Apollonia, on copper. An exquisite cabinet jewel, formerly in the Orleans collection. In the printed account of the contents of that famous Gallery, it is noticed, that this Picture was first brought from Rome, by the Cardinal d'Estrées, from whence it passed into the possession of the Regent]] réalisée par Guido, vendue par George Watson Taylor, Esq, achetée par Seguier for Count Woronzow au prix de 420.0 £. [59]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A grand upright Landscape, with a Water-mill, Cottages, and a transparent Sheet of Water, and Figures in a Woody Forest Scene, which is illumined by a fine effect of light in the center. The strong contrast of light and shade, in which this admirable pourtrayer of Nature delighted, has been happily employed on the present occasion, and every part is so clearly made out, that the freedom, and even elegance, in the forms of the Trees and Foliage, are strikingly evident. From the celebrated cabinet of Van Reynders, of Brussels (Hobbima)|A grand upright Landscape, with a Water-mill, Cottages, and a transparent Sheet of Water, and Figures in a Woody Forest Scene, which is illumined by a fine effect of light in the center. The strong contrast of light and shade, in which this admirable pourtrayer of Nature delighted, has been happily employed on the present occasion, and every part is so clearly made out, that the freedom, and even elegance, in the forms of the Trees and Foliage, are strikingly evident. From the celebrated cabinet of Van Reynders, of Brussels]] réalisée par Hobbima, vendue par George Watson Taylor, Esq au prix de 997.10 £. [60]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Companion Landscape. A Forest Scene, with a Road passing through a Village, of which the Church appears in the distance. A Peasant Family are reposing near a Pool of Water in the front ground. Equally fine with the preceding, and from the same distinguished cabinet of Van Reynders, of Brussels (Hobbima)|The Companion Landscape. A Forest Scene, with a Road passing through a Village, of which the Church appears in the distance. A Peasant Family are reposing near a Pool of Water in the front ground. Equally fine with the preceding, and from the same distinguished cabinet of Van Reynders, of Brussels]] réalisée par Hobbima, vendue par George Watson Taylor, Esq au prix de 840.0 £. [61]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Landscape with a Coach. In the center of the Picture is a Chateau with a Draw-bridge in a Lake of Water, painted with the most transparent effect. A golden gleam of light illumines the center of the Picture. The front ground, in shadow, is marked with a variety of objects that display the peculiar free-handling of Rembrandt. This rare chef d'oeuvre was formerly in the collection of the Duc de Choiseuil, and is engraved in his cabinet (Rembrandt)|The Landscape with a Coach. In the center of the Picture is a Chateau with a Draw-bridge in a Lake of Water, painted with the most transparent effect. A golden gleam of light illumines the center of the Picture. The front ground, in shadow, is marked with a variety of objects that display the peculiar free-handling of Rembrandt. This rare chef d'oeuvre was formerly in the collection of the Duc de Choiseuil, and is engraved in his cabinet]] réalisée par Rembrandt, vendue par George Watson Taylor, Esq, achetée par Marquess of Hertford au prix de 367.10 £. [63]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Bull and Two Cows, in a Landscape; one of the Animals lying down, the other two in contrasted attitudes. The Eye of the Bull is fixed on the Spectator, and the countenance particularly animated. On a Paling beneath a Willow Tree, on the right, is the name of the Painter, "Paulus Potter, f. 1647." A Village Scene, minutely pencilled, forms the distance. The wonderful art displayed in the colouring and execution are beyond imitation and praise. It is one of the finest chef d'oeuvres of the Master. From the collection of Burgomaster Hogeur, of Amsterdam (P. Potter)|A Bull and Two Cows, in a Landscape; one of the Animals lying down, the other two in contrasted attitudes. The Eye of the Bull is fixed on the Spectator, and the countenance particularly animated. On a Paling beneath a Willow Tree, on the right, is the name of the Painter, "Paulus Potter, f. 1647." A Village Scene, minutely pencilled, forms the distance. The wonderful art displayed in the colouring and execution are beyond imitation and praise. It is one of the finest chef d'oeuvres of the Master. From the collection of Burgomaster Hogeur, of Amsterdam]] réalisée par P. Potter, vendue par George Watson Taylor, Esq au prix de 1270.10 £. [64]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Interior of a Stable, in which are a mounted Cavalier, and two others, one of whom is paying an Ostler, preparing to mount. Beyond these, other Horses and Figures. A Lady mounted, and an Attendant leading a Horse, are arriving. A Girl on the left is drawing Water from a Well, and in front are Children playing with a Dog and a Goat This Picture is admirable, both for subject and quality, and exquisitely finished (P. Wouvermans)|Interior of a Stable, in which are a mounted Cavalier, and two others, one of whom is paying an Ostler, preparing to mount. Beyond these, other Horses and Figures. A Lady mounted, and an Attendant leading a Horse, are arriving. A Girl on the left is drawing Water from a Well, and in front are Children playing with a Dog and a Goat This Picture is admirable, both for subject and quality, and exquisitely finished]] réalisée par P. Wouvermans, vendue par George Watson Taylor, Esq, achetée par Col Baillie Emmerson au prix de 556.10 £. [65]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Grand Landscape with a Rainbow. A very celebrated chef d'oeuvre; one of a pair, which were formerl distinguished ornaments of the Balbi Palace, at Genoa. The subject represents a Party of Peasants returning home, at Evening, from Harvest-work, soon after a shower, and various others engaged in farming employments. A Group of Cattle watering, and a Brood of Ducks hurrying to a Pool, are not only most boldy designed, but display all the magic of Rubens's pencil. A mass of Wood on the right, forms a perspective, which is lost in a delightful distant Landscape. A Rainbow, with a grand sweep, unites the colouring of the whole in the richest harmony. It may be safely pronounced to be one of the most glorious efforts of Rubens (Rubens)|The Grand Landscape with a Rainbow. A very celebrated chef d'oeuvre; one of a pair, which were formerl distinguished ornaments of the Balbi Palace, at Genoa. The subject represents a Party of Peasants returning home, at Evening, from Harvest-work, soon after a shower, and various others engaged in farming employments. A Group of Cattle watering, and a Brood of Ducks hurrying to a Pool, are not only most boldy designed, but display all the magic of Rubens's pencil. A mass of Wood on the right, forms a perspective, which is lost in a delightful distant Landscape. A Rainbow, with a grand sweep, unites the colouring of the whole in the richest harmony. It may be safely pronounced to be one of the most glorious efforts of Rubens]] réalisée par Rubens, vendue par George Watson Taylor, Esq, achetée par Lord Orford au prix de 2730.0 £. [66]
  • 1823.06.14/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Vision of St. Jerome. St. John Baptist kneeling on one knee, and with action expressive of surprise and joy, at having found the long promised Saviour, is pointing to the Infant Christ, who is standing in the Clouds above, before the lap of the Virgin. The drawing of the Figures in this magnificent chef d'oeuvre, partakes of the grand style, yet combined with that peculiar grace which characterizes this Master. The colouring is in deep and awful tone, and calculated to produce a powerful effect on the mind of the spectator. It is from the Church of St. Salvator, in Lauro, at Rome, and was brought into England by the late Marquess of Abercorn. It is engraved by Bonasoni (Parmegiano)|The Vision of St. Jerome. St. John Baptist kneeling on one knee, and with action expressive of surprise and joy, at having found the long promised Saviour, is pointing to the Infant Christ, who is standing in the Clouds above, before the lap of the Virgin. The drawing of the Figures in this magnificent chef d'oeuvre, partakes of the grand style, yet combined with that peculiar grace which characterizes this Master. The colouring is in deep and awful tone, and calculated to produce a powerful effect on the mind of the spectator. It is from the Church of St. Salvator, in Lauro, at Rome, and was brought into England by the late Marquess of Abercorn. It is engraved by Bonasoni]] réalisée par Parmegiano, vendue par George Watson Taylor, Esq, achetée par The Revd W H Carr for the British Institution au prix de 3202.10 £. [67]
Récupérée de « https://wikipast.epfl.ch/index.php?title=Ventes_d%27œuvres_le_1823.06.14&oldid=3987503 »