Ventes d'œuvres le 1823.10.11

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  • 1823.10.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Exterior -- A Woman at the door of a House cleaning Fish; on the same table are vegetables, and a brass boiler, upon which a Kitten is sitting; the Female is looking at it, and the expression of her character is one of the most delicate of the Master: the back ground, forming the Entrance to the House, is ornamented with vines entwining over the door-way. This is one of the most beautiful specimens of this celebrated Dutch Painter: it formerly belonged to the Duke D'Alberg, in No. 24 (Metzu)|An Exterior -- A Woman at the door of a House cleaning Fish; on the same table are vegetables, and a brass boiler, upon which a Kitten is sitting; the Female is looking at it, and the expression of her character is one of the most delicate of the Master: the back ground, forming the Entrance to the House, is ornamented with vines entwining over the door-way. This is one of the most beautiful specimens of this celebrated Dutch Painter: it formerly belonged to the Duke D'Alberg, in No. 24]] réalisée par Metzu, vendue par [[[Delahante]]], achetée par Emmerson au prix de 183.15 £. [21]
  • 1823.10.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Woman taken in Adultery; a numerous Group of Figures, the countenances of the whole of which are marked with strong expression -- another group is finely disposed in a gallery above; the architecture is richly ornamented -- In No. 23 (Mazzolino di Ferrara)|The Woman taken in Adultery; a numerous Group of Figures, the countenances of the whole of which are marked with strong expression -- another group is finely disposed in a gallery above; the architecture is richly ornamented -- In No. 23]] réalisée par Mazzolino di Ferrara, vendue par Fonthill Abbey, achetée par Smith Marlboro St au prix de 122.17 £. [83]
  • 1823.10.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Interview between Job and his Friends, one of whom, habited as a Philosopher, is reasoning with him, while a Soldier, clad in Armour, with uplifted arms, and bitter expression of grief upon his lip, is commiserating the Patriarch. The Tempter appears above. The pathos of the story is greatly enhanced by the solmenity of the colouring -- In No. 24. It was formerly in the Santa Croce Collection, and has always been considered to be one of the finest of S. Rosa's productions (S. Rosa)|The Interview between Job and his Friends, one of whom, habited as a Philosopher, is reasoning with him, while a Soldier, clad in Armour, with uplifted arms, and bitter expression of grief upon his lip, is commiserating the Patriarch. The Tempter appears above. The pathos of the story is greatly enhanced by the solmenity of the colouring -- In No. 24. It was formerly in the Santa Croce Collection, and has always been considered to be one of the finest of S. Rosa's productions]] réalisée par S. Rosa, vendue par Fonthill Abbey, achetée par Col Baillie au prix de 441.0 £. [88]
  • 1823.10.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Sea View on the Coast of Holland, with a Man of War bearing a Dutch Admiral's Flag, lying too, for its Boat and Crew, which is rowing towards it; and other vessels steering their various courses, with a ship at anchor under the land, and a sloop is turning to windward with a fresh breeze; the sea characteristically agitated, and coloured with great truth; a choice specimen of the master, from the Collection of Mr. Vandergucht -- In No. 23 (Backhuysen)|A Sea View on the Coast of Holland, with a Man of War bearing a Dutch Admiral's Flag, lying too, for its Boat and Crew, which is rowing towards it; and other vessels steering their various courses, with a ship at anchor under the land, and a sloop is turning to windward with a fresh breeze; the sea characteristically agitated, and coloured with great truth; a choice specimen of the master, from the Collection of Mr. Vandergucht -- In No. 23]] réalisée par Backhuysen, vendue par Fonthill Abbey, achetée par Walker Esq au prix de 39.18 £. [92]
  • 1823.10.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Virgin presenting the Infant, (who is standing on a cradle,) to Elizabeth with the Infant St. John, accompanied by two Saints. A Landscape, which is seen through an opening above, the Group is surmounted by the Heavenly Choir: an admirable chef d'oeuvre -- In No. 24 (Garofalo)|The Virgin presenting the Infant, (who is standing on a cradle,) to Elizabeth with the Infant St. John, accompanied by two Saints. A Landscape, which is seen through an opening above, the Group is surmounted by the Heavenly Choir: an admirable chef d'oeuvre -- In No. 24]] réalisée par Garofalo, vendue par Fonthill Abbey, achetée par Hume au prix de 299.5 £. [94]
  • 1823.10.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Interior, a Lady elegantly dressed in a white satin robe, with a Spaniel on her arm, approaching the outer hall to receive a Gentleman in full dress -- a female Servant with a basket before her, domestically employed, and caressing a Hound. The sunny light thrown on the Buildings on the opposite side of the canal, (running before the house,) produces a fine effect at the entrance door, and happily diffuses itself with the lights through the window, and from the anti-chamber: a faithful portraiture of a Dutch House -- In No. 23. This picture is truly magical, and has ever been esteemed a chef d'oeuvre of the master (P. de Hooge)|An Interior, a Lady elegantly dressed in a white satin robe, with a Spaniel on her arm, approaching the outer hall to receive a Gentleman in full dress -- a female Servant with a basket before her, domestically employed, and caressing a Hound. The sunny light thrown on the Buildings on the opposite side of the canal, (running before the house,) produces a fine effect at the entrance door, and happily diffuses itself with the lights through the window, and from the anti-chamber: a faithful portraiture of a Dutch House -- In No. 23. This picture is truly magical, and has ever been esteemed a chef d'oeuvre of the master]] réalisée par P. de Hooge, vendue par Fonthill Abbey, achetée par Martin au prix de 157.10 £. [95]
  • 1823.10.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Sculptured Vase of Flowers placed on a Marble Table in a Garden Scene; a truly fine specimen of the noble taste with which Van Huysum embellished his correct representations of Nature. It is painted on a light ground, and is of his finest time and manner -- In No. 23. It was formerly in the Duc de Praslin's Cabinet, and is described in No. 88 of that Catalogue (Van Huysum)|A Sculptured Vase of Flowers placed on a Marble Table in a Garden Scene; a truly fine specimen of the noble taste with which Van Huysum embellished his correct representations of Nature. It is painted on a light ground, and is of his finest time and manner -- In No. 23. It was formerly in the Duc de Praslin's Cabinet, and is described in No. 88 of that Catalogue]] réalisée par Van Huysum, vendue par Fonthill Abbey, achetée par Smith (Marlborough St) au prix de 362.5 £. [99]
  • 1823.10.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Ecce Homo. The character of the Saviour is contrasted by that of two others; one front face, the other in profile; the drapery of the former, open in front, exposes the livid marks of stripes upon his body -- very richly and finely coloured, and worthy of Leonardo da Vinci, to whom it has been often attributed by connoisseurs of eminence -- In No. 72 (Solario)|Ecce Homo. The character of the Saviour is contrasted by that of two others; one front face, the other in profile; the drapery of the former, open in front, exposes the livid marks of stripes upon his body -- very richly and finely coloured, and worthy of Leonardo da Vinci, to whom it has been often attributed by connoisseurs of eminence -- In No. 72]] réalisée par Solario, vendue par Fonthill Abbey, achetée par McQueen au prix de 87.3 £. [101]
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