Ventes d'œuvres le 1825.05.07

De Wikipast
Aller à la navigation Aller à la recherche
  • 1825.05.07/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Prodigal Son, who wasted his substance in riotous living. This and the following picture, though they do not display the lightness and grace of Murillo's pencil in his best time, are, nevertheless, believed to be true pictures of the master; they are well composed, and painted with strong Carravaggio effect (Murillo)|The Prodigal Son, who wasted his substance in riotous living. This and the following picture, though they do not display the lightness and grace of Murillo's pencil in his best time, are, nevertheless, believed to be true pictures of the master; they are well composed, and painted with strong Carravaggio effect]] réalisée par Murillo, vendue par Simon M'Gillivray, achetée par Eckford au prix de 14.3 £. [41]
  • 1825.05.07/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A large Landscape, with Cattle, Flocks, &c. and Figures, the subject being the Return of Jacob with his Family, and Flocks and Herds, to the land of his fathers; the kneeling Patriarch himself seems to be an imaginary personage, but in the group behind him the artist has introduced Portraits of his Father, his Mother, himself, and three younger brothers. The scene is meant to represent the sandy and mountainous land of Seir; a very interesting and elaborate picture (P. Potter)|A large Landscape, with Cattle, Flocks, &c. and Figures, the subject being the Return of Jacob with his Family, and Flocks and Herds, to the land of his fathers; the kneeling Patriarch himself seems to be an imaginary personage, but in the group behind him the artist has introduced Portraits of his Father, his Mother, himself, and three younger brothers. The scene is meant to represent the sandy and mountainous land of Seir; a very interesting and elaborate picture]] réalisée par P. Potter, vendue par Simon M'Gillivray, achetée par Dunford au prix de 115.10 £. [43]
  • 1825.05.07/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Upright Landscape with a Cabaret on a rising ground before which the Hostler is baiting the horses of a post waggon; below the bank a Milk-maid and Boy are descending to a Brook and Pasture Grounds; on the left in front a Cavalier and a Lady are consulting a group of Gipsy Fortune tellers, while a Gipsy Girl is picking the pocket of the former; -- it is painted with very rich effect and truly a chef d'oeuvre (J. Steen)|An Upright Landscape with a Cabaret on a rising ground before which the Hostler is baiting the horses of a post waggon; below the bank a Milk-maid and Boy are descending to a Brook and Pasture Grounds; on the left in front a Cavalier and a Lady are consulting a group of Gipsy Fortune tellers, while a Gipsy Girl is picking the pocket of the former; -- it is painted with very rich effect and truly a chef d'oeuvre]] réalisée par J. Steen, vendue par Simon M'Gillivray, achetée par Hollingsworth au prix de 110.5 £. [52]
  • 1825.05.07/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin Mary, sitting in the lap of St. Anne, the Infant Christ, with the Lamb; in the back ground is a Landscape with a romantic Mountainous distance and a View of the Sea Coast. This elegant and highly finished Picture, from a design or cartoon of Leonardo da Vinci, is a duplicate of a Picture in the Louvre; see a note by the Editor of the Musee Francois, folio Ed.; it is painted on canvas (Luini)|The Virgin Mary, sitting in the lap of St. Anne, the Infant Christ, with the Lamb; in the back ground is a Landscape with a romantic Mountainous distance and a View of the Sea Coast. This elegant and highly finished Picture, from a design or cartoon of Leonardo da Vinci, is a duplicate of a Picture in the Louvre; see a note by the Editor of the Musee Francois, folio Ed.; it is painted on canvas]] réalisée par Luini, vendue par Simon M'Gillivray, achetée par Petit au prix de 44.12 £. [54]
  • 1825.05.07/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape with Buildings and Figures; a fine classical scene, in which the painter has introduced the Tomb of Plautus; a large and fine Mountainous distance; in the front ground are Figures of a Nobleman and Lady of rank, and Fishermen in a Pool, one of whom is presenting a Fish that he has caught; a beautiful display of this fine master's pencilling, and in clear and brilliant tone (A. Carracci)|A Landscape with Buildings and Figures; a fine classical scene, in which the painter has introduced the Tomb of Plautus; a large and fine Mountainous distance; in the front ground are Figures of a Nobleman and Lady of rank, and Fishermen in a Pool, one of whom is presenting a Fish that he has caught; a beautiful display of this fine master's pencilling, and in clear and brilliant tone]] réalisée par A. Carracci, vendue par Simon M'Gillivray, achetée par Yates au prix de 199.10 £. [57]
  • 1825.05.07/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Entombment of Our Saviour; from a spirited and grand composition of Baroccio, with great variety of characters and fine expression, brilliantly coloured; elaborate and very highly finished with arched top; a much celebrated Picture from the Aldobrandini Palace. N.B. The exceedingly rich Frame, embellished with the Arms and Initials of the Royal Family of France, carved in relief, was adjusted to the Picture by the present proprietor (Sasso Ferrato)|The Entombment of Our Saviour; from a spirited and grand composition of Baroccio, with great variety of characters and fine expression, brilliantly coloured; elaborate and very highly finished with arched top; a much celebrated Picture from the Aldobrandini Palace. N.B. The exceedingly rich Frame, embellished with the Arms and Initials of the Royal Family of France, carved in relief, was adjusted to the Picture by the present proprietor]] réalisée par Sasso Ferrato, vendue par Simon M'Gillivray, achetée par Martucci au prix de 149.2 £. [60]
  • 1825.05.07/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin and Child, a Grand Altar Piece, on pannel with arched top; the Virgin, seated upon a Marble Tribune, (her left foot resting upon and projecting beyond a marble step beneath it,) is represented in a dignified attitude, and, as if occupied with reflecting on the important character of the Infant seated on her lap and fondly clinging to her neck, is looking downward in another direction with a peculiar character of modesty and sweetness; her hands just touch the limbs of the Infant to retain it in its position upon her knees: the drawing of the whole is in grand style, and the draperies are in a peculiar rich glow of colour. It appears from the following inscription upon it, that the Picture was painted for a votive offering Petrus Stapeggia Urbinas. ex. Voto. Facien. Curavit. F. M. P. E. (Parmegiano)|The Virgin and Child, a Grand Altar Piece, on pannel with arched top; the Virgin, seated upon a Marble Tribune, (her left foot resting upon and projecting beyond a marble step beneath it,) is represented in a dignified attitude, and, as if occupied with reflecting on the important character of the Infant seated on her lap and fondly clinging to her neck, is looking downward in another direction with a peculiar character of modesty and sweetness; her hands just touch the limbs of the Infant to retain it in its position upon her knees: the drawing of the whole is in grand style, and the draperies are in a peculiar rich glow of colour. It appears from the following inscription upon it, that the Picture was painted for a votive offering Petrus Stapeggia Urbinas. ex. Voto. Facien. Curavit. F. M. P. E.]] réalisée par Parmegiano, vendue par Simon M'Gillivray, achetée par Yates au prix de 199.10 £. [61]
Récupérée de « https://wikipast.epfl.ch/index.php?title=Ventes_d%27œuvres_le_1825.05.07&oldid=3987744 »