Ventes d'œuvres le 1825.06.11

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  • 1825.06.11/ maison de ventes : Southgate (James Webber). Vente de l'œuvre décrite comme [[A Triptichon, of Greek workmanship, of an early century of the Christian aera; the central compartment delicately carved in ivory, represents the Madona in glory, surrounded by angels, on each of the doors are two saints, painted on a gold ground. From the Collection of Sir Mark Sykes, Bart. (Greek)|A Triptichon, of Greek workmanship, of an early century of the Christian aera; the central compartment delicately carved in ivory, represents the Madona in glory, surrounded by angels, on each of the doors are two saints, painted on a gold ground. From the Collection of Sir Mark Sykes, Bart.]] réalisée par Greek, vendue par Rodd, achetée par Britton au prix de 8.8 £. [4]
  • 1825.06.11/ maison de ventes : Southgate (James Webber). Vente de l'œuvre décrite comme [[The celebrated Picture of Abigail and her Maids in the presence of David. -- Noticed in Pilkington, p. 225, as follows: Hugo Vander Goes History, (no date.) According to Sandrart he flourished about 1480, was born at Bruges, and became a disciple of John Vandyck, from whom he learned the art of painting in oil. He had much capacity, and gave something elegant and graceful to the heads of his figures, especially to the female; he finished his pictures with almost unexpressible neatness of pencil. -- The foreground of his paintings are usually enriched with plants, pebbles, and herbage of various kinds, imitated from nature in a curious and exact manner. A great number of his works are preserved at Bruges, particularly a picture of "Abigail and her maids in the presence of David," in which the composition, expression, and becoming modesty of the women have been much commended. (Hugo Vander Goes)|The celebrated Picture of Abigail and her Maids in the presence of David. -- Noticed in Pilkington, p. 225, as follows: Hugo Vander Goes History, (no date.) According to Sandrart he flourished about 1480, was born at Bruges, and became a disciple of John Vandyck, from whom he learned the art of painting in oil. He had much capacity, and gave something elegant and graceful to the heads of his figures, especially to the female; he finished his pictures with almost unexpressible neatness of pencil. -- The foreground of his paintings are usually enriched with plants, pebbles, and herbage of various kinds, imitated from nature in a curious and exact manner. A great number of his works are preserved at Bruges, particularly a picture of "Abigail and her maids in the presence of David," in which the composition, expression, and becoming modesty of the women have been much commended.]] réalisée par Hugo Vander Goes, vendue par Charles Yarnold, Esq, achetée par Thompson au prix de 24.13 £. [6]
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