Ventes d'œuvres le 1827.05.05

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  • 1827.05.05/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Landscape at Evening. -- On the right an old Chateau is partially skreened by a forest tree, the setting sun diffusing a brilliant but tranquil light; in the fore ground a Herdsman driving his Cattle beneath a group of trees remarkable for the elegance of their design; on the left a lake, leading the eye by insensible gradations over a distant Country, bounded only by the cloud-capt mountains and bright horizon. From the Collection of the Duc de Boullion (Claude Loraine)|A Landscape at Evening. -- On the right an old Chateau is partially skreened by a forest tree, the setting sun diffusing a brilliant but tranquil light; in the fore ground a Herdsman driving his Cattle beneath a group of trees remarkable for the elegance of their design; on the left a lake, leading the eye by insensible gradations over a distant Country, bounded only by the cloud-capt mountains and bright horizon. From the Collection of the Duc de Boullion]] réalisée par Claude Loraine, vendue par Thomas Thompson Martin au prix de 133.7 £. [2]
  • 1827.05.05/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Dancing Goats -- a Landscape at Mid-day. In the foreground (occupying a point of eminence) are Peasants attending a Flock of Goats and Sheep, from which is a delightful View of a magnificent City. The suprising fidelity with which the incident of the goats at play is represented, will call forth the admiration of every lover of the arts, and from which the picture derives its name (Karl du Jardin)|The Dancing Goats -- a Landscape at Mid-day. In the foreground (occupying a point of eminence) are Peasants attending a Flock of Goats and Sheep, from which is a delightful View of a magnificent City. The suprising fidelity with which the incident of the goats at play is represented, will call forth the admiration of every lover of the arts, and from which the picture derives its name]] réalisée par Karl du Jardin, vendue par Thomas Thompson Martin au prix de 35.14 £. [3]
  • 1827.05.05/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Root Market: in front of a Farm House, the Vegetables are displayed for sale, and several persons near are in conversation -- an elaborate and invaluable performance in his fine silvery manner, every object colored with amazing truth and fidelity (David Teniers, Jun.)|The Root Market: in front of a Farm House, the Vegetables are displayed for sale, and several persons near are in conversation -- an elaborate and invaluable performance in his fine silvery manner, every object colored with amazing truth and fidelity]] réalisée par David Teniers, Jun., vendue par Thomas Thompson Martin au prix de 37.16 £. [5]
  • 1827.05.05/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Landscape with Peasants Travelling. At the side of the Road lies the Trunk of a Tree, on the right is an extensive River View, on the left a Chateau embosomed in Trees; an exceedingly brilliant picture of the finest quality of the master; the figures inserted by Lingleback (Wynants)|A Landscape with Peasants Travelling. At the side of the Road lies the Trunk of a Tree, on the right is an extensive River View, on the left a Chateau embosomed in Trees; an exceedingly brilliant picture of the finest quality of the master; the figures inserted by Lingleback]] réalisée par Wynants, vendue par Thomas Thompson Martin au prix de 99.15 £. [8]
  • 1827.05.05/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Interior of an Apartment in humble life, containing various articles of Furniture, and a Spinning Wheel; an old Woman is engaged preparing Turnips; from a window on the left a breadth of light is introduced with the happiest effect; a chef d'oeuvre (Nicholas Maas)|Interior of an Apartment in humble life, containing various articles of Furniture, and a Spinning Wheel; an old Woman is engaged preparing Turnips; from a window on the left a breadth of light is introduced with the happiest effect; a chef d'oeuvre]] réalisée par Nicholas Maas, vendue par Thomas Thompson Martin au prix de 126.0 £. [12]
  • 1827.05.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Grand Battle, presumed to be one of the engagements of the Romans with Hannibal's Army, on the Coast of Italy; the fire and energy displayed through the whole of this scene, from the fore-ground to the distance, stamps it as one of Salvator's most successful efforts. It is of a clear tone of colour, and executed in the most masterly, as well as the most judicious style of completion (Salvator Rosa)|A Grand Battle, presumed to be one of the engagements of the Romans with Hannibal's Army, on the Coast of Italy; the fire and energy displayed through the whole of this scene, from the fore-ground to the distance, stamps it as one of Salvator's most successful efforts. It is of a clear tone of colour, and executed in the most masterly, as well as the most judicious style of completion]] réalisée par Salvator Rosa, vendue par R au prix de 39 gs. [74]
  • 1827.05.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Female and Child passing part of a herd of Sheep and Goats; elegantly grouped, and treated with a most pleasing sentiment of the early morning -- the precursor of a clear day; a scene in the Appenines beyond Tivoli, towards Horace's Villa; painted one year before his death (Karel du Jardin)|A Female and Child passing part of a herd of Sheep and Goats; elegantly grouped, and treated with a most pleasing sentiment of the early morning -- the precursor of a clear day; a scene in the Appenines beyond Tivoli, towards Horace's Villa; painted one year before his death]] réalisée par Karel du Jardin, vendue par Sir John Pringle. [75]
  • 1827.05.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Holy Family: the same subject as one in the Marquis of Stafford's Gallery, but of a different form, and the figures on a larger scale -- the former is circular -- the back-ground different in each. We can trace how closely the Artist has followed his inimitable master, Raffaelle -- perhaps this beautiful Picture was prepared for Raffaelle to complete (Fran. Penni, called Il Fattore)|The Holy Family: the same subject as one in the Marquis of Stafford's Gallery, but of a different form, and the figures on a larger scale -- the former is circular -- the back-ground different in each. We can trace how closely the Artist has followed his inimitable master, Raffaelle -- perhaps this beautiful Picture was prepared for Raffaelle to complete]] réalisée par Fran. Penni, called Il Fattore, vendue par R. [82]
  • 1827.05.05/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Venus desiring Cupid to avenge her Cause with Psyche; one of the parts of the celebrated work of Raffaelle in the Farnese Palace, removed at the time the French entered Rome, in 1797; it was cut out from one of the angles, and a coarse copy substitued. A work of rare beauty and value (Raffaelle)|Venus desiring Cupid to avenge her Cause with Psyche; one of the parts of the celebrated work of Raffaelle in the Farnese Palace, removed at the time the French entered Rome, in 1797; it was cut out from one of the angles, and a coarse copy substitued. A work of rare beauty and value]] réalisée par Raffaelle, vendue par R, achetée par Johnson au prix de 42.0 £. [89]
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