Ventes d'œuvres le 1827.05.19

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  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A group of six Figures at the open window of a Cabaret, two of which are singing a love-song or ballad, two others drinking and smoking, -- while the high delight expressed by a fifth is contrasted by the beautifully contemplative character of another with a jug, listening with serious attention (Jan Steen)|A group of six Figures at the open window of a Cabaret, two of which are singing a love-song or ballad, two others drinking and smoking, -- while the high delight expressed by a fifth is contrasted by the beautifully contemplative character of another with a jug, listening with serious attention]] réalisée par Jan Steen, vendue par Powell Hermann, achetée par Gosling au prix de 110.5 £. [6]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[On the grassy level by the side of a Lake, Peasants are dancing, and others looking on, their cattle near them, surrounded by a grand and lovely scene, with noble masses of trees near a ruined Temple; herds of cattle graze in the middle distance. The morning sky is beautifully described: and the effect of sun is quite bewitching. This is one of his finely-conceived poetical Landscapes by which he has supported his great name (Claude Lorraine)|On the grassy level by the side of a Lake, Peasants are dancing, and others looking on, their cattle near them, surrounded by a grand and lovely scene, with noble masses of trees near a ruined Temple; herds of cattle graze in the middle distance. The morning sky is beautifully described: and the effect of sun is quite bewitching. This is one of his finely-conceived poetical Landscapes by which he has supported his great name]] réalisée par Claude Lorraine, vendue par Reinagle au prix de 330 gs. [8]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Woodman's Cot. The subject of this Picture is peculiarly adapted to the bold touch of Barker's pencil. The woodman, worn with toil, is resorting to his accustomed solace, while his children at the door of the cottage, are amusing themselves with a butterfly (Barker)|The Woodman's Cot. The subject of this Picture is peculiarly adapted to the bold touch of Barker's pencil. The woodman, worn with toil, is resorting to his accustomed solace, while his children at the door of the cottage, are amusing themselves with a butterfly]] réalisée par Barker, vendue par Thomas Turner au prix de 47 gs. [35]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Female Portrait -- upright. The style of this Master so strongly resembled that of Leonardo da Vinci, that their Madonnas are often scarely to be distinguished from each other. A graceful turn, and soft and sensible expression of countenance, form the charm of this Picture (Bernardino Luini)|Female Portrait -- upright. The style of this Master so strongly resembled that of Leonardo da Vinci, that their Madonnas are often scarely to be distinguished from each other. A graceful turn, and soft and sensible expression of countenance, form the charm of this Picture]] réalisée par Bernardino Luini, vendue par Thomas Turner. [38]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Landscape, with various Figures -- oblong, 22 by 17 1/2 in. The various talents of this facinating Artist, could not have been more forcibly displayed, than in this small, but comprehensive specimen; with the magic of his own fine pencil, it combines much of the merit of his great contemporaries, Wouvermans, Du Jardin, and Ostade (Albert Cuyp)|Landscape, with various Figures -- oblong, 22 by 17 1/2 in. The various talents of this facinating Artist, could not have been more forcibly displayed, than in this small, but comprehensive specimen; with the magic of his own fine pencil, it combines much of the merit of his great contemporaries, Wouvermans, Du Jardin, and Ostade]] réalisée par Albert Cuyp, vendue par Thomas Turner. [40]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Our Saviour at the Well, with the Samaritan Woman. Upright, 4 ft. 2 in. by 3 ft. 9 in. The figures designed with much taste and elegance, and the countenances marked with a great expression of earnestness; -- it is a very choice specimen (Pietro di Cortona)|Our Saviour at the Well, with the Samaritan Woman. Upright, 4 ft. 2 in. by 3 ft. 9 in. The figures designed with much taste and elegance, and the countenances marked with a great expression of earnestness; -- it is a very choice specimen]] réalisée par Pietro di Cortona, vendue par Thomas Turner. [42]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Fresh Breeze -- oblong, 29 in. by 23 in. A love of his profession, frequently induced Backhuysen to brave personal danger, he was thus enabled the more truly to depict, the various features of the watery element, and to group his subjects with truth and good taste. His very best time and manner are discoverable in this charming Picture (Backhuysen)|A Fresh Breeze -- oblong, 29 in. by 23 in. A love of his profession, frequently induced Backhuysen to brave personal danger, he was thus enabled the more truly to depict, the various features of the watery element, and to group his subjects with truth and good taste. His very best time and manner are discoverable in this charming Picture]] réalisée par Backhuysen, vendue par Thomas Turner au prix de 125 gs. [43]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Calm -- oblong, 28 1/2 in. by 22 in. A marine view, of the first class of merit. The firm, free, and elegant touch of the Artist, and the judicious management of his lights, are excellent. In the collection of the Proprietor, it formed a worthy companion to the following fine specimen of Backhuysen (Vander Capella)|A Calm -- oblong, 28 1/2 in. by 22 in. A marine view, of the first class of merit. The firm, free, and elegant touch of the Artist, and the judicious management of his lights, are excellent. In the collection of the Proprietor, it formed a worthy companion to the following fine specimen of Backhuysen]] réalisée par Vander Capella, vendue par Thomas Turner. [44]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Cows, &c. -- oblong, 3 ft. 6 in. by 2 ft. 6 in. A herdsman in the fore-ground awaiting the arrival of a boat to ferry his charge over the River Maese, into the Town of Dort, which is seen in the distance. The clear light of noon is depicted with magical effect; some tender clouds are floating in the horizon (Albert Cuyp)|Cows, &c. -- oblong, 3 ft. 6 in. by 2 ft. 6 in. A herdsman in the fore-ground awaiting the arrival of a boat to ferry his charge over the River Maese, into the Town of Dort, which is seen in the distance. The clear light of noon is depicted with magical effect; some tender clouds are floating in the horizon]] réalisée par Albert Cuyp, vendue par Thomas Turner au prix de 185 gs. [45]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Port of Leghorn. The scene, depicted soon after sun-rise, is represented with great truth; the sparkling appearance of the gently undulating water, is admirable. It was painted for his patron, the Marques de Santa Cruz, whose ship, the San Jago, appears to have entered the harbour, and to have fired a salute (Claude Lorraine)|Port of Leghorn. The scene, depicted soon after sun-rise, is represented with great truth; the sparkling appearance of the gently undulating water, is admirable. It was painted for his patron, the Marques de Santa Cruz, whose ship, the San Jago, appears to have entered the harbour, and to have fired a salute]] réalisée par Claude Lorraine, vendue par P Hill, achetée par Noseda au prix de 149.2 £. [46]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Landscape, with Forest Scenery. The light and free touch of Wynants, and the transparent and rich tone of his colouring, are beautifully displayed in this noble landscape; the figures by Linglebach, contribute much to the consequence of the Picture (Wynants)|Landscape, with Forest Scenery. The light and free touch of Wynants, and the transparent and rich tone of his colouring, are beautifully displayed in this noble landscape; the figures by Linglebach, contribute much to the consequence of the Picture]] réalisée par Wynants, vendue par Thomas Turner, achetée par [[Bailey [or] Bayley]] au prix de 120 £. [47]
  • 1827.05.19/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[View in Italy. Comparisons have been very unfairly drawn between the landscapes of Wilson and those of Claude. Where a serene sublimity of thought and composition was required, the latter was unrivalled; -- Wilson had more at command the general appearance of nature; his mind was in this respect peculiarly gifted, and his compositions were simple and elegant. This Picture is a delightful specimen (Wilson)|View in Italy. Comparisons have been very unfairly drawn between the landscapes of Wilson and those of Claude. Where a serene sublimity of thought and composition was required, the latter was unrivalled; -- Wilson had more at command the general appearance of nature; his mind was in this respect peculiarly gifted, and his compositions were simple and elegant. This Picture is a delightful specimen]] réalisée par Wilson, vendue par Thomas Turner, achetée par Peacock au prix de 106.1 £. [50]