Ventes d'œuvres le 1827.06.09

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  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Portrait of a Lady, habited in a black dress, holding a fan, with a parrot on her right on a ballusrade recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Rubens)|Portrait of a Lady, habited in a black dress, holding a fan, with a parrot on her right on a ballusrade recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Rubens, vendue par Levy au prix de 22.1 £. [26]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Portrait of a Warrior, habited in steel armour, richly inlaid with gold, with an embroidered belt, admirably painted, and with great truth of effect recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Salomon Sadeler)|Portrait of a Warrior, habited in steel armour, richly inlaid with gold, with an embroidered belt, admirably painted, and with great truth of effect recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Salomon Sadeler, vendue par Levy au prix de 12.12 £. [27]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[St. Paul writing his Epistle to the Thessalonians. The figure is perfectly descriptive of profound contemplation; and the picture appears to have been painted midway between his highly finished and broad manner, and has more light than he usually introduced in his portraits recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Rembrandt)|St. Paul writing his Epistle to the Thessalonians. The figure is perfectly descriptive of profound contemplation; and the picture appears to have been painted midway between his highly finished and broad manner, and has more light than he usually introduced in his portraits recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Rembrandt, vendue par Levy au prix de 29.8 £. [28]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Sleeping Shepherd. This picture represents a warm day, with the Shepherd sleeping at the foot of a tree, and two recumbent sheep. Formerly in the collection of Prince Radgiwill recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Paul Potter)|The Sleeping Shepherd. This picture represents a warm day, with the Shepherd sleeping at the foot of a tree, and two recumbent sheep. Formerly in the collection of Prince Radgiwill recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Paul Potter, vendue par Levy au prix de 43.1 £. [29]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A rich woody Landscape, representing the interior of a wood, the pathway of which is to the left of the picture. The sun, which shines through the trees, produces a rich and charming effect, which is vividly powerful on the foreground; the colouring and harmonious; the touch is firm, and the finishing elaborate. A fine specimen of this esteemed master recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Hobbima)|A rich woody Landscape, representing the interior of a wood, the pathway of which is to the left of the picture. The sun, which shines through the trees, produces a rich and charming effect, which is vividly powerful on the foreground; the colouring and harmonious; the touch is firm, and the finishing elaborate. A fine specimen of this esteemed master recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Hobbima, vendue par Levy au prix de 52.10 £. [30]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[La Laitiere. -- This most beautiful picture is in lively contrast to the preceding; it represents a fine sunny landscape in the style of Both, which this master is known occasionally to have adopted. On a small hill, which composes the centre of the picture, are seen two females, one of whom is seated by the foot-path, and the other standing with a milk-pail on her head; these are surrounded by a group of cows and sheep, reclining during the heat of the day. On the right is a shepherd drivingbis sheep towards a bridge, which crosses to a building in the distance, and on the bridge is a man riding upon a mule. An interesting specimen of the artist, painted with firm yet light touch recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (N. Berghem)|La Laitiere. -- This most beautiful picture is in lively contrast to the preceding; it represents a fine sunny landscape in the style of Both, which this master is known occasionally to have adopted. On a small hill, which composes the centre of the picture, are seen two females, one of whom is seated by the foot-path, and the other standing with a milk-pail on her head; these are surrounded by a group of cows and sheep, reclining during the heat of the day. On the right is a shepherd drivingbis sheep towards a bridge, which crosses to a building in the distance, and on the bridge is a man riding upon a mule. An interesting specimen of the artist, painted with firm yet light touch recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par N. Berghem, vendue par Levy au prix de 178.10 £. [31]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Evening Scene, rich and varied in its composition, and painted with a firm and masterly touch recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (G. Poussin)|An Evening Scene, rich and varied in its composition, and painted with a firm and masterly touch recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par G. Poussin, vendue par Levy au prix de 24.3 £. [32]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Romantic Landscape, with mountainous scenery, and a Chateau in the middle distance -- a luxuriant representation of nature recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (G. Poussin)|A Romantic Landscape, with mountainous scenery, and a Chateau in the middle distance -- a luxuriant representation of nature recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par G. Poussin, vendue par Levy au prix de 27.6 £. [33]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Infant St. John attended by Angels. The infant precursor of the Saviour is represented lying on a mattress, covered with linen, and rests his head upon a cushion of blue velvet; two cherubims are intently gazing on this child, who was destined to appear in the "spirit and power of Elias" recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (N. Poussin)|Infant St. John attended by Angels. The infant precursor of the Saviour is represented lying on a mattress, covered with linen, and rests his head upon a cushion of blue velvet; two cherubims are intently gazing on this child, who was destined to appear in the "spirit and power of Elias" recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par N. Poussin, vendue par Levy au prix de 34.13 £. [34]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[St. Francis healing a wounded man. The figure of St. Francis occupies the centre of the picture, and is one of great sublimity; devoutly engaged, and is supporting the wounded man, whose approaching dissolution is finely depicted. On the left of St. Francis is a monk, who with the wounded man supported by another figure, which form the principal group. On the left of the Saint is placed a female in a posture of earnest supplication, and an old man profoundly intent on the passing scene recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (N. Poussin)|St. Francis healing a wounded man. The figure of St. Francis occupies the centre of the picture, and is one of great sublimity; devoutly engaged, and is supporting the wounded man, whose approaching dissolution is finely depicted. On the left of St. Francis is a monk, who with the wounded man supported by another figure, which form the principal group. On the left of the Saint is placed a female in a posture of earnest supplication, and an old man profoundly intent on the passing scene recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par N. Poussin, vendue par Levy au prix de 31.10 £. [35]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Christ and the Disciples at Emmaus -- finely treated and in colouring equal to Titian recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Bassano)|Christ and the Disciples at Emmaus -- finely treated and in colouring equal to Titian recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Bassano, vendue par Levy au prix de 21.0 £. [36]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Head of an Apostle -- The venerable saint is represented holding a cross in his right hand, and a scroll in his left. Painted with a vigorous touch. A fine example of this Master's great powers recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Guercino)|Head of an Apostle -- The venerable saint is represented holding a cross in his right hand, and a scroll in his left. Painted with a vigorous touch. A fine example of this Master's great powers recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Guercino, vendue par Levy au prix de 21.0 £. [37]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Ceres, Crowned with a Chaplet of Wheat -- A beautiful cabinet specimen of the highly finished style of this pleasing Artist recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Albano)|Ceres, Crowned with a Chaplet of Wheat -- A beautiful cabinet specimen of the highly finished style of this pleasing Artist recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Albano, vendue par Levy au prix de 10.10 £. [38]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Virgin and Child -- This Artist has so multiplied pictures of this subject as to become a kind of pictorial patriarch. All the families to whom he has given existence are Holy, and all the Females are Virgins. A pleasing specimen of this Master's delicate penciling recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Sasso Ferrato)|A Virgin and Child -- This Artist has so multiplied pictures of this subject as to become a kind of pictorial patriarch. All the families to whom he has given existence are Holy, and all the Females are Virgins. A pleasing specimen of this Master's delicate penciling recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Sasso Ferrato, vendue par Levy au prix de 13.13 £. [39]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Salute from a Fort -- in the offing the Swedish Fleet are represented sailing past a small Fort, from which a Salute is fired in honor of the National Flag recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Backhuysen)|A Salute from a Fort -- in the offing the Swedish Fleet are represented sailing past a small Fort, from which a Salute is fired in honor of the National Flag recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Backhuysen, vendue par Levy au prix de 89.5 £. [40]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Entrance to a Fishing Town on the Coast of Holland, with Vessels at Anchor, and entering the Port under Light Winds, with the Town in the distance, and in the foreground are Boats and Figures variously employed recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection (Van der Pool)|The Entrance to a Fishing Town on the Coast of Holland, with Vessels at Anchor, and entering the Port under Light Winds, with the Town in the distance, and in the foreground are Boats and Figures variously employed recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection]] réalisée par Van der Pool, vendue par Levy au prix de 37.16 £. [41]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, S. Pretro di Castello, and L' Arsenale recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, S. Pretro di Castello, and L' Arsenale recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 22.1 £. [42]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, Palazzo Realo, and La Madonna dell Orto recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, Palazzo Realo, and La Madonna dell Orto recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 26.5 £. [43]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, Chiesa di Sa. Maria Jomosa, and Palazzo dmale mlla Piazzetta recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, Chiesa di Sa. Maria Jomosa, and Palazzo dmale mlla Piazzetta recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 36.15 £. [44]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, Ponte di S. Marco, and Chiesa di S. Giovanni e Paolo recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, Ponte di S. Marco, and Chiesa di S. Giovanni e Paolo recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 39.18 £. [45]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, Ponte Rialto, and Ponte di S. Marco recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, Ponte Rialto, and Ponte di S. Marco recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 36.15 £. [46]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, Veduta di Venegia venendo della parte di Chioggia and S. Georgio dei Greci recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, Veduta di Venegia venendo della parte di Chioggia and S. Georgio dei Greci recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 43.1 £. [47]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, Chiesa di S. Eustachio, and Rippa grande recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, Chiesa di S. Eustachio, and Rippa grande recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 35.14 £. [48]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, Sa. Maria dell' Rosario, and Sa. Maria della Salute recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, Sa. Maria dell' Rosario, and Sa. Maria della Salute recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 36.15 £. [49]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, Chiesa di S. Rocco, and Veduta di Canale grande recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, Chiesa di S. Rocco, and Veduta di Canale grande recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par Fuller au prix de 31.10 £. [50]
  • 1827.06.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Two, the Convento dei Barnabitti, and S. Pietro di astello della Parta di Mare recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice (Canaletti)|Two, the Convento dei Barnabitti, and S. Pietro di astello della Parta di Mare recently imported from Poland, and consigned to a highly respectable Merchant in the City of London, and to whom they are confidently represented as having formed part of the late King of Poland's Collection A Series of Twenty Views in Venice]] réalisée par Canaletti, vendue par Levy, achetée par White au prix de 40.19 £. [51]
  • 1827.06.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Joseph seated, with the Infant Christ in his Lap, in a luxuriant Landscape. A sweet complacency of character, and deep and rich tone of colour, distinguish the pencil of this Master obtained from Religious Houses by the French, upon their Invasion of the Peninsula (Herrera el Viejo)|Joseph seated, with the Infant Christ in his Lap, in a luxuriant Landscape. A sweet complacency of character, and deep and rich tone of colour, distinguish the pencil of this Master obtained from Religious Houses by the French, upon their Invasion of the Peninsula]] réalisée par Herrera el Viejo, vendue par Wetherell Esqr au prix de 141 gs. [103]
  • 1827.06.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Companion. Equally spirited and elegance obtained from Religious Houses by the French, upon their Invasion of the Peninsula N.B. -- This, and the three following Pictures, are from the Convent of Saint Austin, at Seville. They are painted on thick panel This and the following have been somewhat injured by long exposure to a powerful Sun (Murillo)|The Companion. Equally spirited and elegance obtained from Religious Houses by the French, upon their Invasion of the Peninsula N.B. -- This, and the three following Pictures, are from the Convent of Saint Austin, at Seville. They are painted on thick panel This and the following have been somewhat injured by long exposure to a powerful Sun]] réalisée par Murillo, vendue par Wetherell Esqr, achetée par Percy au prix de 43.1 £. [104]
  • 1827.06.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Group of four Infant Angels on the Wing. Designed with great lightness and elegance N. B. -- The two former Pictures are very rich in colour, and are in perfect condition. This and the following have been somewhat injured by long exposure to a powerful Sun obtained from Religious Houses by the French, upon their Invasion of the Peninsula N. B. -- This, and the three following Pictures, are from the Convent of Saint Austin, at Seville. They are painted on thick panel (Murillo)|Group of four Infant Angels on the Wing. Designed with great lightness and elegance N. B. -- The two former Pictures are very rich in colour, and are in perfect condition. This and the following have been somewhat injured by long exposure to a powerful Sun obtained from Religious Houses by the French, upon their Invasion of the Peninsula N. B. -- This, and the three following Pictures, are from the Convent of Saint Austin, at Seville. They are painted on thick panel]] réalisée par Murillo, vendue par Wetherell Esqr, achetée par Ld Normanton au prix de 42.0 £. [105]
  • 1827.06.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Group of two Infant Angels, bearing up the Mitre and Crozier -- from the same obtained from Religious Houses by the French, upon their Invasion of the Peninsula This and the three following Pictures from the Convent of Saint Austin, at Seville. They are painted on thick panel very rich in colour, and ... in perfect condition (Murillo)|A Group of two Infant Angels, bearing up the Mitre and Crozier -- from the same obtained from Religious Houses by the French, upon their Invasion of the Peninsula This and the three following Pictures from the Convent of Saint Austin, at Seville. They are painted on thick panel very rich in colour, and ... in perfect condition]] réalisée par Murillo, vendue par Wetherell Esqr, achetée par Yates au prix de 57.15 £. [106]
  • 1827.06.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A spirited and beautiful Group of two Infant Angels on the Wing, bearing up the Volume of the Sacred Scriptures, which serves as a foundation for a small model of the Church. Designed with grandeur and the finest taste. An admirable specimen, both of the free pencil and the ripe colouring of Murillo N.B. -- This, and the three following Pictures, are from the Convent of Saint Austin, at Seville. They are painted on thick panel obtained from Religious Houses by the French, upon their Invasion of the Peninsula very rich in colour, and ... in perfect condition (Murillo)|A spirited and beautiful Group of two Infant Angels on the Wing, bearing up the Volume of the Sacred Scriptures, which serves as a foundation for a small model of the Church. Designed with grandeur and the finest taste. An admirable specimen, both of the free pencil and the ripe colouring of Murillo N.B. -- This, and the three following Pictures, are from the Convent of Saint Austin, at Seville. They are painted on thick panel obtained from Religious Houses by the French, upon their Invasion of the Peninsula very rich in colour, and ... in perfect condition]] réalisée par Murillo, vendue par Wetherell Esqr, achetée par Money au prix de 105.0 £. [107]
  • 1827.06.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Trinity. Saint John, a Half Figure, looking up, and a Father directing his Son to address his Prayers to the Heavenly Triad. Finely drawn and coloured. From the Convent of the Guardian Angel, in Seville obtained from Religious Houses by the French, upon their Invasion of the Peninsula (Rubens)|The Trinity. Saint John, a Half Figure, looking up, and a Father directing his Son to address his Prayers to the Heavenly Triad. Finely drawn and coloured. From the Convent of the Guardian Angel, in Seville obtained from Religious Houses by the French, upon their Invasion of the Peninsula]] réalisée par Rubens, vendue par Wetherell Esqr, achetée par Smith au prix de 178.10 £. [108]
  • 1827.06.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin lifting up the Veil under which the Infant Christ is sleeping, and showing him to the young Saint John. A copy by this famous painter from the celebrated Work of Raffaelle, in the Parish Church of Saint Michael, in Seville, and executed by Cano expressly for the Carthusian Convent in that city obtained from Religious Houses by the French, upon their Invasion of the Peninsula (Alonzo Cano)|The Virgin lifting up the Veil under which the Infant Christ is sleeping, and showing him to the young Saint John. A copy by this famous painter from the celebrated Work of Raffaelle, in the Parish Church of Saint Michael, in Seville, and executed by Cano expressly for the Carthusian Convent in that city obtained from Religious Houses by the French, upon their Invasion of the Peninsula]] réalisée par Alonzo Cano, vendue par Wetherell Esqr, achetée par Munro au prix de 31.10 £. [112]
  • 1827.06.09/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Assumption of the Virgin, encircled by Cherubim above and supported upon Cherubim with Faith and Hope, allegorically and beautifully treated, below. A brilliantly-coloured and delicately-finished specimen of this rare Master (Francesco de Zurbaran, 1659)|The Assumption of the Virgin, encircled by Cherubim above and supported upon Cherubim with Faith and Hope, allegorically and beautifully treated, below. A brilliantly-coloured and delicately-finished specimen of this rare Master]] réalisée par Francesco de Zurbaran, 1659, vendue par Capt Larkyns, achetée par Peacock au prix de 21.0 £. [131]
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