Ventes d'œuvres le 1828.05.24

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  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Saint Philip, holding a Palmer's Cross, is standing at the entrance of a Cavern; his right hand is held to his bosom, and his head turned so as to be seen in profile. His drapery is green and russet. The figure bears a strong resemblance to the known Portraits of the celebrated Cardinal St. Charles Borromeo Descendit. Ad. Inferna. Tertia. Ddia. Resurrexit. A. Mortui. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles. (Cespedes of Cordova)|Saint Philip, holding a Palmer's Cross, is standing at the entrance of a Cavern; his right hand is held to his bosom, and his head turned so as to be seen in profile. His drapery is green and russet. The figure bears a strong resemblance to the known Portraits of the celebrated Cardinal St. Charles Borromeo Descendit. Ad. Inferna. Tertia. Ddia. Resurrexit. A. Mortui. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles.]] réalisée par Cespedes of Cordova au prix de 85 gs. [16]
  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Saint Jude, called Thaddeus, seated at the Entrance of a Cavern, from which is seen a Mountainous Landscape, holds an open Volume in both hands, and seems to be referring back for some collateral or corroborative passage of Scripture. His drapery is rich blue and brown. His aspect is very grave and philosophic; his ample forehead is divested of hair and his beard flowing. The inscription on the scroll is Santam. Ecclesiam. Catholica. Sanctorum. Ccommunionem. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles. (Cespedes of Cordova)|Saint Jude, called Thaddeus, seated at the Entrance of a Cavern, from which is seen a Mountainous Landscape, holds an open Volume in both hands, and seems to be referring back for some collateral or corroborative passage of Scripture. His drapery is rich blue and brown. His aspect is very grave and philosophic; his ample forehead is divested of hair and his beard flowing. The inscription on the scroll is Santam. Ecclesiam. Catholica. Sanctorum. Ccommunionem. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles.]] réalisée par Cespedes of Cordova au prix de 100 gs. [17]
  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Saint Simeon in a cell, holding a clasped book in his hands, with an open volume before him. His dress is a green tunic and gray cloak. The head is a master-piece of Art in painting. Beneath is inscribed Remissionem. Peccatorum. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles. (Cespedes of Cordova)|Saint Simeon in a cell, holding a clasped book in his hands, with an open volume before him. His dress is a green tunic and gray cloak. The head is a master-piece of Art in painting. Beneath is inscribed Remissionem. Peccatorum. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles.]] réalisée par Cespedes of Cordova au prix de 140 gs. [18]
  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Saint James, with his right hand held to his bosom, and his left reclining, studying the Scriptures. His dress is a rich green tunic, and a cloak of brownish purple. In the distance are the ruins of some Ancient Buildings. The inscription beneath: Carnis. Resurrectionem. The Picture bears a strong resemblance to the manner of Lionardo da Vinci. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles. (Cespedes of Cordova)|Saint James, with his right hand held to his bosom, and his left reclining, studying the Scriptures. His dress is a rich green tunic, and a cloak of brownish purple. In the distance are the ruins of some Ancient Buildings. The inscription beneath: Carnis. Resurrectionem. The Picture bears a strong resemblance to the manner of Lionardo da Vinci. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles.]] réalisée par Cespedes of Cordova au prix de 96 gs. [19]
  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Saint Bartholomew, with his hands clasped, attentively perusing the Scriptures; a knife lies before him, and in the air is seen a Stork on the wing. The dress is russet and greyish blue; and the whole of the Picture is very solemn, and bears a striking resemblance to the manner of Salvator. Ascendit. Ad. Coelos. Sedet. Ad. Dexteram Dei Patris Omnipotentis. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles. (Cespedes of Cordova)|Saint Bartholomew, with his hands clasped, attentively perusing the Scriptures; a knife lies before him, and in the air is seen a Stork on the wing. The dress is russet and greyish blue; and the whole of the Picture is very solemn, and bears a striking resemblance to the manner of Salvator. Ascendit. Ad. Coelos. Sedet. Ad. Dexteram Dei Patris Omnipotentis. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles.]] réalisée par Cespedes of Cordova au prix de 120 gs. [20]
  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[Saint John, holding a book in his left hand and a pen in his right: and Eagle floating in the air, bears his ink-horn. On the left of the Saint is a chalice. He is habited in a crimson drapery. Beneath is inscribed the following passage, from the Apostle's Creed: Passus. Sub. Pontio. Pilato. Crucifixus. Mortuus. & Sepultus. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles. (Cespedes of Cordova)|Saint John, holding a book in his left hand and a pen in his right: and Eagle floating in the air, bears his ink-horn. On the left of the Saint is a chalice. He is habited in a crimson drapery. Beneath is inscribed the following passage, from the Apostle's Creed: Passus. Sub. Pontio. Pilato. Crucifixus. Mortuus. & Sepultus. The following Six Extraordinary Spanish Pictures, are respectfully submitted to the judgment and protection of the Connoisseurs and Amateurs of the Fine Arts. After the high eulogies that have been passed on them by some of the most profound and excellent judges of Works of Art, it would be presumptuous to dilate on their merits in a Sale Catalogue: the Auctioneer, therefore, deems it far more respectful to the Cognoscenti, and to the Public, to abstain from commendation, and not at all injurious to Works that have caused so much sensation in the world of Art. Neither is it presumed to decide on the Painter, such diversity of opinion having been expressed on that point; and whoever he be, it would be great injustice to rob him of the honour, either for the purpose of gain to the Proprietor, or for adding fresh laurels to Artists of already high reputation. The Public is too well informed to be influenced by a name, when there is a deficiency of merit; and when merit is so conspicuous, it recommends itself without an auxiliary. By good judges, however, they have been ascribed to Cespedes of Cordova, whose biographer represents him to have been eminent in all the fine Arts, and a distinguished Scholar in Literature. He made two journeys to Rrome for the purpose of studying the works of Michelangelo, not only in Painting, but in Sculpture and Architecture. Many of the Cities of Spain are enriched with his works, particularly his native City of Cordova, in the Cathedral of which he painted "The Famous Picture of the Last Supper, wherein every Apostle is represented with a different character." In Italy his works are held in high estimation; and his Pictures are said to be remarkable for correctness of design, forcible expression, great knowledge of chiaro-scuro, perspective and anatomy, for the graceful airs of the heads, and for their excellent colouring. His manner, says his biographer, approaches near to that of Correggio. These qualities will be found conspicuous in the following Pictures of the Apostles.]] réalisée par Cespedes of Cordova au prix de 100 gs. [21]
  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[St. John baptizing Christ.--The Figures in this Picture are Portraits of Paolo and his Family: it was the last Picture designed by him. For a fuller account of it, see his Life by Ridolfi, in which are given the history and a description Several of the following Pictures were Sold in the Altamira Collection (P. Veronese)|St. John baptizing Christ.--The Figures in this Picture are Portraits of Paolo and his Family: it was the last Picture designed by him. For a fuller account of it, see his Life by Ridolfi, in which are given the history and a description Several of the following Pictures were Sold in the Altamira Collection]] réalisée par P. Veronese au prix de 140 gs. [28]
  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[The Marriage of St. Katharine, a magnificent Picture of the Master, who is considered the Correggio of Spain. Fuseli equals his work, to the best of Paul Veronese or Titian Several of the following Pictures were Sold in the Altamira Collection (Mateo Cerezo)|The Marriage of St. Katharine, a magnificent Picture of the Master, who is considered the Correggio of Spain. Fuseli equals his work, to the best of Paul Veronese or Titian Several of the following Pictures were Sold in the Altamira Collection]] réalisée par Mateo Cerezo au prix de 86 gs. [32]
  • 1828.05.24/ maison de ventes : Stanley (George). Vente de l'œuvre décrite comme [[A classic Landscape with a River and Falls in the centre; several very elegant figures of Nymphs Bathing, Buildings, and other interesting picturesque objects. This Picture was formerly in the possession of Mr. Akers of the Adelphi, with whom it was a great favorite; and at the Sale of his Collection, it was purchased by the late Mr. Holmes, at a considerable price (Domenichino)|A classic Landscape with a River and Falls in the centre; several very elegant figures of Nymphs Bathing, Buildings, and other interesting picturesque objects. This Picture was formerly in the possession of Mr. Akers of the Adelphi, with whom it was a great favorite; and at the Sale of his Collection, it was purchased by the late Mr. Holmes, at a considerable price]] réalisée par Domenichino, vendue par James Parke Holmes, Esq.. [55]
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