Ventes d'œuvres le 1829.01.-

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  • 1829.01.-/ maison de ventes : Moon, Boys, and Graves. Vente de l'œuvre décrite comme [[Alfred in the Neatherd's Cottage. Painted in the year 1806, by David Wilkie, R.A. The size of the Picture is 5 feet 7 inches long by 3 feet 6 inches high, and was expressly painted for Alexander Davison, Esq., from whose Collection it was purchased. This celebrated Picture has recently been engraved, in the line manner, by Mr. James Mitchell. "This painting may be considered one of the happiest compositions of this eminent artist, and the engraving in every way worthy of the splendid original." -- Brit. Trav. Nov. 1828. "If the engraving of this print is not fully worthy of the painting, our readers will not be surprised, or think slightingly of it, when we tell them the name of the painter. It is a highly respectable picture, and will bear to be looked at for hours by those who love humour and pathos, and truth and nature, and Wilkie." -- Athenaeum, Oct. 29, 1828. (David Wilkie, R.A.)|Alfred in the Neatherd's Cottage. Painted in the year 1806, by David Wilkie, R.A. The size of the Picture is 5 feet 7 inches long by 3 feet 6 inches high, and was expressly painted for Alexander Davison, Esq., from whose Collection it was purchased. This celebrated Picture has recently been engraved, in the line manner, by Mr. James Mitchell. "This painting may be considered one of the happiest compositions of this eminent artist, and the engraving in every way worthy of the splendid original." -- Brit. Trav. Nov. 1828. "If the engraving of this print is not fully worthy of the painting, our readers will not be surprised, or think slightingly of it, when we tell them the name of the painter. It is a highly respectable picture, and will bear to be looked at for hours by those who love humour and pathos, and truth and nature, and Wilkie." -- Athenaeum, Oct. 29, 1828.]] réalisée par David Wilkie, R.A.. [3]
  • 1829.01.-/ maison de ventes : Moon, Boys, and Graves. Vente de l'œuvre décrite comme [[The Temple of Jupiter in the Island of Aegina. Painted by J. M. W. Turner, R.A. The size of the Picture is 4 feet high by 6 feet broad. A most splendid Engraving has just been published, engraved by Mr. John Pye. "The architectural portions of the picture have much of the grandeur of Martin's accumulated masses, and the landscape is equal to any thing of Claude's. It is considered to be the very best production ever executed by this celebrated artist." -- Athenaeum, Feb. 29, 1828. "The subject is a strictly classical one; and we can assure our readers it is in every way most classically handled. Considered merely in reference to its picturesque effect, we never remember to have seen a more strikingly beautiful production than the present: it is a highly-finished painting by the modern Claude, and exhibits, in a singularly felicitous manner, all the sublime and beautiful characteristics of that popular master's pencil." -- Bristol Journal, April 26, 1828. "The picture is one of the most celebrated works of our English Claude." -- New Times, March 10, 1828. (J.M.W. Turner, R.A.)|The Temple of Jupiter in the Island of Aegina. Painted by J. M. W. Turner, R.A. The size of the Picture is 4 feet high by 6 feet broad. A most splendid Engraving has just been published, engraved by Mr. John Pye. "The architectural portions of the picture have much of the grandeur of Martin's accumulated masses, and the landscape is equal to any thing of Claude's. It is considered to be the very best production ever executed by this celebrated artist." -- Athenaeum, Feb. 29, 1828. "The subject is a strictly classical one; and we can assure our readers it is in every way most classically handled. Considered merely in reference to its picturesque effect, we never remember to have seen a more strikingly beautiful production than the present: it is a highly-finished painting by the modern Claude, and exhibits, in a singularly felicitous manner, all the sublime and beautiful characteristics of that popular master's pencil." -- Bristol Journal, April 26, 1828. "The picture is one of the most celebrated works of our English Claude." -- New Times, March 10, 1828.]] réalisée par J.M.W. Turner, R.A.. [4]
  • 1829.01.-/ maison de ventes : Moon, Boys, and Graves. Vente de l'œuvre décrite comme [[May Day in the Reign of Queen Elizabeth. Painted by C. R. Leslie, R.A. Size, 3 feet 10 inches high by 5 feet broad. A highly-finished line Engraving from this celebrated Picture is now in progress. "It is due to Messrs. Moon, Boys, and Graves, the proprietors of one of the most beautiful paintings in the range of modern art -- May Day in the Reign of Queen Elizabeth, by Mr. Leslie -- to mention, that the Proposal is little more than a repetition of the two most prominent and striking figures in that enchanting composition, namely, the Euphuist and the Queen of May." -- Advertisement to Literary Souvenir, edited by A.A. Watts, Esq. 1829. (C.R. Leslie, R.A.)|May Day in the Reign of Queen Elizabeth. Painted by C. R. Leslie, R.A. Size, 3 feet 10 inches high by 5 feet broad. A highly-finished line Engraving from this celebrated Picture is now in progress. "It is due to Messrs. Moon, Boys, and Graves, the proprietors of one of the most beautiful paintings in the range of modern art -- May Day in the Reign of Queen Elizabeth, by Mr. Leslie -- to mention, that the Proposal is little more than a repetition of the two most prominent and striking figures in that enchanting composition, namely, the Euphuist and the Queen of May." -- Advertisement to Literary Souvenir, edited by A.A. Watts, Esq. 1829.]] réalisée par C.R. Leslie, R.A.. [5]
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