Ventes d'œuvres le 1830.05.14

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  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Fortune. This magnificent and brilliant picture has been repeated several times by this great artist, but in none has he attained such rare excellencies as burst upon the beholder on examining this chef-d'oeurve. Artists and amateurs may both contemplate this superb work of art with advantage; few of Guido's works have been painted with such masterly fullness of pencil, or executed with an equal degree of care and spirit. Fortune, in her transit over the world, expresses all the modesty of impartiality while Cupid desires to retain her for his favourites. There is no picture in our recollection comparable in all its bearings with the dazzling production of Italian art. (Guido Rheni)|Fortune. This magnificent and brilliant picture has been repeated several times by this great artist, but in none has he attained such rare excellencies as burst upon the beholder on examining this chef-d'oeurve. Artists and amateurs may both contemplate this superb work of art with advantage; few of Guido's works have been painted with such masterly fullness of pencil, or executed with an equal degree of care and spirit. Fortune, in her transit over the world, expresses all the modesty of impartiality while Cupid desires to retain her for his favourites. There is no picture in our recollection comparable in all its bearings with the dazzling production of Italian art.]] réalisée par Guido Rheni, vendue par [[W[estall]]], achetée par Nevinson au prix de 136.10 £. [16]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Holy Family. To describe the uncommon beauties of this splendid picture, we should say that it is Correggio corrected of his imperfections in drawing, with all the lovliest graces that ever flowed from his magic pencil; a tenderness in all the characters, the expression natural yet refined; the regard of the Virgon on the symbols of fallen man is unequalled in countenance, beautiful in drawing, and rich in the painting department, as is the whole of the most perfect picture. (Ludovico Caracci)|The Holy Family. To describe the uncommon beauties of this splendid picture, we should say that it is Correggio corrected of his imperfections in drawing, with all the lovliest graces that ever flowed from his magic pencil; a tenderness in all the characters, the expression natural yet refined; the regard of the Virgon on the symbols of fallen man is unequalled in countenance, beautiful in drawing, and rich in the painting department, as is the whole of the most perfect picture.]] réalisée par Ludovico Caracci, vendue par [[W[estall]]], achetée par Lord Gower au prix de 325.10 £. [17]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Mary Magdalene bathing the feet of Christ. Among the several works of this able master, it is presumed this will hold a place of the highest rank. It combines the charms of Titian and Georgione, and equals them, both for colouring, expression, and fullness of pencil (Palma Vecchio)|Mary Magdalene bathing the feet of Christ. Among the several works of this able master, it is presumed this will hold a place of the highest rank. It combines the charms of Titian and Georgione, and equals them, both for colouring, expression, and fullness of pencil]] réalisée par Palma Vecchio, vendue par [[W[estall]]], achetée par Waldie au prix de 52.10 £. [19]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Gem, by this most elegant master. The grandeur given to this beautiful small subject is surprising; the effect is of late evening sun. A shepherd driving home his cattle after their watering, a fine bouquet of noble trees, a rocky wooded eminence and an expansive distance, all combine to constitute this chef-doeuvre (Claude Loraine)|A Gem, by this most elegant master. The grandeur given to this beautiful small subject is surprising; the effect is of late evening sun. A shepherd driving home his cattle after their watering, a fine bouquet of noble trees, a rocky wooded eminence and an expansive distance, all combine to constitute this chef-doeuvre]] réalisée par Claude Loraine, vendue par [[W[estall]]], achetée par Reinagle au prix de 31.10 £. [21]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Shepherds. It is difficult amongst so many rare perfections as this beautiful work presents to the eye, to particularize one quality above another. This superb picture, so choice in composition, painting, chiaro scuro and expression, deservedly ranks with the finest works of Rembrandt (Nicholas Maes)|The Adoration of the Shepherds. It is difficult amongst so many rare perfections as this beautiful work presents to the eye, to particularize one quality above another. This superb picture, so choice in composition, painting, chiaro scuro and expression, deservedly ranks with the finest works of Rembrandt]] réalisée par Nicholas Maes, vendue par [[W[estall]]], achetée par Ld Northwick au prix de 15.15 £. [23]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Spirit Seller, or the Scheedam Shop. The Man, whose facetious countenance bespeaks the sparkle of wit, is represented pouring out his deleterious liquor, while his hurried customer is hastily exploring her purse, that she may pay for her purchase the instant it is ready; the characters are finely contrasted, and the colouring of the highest quality (Rembrandt)|The Spirit Seller, or the Scheedam Shop. The Man, whose facetious countenance bespeaks the sparkle of wit, is represented pouring out his deleterious liquor, while his hurried customer is hastily exploring her purse, that she may pay for her purchase the instant it is ready; the characters are finely contrasted, and the colouring of the highest quality]] réalisée par Rembrandt, vendue par [[W[estall]]], achetée par Kiernan au prix de 17.6 £. [24]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A grand Landcape, in which is introduced the Sacrifice of Isaac. It is difficut to speak in adequate terms if the trancendent beauties of the two preceding pictures; they are the only specimens known in this country of that grand style of landscape, disclosed to us in the admirable etchings after the designs of this great master; the original pictures of which are supposed to b lost. The figures in both are nobly designed, and, as well as the whole of the landscapes, painted with a masterly facility, and coloured with a dignity which nothing can surpass (Titian)|A grand Landcape, in which is introduced the Sacrifice of Isaac. It is difficut to speak in adequate terms if the trancendent beauties of the two preceding pictures; they are the only specimens known in this country of that grand style of landscape, disclosed to us in the admirable etchings after the designs of this great master; the original pictures of which are supposed to b lost. The figures in both are nobly designed, and, as well as the whole of the landscapes, painted with a masterly facility, and coloured with a dignity which nothing can surpass]] réalisée par Titian, vendue par [[W[estall]]], achetée par Norton au prix de 30.9 £. [26]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Scene near Haerlem. This picture has all the beauties of colouring and painting, that distinguish Cuyp's productions, with the bold and masterly execution peculiar to himself; it is nature itself, and may be pronounced one of his chef d'ouvres (De Koning)|A Scene near Haerlem. This picture has all the beauties of colouring and painting, that distinguish Cuyp's productions, with the bold and masterly execution peculiar to himself; it is nature itself, and may be pronounced one of his chef d'ouvres]] réalisée par De Koning, vendue par [[W[estall]]], achetée par Sr W Hamilton au prix de 44.2 £. [30]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Shepherds. This charming picture, which is signed, offers the best proofs of the high talent of this short-lived artist; the colours are so delicate, and so beautifully arranged that the picture appears at a short distance like a bouquet of flowers; the lovers of Italian art will find this a real gem (Carlo Cagliari)|The Adoration of the Shepherds. This charming picture, which is signed, offers the best proofs of the high talent of this short-lived artist; the colours are so delicate, and so beautifully arranged that the picture appears at a short distance like a bouquet of flowers; the lovers of Italian art will find this a real gem]] réalisée par Carlo Cagliari, vendue par [[W[estall]]], achetée par Metcalf au prix de 32.11 £. [32]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Diana punishing the licentiousness of Pan. The beauty of the Goddess is elegantly shewn both in her figure and her face, and the harmony of coloring is quite facinating; the spirit of the painting shews how great an artist the author of this beautiful picture was (Paris Bordone)|Diana punishing the licentiousness of Pan. The beauty of the Goddess is elegantly shewn both in her figure and her face, and the harmony of coloring is quite facinating; the spirit of the painting shews how great an artist the author of this beautiful picture was]] réalisée par Paris Bordone, vendue par [[W[estall]]], achetée par Nowell au prix de 36.15 £. [33]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Virgin with the Child bestowing its Benediction; the nobleness of countenance he has given the Virgin corresponds with the usual dignity which this great artist infused to all his characters. The present subject is a rare one of this master, though so frequent by all other Italian artists; he has raised the subject far above the level of most painters, yet has preserved moderation in describing the sainted Mother of the Saviour (Sebastian de Piombo)|The Virgin with the Child bestowing its Benediction; the nobleness of countenance he has given the Virgin corresponds with the usual dignity which this great artist infused to all his characters. The present subject is a rare one of this master, though so frequent by all other Italian artists; he has raised the subject far above the level of most painters, yet has preserved moderation in describing the sainted Mother of the Saviour]] réalisée par Sebastian de Piombo, vendue par [[W[estall]]] au prix de 26 [or] 29 gs. [48]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Taking Down from the Cross; an effective and brilliant picture: the tone and colouring of the foreground, the surrounding figures, and the concentration of light, with the earnest occupation of the group there engaged, presents a scene of intense interest (Rembrandt)|The Taking Down from the Cross; an effective and brilliant picture: the tone and colouring of the foreground, the surrounding figures, and the concentration of light, with the earnest occupation of the group there engaged, presents a scene of intense interest]] réalisée par Rembrandt, vendue par G.P., achetée par Peile au prix de 36.15 £. [155]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Subject from Ariosto. This little gem, like every other production of his pencil, has charms in colouring and painting that arrests the eye, and is an admirable example of that deep toned brightness which Reynolds describes as the peculiarly distinctive character of Venetian Art (Giorgione)|A Subject from Ariosto. This little gem, like every other production of his pencil, has charms in colouring and painting that arrests the eye, and is an admirable example of that deep toned brightness which Reynolds describes as the peculiarly distinctive character of Venetian Art]] réalisée par Giorgione, vendue par [[W[estall]]], achetée par Wright au prix de 9.9 £. [158]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Christ and the Disciples at Emmaus. There is a charm in the sketches of all the great painters that goes home to the feelings; and none have, perhaps, so strong an influence as those of Rubens, of whose pencil we may recommend this as perculiarly successful in touch, colouring and design (Rubens)|Christ and the Disciples at Emmaus. There is a charm in the sketches of all the great painters that goes home to the feelings; and none have, perhaps, so strong an influence as those of Rubens, of whose pencil we may recommend this as perculiarly successful in touch, colouring and design]] réalisée par Rubens, vendue par [[W[estall]]], achetée par Winstanly au prix de 15.4 £. [160]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Venus and Mars in the Cave of the Cyclops, where some are a the forge in fine and noble action. The Titian like mellowness, combined with the scientific energy of the whole composition and its colouring, makes this a most distinguished work of fine art (Lucas Giordano)|Venus and Mars in the Cave of the Cyclops, where some are a the forge in fine and noble action. The Titian like mellowness, combined with the scientific energy of the whole composition and its colouring, makes this a most distinguished work of fine art]] réalisée par Lucas Giordano, vendue par [[W[estall]]], achetée par Waldie au prix de 31.10 £. [161]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Women going to the Sepulchre the Morning of the Resurrection; this little gem is on of the most simple, harmonious, and artist-like productions possible; the refinement of the colouring is enchanting, and vies with Titian in his happiest moments (Scarcellino di Ferrara)|The Women going to the Sepulchre the Morning of the Resurrection; this little gem is on of the most simple, harmonious, and artist-like productions possible; the refinement of the colouring is enchanting, and vies with Titian in his happiest moments]] réalisée par Scarcellino di Ferrara, vendue par [[W[estall]]], achetée par Ld Gower au prix de 7.17 £. [185]
  • 1830.05.14/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Dream of Tempesta; one of the most remarkable productions of any pencil. The artist has intended to typify various religions by emblematic sculpture amongst the extraordinary buildings of this stormy night scene; lightening on one side, moonlight on the other, and the story of Jael and Sisera in the fore ground complete the wild mixture (Tempesta)|The Dream of Tempesta; one of the most remarkable productions of any pencil. The artist has intended to typify various religions by emblematic sculpture amongst the extraordinary buildings of this stormy night scene; lightening on one side, moonlight on the other, and the story of Jael and Sisera in the fore ground complete the wild mixture]] réalisée par Tempesta, vendue par [[W[estall]]] au prix de 6.15 £. [189]
  • 1830.05.14/ maison de ventes : Robins (John). Vente de l'œuvre décrite comme [[The Garden of Love, representing an assemblage of ladies and gentlemen, personating Rubens with his Scholars and Wives, engaged in conversation and music. A number of cupids are introduced in allusion to the subject. A highly-finished copy in small, after the large picture by Rubens (Bischey)|The Garden of Love, representing an assemblage of ladies and gentlemen, personating Rubens with his Scholars and Wives, engaged in conversation and music. A number of cupids are introduced in allusion to the subject. A highly-finished copy in small, after the large picture by Rubens]] réalisée par Bischey. [251]
  • 1830.05.14/ maison de ventes : Robins (John). Vente de l'œuvre décrite comme [[An interesting Young Lady with a string of pearls in her hand and an Old Woman by her side, to whom she appears to be listening; a musical instrument, a book, a gold cup, and various objects lie on a table in front. A highly-finished and brilliantly-coloured picture (P. Van Dyck)|An interesting Young Lady with a string of pearls in her hand and an Old Woman by her side, to whom she appears to be listening; a musical instrument, a book, a gold cup, and various objects lie on a table in front. A highly-finished and brilliantly-coloured picture]] réalisée par P. Van Dyck. [262]
  • 1830.05.14/ maison de ventes : Robins (John). Vente de l'œuvre décrite comme [[A Gentleman seated at a window with a pipe and a glass of liquor in his hands, and a young Woman standing near with a jug in her hand, and some dried fish and other objects are on the sill of the window. A highly-finished example of this esteemed painter (Mieris)|A Gentleman seated at a window with a pipe and a glass of liquor in his hands, and a young Woman standing near with a jug in her hand, and some dried fish and other objects are on the sill of the window. A highly-finished example of this esteemed painter]] réalisée par Mieris. [265]
  • 1830.05.14/ maison de ventes : Robins (John). Vente de l'œuvre décrite comme [[A Dutch Advocate seated in his Study, with a table before him, covered with a rich Turkey carpet, on which are an hour-glass, books, and a great variety of papers and parchments. A richly-coloured and capital production of this Master. From the collection of M. Vaillant at Amsterdam (C. Dusart)|A Dutch Advocate seated in his Study, with a table before him, covered with a rich Turkey carpet, on which are an hour-glass, books, and a great variety of papers and parchments. A richly-coloured and capital production of this Master. From the collection of M. Vaillant at Amsterdam]] réalisée par C. Dusart. [286]
  • 1830.05.14/ maison de ventes : Robins (John). Vente de l'œuvre décrite comme [[A View on a Racing Ground, representing a great number of sportsmen and jockies, with their horses, and groups of gamblers betting, exhibiting all that variety and bustle usual on such an occasion. A highly-finished picture. From the collection of Lord Rivers (Agasse)|A View on a Racing Ground, representing a great number of sportsmen and jockies, with their horses, and groups of gamblers betting, exhibiting all that variety and bustle usual on such an occasion. A highly-finished picture. From the collection of Lord Rivers]] réalisée par Agasse. [307]
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