Ventes d'œuvres le 1830.05.15

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  • 1830.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The dead body of Christ on the lap of the Virgin; with St. John, Mary Magdalen, Joseph of Arimathea, and Nicodemus; from the Orleans Collection: on wood, length 11 by 9. This little picture, with two others, representing Christ praying on the mount, and bearing his cross, originally ornamented the step of an altar-piece, which was painted by Raffaelle for a convent of nuns, shortly, it is believed, before he was called to Rome. They afterwards made part of the collection of the Queen of Sweden, after whose death they were purchased with the rest of her collection by the Duke of Orleans (Raffaelle)|The dead body of Christ on the lap of the Virgin; with St. John, Mary Magdalen, Joseph of Arimathea, and Nicodemus; from the Orleans Collection: on wood, length 11 by 9. This little picture, with two others, representing Christ praying on the mount, and bearing his cross, originally ornamented the step of an altar-piece, which was painted by Raffaelle for a convent of nuns, shortly, it is believed, before he was called to Rome. They afterwards made part of the collection of the Queen of Sweden, after whose death they were purchased with the rest of her collection by the Duke of Orleans]] réalisée par Raffaelle, vendue par Sir Thomas Lawrence, achetée par Seguier au prix de 131.1 £. [3]
  • 1830.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Marcello, Venusti, from a design of Michelangiolo -- Christ driving the Money-changers out of the Temple; an extensive composition, with rich architectural back-ground; the whole exquisitely finished: on wood -- height 23 by 15 1/2. From the Borghese palace (Marcello Venusti)|Marcello, Venusti, from a design of Michelangiolo -- Christ driving the Money-changers out of the Temple; an extensive composition, with rich architectural back-ground; the whole exquisitely finished: on wood -- height 23 by 15 1/2. From the Borghese palace]] réalisée par Marcello Venusti, vendue par Sir Thomas Lawrence, achetée par W Woodburn au prix de 220.10 £. [6]
  • 1830.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Portrait, whole-length, of Mr. Barker, the celebrated engineer, seated at a table; in the Artist's finest manner. Over the table is thrown a carpet, in the painting of which this great master has shewn how easy it would have been for him to produce those deceptive imitations of the appearances of inanimate objects, so much admired in the works of the Dutch painters, had he not considered such 'tours de force,' as he states in his lectures, to be beneath the dignity of his art (Sir Joshua Reynolds)|The Portrait, whole-length, of Mr. Barker, the celebrated engineer, seated at a table; in the Artist's finest manner. Over the table is thrown a carpet, in the painting of which this great master has shewn how easy it would have been for him to produce those deceptive imitations of the appearances of inanimate objects, so much admired in the works of the Dutch painters, had he not considered such 'tours de force,' as he states in his lectures, to be beneath the dignity of his art]] réalisée par Sir Joshua Reynolds, vendue par Sir Thomas Lawrence, achetée par Gilmore au prix de 65.2 £. [22]