Ventes d'œuvres le 1831.05.06

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  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Crucifixion. The artist who copied this, as well as the former two pictures The Entombment The Wise Men's Offering, was inspired with an enthusiasm on beholding these masterpieces, so that nothing could check his enterprise: at a vast cost of time and money he went through these great undertakings. Sir J. Reynolds, in his Tour through Flanders, mentions this noble effort of Rubens, and extols it as the finest of all his works. This copy must every year increase in interest, as the original is in a state of decay (R.R. Reinagle, R.A.)|The Crucifixion. The artist who copied this, as well as the former two pictures The Entombment The Wise Men's Offering, was inspired with an enthusiasm on beholding these masterpieces, so that nothing could check his enterprise: at a vast cost of time and money he went through these great undertakings. Sir J. Reynolds, in his Tour through Flanders, mentions this noble effort of Rubens, and extols it as the finest of all his works. This copy must every year increase in interest, as the original is in a state of decay]] réalisée par R.R. Reinagle, R.A., vendue par RR Reinagle Esq RA au prix de 71.8 £. [1]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Wise Men's Offering. This is a second altar piece in the same Hall of the Royal Academy at Antwerp. The original has the merit of being chiefly executed by Rubens himself. The splendor of an Eastern Climate is finely described by the sunny brilliancy which prevails: the scene is gorgeous; the handling of the pencil is in an enviably bold and free style -- this copy was done for the private study of the present Royal Academician (R.R. Reinagle, R.A.)|The Wise Men's Offering. This is a second altar piece in the same Hall of the Royal Academy at Antwerp. The original has the merit of being chiefly executed by Rubens himself. The splendor of an Eastern Climate is finely described by the sunny brilliancy which prevails: the scene is gorgeous; the handling of the pencil is in an enviably bold and free style -- this copy was done for the private study of the present Royal Academician]] réalisée par R.R. Reinagle, R.A., vendue par RR Reinagle Esq RA, achetée par Tuck au prix de 44.12 £. [2]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Entombment. This is a most faithful copy of the famed original, in the Hall of the Royal Academy at Antwerp. Mr. Reinagle copied this highly studied picture for his improvement: The two side pieces are for doors to enclose the centre; and Rubens, by the contrivance of his composition of the three subjects, has given it the air of one picture (R.R. Reinagle, R.A.)|The Entombment. This is a most faithful copy of the famed original, in the Hall of the Royal Academy at Antwerp. Mr. Reinagle copied this highly studied picture for his improvement: The two side pieces are for doors to enclose the centre; and Rubens, by the contrivance of his composition of the three subjects, has given it the air of one picture]] réalisée par R.R. Reinagle, R.A., vendue par RR Reinagle Esq RA, achetée par Tuck au prix de 33.1 £. [3]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Entombment. The Venetian School made use of every subject, profane, sacred, allegorical, and poetical, as it would seem, to display their profound knowledge, and art of colouring. The present picture is rich in this point; is finely composed; and possesses a truth of effect almost deceptive (Tintoret)|The Entombment. The Venetian School made use of every subject, profane, sacred, allegorical, and poetical, as it would seem, to display their profound knowledge, and art of colouring. The present picture is rich in this point; is finely composed; and possesses a truth of effect almost deceptive]] réalisée par Tintoret, vendue par RR Reinagle Esq RA, achetée par Maling au prix de 17.17 £. [5]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Wise Men's Offerings. The subject is treated as an accessory to a grand landscape. A bird's eye view affords the developement of a large City in the background which is closed in by mountains and a lake: the train of figures is admirably conceived, and the whole painted with astonishing breadth of style, and deep tone of colouring (Titian)|The Wise Men's Offerings. The subject is treated as an accessory to a grand landscape. A bird's eye view affords the developement of a large City in the background which is closed in by mountains and a lake: the train of figures is admirably conceived, and the whole painted with astonishing breadth of style, and deep tone of colouring]] réalisée par Titian, vendue par RR Reinagle Esq RA, achetée par Col Manac au prix de 37.16 £. [6]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Our Saviour meditating in the Garden. This picture was painted for the Beguin Convent at Bruxelles; the background by Breughel. The picture was sold by the Monks on the Invasion of the Low Countries in the late War by the French -- there is great simplicity in the figure, and the countenance is full of thought (Rubens)|Our Saviour meditating in the Garden. This picture was painted for the Beguin Convent at Bruxelles; the background by Breughel. The picture was sold by the Monks on the Invasion of the Low Countries in the late War by the French -- there is great simplicity in the figure, and the countenance is full of thought]] réalisée par Rubens, vendue par RR Reinagle Esq RA au prix de 10.10 £. [8]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Virgin and Child. The original of this elegant and sparkling picture, was brought to this country in the Lucien Bonapatre Collection: it is a fac simile of all the graces and beauties of the original: in this work is combined the genius and taste of two of the most eminent artists (Parmegiano)|The Virgin and Child. The original of this elegant and sparkling picture, was brought to this country in the Lucien Bonapatre Collection: it is a fac simile of all the graces and beauties of the original: in this work is combined the genius and taste of two of the most eminent artists]] réalisée par Parmegiano, vendue par RR Reinagle Esq RA, achetée par Barnett au prix de 47.5 £. [9]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Our Saviour's descent into Hell. The genuine works of this master are very rare, and his great genius was mostly displayed in frescoes: there is a grand simplicity in the treatment of this awful subject, that stamps the work as one of the rare gems by this artist. -- This picture was purchased of the Prince Borghese from the Aldobrandini part of his collection at Rome, many years ago, by Lord Northwick, for £700 (Lellio Orse di Novellaro)|Our Saviour's descent into Hell. The genuine works of this master are very rare, and his great genius was mostly displayed in frescoes: there is a grand simplicity in the treatment of this awful subject, that stamps the work as one of the rare gems by this artist. -- This picture was purchased of the Prince Borghese from the Aldobrandini part of his collection at Rome, many years ago, by Lord Northwick, for £700]] réalisée par Lellio Orse di Novellaro, vendue par RR Reinagle Esq RA, achetée par Lake au prix de 45.3 £. [10]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Adoration of the Shepherds. There are few of the works of this distinguished artist, that abound in such rich pictorial beauties, as this choice specimen: the composition is judicious, natural and unstrained; the colouring is deep, yet clear and bright; and the handling of the pencil goes as far in perfection of easy style, as ever graced the works of any master (Guido Rheni)|The Adoration of the Shepherds. There are few of the works of this distinguished artist, that abound in such rich pictorial beauties, as this choice specimen: the composition is judicious, natural and unstrained; the colouring is deep, yet clear and bright; and the handling of the pencil goes as far in perfection of easy style, as ever graced the works of any master]] réalisée par Guido Rheni, vendue par RR Reinagle Esq RA, achetée par [[Arden [?]]] au prix de 31.10 £. [12]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Decollation of St. John. In this splendid picture, we see not only the colouring and composition of a great man, but a harmony and consistency above most other works. Rubens' Portrait is introduced, and it is believed he touched all the left half of this picture (Vandycke, before he left Rubens for Italy)|The Decollation of St. John. In this splendid picture, we see not only the colouring and composition of a great man, but a harmony and consistency above most other works. Rubens' Portrait is introduced, and it is believed he touched all the left half of this picture]] réalisée par Vandycke, before he left Rubens for Italy, vendue par RR Reinagle Esq RA au prix de 22.1 £. [13]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Susanna and the Elders. This subject has been treated by many of the best artists of Italy, and afforder great scope for composition and expression, and an ample range for variety of character: in none have we seen a more masterly or successful effort in every point; and there are very few pictures by Guercino in England, withm higher claims to excellence (Guercino)|Susanna and the Elders. This subject has been treated by many of the best artists of Italy, and afforder great scope for composition and expression, and an ample range for variety of character: in none have we seen a more masterly or successful effort in every point; and there are very few pictures by Guercino in England, withm higher claims to excellence]] réalisée par Guercino, vendue par RR Reinagle Esq RA, achetée par [[Johnson [or] Johnstone]] au prix de 23.2 £. [14]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Bath of Diana. This rich and splendid gem has generally been attributed to Corregio, before he totally quitted his first style: the grace, beauty, and animated colouring -- the drawing and composition -- are quite equal to the generality of Corregio's works; a cabinet picture of this quality is almost unique (Julius Caesar Procaccini)|The Bath of Diana. This rich and splendid gem has generally been attributed to Corregio, before he totally quitted his first style: the grace, beauty, and animated colouring -- the drawing and composition -- are quite equal to the generality of Corregio's works; a cabinet picture of this quality is almost unique]] réalisée par Julius Caesar Procaccini, vendue par RR Reinagle Esq RA, achetée par Collins au prix de 33.1 £. [15]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A grand Romantic Landscape, with a splendid group of Cattle and Figures just clearing a ford among the mountains: the solemn effect of the declining day was never described in a finer manner by any poetic painter; the sky is a prodigy of masterly execution and conception -- a superior work by this renowned artist is no where to be found. It graced the grand Collection of Mons. Geldermeester of Amsterdam, and sold in a public sale in that country for £1200 (Berghem)|A grand Romantic Landscape, with a splendid group of Cattle and Figures just clearing a ford among the mountains: the solemn effect of the declining day was never described in a finer manner by any poetic painter; the sky is a prodigy of masterly execution and conception -- a superior work by this renowned artist is no where to be found. It graced the grand Collection of Mons. Geldermeester of Amsterdam, and sold in a public sale in that country for £1200]] réalisée par Berghem, vendue par RR Reinagle Esq RA, achetée par [[Piercy [or] Piercey]] au prix de 420.0 £. [17]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Interior of a large Inn, where a Marriage Festival is celebrating, and mirth prevails: a coy young woman is compelled to dance by an awkward middle-aged comic character, who is drawing her forcibly to the centre of the room. To those who are not exclusively devoted to very high finish, this picture will prove a treasure (Jean Stein)|The Interior of a large Inn, where a Marriage Festival is celebrating, and mirth prevails: a coy young woman is compelled to dance by an awkward middle-aged comic character, who is drawing her forcibly to the centre of the room. To those who are not exclusively devoted to very high finish, this picture will prove a treasure]] réalisée par Jean Stein, vendue par RR Reinagle Esq RA, achetée par Manac au prix de 85.1 £. [19]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Storm on the Shores of the Adriatic. The gale of wind has wrecked a vessel on the foreground rocks, where people are rescuing the survivors; the figures by the hand of Pompea Batoni -- this picture is one of the finest by the master: broad, well coloured, and free from mannerism (Vernet)|A Storm on the Shores of the Adriatic. The gale of wind has wrecked a vessel on the foreground rocks, where people are rescuing the survivors; the figures by the hand of Pompea Batoni -- this picture is one of the finest by the master: broad, well coloured, and free from mannerism]] réalisée par Vernet, vendue par RR Reinagle Esq RA, achetée par Pinney au prix de 42.0 £. [22]
  • 1831.05.06/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Bath of Diana. This master often resembles his fellow pupil Domenichino, so closely, that it is a difficult matter to decide the authorship of some of their pictures -- this landscape would seem to be by Domenichino -- a lively, bright, and delightful composition (Albano)|The Bath of Diana. This master often resembles his fellow pupil Domenichino, so closely, that it is a difficult matter to decide the authorship of some of their pictures -- this landscape would seem to be by Domenichino -- a lively, bright, and delightful composition]] réalisée par Albano, vendue par RR Reinagle Esq RA, achetée par Robins au prix de 29.8 £. [24]
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