Ventes d'œuvres le 1831.06.28
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- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A Horse Fair, with a multitude of horses and figures, forming a lively and amusing scene réalisée par P. Wouvermans, vendue par [[S T [Stock in Trade]]] au prix de 68 gs. [1]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme The Reposo, with a group of Angels, and a pleasing Landscape in the back-ground réalisée par Van Balen, vendue par [[S T [Stock in Trade]]] au prix de 13.2 £. [2]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Interior with a group of Boors playing at cards réalisée par D. Teniers, vendue par [[S T [Stock in Trade]]] au prix de 65.2 £. [3]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme An Interior of an Apartment, with Boors in conversation and carousing -- agreeably coloured réalisée par Jacques Toornvliet, vendue par [[S T [Stock in Trade]]] au prix de 15.4 £. [4]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A pleasing Landscape, with a group of sheep and Cattle, and attendant shepherd. A rich sunny effect pervades this picture; highly finished, and spiritedly pencilled. Formerly in the collection at Malmaison; and was one of the pair presented by the City of Antwerp to the Empress Josephine (Omeganck)|A pleasing Landscape, with a group of sheep and Cattle, and attendant shepherd. A rich sunny effect pervades this picture; highly finished, and spiritedly pencilled. Formerly in the collection at Malmaison; and was one of the pair presented by the City of Antwerp to the Empress Josephine]] réalisée par Omeganck, vendue par [[S T [Stock in Trade]]] au prix de 73 gs. [5]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A View of the Grand Square at Naples, with a variety of figures. Neatly pencilled, and agreeably coloured réalisée par Ochiali, vendue par [[S T [Stock in Trade]]] au prix de 23 1/2 gs. [6]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Holy Family. This picture, painted in the powerful manner of Giorgione, is one of the finest compositions of the master. It represents the Virgin, Child, and St. John, with St. Joseph and three Female Saints, and offers that mass of rich colouring which may be denominated indigenous to the Venetian School of painting. From such examples, has Rembrandt, and other masters of his school, drawn those glowing tints which form the principal charm of their works (Titian)|Holy Family. This picture, painted in the powerful manner of Giorgione, is one of the finest compositions of the master. It represents the Virgin, Child, and St. John, with St. Joseph and three Female Saints, and offers that mass of rich colouring which may be denominated indigenous to the Venetian School of painting. From such examples, has Rembrandt, and other masters of his school, drawn those glowing tints which form the principal charm of their works]] réalisée par Titian, vendue par Buchanan au prix de 92.8 £. [7]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Danae. This beautiful picture, painted in rivalship of Titian's Venus, is one of the most charming examples of the Venetian School, and in point of correct drawing is perfectly unexceptionable. It is about the same proportion of the Venus of the Borghese, by Titian (Paul Veronese)|The Danae. This beautiful picture, painted in rivalship of Titian's Venus, is one of the most charming examples of the Venetian School, and in point of correct drawing is perfectly unexceptionable. It is about the same proportion of the Venus of the Borghese, by Titian]] réalisée par Paul Veronese, vendue par BuchanaN. [8]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Portraits of himself and Family. The composition of this picture is of high rank and merit, possessing all the lively and charming touch of Vandyck, and full of character. The dates of the nativities of the family in this picture are recorded on the book held by Myttens (David Myttens)|Portraits of himself and Family. The composition of this picture is of high rank and merit, possessing all the lively and charming touch of Vandyck, and full of character. The dates of the nativities of the family in this picture are recorded on the book held by Myttens]] réalisée par David Myttens, vendue par [[S T [Stock in Trade]]] au prix de 44 gs. [9]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Interior, with an old woman seated in her chair paring turnips; near to her are a spinning wheel, a pail, and a cullender; the whole magically illumined by a window, happily introduced, on the sill of which is a book. The artist has been more than usually correct in his drawing, and displays a firmness of touch, and freedom of handling, with the skilful management of the chiar-oscuro; not inferior to his master, Rembrandt (Maas)|An Interior, with an old woman seated in her chair paring turnips; near to her are a spinning wheel, a pail, and a cullender; the whole magically illumined by a window, happily introduced, on the sill of which is a book. The artist has been more than usually correct in his drawing, and displays a firmness of touch, and freedom of handling, with the skilful management of the chiar-oscuro; not inferior to his master, Rembrandt]] réalisée par Maas, vendue par [[S T [Stock in Trade]]] au prix de 144.18 £. [10]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A View of the Ponte Mola, with group in the foreground, heightened by the Tiber, with vessel, &c. réalisée par Jan Asselyn, vendue par [[S T [Stock in Trade]]] au prix de 32.11 £. [11]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme The Entrance to a Village, with travellers passing along a rustic road, and gypsies reposing. Painted in his desirable manner, and very spirited, for the late Wm. Phillips, Esq. who was the friend and patron of the artist réalisée par George Morland, vendue par [[S T [Stock in Trade]]] au prix de 19.8 £. [12]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A View on the Quay at Amsterdam, with numerous vessels and boat, plying to an from the Custom House. An interesting scene, and painted in his finest time and manner réalisée par A. Storck, vendue par [[S T [Stock in Trade]]] au prix de 29.8 £. [13]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A Camp Scene. This pleasing cabinet picture is of an agreeable composition, and coloured with particular delicacy, in his finest manner réalisée par Anthony Watteau, vendue par [[S T [Harry Phillips]]] au prix de 19.19 £. [14]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme View of Batavia and Harbour, with Shipping; in the foreground are a variety of figures and horses, depicting the Costume of the East; an elaborate performance réalisée par L. Backhuysen, vendue par [[S T [Stock in Trade]]] au prix de 89.5 £. [15]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A grand Landscape, with sheep and cattle, and pastoral figures; a fine gallery picture, and painted with uncommon freedom réalisée par N. Berchem, vendue par [[S T ]Stock in Trade]]] au prix de 53 gs. [16]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A Larder, with two mastiff Dogs contesting for a quantity of meat; the snarling of the animals is admirably depicted; a fine specimen of this master réalisée par D. Velasquez, vendue par [[S T [Stock in Trade]]] au prix de 42 gs. [17]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Venus and Adonis, attended by Cupid; in the back ground is a rich woody scene, with dogs, &c. réalisée par J. Vanloo, vendue par [[S T [Stock in Trade]]]. [18]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Portrait of a Lady habited in white satin, holding a pot pourie; a table covered by a Turkey carpet, and a chased ewer and font, form the back ground; highly finished réalisée par Eglon Vanderneer, vendue par [[S T [Stock in Trade]]], achetée par Buchanan au prix de 32.11 £. [19]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A Village Scene, Boors playing at Skittles, full of humour, and truth of character; the colouring transparent, and worthy of Ostade réalisée par C. Dusart, vendue par [[S T [Stock in Trade]]]. [20]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A View of Leghorn, with a variety of figures and shipping; a very pleasing cabinet specimen, and delicately pencilled réalisée par J.B. Weenix, vendue par [[S T [Stock in Trade]]], achetée par Dr Francks au prix de 21.0 £. [21]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Portraits of the Earl of Arlington, Wife and Child, habited in rich attire, and on which the artist has displayed his magical power; coloured in his beautiful silvery manner réalisée par G. Netscher, vendue par [[S T [Stock in Trade]]], achetée par [[Owen [?]]] au prix de 24.3 £. [22]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Interior, with Cavaliers seated at a table taking refreshments, painted in a deep tone of colouring, equal to Murillo réalisée par Le Nain, vendue par [[S T [Stock in Trade]]] au prix de 36 gs. [23]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A View in Venice -- the companion to the preceding réalisée par Cannaletti, vendue par [[S T [Stock in Trade]]] au prix de 39.17 £. [24]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme View of the Rialto, with numerous boats and figures; in his brilliant tone of colouring, and with peculiar transparency réalisée par Cannaletti, vendue par [[S T [Stock in Trade]]] au prix de 41 gs. [25]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A Country Horse Fair; a pleasing composition, combining all the delicacy of touch observable in the works of Wouvermans réalisée par Van Falens, vendue par [[S T [Stock in Trade]]], achetée par Dr Francks au prix de 25.4 £. [26]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A Hunting Party's Return after the Sports of the Day; a variety of horses, dogs, and game enrich this cabinet gem; painted in a lively tone réalisée par Bredael, vendue par [[S T [Stock in Trade]]], achetée par Dr Francks au prix de 21.0 £. [27]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A pleasing and silvery cabinet Landscape, with boors taking refreshments, and seated at the exterior of an ale-house; a canal runs before the residence, and a boor on the opposite bank is driving cattle réalisée par D. Teniers, vendue par [[S T [Stock in Trade]]], achetée par Bevan au prix de 25.4 £. [28]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Portrait of a Lady, habited in black; painted with a rich and clear tone, and approaching to the inimitable Rembrandt réalisée par G. Flink, vendue par [[S T [Stock in Trade]]] au prix de 23.2 £. [29]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Landscape with Figures. On the right the artist has introduced his favourite Watermill, the water from which empties itself into a pond, where a man is seen angling; in the centre of the picture is a winding road judiciously broken, which to the right leads through a vista across some fields, and terminates on the left with cottages illumined by the sun's rays; in the foreground on this side is another cottage, and labourers passing, and a beautiful cluster of trees. The touch is light, free and firm, and has a very striking effect by the happy distribution of light and shadow, for which this artist is so remarkable; the colouring is extremely fine; the airy form and graceful disposition of the clouds are inimitable. This picture has ever ranked a chef d'oeuvre of the master The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Hobbima)|A Landscape with Figures. On the right the artist has introduced his favourite Watermill, the water from which empties itself into a pond, where a man is seen angling; in the centre of the picture is a winding road judiciously broken, which to the right leads through a vista across some fields, and terminates on the left with cottages illumined by the sun's rays; in the foreground on this side is another cottage, and labourers passing, and a beautiful cluster of trees. The touch is light, free and firm, and has a very striking effect by the happy distribution of light and shadow, for which this artist is so remarkable; the colouring is extremely fine; the airy form and graceful disposition of the clouds are inimitable. This picture has ever ranked a chef d'oeuvre of the master The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Hobbima, vendue par Assignees of Abraham, achetée par Turnecliffe au prix de 451.10 £. [30]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A grand Landscape. In the pictures of Ruysdael it is evident that he designed every thing from Nature, and he is unusually happy in the selection of it. His trees and broken grounds are of the most pleasing forms, and there is an agreeable freshness in his verdure which is alone peculiar to himself. The pictures of this captivating painter are justly held in the highest estimation, and are found in the choicest collections. This grand Landscape exhibits an extensive view over a flat country, illumined by a transient gleam of sunshine, beautifully varied with woods, meadows, and corn-fields, and interspersed with churches, cottages, and a windmill. The ruins of an ancient fortification, with a surrounding moat bordered with bushy trees, occupy the whole extent of the fore-ground. Seated on a bastion on the right, is a group of boys with a dog, and sheep near him. Esteemed one of the finest productions of this Master. The cattle and figures are painted by Adrian Vander Velde. Formerly in the Collection of the Marquis of Marialva The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Jacob Ruysdael)|A grand Landscape. In the pictures of Ruysdael it is evident that he designed every thing from Nature, and he is unusually happy in the selection of it. His trees and broken grounds are of the most pleasing forms, and there is an agreeable freshness in his verdure which is alone peculiar to himself. The pictures of this captivating painter are justly held in the highest estimation, and are found in the choicest collections. This grand Landscape exhibits an extensive view over a flat country, illumined by a transient gleam of sunshine, beautifully varied with woods, meadows, and corn-fields, and interspersed with churches, cottages, and a windmill. The ruins of an ancient fortification, with a surrounding moat bordered with bushy trees, occupy the whole extent of the fore-ground. Seated on a bastion on the right, is a group of boys with a dog, and sheep near him. Esteemed one of the finest productions of this Master. The cattle and figures are painted by Adrian Vander Velde. Formerly in the Collection of the Marquis of Marialva The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Jacob Ruysdael, vendue par Assignees of Abraham, achetée par Evans au prix de 288.15 £. [31]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Landscape and Cattle. A small richly composed Landsacpe, with a hilly meadow for the fore-ground, on which are seen a bull, horse, and sheep, with children on the opposite declivity, and a tree on the right; the stump and roots of a tree, behind which is a dog, fills the left of the picture; the sky is clear and sparkling; the landscape spirited and free, and the figures and animals are painted with the truth and finish of Paul Potter. This little gem adorned the Collection of M.M. Zachary, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Karel du Jardyn)|A Landscape and Cattle. A small richly composed Landsacpe, with a hilly meadow for the fore-ground, on which are seen a bull, horse, and sheep, with children on the opposite declivity, and a tree on the right; the stump and roots of a tree, behind which is a dog, fills the left of the picture; the sky is clear and sparkling; the landscape spirited and free, and the figures and animals are painted with the truth and finish of Paul Potter. This little gem adorned the Collection of M.M. Zachary, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Karel du Jardyn, vendue par Assignees of Abraham, achetée par Isaacs au prix de 176.8 [?] £. [32]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Sea Port in the Levant, with the remains of an ancient triumphal arch; on the quay, which forms the fore-ground, are numerous figures in their various costumes, and busied in various occupations; vessels and boats within the harbour, and in the offing: among the group are Turkish merchants bartering and superintending slaves, and labourers loading a mule with bales of merchandise, while others are lading boats to transport the merchandize to the vessels anchored in the harbour; on the right is seen a negro on a camel descending a hill leading to the shore, where another group of figures surround and are drinking at a fountain. This is a most highly finished picture; the sky and distances are treated with a strict attention to nature; the colouring is clear and harmonious, and is considered the chef-d'oeuvre of this artist. Formerly in the Collection of Mr. Eycoot, and recently in the Collection of M.M. Zachary, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (John Lingelbach)|A Sea Port in the Levant, with the remains of an ancient triumphal arch; on the quay, which forms the fore-ground, are numerous figures in their various costumes, and busied in various occupations; vessels and boats within the harbour, and in the offing: among the group are Turkish merchants bartering and superintending slaves, and labourers loading a mule with bales of merchandise, while others are lading boats to transport the merchandize to the vessels anchored in the harbour; on the right is seen a negro on a camel descending a hill leading to the shore, where another group of figures surround and are drinking at a fountain. This is a most highly finished picture; the sky and distances are treated with a strict attention to nature; the colouring is clear and harmonious, and is considered the chef-d'oeuvre of this artist. Formerly in the Collection of Mr. Eycoot, and recently in the Collection of M.M. Zachary, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par John Lingelbach, vendue par Assignees of Rich.d Abraham, achetée par Dumford au prix de 178.10 £. [33]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Virgin of the Rocks. This magnificent work of art, known by the name of the "Virgin of the Rocks," is one of the three pictures of the same subject by the celebrated Lionardo; one is in the Gallery of the Louvre, the second is in the possession of Lord Suffolk, and the third is now submitted to the Public. In the centre of the picture is the Virgin Mary, on her left hand is the Infant Saviour attended by an Angel, on her right is St. John resting on one knee, and with uplifted hands bending towards the Saviour. This scene derives a grandeur and solemnity from a sequestrated rocky situation which the artist has chosen, and which is so admirably suited to the subject. In the face and figure of the Virgin there is a charm truly irresistible. Dignity, grace, and feminine loveliness cannot fail to strike the most casual observer. The Infant Jesus is a sublime and lovely conception, uniting with the most graceful ease that intelligence, which may well be supposed, adorned the God-like child. The expression of fond adoration and humility in St. John towards his heavenly master, is perfect; the celestial air which pervades the whole composition is judiciously and forcibly completed by the introduction of the Angel The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Lionardo da Vinci)|The Virgin of the Rocks. This magnificent work of art, known by the name of the "Virgin of the Rocks," is one of the three pictures of the same subject by the celebrated Lionardo; one is in the Gallery of the Louvre, the second is in the possession of Lord Suffolk, and the third is now submitted to the Public. In the centre of the picture is the Virgin Mary, on her left hand is the Infant Saviour attended by an Angel, on her right is St. John resting on one knee, and with uplifted hands bending towards the Saviour. This scene derives a grandeur and solemnity from a sequestrated rocky situation which the artist has chosen, and which is so admirably suited to the subject. In the face and figure of the Virgin there is a charm truly irresistible. Dignity, grace, and feminine loveliness cannot fail to strike the most casual observer. The Infant Jesus is a sublime and lovely conception, uniting with the most graceful ease that intelligence, which may well be supposed, adorned the God-like child. The expression of fond adoration and humility in St. John towards his heavenly master, is perfect; the celestial air which pervades the whole composition is judiciously and forcibly completed by the introduction of the Angel The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Lionardo da Vinci, vendue par Assignees of Rich.d Abraham, achetée par Marcedeckne au prix de 147.0 £. [34]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Italian Landscape. It represents early morning, and the sun dispersing the dew; in the foreground, on the bank of a river is a goatherd tuning his reed to divide a herd of goats; on the opposite side is seen a herdsman driving cattle down a declivity; on the right, in the middle distance, is a view of Tivoli. The easy and picturesque manner in which the river winds through a highly cultivated country, is truly poetical. This picture was painted in 1647, and will be found in the Liber Veritatis, No. 172 The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Claude de Lorraine)|An Italian Landscape. It represents early morning, and the sun dispersing the dew; in the foreground, on the bank of a river is a goatherd tuning his reed to divide a herd of goats; on the opposite side is seen a herdsman driving cattle down a declivity; on the right, in the middle distance, is a view of Tivoli. The easy and picturesque manner in which the river winds through a highly cultivated country, is truly poetical. This picture was painted in 1647, and will be found in the Liber Veritatis, No. 172 The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Claude de Lorraine, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 168.0 £. [35]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Landscape with the effect of Snow. In the centre of this picture is a figure driving an Antelope attached to a sledge; on the right a second figure is coming out of the wood driving with great speed. It is an exquisite gem, and possesses all that high finish for which he is so celebrated The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Philip Wouvermans)|A Landscape with the effect of Snow. In the centre of this picture is a figure driving an Antelope attached to a sledge; on the right a second figure is coming out of the wood driving with great speed. It is an exquisite gem, and possesses all that high finish for which he is so celebrated The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Philip Wouvermans, vendue par Assignees of Rich.d Abraham, achetée par Hudson au prix de 11.0 £. [36]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Holy Family; the Virgin Mary with the Infant Saviour on her knee, to whom St. John is presenting a basket of fruit. St. Joseph stands behind looking over the right shoulder of the Virgin, with affectionate admiration towards St. John. The composition is sublime The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Pellegrino Tibaldi)|The Holy Family; the Virgin Mary with the Infant Saviour on her knee, to whom St. John is presenting a basket of fruit. St. Joseph stands behind looking over the right shoulder of the Virgin, with affectionate admiration towards St. John. The composition is sublime The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Pellegrino Tibaldi, vendue par Assignees of Rich.d Abraham au prix de 29 gs. [37]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Sea Piece, a Calm. One of his most choice specimens: the vessels are most correctly designed, and finished with delicacy, and an unexampled freedom; the figures are drawn with correctness, and touched with a spirit which is inimitable. The sky is brilliant and sunny, and in the galssy smoothness of the water, every object is reflected with a luminous transparency The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (William van de Velde, the Younger)|Sea Piece, a Calm. One of his most choice specimens: the vessels are most correctly designed, and finished with delicacy, and an unexampled freedom; the figures are drawn with correctness, and touched with a spirit which is inimitable. The sky is brilliant and sunny, and in the galssy smoothness of the water, every object is reflected with a luminous transparency The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par William van de Velde, the Younger, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 68.5 £. [38]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Baptism of Our Saviour by St. John, in the River Jordan. This sublime work of art cannot fail to delight; the expression of the angel holding the mantle towards Christ, equalling that of Correggio; the meekness and grace of the Saviour, the dignity of St. John, and the grouping of the angels above, is perfect The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Lodovico Caracci)|The Baptism of Our Saviour by St. John, in the River Jordan. This sublime work of art cannot fail to delight; the expression of the angel holding the mantle towards Christ, equalling that of Correggio; the meekness and grace of the Saviour, the dignity of St. John, and the grouping of the angels above, is perfect The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Lodovico Caracci, vendue par Assignees of Rich.d Abraham, achetée par Abrahams au prix de 26.5 £. [39]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Head of an Angel The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Raffaelle)|Head of an Angel The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Raffaelle, vendue par Assignees of Rich.d Abraham, achetée par Abrahams au prix de 10.10 £. [40]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Landscape and Cattle. This cabinet specimen may be justly termed a transcript of nature on a summer's evening, embellished by the beauties of art. The scene is near a grange which is on the left; in the foreground is a sheep lying down near a brook; on the opposite side are goats, one of which is drinking from the brook; the centre of the picture is enriched by a group of cows, delineated and coloured with the characteristics of truth, which evinces the superior excellence of the master as a painter of cattle The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Paul Potter)|Landscape and Cattle. This cabinet specimen may be justly termed a transcript of nature on a summer's evening, embellished by the beauties of art. The scene is near a grange which is on the left; in the foreground is a sheep lying down near a brook; on the opposite side are goats, one of which is drinking from the brook; the centre of the picture is enriched by a group of cows, delineated and coloured with the characteristics of truth, which evinces the superior excellence of the master as a painter of cattle The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Paul Potter, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 73.10 £. [41]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Italian Landscape. In the foreground are two figures seated sheltering under an umbrella; a river occupies the middle distance, from which rises a rude cliff, on which are two figures prostrating themselves before a cross; in the extreme left, on the highest pinnacle, is a temple, and beneath a rustic bridge and waterfall. The colouring is chaste and natural; the lights and shadows are broad and distributed with skill; the sky is beautifully clear, and the whole produces a pleasing and harmonious effect The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Richard Wilson)|An Italian Landscape. In the foreground are two figures seated sheltering under an umbrella; a river occupies the middle distance, from which rises a rude cliff, on which are two figures prostrating themselves before a cross; in the extreme left, on the highest pinnacle, is a temple, and beneath a rustic bridge and waterfall. The colouring is chaste and natural; the lights and shadows are broad and distributed with skill; the sky is beautifully clear, and the whole produces a pleasing and harmonious effect The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Richard Wilson, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 73.10 £. [42]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Interior by Candelight, with a Female asleep in a chair, while one of her male companions is passing a joke by placing his segar to her nose; the other has just risen from his seat for the purpose of lighting his pipe by the candle on the table; a fourth figure is seen coming in at the door with a light in her hand, while on the floor in the foreground is a third light which proceeds from a lantern. The management of the chiar-oscuro in this picture satisfactorily proves the perfect knowledge the artist had of its use and effect The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Godfrey Schalcken)|An Interior by Candelight, with a Female asleep in a chair, while one of her male companions is passing a joke by placing his segar to her nose; the other has just risen from his seat for the purpose of lighting his pipe by the candle on the table; a fourth figure is seen coming in at the door with a light in her hand, while on the floor in the foreground is a third light which proceeds from a lantern. The management of the chiar-oscuro in this picture satisfactorily proves the perfect knowledge the artist had of its use and effect The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Godfrey Schalcken, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 8.8 £. [43]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A finished Sketch, representing the presentation of banners, after a conquest, to one of the Roman Emperors, who is seated on his throne under a triumphal arch; not inferior to P. Veronese The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Giovanni Batista Tiepolo)|A finished Sketch, representing the presentation of banners, after a conquest, to one of the Roman Emperors, who is seated on his throne under a triumphal arch; not inferior to P. Veronese The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Giovanni Batista Tiepolo, vendue par Assignees of Rich.d Abraham, achetée par Smith PC au prix de 25. 14 £. [44]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration to our Saviour of the Virgin Mary, St. Joseph, and St. John, attended by two Angels, who complete this admirable group in a Landscape. The expression of St. Joseph, as well as that of the Angels, in not less admirable. The unaffected gracefulness which reigns throughout this little picture, and especially the exquisite beauty of the thought and expression, combine to justify its being ranked among the happiest effusions of its author, in his Perugino, or first manner The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Raffaelle)|The Adoration to our Saviour of the Virgin Mary, St. Joseph, and St. John, attended by two Angels, who complete this admirable group in a Landscape. The expression of St. Joseph, as well as that of the Angels, in not less admirable. The unaffected gracefulness which reigns throughout this little picture, and especially the exquisite beauty of the thought and expression, combine to justify its being ranked among the happiest effusions of its author, in his Perugino, or first manner The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Raffaelle, vendue par Assignees of Rich.d Abraham, achetée par Abrahams au prix de 26.5 £. [45]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Magdalen in the Wilderness, in the attitude of supplication. In her countenance, resignation, penitence, and devotion, are most exquisitely pourtrayed. The drawing of the whole figure, particularly the hands and arms, are admirable; the drapery around the arm, and the small urn in the foreground on the right, are inimitably handled; the dark background which is so appropriate to the figure, added to the skilful treatment of the chiar-oscuro, and extraordinary beautiful colouring, gives an indescribable harmony to the whole The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Titian)|The Magdalen in the Wilderness, in the attitude of supplication. In her countenance, resignation, penitence, and devotion, are most exquisitely pourtrayed. The drawing of the whole figure, particularly the hands and arms, are admirable; the drapery around the arm, and the small urn in the foreground on the right, are inimitably handled; the dark background which is so appropriate to the figure, added to the skilful treatment of the chiar-oscuro, and extraordinary beautiful colouring, gives an indescribable harmony to the whole The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Titian, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 84.0 £. [46]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Holy Family. An exquisite cabinet picture, imitative of the works of Raffaelle. The group is full of grace, the draperies varied, and the colouring chaste and rich. This little picture truly represents innocence and happiness The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Andrea del Sarto)|The Holy Family. An exquisite cabinet picture, imitative of the works of Raffaelle. The group is full of grace, the draperies varied, and the colouring chaste and rich. This little picture truly represents innocence and happiness The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Andrea del Sarto, vendue par Assignees of Rich.d Abraham, achetée par Johnston au prix de 47.5 £. [47]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Spanish Peasant Family. This magnificent picture represents a Spanish Peasant Family; an old woman with spectacles on; her hands on the head of a little boy, who is lying on a form before her. She appears to be looking up, surprised at something that has been said by a young man who has just entered the room on the right, while a young female who leans on his shoulder, seems to express her displeasure. -- The contrast between the aged wrinkled female, and the jocose healthy young man, is managed with peculiar effect; in the foreshortening of the little boy the artist has been most happy, and not less so in the casting of the drapery and the management of the chiar-oscuro The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Murillo)|A Spanish Peasant Family. This magnificent picture represents a Spanish Peasant Family; an old woman with spectacles on; her hands on the head of a little boy, who is lying on a form before her. She appears to be looking up, surprised at something that has been said by a young man who has just entered the room on the right, while a young female who leans on his shoulder, seems to express her displeasure. -- The contrast between the aged wrinkled female, and the jocose healthy young man, is managed with peculiar effect; in the foreshortening of the little boy the artist has been most happy, and not less so in the casting of the drapery and the management of the chiar-oscuro The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Murillo, vendue par Assignees of Rich.d Abraham, achetée par Sir C Coote Bart au prix de 126.0 £. [48]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Our Saviour praying in the Garden of Gethsemane. The artist has chosen the time when the angel appears to comfort and strengthen him during his sorrows. On the left of the picture, the three disciples whom their master left to watch, are seen sleeping; in the distance, the soldiers are entering the garden to arrest our Saviour, headed by the treacherous Judas. The group is illumined partly by the light of the moon, and partly by the lighted torches which are borne by some of of their party, producing a different and extraordinary effect; from the figure of the angel who is supporting the Redeemer, emanates a splendour which reflects on Christ, that rivals the light of the sun. The colour is in harmony with the subject; the expression in the countenance of of the Saviour, is such as could only result from the most pathetic imagination; it exhibits all the divinity which sacred history designates in the person of the Redeemer; no sorrow was ever more deeply delienated -- the eyes are suffused with tears, yet the divine beauty of the visage is not disturbed, nor its majesty impaired -- meekness and resignation are truly characterized, but it is a meekness that does not detract from dignity; and a resignation that has no connexion with despair; a look of celestial complacency and benevolence which seems to triumph over pain and sorrow, illumines the whole visage, and affects the beholder with the most irrisistible emotions The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Adrian van de Velde)|Our Saviour praying in the Garden of Gethsemane. The artist has chosen the time when the angel appears to comfort and strengthen him during his sorrows. On the left of the picture, the three disciples whom their master left to watch, are seen sleeping; in the distance, the soldiers are entering the garden to arrest our Saviour, headed by the treacherous Judas. The group is illumined partly by the light of the moon, and partly by the lighted torches which are borne by some of of their party, producing a different and extraordinary effect; from the figure of the angel who is supporting the Redeemer, emanates a splendour which reflects on Christ, that rivals the light of the sun. The colour is in harmony with the subject; the expression in the countenance of of the Saviour, is such as could only result from the most pathetic imagination; it exhibits all the divinity which sacred history designates in the person of the Redeemer; no sorrow was ever more deeply delienated -- the eyes are suffused with tears, yet the divine beauty of the visage is not disturbed, nor its majesty impaired -- meekness and resignation are truly characterized, but it is a meekness that does not detract from dignity; and a resignation that has no connexion with despair; a look of celestial complacency and benevolence which seems to triumph over pain and sorrow, illumines the whole visage, and affects the beholder with the most irrisistible emotions The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Adrian van de Velde, vendue par Assignees of Rich.d Abraham, achetée par Abrahams au prix de 28.7 £. [49]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Landscape and Figures, companion picture to the preceding, equally fine These two cabinet pictures were formerly in Lord Berwick's Collection The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Philip James de Loutherbourg)|Landscape and Figures, companion picture to the preceding, equally fine These two cabinet pictures were formerly in Lord Berwick's Collection The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Philip James de Loutherbourg, vendue par Assignees of Rich.d Abraham, achetée par Sir C Coote Bart au prix de 31.10 £. [50]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Landscape and Cattle. An early Morning Scene; a herdsman accompanied by a female riding, driving cattle, sheep and goats, through a beautiful and richly cultivated landscape. In the management of this little picture, Loutherbourg has pourtrayes all the excellence in the art of landscape painting. The natural effect of the sun, the delicate gradation if the aerial perspective, the beauty and mellowness of the sky, the free and exquisite touch, and the natural and delightful tone of colouring, are not inferior to Both, or Berghem These two cabinet pictures were formerly in Lord Berwick's Collection The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Philip James de Loutherbourg)|Landscape and Cattle. An early Morning Scene; a herdsman accompanied by a female riding, driving cattle, sheep and goats, through a beautiful and richly cultivated landscape. In the management of this little picture, Loutherbourg has pourtrayes all the excellence in the art of landscape painting. The natural effect of the sun, the delicate gradation if the aerial perspective, the beauty and mellowness of the sky, the free and exquisite touch, and the natural and delightful tone of colouring, are not inferior to Both, or Berghem These two cabinet pictures were formerly in Lord Berwick's Collection The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Philip James de Loutherbourg, vendue par Assignees of Rich.d Abraham, achetée par Howell au prix de 29.8 £. [51]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Landscape and Figures, known by the name of the Wood-cutters: in the foreground are three men felling a tree; another figure is standing by conversing with those at work, and points to a road on the left. A village in the distance. The pencilling is light and dexterous; the trees are touched with spirit; the sky is light and floating; and a silvery charm, so peculiar to this master, pervades the whole. Formerly in the Collection of John Webb, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (David Teniers, the younger)|A Landscape and Figures, known by the name of the Wood-cutters: in the foreground are three men felling a tree; another figure is standing by conversing with those at work, and points to a road on the left. A village in the distance. The pencilling is light and dexterous; the trees are touched with spirit; the sky is light and floating; and a silvery charm, so peculiar to this master, pervades the whole. Formerly in the Collection of John Webb, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par David Teniers, the younger, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 27.6 £. [52]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Magdalen reading in a Landscape; is copied by that admirable artist Lodovico Caracci, from the well known picture in the Dresden Gallery, by the illustrious Corregio. Lodovico in this picture has most faithfully delineated the just principles upon which the great author of this subject executed his works The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Lodovico Caracci)|A Magdalen reading in a Landscape; is copied by that admirable artist Lodovico Caracci, from the well known picture in the Dresden Gallery, by the illustrious Corregio. Lodovico in this picture has most faithfully delineated the just principles upon which the great author of this subject executed his works The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Lodovico Caracci, vendue par Assignees of Rich.d Abraham, achetée par Johnstone au prix de 5.15 £. [53]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Marriage of St. Catherine. The most perfect grace and beauty is expressed in the face of St. Catherine, while with virtuous softness she gazes on the infant bridegroom, who is about placing the ring on her finger; the virgin mother, who supports the Saviour, and completes the group, possesses all the unobtrusive dignity which characterized her life The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Bernardino Luini)|The Marriage of St. Catherine. The most perfect grace and beauty is expressed in the face of St. Catherine, while with virtuous softness she gazes on the infant bridegroom, who is about placing the ring on her finger; the virgin mother, who supports the Saviour, and completes the group, possesses all the unobtrusive dignity which characterized her life The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Bernardino Luini, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 21.0 £. [54]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Interior of a Church. This little picture represents the Interior of a Church, and is painted with all the excellence that characterizes this ingenious master. The architecture, and the various decorations of the Church, are designed with the utmost correctness, touched with delicacy, and by judicious management of the chiar-oscuro he has produced a most lively and pleasing effect. The grouping and distribution of the numerous figures are most admirably managed The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Peter Neefs)|The Interior of a Church. This little picture represents the Interior of a Church, and is painted with all the excellence that characterizes this ingenious master. The architecture, and the various decorations of the Church, are designed with the utmost correctness, touched with delicacy, and by judicious management of the chiar-oscuro he has produced a most lively and pleasing effect. The grouping and distribution of the numerous figures are most admirably managed The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Peter Neefs, vendue par Assignees of Rich.d Abraham, achetée par Eckford au prix de 30.9 £. [55]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Portrait. This splendid picture is supposed to be the portrait of one of the Secretaries to Pope Innocent X., and is a fine display of this great painter's knowledge of the principles of chiar-oscuro; the splendour of the colouring, and correctness of drawing, was never surpassed by any master, and it may be regarded as a model of Portrait painting The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Don Diego Velasquez)|A Portrait. This splendid picture is supposed to be the portrait of one of the Secretaries to Pope Innocent X., and is a fine display of this great painter's knowledge of the principles of chiar-oscuro; the splendour of the colouring, and correctness of drawing, was never surpassed by any master, and it may be regarded as a model of Portrait painting The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Don Diego Velasquez, vendue par Assignees of Rich.d Abraham, achetée par Johnstone au prix de 27.6 £. [56]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Finding of Moses. The figures are admirably drawn and highly finished, and the Landscape is painted with the brilliant and glowing effect of Claude The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Herman Swanevelt)|The Finding of Moses. The figures are admirably drawn and highly finished, and the Landscape is painted with the brilliant and glowing effect of Claude The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Herman Swanevelt, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 6.6 £. [57]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Flower piece; equal in mellowness and beauty to Van Huysum and Van Os The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Recardi)|A Flower piece; equal in mellowness and beauty to Van Huysum and Van Os The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Recardi, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 16.16 £. [58]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Marriage of St. Catherine, with the Virgin, St. Joseph, and Infant Christ, in a landscape. This is one of the finest productions of this scarce master, and one of the only two ever known to have been in England. From the collection of M.M. Zachary, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Innocenzio Francucci da Imola)|The Marriage of St. Catherine, with the Virgin, St. Joseph, and Infant Christ, in a landscape. This is one of the finest productions of this scarce master, and one of the only two ever known to have been in England. From the collection of M.M. Zachary, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Innocenzio Francucci da Imola, vendue par Assignees of Rich.d Abraham, achetée par Marsack au prix de 22.1 £. [59]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Sheep in a Landscape, the companion to the preceding, equally fine. The two preceding lots were formerly in the Collection of Joseph Barchard, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Adrian van de Velde)|Sheep in a Landscape, the companion to the preceding, equally fine. The two preceding lots were formerly in the Collection of Joseph Barchard, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Adrian van de Velde, vendue par Assignees of Rich.d Abraham, achetée par Turncliffe au prix de 21.0 £. [60]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Sheep in a Landscape. A most highly finished specimen of this great and much esteemed master, and possesses all that beauty of colouring, and exquisite touch, for which he is so remarkable The two preceding lots were formerly in the Collection of Joseph Barchard, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Adrian van de Velde)|Sheep in a Landscape. A most highly finished specimen of this great and much esteemed master, and possesses all that beauty of colouring, and exquisite touch, for which he is so remarkable The two preceding lots were formerly in the Collection of Joseph Barchard, Esq. The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Adrian van de Velde, vendue par Assignees of Rich.d Abraham, achetée par Bone au prix de 31.10 £. [61]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Merry-making, peasants dancing in front of a villge public-house. The colouring is rich, clear, and glowing, and the landscape is touched with great spirit and delicacy The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Isaac van Ostade)|A Merry-making, peasants dancing in front of a villge public-house. The colouring is rich, clear, and glowing, and the landscape is touched with great spirit and delicacy The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Isaac van Ostade, vendue par Assignees of Rich.d Abraham, achetée par Bone au prix de 17.17 £. [62]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Holy Family. The Virgin Mary, the infant Saviour, St. John, and an Angel is presenting the Saviour a Bird. The beauty of the colouring, and the grandeur of the design, will vie with the productions of Parmegiano The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Bartolomeo Shidoni)|A Holy Family. The Virgin Mary, the infant Saviour, St. John, and an Angel is presenting the Saviour a Bird. The beauty of the colouring, and the grandeur of the design, will vie with the productions of Parmegiano The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Bartolomeo Shidoni, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 23.2 £. [63]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Interior of an Apartment, with the Doctor and his Patient, and other Figures; touched with his usual spirit, and in an agreeable and clear tone of colour The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (David Teniers, the younger)|The Interior of an Apartment, with the Doctor and his Patient, and other Figures; touched with his usual spirit, and in an agreeable and clear tone of colour The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par David Teniers, the younger, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 13.13 £. [64]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Stag Hunt. The agony in the face of the Stag, which is run down by its furious enemies, is finely expressed. The freedom of touch, the excellence of the design, and the beauty of the colouring, is not inferior to Snyders or Rubens The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Abraham Hondius)|A Stag Hunt. The agony in the face of the Stag, which is run down by its furious enemies, is finely expressed. The freedom of touch, the excellence of the design, and the beauty of the colouring, is not inferior to Snyders or Rubens The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Abraham Hondius, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 17.17 £. [65]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An upright Landscape. An equestrian figure passing through a gate opened by a child, whose mother is near by with an infant in her arms, while the father is soliciting alms from a gentleman passing through The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (J. van Stry)|An upright Landscape. An equestrian figure passing through a gate opened by a child, whose mother is near by with an infant in her arms, while the father is soliciting alms from a gentleman passing through The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par J. van Stry, vendue par Assignees of Rich.d Abraham, achetée par Eckford au prix de 6.10 £. [66]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Pastoral Scene The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Anthony Watteau)|A Pastoral Scene The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Anthony Watteau, vendue par Assignees of Rich.d Abraham, achetée par Abrahams au prix de 37.16 £. [67]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Head of a Madonna; possessing great sweetness of expression The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Sasso Ferrato)|Head of a Madonna; possessing great sweetness of expression The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Sasso Ferrato, vendue par Assignees of Rich.d Abraham, achetée par Marsac au prix de 10.0 £. [68]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Interior of an Apartment, the companion picture to the preceding. The interior of an apartment, with figures smoking and drinking; painted with infinite skill, and in the style of that inimitable master Peter de Hooge The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Renier Brakenburg)|Interior of an Apartment, the companion picture to the preceding. The interior of an apartment, with figures smoking and drinking; painted with infinite skill, and in the style of that inimitable master Peter de Hooge The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Renier Brakenburg, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 17.10 £. [69]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Interior of a Dutch School; painted with all the truth and finish of Jan Steen, whose style this master intended it should represent The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Renier Brakenburg)|The Interior of a Dutch School; painted with all the truth and finish of Jan Steen, whose style this master intended it should represent The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Renier Brakenburg, vendue par Assignees of Rich.d Abraham, achetée par Ramsay au prix de 16.16 £. [70]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Fruit Piece, intermixed with Corn and Flowers, forming a Garland, with an innumerable variety of insects; exquisitely painted; equal to the productions of Van Huysun The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Ottoman Elliger)|Fruit Piece, intermixed with Corn and Flowers, forming a Garland, with an innumerable variety of insects; exquisitely painted; equal to the productions of Van Huysun The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Ottoman Elliger, vendue par Assignees of Rich.d Abraham, achetée par Lt Col Wilson au prix de 11.0 £. [71]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Virgin and Child; a beautiful specimen of the master, possessing a sweet expression in the countenance of the Virgin; the drapery is cleverly managed, and the colouring good The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Anthony Stella)|The Virgin and Child; a beautiful specimen of the master, possessing a sweet expression in the countenance of the Virgin; the drapery is cleverly managed, and the colouring good The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Anthony Stella, vendue par Assignees of Rich.d Abraham au prix de 5.5 £. [72]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Smugglers. It represents a boat with figures rowing into a cove, towards which one of the men is pointing, for the purpose of landing their contraband merchandize; on the opposite bank of the river are some cows grazing, beyond which in the extreme left is a windmill: the richness of colouring, and the intelligence of light and shadow which is produced in this picture, is lottle inferior to Rembrandt; while the broad facile and crisp touch resembles that of Cuyp. It may be considered one of the best specimens of this much esteemed artist The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (De Koningh)|The Smugglers. It represents a boat with figures rowing into a cove, towards which one of the men is pointing, for the purpose of landing their contraband merchandize; on the opposite bank of the river are some cows grazing, beyond which in the extreme left is a windmill: the richness of colouring, and the intelligence of light and shadow which is produced in this picture, is lottle inferior to Rembrandt; while the broad facile and crisp touch resembles that of Cuyp. It may be considered one of the best specimens of this much esteemed artist The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par De Koningh, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 9.19 £. [73]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Portrait of Charles I.; painted in the best time of this master, and is considered to be a most faithful likeness The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (William Dobson)|Portrait of Charles I.; painted in the best time of this master, and is considered to be a most faithful likeness The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par William Dobson, vendue par Assignees of Rich.d Abraham, achetée par Sir W E Welby au prix de 14.14 £. [74]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A rich Landscape and Cattle The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (William van Romeyn)|A rich Landscape and Cattle The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par William van Romeyn, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 10.0 £. [75]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Boors Fighting. The colouring is clear and brilliant; and the management of the chiar-oscuro is equal to Ostade The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Adrian Brouwer)|Boors Fighting. The colouring is clear and brilliant; and the management of the chiar-oscuro is equal to Ostade The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Adrian Brouwer, vendue par Assignees of Rich.d Abraham, achetée par Abrahams au prix de 3.10 £. [76]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[View of Dieppe Harbour at low water; it is painted with a free pencil, and in a pleasing and clear tone of colour The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (John Wilson)|View of Dieppe Harbour at low water; it is painted with a free pencil, and in a pleasing and clear tone of colour The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par John Wilson, vendue par Assignees of Rich.d Abraham, achetée par Johnson au prix de 4.0 £. [77]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Landscape and Figures. This picture (though a copy) possesses a great deal of force and beauty, and may with propriety, be called the attested memoranda of the profound skill of the master, from whose work it was copied The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Hobbima)|Landscape and Figures. This picture (though a copy) possesses a great deal of force and beauty, and may with propriety, be called the attested memoranda of the profound skill of the master, from whose work it was copied The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Hobbima, vendue par Assignees of Rich.d Abraham, achetée par Turnecliffe au prix de 6.10 £. [78]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Dead Birds -- the companion to the preceding picture -- equally fine The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (William van Aelst)|Dead Birds -- the companion to the preceding picture -- equally fine The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par William van Aelst, vendue par Assignees of Rich.d Abraham, achetée par [[Owen [?]]] au prix de 3.10 £. [79]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Dead Birds on a Marble slab; painted with a flowing and clear pencil; and the colouring not inferior to Weenix The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (William van Aelst)|Dead Birds on a Marble slab; painted with a flowing and clear pencil; and the colouring not inferior to Weenix The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par William van Aelst, vendue par Assignees of Rich.d Abraham au prix de 3.10 £. [80]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Head of St. Peter; one of the finest productions of this great master The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Spagnoletto)|The Head of St. Peter; one of the finest productions of this great master The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Spagnoletto, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 11.11 £. [81]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Landscape, Cattle and Figures; combining the merits of Paul Potter and Vander Heyden The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Le Brun)|Landscape, Cattle and Figures; combining the merits of Paul Potter and Vander Heyden The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Le Brun, vendue par Assignees of Rich.d Abraham, achetée par Bevan au prix de 10.0 £. [82]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Tigers in a Cave; the colouring remarkably good, and the touch free and spirited The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Towne)|Tigers in a Cave; the colouring remarkably good, and the touch free and spirited The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Towne, vendue par Assignees of Rich.d Abraham, achetée par Allnutt au prix de 8.0 £. [83]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Landscape, Buildings, and Figures; an undoubted specimen of this master, and painted with great skill The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection (Domenichino)|Landscape, Buildings, and Figures; an undoubted specimen of this master, and painted with great skill The admiration and interest excited by the Exhibition of this Collection, during the last year, at New York, surpassed in number of visitors any record of similar expositions in any part of Europe, notwithstanding it was controlled by a liberal cost of admission. The rejection also of several tenders of considerable amount for the whole, and more particularly for several of the paintings, may be regarded as a fair testimonial of the intrinsic merit and value of this Collection]] réalisée par Domenichino, vendue par Assignees of Rich.d Abraham, achetée par Dr Ellis au prix de 1.15 £. [84]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Troops marching; engraved réalisée par Watteau, vendue par Capt Hall au prix de 6.6 £. [85]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A Landscape with Figures réalisée par Ruysdael, vendue par Watts, achetée par Buchanan au prix de 6.16 £. [86]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Interior of St. Peter's Chapel, with the Pope celebrating Mass réalisée par Campanile, vendue par Campanile au prix de 7.5 £. [87]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Mendicants at a Convent réalisée par Peter de Bloot, vendue par Capt Hall au prix de 5.0 £. [88]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Landscape with Cattle and Figures réalisée par P. Potter, vendue par P Kennion, achetée par Corbett au prix de 4.4 £. [89]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Interior with Figures réalisée par Dusart, vendue par P Kennion, achetée par Marsack au prix de 5.5 £. [90]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Landscape with Figures réalisée par Ruysdael, vendue par P Kennion, achetée par Walker au prix de 2.2 £. [91]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Hudibras and Trulla réalisée par Hogarth, vendue par Capt Hall au prix de 9.9 £. [92]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme View of St. Peter's from the Grand Place réalisée par P. Panini, vendue par Bacon au prix de 4.15 £. [93]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme View off a Sea Port with Shipping réalisée par W. Vandervelde, vendue par T Harding, achetée par Daniel au prix de 2.10 £. [94]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme A Camp Scene réalisée par Esais Vandevelde, vendue par T Harding au prix de 2.6 £. [95]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme Landscape with Horse and Figures réalisée par Peter Potter, vendue par R Fox au prix de 2.15 £. [96]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme The Blind Man restored to sight réalisée par Hemskirk, vendue par R Fox au prix de 2.5 £. [97]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme The Tribute Money réalisée par Rubens, vendue par T Harding, achetée par Dr Ellis au prix de 3.0 £. [98]
- 1831.06.28/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme The Oyster Stall -- Night réalisée par Fielding, vendue par T Harding, achetée par Edwards au prix de 1.10 £. [99]