Ventes d'œuvres le 1832.02.10
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- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[A Concert. An interesting picture, the Four Figures here represented, are drawn with much judgment, both as to attitude and expression, and the whole finished in his best style Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order (P. Veronese)|A Concert. An interesting picture, the Four Figures here represented, are drawn with much judgment, both as to attitude and expression, and the whole finished in his best style Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order]] réalisée par P. Veronese, vendue par Thos Morton. [1]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[Pomona. Companion to lot 92. A most magnificent and richly coloured picture, executed in a free and masterly manner Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order (P. Veronese)|Pomona. Companion to lot 92. A most magnificent and richly coloured picture, executed in a free and masterly manner Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order]] réalisée par P. Veronese, vendue par Thos Morton. [2]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[Prudence and Folly. This picture is skilfully drawn, and the attitude of each figure most appropriate Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order (P. Veronese)|Prudence and Folly. This picture is skilfully drawn, and the attitude of each figure most appropriate Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order]] réalisée par P. Veronese, vendue par Thos Morton. [3]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[Pomona, a noble picture, most skilfully painted and highly finished Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order (P. Veronese)|Pomona, a noble picture, most skilfully painted and highly finished Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order]] réalisée par P. Veronese, vendue par Thos Morton. [4]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme [[A splendid picture, representing the Battle of the Standard, 8 feet 4 inches by 6 feet 2 inches. The architectural designs are most correctly drawn, and the figures, in the foreground, are executed in a masterly style Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order (P. Veronese)|A splendid picture, representing the Battle of the Standard, 8 feet 4 inches by 6 feet 2 inches. The architectural designs are most correctly drawn, and the figures, in the foreground, are executed in a masterly style Five Magnificent Paintings in Fresco, by That Distinguished Artist, Paul Veronese, These Invaluable Works of Art Were Brought from the Soranza Palace in Italy, And worthy of being secured and preserved in this Country, as a National Treasure. The attempt would be a vain one, to do anything like adequate justice to the intrinsic merits which these Frescos possess: suffice it to say, that they from part of a valuable collection, spoken of by the Editor of a respectable Literary publication, whose good taste and sound judgment, enabled him most highly to appreciate the immense acquisition of these inestimable relics. The following is an extract from part of the judicious Editor's observations: -- "We devote this Paper, with pleasure, to an account of a Collection of Paintings, which have been recently brought to England; and which, to our judgment, make an epoch in the Fine Arts, unequalled since the importation of Raphael's Cartoons. We allude to a series of grand Fresco Paintings, by the celebrated Paul Veronese. These Frescos display such powful and intrinsic evidence of the fire of Paul Veronese, his exuberant imagination, and his splendid execution, that to see them is to be convinced of their originality, and the high rank they hold among the best productions of art. They raise him far above the station to which his works in oil have placed him in the esteem of Great Britain. Instead of being thought principally distinguished for ornaments, darperies, imitating the glitter of the jeweller, and the rich products of the loom, he will be found to possess, in a boundless degree, the most elevated qualities of the art; drawing, composition, simplicity, and garce. In conclusion, we repeat our opinion, that since the Cartoons were imported, there has been nothing of equal importance to the arts of Great Britain, than the preservation and introduction of these works; they form in themselves a noble school of art, and may be studied with advantage in their endless varieties." Vide Literary Gazette. The Five Grand Frescos, will be submitted in the following order]] réalisée par P. Veronese, vendue par Thos Morton. [5]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A coloured drawing, a Landscape, framed and glazed, a small Miniature ditto, ditto of the Serpent tempting Eve, 4 miniature cases, and a drawing board réalisée par un.e artiste anonyme, vendue par Thos Morton. [6]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Battle of Navarino, in a black frame, glazed réalisée par un.e artiste anonyme, vendue par Thos Morton. [7]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Head réalisée par Spagnioletti, vendue par Thos Morton. [8]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A view of Portsmouth réalisée par Brooking, vendue par Thos Morton. [9]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Boats and Figures, The Magpies, Sketch, Landscape and Cattle, and 7 others, 11 item réalisée par un.e artiste anonyme, vendue par Thos Morton. [10]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A half cleaned Picture, portrait of a Child and Dog, Cattle and Figures, Cattle Boats and Figures, 4 item réalisée par un.e artiste anonyme, vendue par Thos Morton. [11]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Two Sheep and a Landscape, 3 items réalisée par Lambert, vendue par Thos Morton. [12]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Charity réalisée par un.e artiste anonyme, vendue par Thos Morton. [13]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Mercury and Argus, a valuable and well finished picture réalisée par Carracci, vendue par Thos Morton. [14]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Pluto, a noble specimen of this master réalisée par Carracci, vendue par Thos Morton. [15]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Satire, blowing hot and cold, a picture of dimensions similar to the preceding lot, executed in a most masterly style réalisée par Jordaens, vendue par Thos Morton. [16]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Satyr and Fawn, a fine gallery picture, possessing great merit, and well finished réalisée par Jordaens, vendue par Thos Morton. [17]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Marriage Festival in Cana of Galilee, turning of Water into Wine, a highly valuable picture réalisée par P. Veronese, vendue par Thos Morton. [18]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A View in Venice, a highly finished and richly coloured picture (with its packing case) réalisée par Canalletto, vendue par Thos Morton. [19]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Adoration of the Shepherds réalisée par Giorgione, vendue par Thos Morton. [20]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Portrait of Rebecca Wainewright, a singular and masterly production of this celebrated artist réalisée par Hogarth, vendue par Thos Morton. [21]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Venus and Cupid, a Head, and 1 on pannell réalisée par un.e artiste anonyme, vendue par Thos Morton. [22]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Venus and Cupid, a Head, and 1 on pannell réalisée par un.e artiste anonyme, vendue par Thos Morton. [23]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Swan Hunt réalisée par Hondius, vendue par Thos Morton. [24]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Portrait of a Physician, Ditto of a Youth, and a Sketch, 3 item réalisée par un.e artiste anonyme, vendue par Thos Morton. [25]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Perseus and Andromeda, Landscape, Cattle, and Figures, 2 item réalisée par un.e artiste anonyme, vendue par Thos Morton. [26]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Three Portraits réalisée par un.e artiste anonyme, vendue par Thos Morton. [27]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Portrait and a Sketch réalisée par un.e artiste anonyme, vendue par Thos Morton. [28]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Dead Head, and a Sketch, and 2 others réalisée par un.e artiste anonyme, vendue par Thos Morton. [29]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Portrait of James., and a Head réalisée par Rembrandt, vendue par Thos Morton. [30]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Portrait of James., and a Head réalisée par F. Halls, vendue par Thos Morton. [31]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Interior of a Church, and a View in Holland réalisée par un.e artiste anonyme, vendue par Thos Morton. [32]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Head réalisée par Velasco, vendue par Thos Morton. [33]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Artist, Ascension, Fisherman in Boats, &c., 3 item réalisée par un.e artiste anonyme, vendue par Thos Morton. [34]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Unbelief of Thomas removed,, and the Crucifixion, 2 item réalisée par Teniers, vendue par Thos Morton. [35]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Dutch Doctor réalisée par Teniers, vendue par Thos Morton. [36]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Six on pannel, and Four on canvass, various réalisée par un.e artiste anonyme, vendue par Thos Morton. [37]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Six on pannel, and Four on canvass, various réalisée par un.e artiste anonyme, vendue par Thos Morton. [38]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Belshazzar's Feast réalisée par West, vendue par Thos Morton. [39]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Lady with sleeping Child réalisée par West, vendue par Thos Morton. [40]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Simon and Andrew, his Brother called to the Apostleship réalisée par un.e artiste anonyme, vendue par Thos Morton. [41]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme An Architectural subject, with a party preparing for the Chase réalisée par Diepenbeke, vendue par Thos Morton. [42]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Portrait of a Lady réalisée par un.e artiste anonyme, vendue par Thos Morton. [43]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Marriage Festival in Cana of Gallilee, turning of Water into Wine réalisée par P. Veronese, vendue par Thos Morton. [44]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Charity réalisée par un.e artiste anonyme, vendue par Thos Morton. [45]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Landsacpe, Cattle, Figures, and Boats, a fine gallery picture réalisée par Gainsborough, vendue par Thos Morton. [46]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Saint Jerome réalisée par un.e artiste anonyme, vendue par Thos Morton. [47]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Lot and his Daughters réalisée par un.e artiste anonyme, vendue par Thos Morton. [48]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Interior of a Kitchen réalisée par un.e artiste anonyme, vendue par Thos Morton. [49]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Battle, the Assailants arm stayed by the appearance of an Angel réalisée par Carraci, vendue par Thos Morton. [50]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Venus and Adonis réalisée par un.e artiste anonyme, vendue par Thos Morton. [51]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Shepherd and Boy, Landscape and Cattle réalisée par un.e artiste anonyme, vendue par Thos Morton. [52]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Sketch after, and two Views in Amsterdam réalisée par un.e artiste anonyme, vendue par Thos Morton. [53]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Sketch after, and two Views in Amsterdam réalisée par Rubens, vendue par Thos Morton. [54]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Destruction of Pharoah and his Host réalisée par Rubens, vendue par Thos Morton. [55]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Rape of Europa réalisée par un.e artiste anonyme, vendue par Thos Morton. [56]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Magdalen réalisée par un.e artiste anonyme, vendue par Thos Morton. [57]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Portrait réalisée par Sir P Lilly, vendue par Thos Morton. [58]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Sea Piece and Waterfall réalisée par un.e artiste anonyme, vendue par Thos Morton. [59]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A Magdalen réalisée par un.e artiste anonyme, vendue par Thos Morton. [60]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Two ditto Portraits réalisée par un.e artiste anonyme, vendue par Thos Morton. [61]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Two Portraits réalisée par un.e artiste anonyme, vendue par Thos Morton. [62]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Virgin and Child with Infant, St. John réalisée par un.e artiste anonyme, vendue par Thos Morton. [63]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Diana at the Bath réalisée par un.e artiste anonyme, vendue par Thos Morton. [64]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Boadicea and Landing of Julius Caesar réalisée par Singleton, vendue par Thos Morton. [65]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Landscape, Cattle and Figures réalisée par Le Cave, vendue par Thos Morton. [66]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Fisherman with his landing of Fish, displayed, boats at the beach in the distance réalisée par Mieris, vendue par Thos Morton. [67]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Venus and Cupid réalisée par French School, vendue par Thos Morton. [68]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Ascension of the Virgin, a splendid gallery picture, 6 feet 5 inches in height, and 4 feet 4 inches in breadth, in carved gilt frame réalisée par Simon Vouet, vendue par Thos Morton. [69]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Landscape, Castle and Figures, after réalisée par Claude, vendue par Thos Morton. [70]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Marriage of Saint Joseph réalisée par un.e artiste anonyme, vendue par Thos Morton. [71]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Marriage of St. Catherine réalisée par Titian, vendue par Thos Morton. [72]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Saint Sebastian, a fine gallery picture réalisée par Murillo, vendue par Thos Morton. [73]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Portrait of a Gentleman réalisée par un.e artiste anonyme, vendue par Thos Morton. [74]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Virgin and Child réalisée par C. Maratta, vendue par Thos Morton. [75]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Portrait of himself réalisée par Vandyck, vendue par Thos Morton. [76]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Diana and Nymphs réalisée par Cuylenberg, vendue par Thos Morton. [77]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme A portrait, after réalisée par Titian, vendue par Thos Morton. [78]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Dutch Courtship réalisée par Heemskirk, vendue par Thos Morton. [79]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Dido appearing to AEneas, and an Allegorical sketch réalisée par un.e artiste anonyme, vendue par Thos Morton. [80]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme The Duke of Wellington réalisée par un.e artiste anonyme, vendue par Thos Morton. [81]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Cupid and Venus, after réalisée par Sir J. Reynolds, vendue par Thos Morton. [82]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Interior of a Cathedral réalisée par Stenwyck, vendue par Thos Morton. [83]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Two compartments from an Altar Piece, whole length portraits of Moses and Aaron réalisée par un.e artiste anonyme, vendue par Thos Morton. [84]
- 1832.02.10/ maison de ventes : Hoard (William Henry). Vente de l'œuvre décrite comme Storm and Shipwreck, a pair réalisée par Salvator Rosa, vendue par Thos Morton. [85]