Ventes d'œuvres le 1832.06.28

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  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[St. Sebastian sinking and expiring in front the effects of the death dealing shafts that pierce his body and limbs. Soothing little Angels are by his side, in deep sympathy for his unmerited sufferings; one is withdrawing the arrow with tender care, which seem to have inflicted the mortal wound. This elegant master has produced a first rate work in design, drawing, colouring and effect (Vandycke)|St. Sebastian sinking and expiring in front the effects of the death dealing shafts that pierce his body and limbs. Soothing little Angels are by his side, in deep sympathy for his unmerited sufferings; one is withdrawing the arrow with tender care, which seem to have inflicted the mortal wound. This elegant master has produced a first rate work in design, drawing, colouring and effect]] réalisée par Vandycke, vendue par Budd au prix de 69.6 £. [3]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Repose of the Holy Family in a Wood, lighted by a suspended lanthorn. The tender care of the Virgin Mother, and the affectionate attention of Joseph are beautifully told. There are very few such cabinet pictures by Dietricy; it is of the finest finish (Dietricy)|The Repose of the Holy Family in a Wood, lighted by a suspended lanthorn. The tender care of the Virgin Mother, and the affectionate attention of Joseph are beautifully told. There are very few such cabinet pictures by Dietricy; it is of the finest finish]] réalisée par Dietricy, vendue par R R Reinagle Esq RA au prix de 88.4 £. [4]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A cabinet gem, representing an Aged Philosopher in his Study, contemplating a passage of the great book before him. Were this picture the size of life, more truth or grandeur could not be given than in this miniature of art. The beaming sun with golden rays bursts into his solitary apartment by the window, which produces positive and relative effects, by reflection upward and side ways, that gives it a magical appearance. The perspective view through the door is of inconceivable perfection. The bold yet delicate handling, the chiaro scurio, the golden and harmoniuous colouring, stamp this as one of the greatest rarities in England (Rembrandt)|A cabinet gem, representing an Aged Philosopher in his Study, contemplating a passage of the great book before him. Were this picture the size of life, more truth or grandeur could not be given than in this miniature of art. The beaming sun with golden rays bursts into his solitary apartment by the window, which produces positive and relative effects, by reflection upward and side ways, that gives it a magical appearance. The perspective view through the door is of inconceivable perfection. The bold yet delicate handling, the chiaro scurio, the golden and harmoniuous colouring, stamp this as one of the greatest rarities in England]] réalisée par Rembrandt, vendue par R R Reinagle Esq RA au prix de 231.0 £. [5]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Apollo and the Muses dancing in a circle. This great artist has formed a beautiful composition of richly varied action, and it is as tastefully disposed with regard to colours. The picture is painted on a gold ground to add splendour to the poetic group (Julio Romano)|Apollo and the Muses dancing in a circle. This great artist has formed a beautiful composition of richly varied action, and it is as tastefully disposed with regard to colours. The picture is painted on a gold ground to add splendour to the poetic group]] réalisée par Julio Romano, vendue par Budd au prix de 38.17 £. [9]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The picture before us represents a Cottage embowered among trees on a road side, with a cheering effect of sun-shine. This amateur artist (for he was not professional) had, as this delightful little picture evinces, a most correct feeling for nature, with ample powers to express it, by a pencil as free and forcible in its operations as ever was handled by either Dutch or Flemish Painter (Hobbima)|The picture before us represents a Cottage embowered among trees on a road side, with a cheering effect of sun-shine. This amateur artist (for he was not professional) had, as this delightful little picture evinces, a most correct feeling for nature, with ample powers to express it, by a pencil as free and forcible in its operations as ever was handled by either Dutch or Flemish Painter]] réalisée par Hobbima, vendue par Tomkinson au prix de 73.10 £. [10]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A grand Landscape, where the imagination revels, while the eye traces the rich variety of objects that compose this masterley work of art. The deep blue sea of the Mediterranean bounded by gracefully formed maountains, meets the eye in the centre. A castle at the mouth of a small river, which expands into the landscape, guards the entrance. Vessels float on the waters, and on the banks a shepherd converses with a female, both richly illumined by the last ray of the evening sun. the middle and foreground are embellished by noble and elegant trees disposed with consummate taste and fine feeling. A rivulet washes the right of the foreground, and on the left stands a young man who is evidently relating a tale of woe, by the anxiety expressed in the female and her companion. For poetic grandeur, rich but simple colouring, this landscape stands unrivalled by any other known of in England, painted by the same great master (Hanibal Caracci)|A grand Landscape, where the imagination revels, while the eye traces the rich variety of objects that compose this masterley work of art. The deep blue sea of the Mediterranean bounded by gracefully formed maountains, meets the eye in the centre. A castle at the mouth of a small river, which expands into the landscape, guards the entrance. Vessels float on the waters, and on the banks a shepherd converses with a female, both richly illumined by the last ray of the evening sun. the middle and foreground are embellished by noble and elegant trees disposed with consummate taste and fine feeling. A rivulet washes the right of the foreground, and on the left stands a young man who is evidently relating a tale of woe, by the anxiety expressed in the female and her companion. For poetic grandeur, rich but simple colouring, this landscape stands unrivalled by any other known of in England, painted by the same great master]] réalisée par Hanibal Caracci, vendue par R R Reinagle Esq RA au prix de 54.12 £. [11]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Portrait of an aged English Nobleman, holding the cap of a cardinal in his right hand, the left is placed on his breast. It resembles Sir Antonio More, the patron of the artist. By many it is thought the portrait of Bishop Gardine; the picture is however, a very fine piece of art (Holbein)|Portrait of an aged English Nobleman, holding the cap of a cardinal in his right hand, the left is placed on his breast. It resembles Sir Antonio More, the patron of the artist. By many it is thought the portrait of Bishop Gardine; the picture is however, a very fine piece of art]] réalisée par Holbein, vendue par R R Reinagle Esq RA au prix de 42.0 £. [13]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The mountains of Rocca di Canterana in the Sabine Country near Subiacco, panted from the only meadow in the country near Subiacco, painted from, and thence called Il prato. -- To an Englishman it was a luxury to go and sit there in the cool of an evening, and gaze on those mountains, and the country where J. Both, the great Landscape painter, used to study, and take so many of his views (R. R. Reinagle R.A.)|The mountains of Rocca di Canterana in the Sabine Country near Subiacco, panted from the only meadow in the country near Subiacco, painted from, and thence called Il prato. -- To an Englishman it was a luxury to go and sit there in the cool of an evening, and gaze on those mountains, and the country where J. Both, the great Landscape painter, used to study, and take so many of his views]] réalisée par R. R. Reinagle R.A., vendue par R R Reinagle Esq RA, achetée par Norton au prix de 7.7 £. [18]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Virgin and Child with her sister, who is receiving the glorious infant from the mother. That splendour of colour so remarkable in his and Titian's works, adorns this charming specimen in an eminent degree. The picture is highly recommendable for its size and general lustre (Giorgione)|The Virgin and Child with her sister, who is receiving the glorious infant from the mother. That splendour of colour so remarkable in his and Titian's works, adorns this charming specimen in an eminent degree. The picture is highly recommendable for its size and general lustre]] réalisée par Giorgione, vendue par R R Reinagle Esq RA au prix de 47.5 £. [35]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Entombment of our Saviour; a very fine composition, in which Joseph of Arimathea, Nicodemus, the Virgin, the Magdalen, St. John, &c. from the admirable group; a brilliant light affects part of the subject, which is so true, as nearly to deceive the eye; the colouring is rich and chaste (Palma the Younger)|The Entombment of our Saviour; a very fine composition, in which Joseph of Arimathea, Nicodemus, the Virgin, the Magdalen, St. John, &c. from the admirable group; a brilliant light affects part of the subject, which is so true, as nearly to deceive the eye; the colouring is rich and chaste]] réalisée par Palma the Younger, vendue par R R Reinagle Esq RA au prix de 31.10 £. [36]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Virgin with the Infant Saviour are represented as in heaven, receiving the Holy Ghost in the figures of a white dove. The artist has shown his great knowled of the profession, by the rich ciomposition, the elegantdrapery, and the fine effect introduced on the figures . This is one of the few agreeable pictures of such subjects. -- It is calculated for any private collection or any public situation (Guercino)|The Virgin with the Infant Saviour are represented as in heaven, receiving the Holy Ghost in the figures of a white dove. The artist has shown his great knowled of the profession, by the rich ciomposition, the elegantdrapery, and the fine effect introduced on the figures . This is one of the few agreeable pictures of such subjects. -- It is calculated for any private collection or any public situation]] réalisée par Guercino, vendue par R R Reinagle Esq RA au prix de 54 gs. [37]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Leda. This admirable work of art was one of the Orleans Collection. It fell to the lot of the present Marquess of Stafford, when Lord Gower, who used to show the beauty of the art herein displayed, with the utmost warmth of feeling. It afterwards went into the possession of Sir Harry Englefield, and at his sale, was purchased by a dealer; and of that person by the present owner (Paul Veronese)|Leda. This admirable work of art was one of the Orleans Collection. It fell to the lot of the present Marquess of Stafford, when Lord Gower, who used to show the beauty of the art herein displayed, with the utmost warmth of feeling. It afterwards went into the possession of Sir Harry Englefield, and at his sale, was purchased by a dealer; and of that person by the present owner]] réalisée par Paul Veronese, vendue par R R Reinagle Esq RA au prix de 105.0 £. [38]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Angellica and Bradamante, on meeting at the Fountain; so elegantly told by Ariosto in the second canto of his Orland Furioso; vide thirty-second canto of his Orlando Furioso; vide thirty-second stanza, where the story is followed up through several others. This picture belonged to the immmortal Garrick, and was presented to him by Lord Bolingbroke, as a mark of great friendship (Guido)|Angellica and Bradamante, on meeting at the Fountain; so elegantly told by Ariosto in the second canto of his Orland Furioso; vide thirty-second canto of his Orlando Furioso; vide thirty-second stanza, where the story is followed up through several others. This picture belonged to the immmortal Garrick, and was presented to him by Lord Bolingbroke, as a mark of great friendship]] réalisée par Guido, vendue par R R Reinagle Esq RA au prix de 48 gs. [39]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[This simple homely scene of a fallen wooden Cottage by the side of a brick House, backed by a lovely natural sky, has such charms of truth and modesty as will inevitably delight the refined eye, and the judicious connoisseur. So great a combination of talent in a small compass, is rarely to be met with by the same artists (Ruysdael)|This simple homely scene of a fallen wooden Cottage by the side of a brick House, backed by a lovely natural sky, has such charms of truth and modesty as will inevitably delight the refined eye, and the judicious connoisseur. So great a combination of talent in a small compass, is rarely to be met with by the same artists]] réalisée par Ruysdael, vendue par R R Reinagle Esq RA, achetée par Norton au prix de 68.5 £. [41]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Village Surgeon. Here we have rustic simplicity and sturdy endurance of paint ably expressed in the old man, who is under the hands of the factotum. The wife with tanned countenance looks on with more feeling than the one operated on. A Rubens-like richness pervades all over this capital picture, which has all the spirited pencilling for which Teniers was so renowned (Teniers)|The Village Surgeon. Here we have rustic simplicity and sturdy endurance of paint ably expressed in the old man, who is under the hands of the factotum. The wife with tanned countenance looks on with more feeling than the one operated on. A Rubens-like richness pervades all over this capital picture, which has all the spirited pencilling for which Teniers was so renowned]] réalisée par Teniers, vendue par Tomkinson au prix de 63.0 £. [42]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Holy Family, accompanied by St. Catherine, attended by the Infant Saviour, who is standing and leaning against the Mother; the group is seated in a rich landscape, of a high tone of colour, which ably supports the deep hues of all the four figures. This may be justly called one of his best works (B. Garoffalo)|The Holy Family, accompanied by St. Catherine, attended by the Infant Saviour, who is standing and leaning against the Mother; the group is seated in a rich landscape, of a high tone of colour, which ably supports the deep hues of all the four figures. This may be justly called one of his best works]] réalisée par B. Garoffalo, vendue par Budd au prix de 56.14 £. [47]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A romantic Scene, illumined by the morning sun, with a fall or a river among rocks, dashing its waters in a most natural way; a wooden footbridge crosses from rock to rock, leading to a rude but cultivated spot, enriched by trees; a very fine specimen (Ruysdael)|A romantic Scene, illumined by the morning sun, with a fall or a river among rocks, dashing its waters in a most natural way; a wooden footbridge crosses from rock to rock, leading to a rude but cultivated spot, enriched by trees; a very fine specimen]] réalisée par Ruysdael, vendue par Harmar au prix de 105.0 £. [48]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[An elegant little gem, representing a romantic Country on the borders of a river, with a broken fall of water advancing towards the left corner of the picture; masses of noble trees adorn both banks of the stream, and shepherds atteding, and others driving cattle, enrich this evening scene; it is a rare specimen, in his best time (Claude Lorrain)|An elegant little gem, representing a romantic Country on the borders of a river, with a broken fall of water advancing towards the left corner of the picture; masses of noble trees adorn both banks of the stream, and shepherds atteding, and others driving cattle, enrich this evening scene; it is a rare specimen, in his best time]] réalisée par Claude Lorrain, vendue par Harmar au prix de 73.10 £. [49]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Prometheus chained to the Rock, and (the Eagel. as Titian has preferred,) the Vulture, as speak the Ancient Poets, commencing his terriffic office. This very important picture is one that commands particular notice, for very few such works of this incomparable artist are to be found in England. This grand picture has been engraved, an impression of which is placed by its side. The picture requires judicious cleaning, and will then turn out one of the most capial England can boast of (Titian)|Prometheus chained to the Rock, and (the Eagel. as Titian has preferred,) the Vulture, as speak the Ancient Poets, commencing his terriffic office. This very important picture is one that commands particular notice, for very few such works of this incomparable artist are to be found in England. This grand picture has been engraved, an impression of which is placed by its side. The picture requires judicious cleaning, and will then turn out one of the most capial England can boast of]] réalisée par Titian, vendue par Vint. [52]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A beautiful gem, representing the Virgin seated and at work sewing, attended by little lovely Angels. The print which accompanies this jewel of art points out the manifest difference between Mr. Purling's Guido and the present one. This picture has a red dress given to the virgin, Mr Purling's had a white one. D'Ankerville mentions both pictures as hanging at the same time in the King of France's Collection. L'Epicier describes them copiously. The pictures had a white one. D'Ankerville mentions both pictures as hanging a the same time in the King of France's Colleciton. L'Epicier describes them copiously. The pictures had each title of "La Vierge Couseuse." We presume that a more tempting cabinet picture is not to be found by his master, whose small works are very rare (Guido Reni)|A beautiful gem, representing the Virgin seated and at work sewing, attended by little lovely Angels. The print which accompanies this jewel of art points out the manifest difference between Mr. Purling's Guido and the present one. This picture has a red dress given to the virgin, Mr Purling's had a white one. D'Ankerville mentions both pictures as hanging at the same time in the King of France's Collection. L'Epicier describes them copiously. The pictures had a white one. D'Ankerville mentions both pictures as hanging a the same time in the King of France's Colleciton. L'Epicier describes them copiously. The pictures had each title of "La Vierge Couseuse." We presume that a more tempting cabinet picture is not to be found by his master, whose small works are very rare]] réalisée par Guido Reni, vendue par R R Reinagle Esq RA au prix de 39.18 gs. [53]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The St. Peter Martyr, a truly splendid and undoubted picture, on a reduced scale, by this immortal painter. the magnificence of the original at Venice, every artist of all succeeding years have ever acknowledged; and the greatest men since the period the grand picture was painted, have eagerly pressed forward to copy so astonishing a composition. The present beautiful, and finely colored picture, was painted for a Roman Prince, we belive Barberini; and every beholder who recollects the original, or the print from it, will peceive an alteration in the Glory above the Martyr, where the two Angels hover with the palm of peace, the action of the foot of the escaping Monk, indicates by a change from a first thought the undoubted claim this work has to being by the master. This is however, trivial compared with the splendid powers of the art displayed throughout; and we should say, it is one of those perfect and renowned works which ought, without delay, to be placed in our National Collection. the picture was purloined from a Palace in Rome, during the dismay and confusion consequent on the entry of the French Army in 1796, to pay the man who had cleaned many pictures (Titian Vicellio)|The St. Peter Martyr, a truly splendid and undoubted picture, on a reduced scale, by this immortal painter. the magnificence of the original at Venice, every artist of all succeeding years have ever acknowledged; and the greatest men since the period the grand picture was painted, have eagerly pressed forward to copy so astonishing a composition. The present beautiful, and finely colored picture, was painted for a Roman Prince, we belive Barberini; and every beholder who recollects the original, or the print from it, will peceive an alteration in the Glory above the Martyr, where the two Angels hover with the palm of peace, the action of the foot of the escaping Monk, indicates by a change from a first thought the undoubted claim this work has to being by the master. This is however, trivial compared with the splendid powers of the art displayed throughout; and we should say, it is one of those perfect and renowned works which ought, without delay, to be placed in our National Collection. the picture was purloined from a Palace in Rome, during the dismay and confusion consequent on the entry of the French Army in 1796, to pay the man who had cleaned many pictures]] réalisée par Titian Vicellio, vendue par Brind, achetée par Green au prix de 100.16 £. [54]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Storm. Effects of the immediate Fall of a Thunderbolt, having rent a great Arbeil tree, and overset a waggon with its horses; a man and horse killed. The idea was suggested by an event quite similar, in Donnington Park, the seat of the Marquis of Hastings (R. R. Reinagle, R.A.)|A Storm. Effects of the immediate Fall of a Thunderbolt, having rent a great Arbeil tree, and overset a waggon with its horses; a man and horse killed. The idea was suggested by an event quite similar, in Donnington Park, the seat of the Marquis of Hastings]] réalisée par R. R. Reinagle, R.A., vendue par R R Reinagle Esq RA, achetée par Brind au prix de 31.10 £. [64]
  • 1832.06.28/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Group of Cows and a female milking one of them on a bank in the foreground; a mass of trees inclose the scene on the right, and the view opens on the left where a more distant group are in the plashy margin of a meadow; a glowing evening. From the collection of Lord Ranelagh (Cuyp)|A Group of Cows and a female milking one of them on a bank in the foreground; a mass of trees inclose the scene on the right, and the view opens on the left where a more distant group are in the plashy margin of a meadow; a glowing evening. From the collection of Lord Ranelagh]] réalisée par Cuyp, vendue par R R Reinagle Esq RA au prix de 63.0 £. [66]
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