Ventes d'œuvres le 1832.06.29

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  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[This grand Altar Piece was produced through the munificent patronage of Rannucio the Duke of Parma, who took him into his service. Schidone, who had studied Correggio with enthusiastic devotion, was roused to perform a work of the highest excellence, by being called upon by his patron to rival his adored master, and give him a picture as an altar piece to his private chapel at Sassuoli. We must leave the public of this enlightened metropolis to judge of the great merits of this work. It is universally allowed to be the only one on a great scale in England by the master, and to deserve every possible comendation (Schidone)|This grand Altar Piece was produced through the munificent patronage of Rannucio the Duke of Parma, who took him into his service. Schidone, who had studied Correggio with enthusiastic devotion, was roused to perform a work of the highest excellence, by being called upon by his patron to rival his adored master, and give him a picture as an altar piece to his private chapel at Sassuoli. We must leave the public of this enlightened metropolis to judge of the great merits of this work. It is universally allowed to be the only one on a great scale in England by the master, and to deserve every possible comendation]] réalisée par Schidone, vendue par Dulckin au prix de 1820 gs. [48]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Elija, and the Raven bringing his daily loaf. He is seated in a dismal solitude near a gushing stream and his shattered hut. He is in a melancholy and meditative posture of humility. Seraphs are just descending to console the anguish of his mind. We are bold to pronounce this as a master-piece in every respect of the incomparable pencil of this great master (Salvator Rosa)|Elija, and the Raven bringing his daily loaf. He is seated in a dismal solitude near a gushing stream and his shattered hut. He is in a melancholy and meditative posture of humility. Seraphs are just descending to console the anguish of his mind. We are bold to pronounce this as a master-piece in every respect of the incomparable pencil of this great master]] réalisée par Salvator Rosa, vendue par Vint au prix de 52.10 £. [49]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Lot and his Daughters, half figures, a most noble production of this great master. In this fine work of art we have the great energies displayed of hte Caracci school, in vigour of effect, and profound mastery of the pencil. This is one of the sort of capital pictures wanted for the National Collection, by the total absence of any such superb specimen (Guido Rheni)|Lot and his Daughters, half figures, a most noble production of this great master. In this fine work of art we have the great energies displayed of hte Caracci school, in vigour of effect, and profound mastery of the pencil. This is one of the sort of capital pictures wanted for the National Collection, by the total absence of any such superb specimen]] réalisée par Guido Rheni, vendue par [[Coswelot [?]]] au prix de 168.0 £. [50]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A subject taken from the Apocryphal Book of the rejected Gospels, called "The Virgin." We have here represented the miracle she performed when seven months old, of walking up the steps of the temple, and presenting herself to the High Priest. It is well grouped, well coloured, and mellow, as are all his pictures (Murillo)|A subject taken from the Apocryphal Book of the rejected Gospels, called "The Virgin." We have here represented the miracle she performed when seven months old, of walking up the steps of the temple, and presenting herself to the High Priest. It is well grouped, well coloured, and mellow, as are all his pictures]] réalisée par Murillo, vendue par Gascoyne au prix de 8.8 £. [52]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Grand Scene on the Wild Coast of the Calabrian Shores of Italy; in which, this bold and fine spirited artist has expressed a noble effect of a tornado in an afternoon; wrecking vessels on the rocky shore, and agitating the sea into lashing waves, that beat themselves into foam. A group of shepherds are hurrying their goats away to a place of safety. Equal to any similar subject by S. Rosa (Tempesta)|A Grand Scene on the Wild Coast of the Calabrian Shores of Italy; in which, this bold and fine spirited artist has expressed a noble effect of a tornado in an afternoon; wrecking vessels on the rocky shore, and agitating the sea into lashing waves, that beat themselves into foam. A group of shepherds are hurrying their goats away to a place of safety. Equal to any similar subject by S. Rosa]] réalisée par Tempesta, vendue par R R Reinagle Esq RA au prix de 35.14 £. [53]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Our Saviour bearing his Cross. The artist who obtained the title of being the Flemish Raphael, has, in this instance, as in most of his works, shown great talents in the feeling character given to the persecuted Saviour. It is clear and transparent in the colouring, and a very fine specimen (Frank Floris)|Our Saviour bearing his Cross. The artist who obtained the title of being the Flemish Raphael, has, in this instance, as in most of his works, shown great talents in the feeling character given to the persecuted Saviour. It is clear and transparent in the colouring, and a very fine specimen]] réalisée par Frank Floris, vendue par R R Reinagle Esq RA au prix de 18.7 £. [55]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Assumption of the Virgin. it is difficult to describe all the charms of this exquisite picture. The character is that of meekness and devoutness, with a modesty and hope in God, that seldom has been so beautifully put on canvass by any artist, before or since. The extraordinary care bestowed on the finish, gives it a value beyond our means of expressing: some years ago as much as 7,000 guineas were offered for it, and refused to be accepted. It is a work of art that should at once adorn the National Collection (Carlo Dolci)|The Assumption of the Virgin. it is difficult to describe all the charms of this exquisite picture. The character is that of meekness and devoutness, with a modesty and hope in God, that seldom has been so beautifully put on canvass by any artist, before or since. The extraordinary care bestowed on the finish, gives it a value beyond our means of expressing: some years ago as much as 7,000 guineas were offered for it, and refused to be accepted. It is a work of art that should at once adorn the National Collection]] réalisée par Carlo Dolci, vendue par R R Reinagle Esq RA. [61]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[This noble Landscape, formed out of humble materials, exhibits in a surprising and triumphant degree the wonderful mastery of the art in every point. It is magical and delusive. The depth of a wood is finely described by his mode of losing the detail of the thickened trees. Birds might here be deceived, as well as those of the renowned work of the Greek Artist, whose grapes they came to peck. The road over the heathy ground is a deception to the eye, and almost to the touch; the sky is of the grandest cast. To crown the whole of this matchless work, Teniers has added figures to it, and with such mastery, as to combine in soul and spirit, and leave to the world what we presume few will ever again produce (Rembrandt)|This noble Landscape, formed out of humble materials, exhibits in a surprising and triumphant degree the wonderful mastery of the art in every point. It is magical and delusive. The depth of a wood is finely described by his mode of losing the detail of the thickened trees. Birds might here be deceived, as well as those of the renowned work of the Greek Artist, whose grapes they came to peck. The road over the heathy ground is a deception to the eye, and almost to the touch; the sky is of the grandest cast. To crown the whole of this matchless work, Teniers has added figures to it, and with such mastery, as to combine in soul and spirit, and leave to the world what we presume few will ever again produce]] réalisée par Rembrandt, vendue par R R Reinagle Esq RA au prix de 682.10 £. [63]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The companion. Here the painter has expressed, by a rich and beautiful composition, the effect of morning: a ruin near to a group of majestic and fine formed trees, fills the heart of the picture on the left; an open hilly scene occupies the right; the centre has a river, on the banks of which a large herd of cattle are browsing. The front of the picture is decorated by a happy group of country people, two of whom are dancing, while a man plays a bagpipe; cows and goats fill up the right side. the effect is very magical. The two pictures are fit to adorn the first collection (Claude Lorrain)|The companion. Here the painter has expressed, by a rich and beautiful composition, the effect of morning: a ruin near to a group of majestic and fine formed trees, fills the heart of the picture on the left; an open hilly scene occupies the right; the centre has a river, on the banks of which a large herd of cattle are browsing. The front of the picture is decorated by a happy group of country people, two of whom are dancing, while a man plays a bagpipe; cows and goats fill up the right side. the effect is very magical. The two pictures are fit to adorn the first collection]] réalisée par Claude Lorrain, vendue par R R Reinagle Esq RA au prix de 525.0 £. [64]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The classical painter has revelled in the production of a finely varied Landscape, combining hills, mountains, wooded banks, a water mill, bridge, and numerous trees, with large groups of cattle and figures on two diverging roads; another group, hunters or shooters, are in repose in the front, near a lofty tree and part of a Roman temple. The glow of evening sun is richly dispersed on all the prominent objects within its range; and the whole presents a captivating picture, to both an educated and unpractised eye (Claude Lorrain)|The classical painter has revelled in the production of a finely varied Landscape, combining hills, mountains, wooded banks, a water mill, bridge, and numerous trees, with large groups of cattle and figures on two diverging roads; another group, hunters or shooters, are in repose in the front, near a lofty tree and part of a Roman temple. The glow of evening sun is richly dispersed on all the prominent objects within its range; and the whole presents a captivating picture, to both an educated and unpractised eye]] réalisée par Claude Lorrain, vendue par Norton au prix de 651.0 £. [65]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[This master has exhibited to the world ample proofs of his exalted talent in the art, and has done immortal honor to the Great School of the Caracci, by whom he was instructed in his art. The subject before us is a heart -rending one, but such as calls forth all the energies of a fertile mind. St. Catherine who is to suffer the utmost ignominy of arbitrary law, is on the point of being decapitated by a ferocious executioner. Her resigned aspect, the mild emotion of fear, and hope in Go, are most feelingly depicted. The dress is beautiful, and the colouring of a lovely harmonious disposition. This picture has ever ranked as one of his very best productions (Guercino)|This master has exhibited to the world ample proofs of his exalted talent in the art, and has done immortal honor to the Great School of the Caracci, by whom he was instructed in his art. The subject before us is a heart -rending one, but such as calls forth all the energies of a fertile mind. St. Catherine who is to suffer the utmost ignominy of arbitrary law, is on the point of being decapitated by a ferocious executioner. Her resigned aspect, the mild emotion of fear, and hope in Go, are most feelingly depicted. The dress is beautiful, and the colouring of a lovely harmonious disposition. This picture has ever ranked as one of his very best productions]] réalisée par Guercino, vendue par Tomkinson au prix de 210.0 £. [66]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Crucified Saviour. Here we have a subject calculated to arouse and to invite the utmost energies of the greatest talents; and never were the powers of a great artist more amply displayed than in this highly perfected work of art. Raphael would have bowed before it (Van Dycke)|The Crucified Saviour. Here we have a subject calculated to arouse and to invite the utmost energies of the greatest talents; and never were the powers of a great artist more amply displayed than in this highly perfected work of art. Raphael would have bowed before it]] réalisée par Van Dycke, vendue par R R Reinagle Esq RA au prix de 115.10 £. [69]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The good Centurion. Our Saviour surrounded by his disciples, is, at the moment described by the pencil of the artist, exclaiming, "That he had not fund such faith in all Istrael," when the Centurion said, "Speak but the word, and my servant is healed." Two attendants, one a soldier in a splendid dress, holds the centurion's horse; the owner of it is on his knees, supplicating the godly power of the Saviour, and both are closely surrounded by soldiers; a page carrying the helmet, and the apostles, finish the rich group. So splendid a cabinet picture by this artist, is no where to be met with: It came from the Duke of Modena's Collection, to that of the Orleans, and has twice sold publicly for #600 -- a proof of its value. Painted on copper (Paul Veronese)|The good Centurion. Our Saviour surrounded by his disciples, is, at the moment described by the pencil of the artist, exclaiming, "That he had not fund such faith in all Istrael," when the Centurion said, "Speak but the word, and my servant is healed." Two attendants, one a soldier in a splendid dress, holds the centurion's horse; the owner of it is on his knees, supplicating the godly power of the Saviour, and both are closely surrounded by soldiers; a page carrying the helmet, and the apostles, finish the rich group. So splendid a cabinet picture by this artist, is no where to be met with: It came from the Duke of Modena's Collection, to that of the Orleans, and has twice sold publicly for #600 -- a proof of its value. Painted on copper]] réalisée par Paul Veronese, vendue par R R Reinagle Esq RA au prix de 250 gs. [77]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A copy of Rembrandt's Mill, copied in the British Gallery, when admission was denied to all as students but those who would copy the pictures left as a school of painting. Mr. West, the President, copied the same picture at the same time under similar compulsion (R. R. Reinagle, R. A.)|A copy of Rembrandt's Mill, copied in the British Gallery, when admission was denied to all as students but those who would copy the pictures left as a school of painting. Mr. West, the President, copied the same picture at the same time under similar compulsion]] réalisée par R. R. Reinagle, R. A., vendue par R R Reinagle Esq RA au prix de 16.16 £. [79]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Flora decking with garlands the celestial horse Pegasus, which seems to bend and glory in the goddesss's caresses. This, though a slight and expeditious production of the great master' hand, is nevertheless a most captivating cabinet picture. The ideal form given to the graceful goddess, is full of that rich mental resource that all great artists have displayed, when seeking from their poetic souls the aid of powerful imagination; a Cupid by his action adds great grace to this beautiful group, which ought to be cut in marble by a Baily or a Rossif of our age (Parmegiano)|Flora decking with garlands the celestial horse Pegasus, which seems to bend and glory in the goddesss's caresses. This, though a slight and expeditious production of the great master' hand, is nevertheless a most captivating cabinet picture. The ideal form given to the graceful goddess, is full of that rich mental resource that all great artists have displayed, when seeking from their poetic souls the aid of powerful imagination; a Cupid by his action adds great grace to this beautiful group, which ought to be cut in marble by a Baily or a Rossif of our age]] réalisée par Parmegiano, vendue par R R Reinagle Esq RA au prix de 94.10 £. [80]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Virgin and Child seated. She is receiving the young St. John, and two Seraphs hover near the Virgin Mother. The group is placed near a ruined noble structure, with a richly coloured landscape background, embellished with elegant trees in front; evening seems the time intended by the effect. A beautiful speciment of this graceful painter (Albano)|The Virgin and Child seated. She is receiving the young St. John, and two Seraphs hover near the Virgin Mother. The group is placed near a ruined noble structure, with a richly coloured landscape background, embellished with elegant trees in front; evening seems the time intended by the effect. A beautiful speciment of this graceful painter]] réalisée par Albano, vendue par R R Reinagle Esq RA au prix de 45.3 £. [81]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[An upright Landscape, exhibiting a Scene at the mouth of a River at dawn of day. The front of the picture is singularly beautiful, by the rich assemblage of figures and cattle, trees of fine growth, and part of a village; this is one of his most poetical productions, and equal to any he has ever painted (V. Der Neer)|An upright Landscape, exhibiting a Scene at the mouth of a River at dawn of day. The front of the picture is singularly beautiful, by the rich assemblage of figures and cattle, trees of fine growth, and part of a village; this is one of his most poetical productions, and equal to any he has ever painted]] réalisée par V. Der Neer, vendue par Harmar, achetée par Bevan au prix de 78.15 £. [84]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Christ sinking under the weight and oppression of the Cross, goaded by his ferocious Executioner. This is a small copy of a larger work of Domenichino, and one of deserved high praise. The pesent specimen came from Lord Suffolk's Collection (Philippo Lauri)|Christ sinking under the weight and oppression of the Cross, goaded by his ferocious Executioner. This is a small copy of a larger work of Domenichino, and one of deserved high praise. The pesent specimen came from Lord Suffolk's Collection]] réalisée par Philippo Lauri, vendue par R R Reinagle Esq RA. [89]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Grove of Ilex trees (the Evergreen Oak) by evening light. The favorite scene in the Chigi Park, near Rome. This park has been maintained for a long period of time in a state of nature by the Prince, and said to be in favour of artists going there to study nature in her wild forms (R. R. Reinagle, R.A.)|The Grove of Ilex trees (the Evergreen Oak) by evening light. The favorite scene in the Chigi Park, near Rome. This park has been maintained for a long period of time in a state of nature by the Prince, and said to be in favour of artists going there to study nature in her wild forms]] réalisée par R. R. Reinagle, R.A., vendue par R R Reinagle Esq RA au prix de 3.10 £. [105]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[And a study of one of the Cascateli, and the square Tower, with a glimpse of the distant Campagna at Rome. Tivoli. Mr. Reinagle and a friend were beset by two Bandits, who skulked mong the underwood near them, and very narrowly escaped being shot or murdered after advancing this study (artiste anonyme)|And a study of one of the Cascateli, and the square Tower, with a glimpse of the distant Campagna at Rome. Tivoli. Mr. Reinagle and a friend were beset by two Bandits, who skulked mong the underwood near them, and very narrowly escaped being shot or murdered after advancing this study]] réalisée par un.e artiste anonyme, vendue par R R Reinagle Esq RA, achetée par Dunford au prix de 4.4 £. [109]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[His own Portrait; this great artist of our country, whose fame deservedly surpasses many of the greatest of earlier days, like Rembrandt, was continually painting his own portrait, most probably with a view to satisfy some trial, or to make some experiment. This is a desirable portrait of himself (Sir J. Reynolds)|His own Portrait; this great artist of our country, whose fame deservedly surpasses many of the greatest of earlier days, like Rembrandt, was continually painting his own portrait, most probably with a view to satisfy some trial, or to make some experiment. This is a desirable portrait of himself]] réalisée par Sir J. Reynolds, vendue par Tomkinson au prix de 4.14 £. [111]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[This sturdy painter, an ambitious pupil of the great Rubens, amidst many awkward, lumpish and vulgar productions of his pencil, has succeeded in major efforts of his mind. The energy which he has thrown into the countenance of the poetic and imaginary creature, called a Satyr, never was finer expressed on canvass than we behold in this spirited production; colour and expression view with each other. It is perfection (Jordaens)|This sturdy painter, an ambitious pupil of the great Rubens, amidst many awkward, lumpish and vulgar productions of his pencil, has succeeded in major efforts of his mind. The energy which he has thrown into the countenance of the poetic and imaginary creature, called a Satyr, never was finer expressed on canvass than we behold in this spirited production; colour and expression view with each other. It is perfection]] réalisée par Jordaens, vendue par R R Reinagle Esq RA au prix de 3.3 £. [129]
  • 1832.06.29/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The figure of Aaron, standing in a majestic posture, his flowering staff in the left hand, and the scriptures in the right, rested against his side. There is a dignity in this figure that seems to belong to Raphael, whom the painter studied most closely (Cavalier Benedetto Lutti)|The figure of Aaron, standing in a majestic posture, his flowering staff in the left hand, and the scriptures in the right, rested against his side. There is a dignity in this figure that seems to belong to Raphael, whom the painter studied most closely]] réalisée par Cavalier Benedetto Lutti, vendue par R R Reinagle Esq RA au prix de 4.4 £. [132]