Ventes d'œuvres le 1833.03.14

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  • 1833.03.14/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Chelsea Pensioners, the finished sketch for the celebrated chef-d'oeuvre painted for the Duke of Wellington. A charming specimen of the inimitable artist, who appears to have painted this exquisite gem con amore, from the truth and agreeable variety of expression, rendered with great delicacy of pencil, and with brilliant effect throughout this truly fascinating Cabinet Picture (David Wilkie, R.A.)|The Chelsea Pensioners, the finished sketch for the celebrated chef-d'oeuvre painted for the Duke of Wellington. A charming specimen of the inimitable artist, who appears to have painted this exquisite gem con amore, from the truth and agreeable variety of expression, rendered with great delicacy of pencil, and with brilliant effect throughout this truly fascinating Cabinet Picture]] réalisée par David Wilkie, R.A., vendue par Hon. John Clerk of Eldin, achetée par Gibson Craig au prix de 204.15 £. [1]
  • 1833.03.14/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A View in Holland, with figures. In compositions of this kind, this eminent Artist surpassed all others for truth of representation, with exquisite finishing, which this exquisite specimen shows. The figures are judiciously introduced by Adrien Vandevelde in his best time (Vander Heyden)|A View in Holland, with figures. In compositions of this kind, this eminent Artist surpassed all others for truth of representation, with exquisite finishing, which this exquisite specimen shows. The figures are judiciously introduced by Adrien Vandevelde in his best time]] réalisée par Vander Heyden, vendue par Hon. John Clerk of Eldin, achetée par Wright au prix de 47.5 £. [7]
  • 1833.03.14/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[The Companion, Children receiving a Benediction. In every respect of equal merit with the preceding picture. 3 f. 1 in. h. 3 f. 1/2 in. w. The above two Lots, along with Nos. 99 and 100, in the Second Day, and Nos. 164 and 165, in the Third Day's Sale, will, at the option of purchasers, be offered for sale in One Lot. These Six Pictures form a splendid Series of compositions by Tintoretto, illustrative of part of the Services of the Romish Church; and cost the late Proprietor L.850 (Tintoretto)|The Companion, Children receiving a Benediction. In every respect of equal merit with the preceding picture. 3 f. 1 in. h. 3 f. 1/2 in. w. The above two Lots, along with Nos. 99 and 100, in the Second Day, and Nos. 164 and 165, in the Third Day's Sale, will, at the option of purchasers, be offered for sale in One Lot. These Six Pictures form a splendid Series of compositions by Tintoretto, illustrative of part of the Services of the Romish Church; and cost the late Proprietor L.850]] réalisée par Tintoretto, vendue par Hon. John Clerk of Eldin, achetée par Thompson au prix de 262.10 £. [11]
  • 1833.03.14/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[A Miracle. One of the series of those admirable compositions in which this truly great artist has exerted his best abilities The above two Lots, along with Nos. 99 and 100, in the Second Day, and Nos. 164 and 165, in the Third Day's Sale, will, at the option of purchasers, be offered for sale in One Lot. These Six Pictures form a splendid Series of compositions by Tintoretto, illustrative of part of the Services of the Romish Church; and cost the late Proprietor L.850 (Tintoretto)|A Miracle. One of the series of those admirable compositions in which this truly great artist has exerted his best abilities The above two Lots, along with Nos. 99 and 100, in the Second Day, and Nos. 164 and 165, in the Third Day's Sale, will, at the option of purchasers, be offered for sale in One Lot. These Six Pictures form a splendid Series of compositions by Tintoretto, illustrative of part of the Services of the Romish Church; and cost the late Proprietor L.850]] réalisée par Tintoretto, vendue par Hon. John Clerk of Eldin, achetée par [[Thomson [or] Thompson]] au prix de 262.10 £. [12]
  • 1833.03.14/ maison de ventes : Winstanley. Vente de l'œuvre décrite comme [[An Assemblage of Cupids in landscape, being one of the series of the four celebrated pictures of the History of Ariadne. This capital picture, for richness of colour and brilliant effect, does honour to Paduanino, who has made so effective an imitation after Titian (Titian)|An Assemblage of Cupids in landscape, being one of the series of the four celebrated pictures of the History of Ariadne. This capital picture, for richness of colour and brilliant effect, does honour to Paduanino, who has made so effective an imitation after Titian]] réalisée par Titian, vendue par Hon. John Clerk of Eldin, achetée par Bartholomew au prix de 29.8 £. [13]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Landscape, in Which is Introduced the Flight into Egypt. A singularly curious specimen of landscape composition, coloured with depth and transparency -- the figures touched with lightness and spirit. By the artist who painted the magnificent gallery at Fontainbleau, from the design of Primaticcio (Nicolo dell Abati)|Landscape, in Which is Introduced the Flight into Egypt. A singularly curious specimen of landscape composition, coloured with depth and transparency -- the figures touched with lightness and spirit. By the artist who painted the magnificent gallery at Fontainbleau, from the design of Primaticcio]] réalisée par Nicolo dell Abati, vendue par [[[Taylor]]] au prix de 7.7 £. [60]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[An Oval Landscape. A composition representing one of the favourite sports of the great of former days, in which the lordly knights and fair dames were wont alike to partake. The party proceeding at the dawn of day, with hawk and hound, to the chace. The freshness of approaching morn may be implied from the brightness of the light above the horizon, whilst the landscape is wrapped in the imaginative semi-obscurity of twilight. A composition, from its cheerful associations and pictorial amenities, worthy a place in the first collection. The figures are by the masterly pencil of Jan Miel (Claude de Lorraine)|An Oval Landscape. A composition representing one of the favourite sports of the great of former days, in which the lordly knights and fair dames were wont alike to partake. The party proceeding at the dawn of day, with hawk and hound, to the chace. The freshness of approaching morn may be implied from the brightness of the light above the horizon, whilst the landscape is wrapped in the imaginative semi-obscurity of twilight. A composition, from its cheerful associations and pictorial amenities, worthy a place in the first collection. The figures are by the masterly pencil of Jan Miel]] réalisée par Claude de Lorraine, vendue par [[[Taylor]]] au prix de 18.18 £. [62]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Adoration of the Magi. Particularly interesting to the recondite amateur, as a curious specimen of the art of the age. Pictures of this class, as associated with the genius of olden times, when art had not long grown beyond infancy, may be said to create a delight, comparable with that which is derived by the bibliomanist from the contemplation of a choice black-letter volume (Vittorio Carpaccio)|The Adoration of the Magi. Particularly interesting to the recondite amateur, as a curious specimen of the art of the age. Pictures of this class, as associated with the genius of olden times, when art had not long grown beyond infancy, may be said to create a delight, comparable with that which is derived by the bibliomanist from the contemplation of a choice black-letter volume]] réalisée par Vittorio Carpaccio, vendue par [[[Taylor]]] au prix de 8.8 £. [63]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Flight into Egypt, with Angels Bearing the Cross. A singularly well studied composition, rendered with splendid effect. The group of infant spirits is an allegory expressed with the usual executive mastery of the painter. The extreme background is wrapt in a solemnity of tone, judiciously opposed to the general hues of the other parts of the design. A desirable collection picture (Albano)|The Flight into Egypt, with Angels Bearing the Cross. A singularly well studied composition, rendered with splendid effect. The group of infant spirits is an allegory expressed with the usual executive mastery of the painter. The extreme background is wrapt in a solemnity of tone, judiciously opposed to the general hues of the other parts of the design. A desirable collection picture]] réalisée par Albano, vendue par [[[Taylor]]] au prix de 9.9 £. [64]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Conversion of Constantine, Treated in the legendary style of composition, but founded on the fact, as recorded in history, to which event is ascribed, by some ancient chroniclers, the conversion to Christianity of the ancient British people. The scene represents several of the most striking architectural features of Rome (Andrea Schiavone)|The Conversion of Constantine, Treated in the legendary style of composition, but founded on the fact, as recorded in history, to which event is ascribed, by some ancient chroniclers, the conversion to Christianity of the ancient British people. The scene represents several of the most striking architectural features of Rome]] réalisée par Andrea Schiavone, vendue par [[[Taylor]]] au prix de 16.16 £. [65]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Story of the Woman Taken in Adultery, Which may be considered almost as an episode, though one of a most impressive character, being a grand display of architectural composition. The spacious structure, so prominent a feature of this truly pictorial design, is believed to be a representation of the palace of the Holy Ghost at Seville, a very curious picture, which would add greatly to the interest of a gallery (Of the Spanish School)|The Story of the Woman Taken in Adultery, Which may be considered almost as an episode, though one of a most impressive character, being a grand display of architectural composition. The spacious structure, so prominent a feature of this truly pictorial design, is believed to be a representation of the palace of the Holy Ghost at Seville, a very curious picture, which would add greatly to the interest of a gallery]] réalisée par Of the Spanish School, vendue par [[[Taylor]]], achetée par Marshall au prix de 11.11 £. [68]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[View in Twickenham Meadows. An interesting topographical subject, in which the building is represented with that accuracy which denotes his early style, when he detailed his ojbects with care; this faculty is evident moreover, in the minuteness with which he has depicted the costume of the female (of the age of George II.) who is pursuing the child: the figures are of an unusually diminutive scale (Richard Wilson)|View in Twickenham Meadows. An interesting topographical subject, in which the building is represented with that accuracy which denotes his early style, when he detailed his ojbects with care; this faculty is evident moreover, in the minuteness with which he has depicted the costume of the female (of the age of George II.) who is pursuing the child: the figures are of an unusually diminutive scale]] réalisée par Richard Wilson, vendue par [[[Taylor]]] au prix de 7.7 £. [70]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Interior of a Cottage, with a Man and Woman Enjoying Themselves In social intercourse, according to the then prevailing habits of the country; he comfortably smoking, and she partaking of the care-killing cordial spirit. Painted with a most skilful hand. A choice cabinet picture (Cornelius Bega)|Interior of a Cottage, with a Man and Woman Enjoying Themselves In social intercourse, according to the then prevailing habits of the country; he comfortably smoking, and she partaking of the care-killing cordial spirit. Painted with a most skilful hand. A choice cabinet picture]] réalisée par Cornelius Bega, vendue par [[[Taylor]]] au prix de 9.9 £. [75]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Virgin and Child with the Rabbit. An admirable copy from the splendid Corregio; the original in the possession of the Count de Survilliers (Joseph Buonaparte) who, on recently seeing this imitation, was pleased to observe that it appeared to be nearly a fac simile of the original (Ercole Procaccini)|The Virgin and Child with the Rabbit. An admirable copy from the splendid Corregio; the original in the possession of the Count de Survilliers (Joseph Buonaparte) who, on recently seeing this imitation, was pleased to observe that it appeared to be nearly a fac simile of the original]] réalisée par Ercole Procaccini, vendue par [[[Taylor]]] au prix de 8.8 £. [76]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Young St. John. A splendid effort of the art, the chiaro' scuro rich, and the colouring strikingly luminous; indubitably one of the happiest productions of this modern master. It would be gratifying to the intelligent enquirer to know (for the study is evidently from the life) whose youthful visage is hereby perpetuated (Antonio Raffael Mengs)|The Young St. John. A splendid effort of the art, the chiaro' scuro rich, and the colouring strikingly luminous; indubitably one of the happiest productions of this modern master. It would be gratifying to the intelligent enquirer to know (for the study is evidently from the life) whose youthful visage is hereby perpetuated]] réalisée par Antonio Raffael Mengs, vendue par [[[Taylor]]] au prix de 10.10 £. [78]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Landscape, with Cattle and Figures. A scene in which the romantic and the pastoral of landscape, so peculiar to Italy, are happily united. Every passage herein may be travelled over by the eye, with all the pleasure derivable from local visitation; for abounding in episodes, the scene is one of entire interest. The effect is natural, and the tone of a genial character. Such compositions supply the most agreeable furniture pictures (Claude de Lorraine)|Landscape, with Cattle and Figures. A scene in which the romantic and the pastoral of landscape, so peculiar to Italy, are happily united. Every passage herein may be travelled over by the eye, with all the pleasure derivable from local visitation; for abounding in episodes, the scene is one of entire interest. The effect is natural, and the tone of a genial character. Such compositions supply the most agreeable furniture pictures]] réalisée par Claude de Lorraine, vendue par [[[Taylor]]] au prix de 39.18 £. [80]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Marriage Feast of Cana. Painted on Panel. A singularly interesting picture, by a master who is universally known to the collector, by his numerous splendid engravings. Pictorial compositions of this class, abstracted of other considerations, have a peculiar interest, as from them we derive a more imtimate knowledge of ancient domestic habits, than from any other documents; for no written description, can, as it were, place you at this table with the guests. Herein is described the manners and customs, the arrangements of the festive board, according to the splendour of a high feast, at the time of the painter; for, in the days of Goltzius, anachronisms were not objected to. The feast of Cana, would be represented according to the feasts of the sixteenth century; but even the domestic customs of that period are too remote for present perception, without the aid of pictorial representation. Here we behold the guests seated at table on the Dais of the hall, according to the baronial usage in the middle ages (Hubert Goltzius)|The Marriage Feast of Cana. Painted on Panel. A singularly interesting picture, by a master who is universally known to the collector, by his numerous splendid engravings. Pictorial compositions of this class, abstracted of other considerations, have a peculiar interest, as from them we derive a more imtimate knowledge of ancient domestic habits, than from any other documents; for no written description, can, as it were, place you at this table with the guests. Herein is described the manners and customs, the arrangements of the festive board, according to the splendour of a high feast, at the time of the painter; for, in the days of Goltzius, anachronisms were not objected to. The feast of Cana, would be represented according to the feasts of the sixteenth century; but even the domestic customs of that period are too remote for present perception, without the aid of pictorial representation. Here we behold the guests seated at table on the Dais of the hall, according to the baronial usage in the middle ages]] réalisée par Hubert Goltzius, vendue par [[[Taylor]]] au prix de 7.17 £. [81]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Infant Saviour, Surrounded by Cherubs, Reposing on the Cross. An emblem of his destined sufferings. This picture, abstracted of its merits as to drawing and composition, from the solemnity of its general tone, conveys a sentiment replete with pathos. Formerly in the collection of the Prince de Carignan (Bartolomeo Estavan Murillo)|The Infant Saviour, Surrounded by Cherubs, Reposing on the Cross. An emblem of his destined sufferings. This picture, abstracted of its merits as to drawing and composition, from the solemnity of its general tone, conveys a sentiment replete with pathos. Formerly in the collection of the Prince de Carignan]] réalisée par Bartolomeo Estavan Murillo, vendue par [[[Taylor]]] au prix de 26.5 £. [83]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Presentation in the Temple: Simeon, the Infant Jesus, and the Virgin. Supposed, on the authority of Sir Joshua Reynolds, who was in possession of the picture, and others, to be the joint production of G. Van der Eckhout and Rembrandt: Simeon and the Infant Jesus being the work of Eckhout; and the Virgin, an after-thought, added by Rembrandt (G. Van der Eckhout)|The Presentation in the Temple: Simeon, the Infant Jesus, and the Virgin. Supposed, on the authority of Sir Joshua Reynolds, who was in possession of the picture, and others, to be the joint production of G. Van der Eckhout and Rembrandt: Simeon and the Infant Jesus being the work of Eckhout; and the Virgin, an after-thought, added by Rembrandt]] réalisée par G. Van der Eckhout, vendue par [[[Davis]]] au prix de 36.15 £. [87]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Glorification. A most desirable cabinet picture, designed with peculiarly original taste. The landscape, as seen from an height, affords an enchanting prospect, rendered with that superior observance to nature, which gives a sterling value to the best works of the Poussins (Cornelius Poelemberg)|The Glorification. A most desirable cabinet picture, designed with peculiarly original taste. The landscape, as seen from an height, affords an enchanting prospect, rendered with that superior observance to nature, which gives a sterling value to the best works of the Poussins]] réalisée par Cornelius Poelemberg, vendue par [[[Taylor]]], achetée par [[N[orthwick]]] au prix de 5.10 £. [88]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Holy Family and Saints, with a Landscape. Back-ground, in which may be perceived, the characteristic scenery of the neighbourhood of Congeliano, amongst which he studied. A composition of great interest, savoring of that great style perfected by Raffaelle (Cima da Congeliano)|The Holy Family and Saints, with a Landscape. Back-ground, in which may be perceived, the characteristic scenery of the neighbourhood of Congeliano, amongst which he studied. A composition of great interest, savoring of that great style perfected by Raffaelle]] réalisée par Cima da Congeliano, vendue par [[[Taylor]]] au prix de 10.10 £. [89]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Lot and His Daughters, with the Destruction of the Condemned Cities in the Distance. A singularly curious specimen of the thinking and style of the master, who, for the peculiar choice of subjects for the exercise of his pencil, was cognomened, Breughel de l'Enfer (Peter Peterz Breughel)|Lot and His Daughters, with the Destruction of the Condemned Cities in the Distance. A singularly curious specimen of the thinking and style of the master, who, for the peculiar choice of subjects for the exercise of his pencil, was cognomened, Breughel de l'Enfer]] réalisée par Peter Peterz Breughel, vendue par [[[Taylor]]] au prix de 6.16 £. [91]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Christ Bearing His Cross. One of those judicious compositions, wherein much subject is intimated by a few heads. It is becoming in one who has written so much and so well upon his art, to prove, in his own works, that he was competent to illustrate by his pencil, what he had done with his pen. The countenance of the Saviour is truly expressive of resignation (Giorgio Vasari)|Christ Bearing His Cross. One of those judicious compositions, wherein much subject is intimated by a few heads. It is becoming in one who has written so much and so well upon his art, to prove, in his own works, that he was competent to illustrate by his pencil, what he had done with his pen. The countenance of the Saviour is truly expressive of resignation]] réalisée par Giorgio Vasari, vendue par [[[Taylor]]] au prix de 8.18 £. [94]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Holy Family Reposing, in a Landscape. The Virgin, with the infant Christ at the breast, and Joseph, recumbent, forming a most interesting group, and painted in the best style of the master; the landscape particularly rich in design, and touched with his usual skill. The effect of the picture is admirable (Pietro Francesco Mola)|The Holy Family Reposing, in a Landscape. The Virgin, with the infant Christ at the breast, and Joseph, recumbent, forming a most interesting group, and painted in the best style of the master; the landscape particularly rich in design, and touched with his usual skill. The effect of the picture is admirable]] réalisée par Pietro Francesco Mola, vendue par [[[Taylor]]] au prix de 13.13 £. [95]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[David with the Head of Goliah. The subject treated with originality, and marking what, though essential to the subject, has been too frequently neglected, namely, the proportionate scale of the stature of the vanquished giant, with that of the heroic stripling, his vanquisher (Gerolamo Forabosco)|David with the Head of Goliah. The subject treated with originality, and marking what, though essential to the subject, has been too frequently neglected, namely, the proportionate scale of the stature of the vanquished giant, with that of the heroic stripling, his vanquisher]] réalisée par Gerolamo Forabosco, vendue par [[[Taylor]]], achetée par Leslie au prix de 7.7 £. [101]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Angel Recalling the Holy Family Out of Egypt. A composition of great expression, the angal's countenance particularly interesting, being conceived in the feeling of Correggio. This picture is enhanced invalue and interest, from the circumstance of its being long in the possession of the venerable President of the Royal Academy, Mr. West, by whom, for its many excellent properties, it was highly appreciated. It was admitted by the cognoscenti of the age of George III., that the judgment of Mr. West, touching the authenticity of Italian pictures, amounted almost to indubitable authority. That his judgment was the result of great observation and perceptions is evident, as so many properties of the Italian gusto manifest in certain of his own cabinet compositions (Ludovico Caracci)|The Angel Recalling the Holy Family Out of Egypt. A composition of great expression, the angal's countenance particularly interesting, being conceived in the feeling of Correggio. This picture is enhanced invalue and interest, from the circumstance of its being long in the possession of the venerable President of the Royal Academy, Mr. West, by whom, for its many excellent properties, it was highly appreciated. It was admitted by the cognoscenti of the age of George III., that the judgment of Mr. West, touching the authenticity of Italian pictures, amounted almost to indubitable authority. That his judgment was the result of great observation and perceptions is evident, as so many properties of the Italian gusto manifest in certain of his own cabinet compositions]] réalisée par Ludovico Caracci, vendue par [[[Taylor]]], achetée par Tenant au prix de 8.18 £. [103]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Interior, a Lady and Gentleman at a Table, with a Black Servant Serving Tea. An interior, descriptive of one of the polite domestic customs of the seventeenth century, the chamber represented under the influence of that semi-tone, which this master so admirably described, The two graphic episodes in this most interesting composition, are introduced with captivating effect; one admitting a view from the lattice upon a canal in the garden, the other opening to an interior chamber. Subjects treated with that local fidelity which characterises this subject, excite the most pleasurable associations, as they open to us, as it were, the living page of life in the days of our forefathers (artiste anonyme)|Interior, a Lady and Gentleman at a Table, with a Black Servant Serving Tea. An interior, descriptive of one of the polite domestic customs of the seventeenth century, the chamber represented under the influence of that semi-tone, which this master so admirably described, The two graphic episodes in this most interesting composition, are introduced with captivating effect; one admitting a view from the lattice upon a canal in the garden, the other opening to an interior chamber. Subjects treated with that local fidelity which characterises this subject, excite the most pleasurable associations, as they open to us, as it were, the living page of life in the days of our forefathers]] réalisée par un.e artiste anonyme, vendue par [[[Taylor]]], achetée par Tennant au prix de 31.10 £. [111]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Moses Driving Away the Herdsmen, that the Daughters of Jethro Might Water Their Flocks. Well studied, and pictorially descriptive of the story; one of those sacred dramas in the graphic art for which this master of design was so eminent (Sebastian Bourdon)|Moses Driving Away the Herdsmen, that the Daughters of Jethro Might Water Their Flocks. Well studied, and pictorially descriptive of the story; one of those sacred dramas in the graphic art for which this master of design was so eminent]] réalisée par Sebastian Bourdon, vendue par [[[Taylor]]], achetée par Marshall au prix de 24.3 £. [113]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Jeptha's Rash Vow. The contrast in the expression of the countenances of father and daughter, in this well studied composition, is truly touching; that of the daughter beaming with joy on beholding her parent, and that of Jeptha, agonized on discovering the application of his vow. A fine collection picture (Bar. Biscaino)|Jeptha's Rash Vow. The contrast in the expression of the countenances of father and daughter, in this well studied composition, is truly touching; that of the daughter beaming with joy on beholding her parent, and that of Jeptha, agonized on discovering the application of his vow. A fine collection picture]] réalisée par Bar. Biscaino, vendue par [[[Taylor]]], achetée par Jones au prix de 37.16 £. [114]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Holy Family and Saints. This graphic curiosity, a circular picture in a perfect state of preservation, marks the state which the art of painting had attained in the early part of the fifteenth century, and may be considered as the precursor of that great style, which improved by Perugino, was perfected in the age of Michael Angelo and Raffaelle (P. Della Francesca, called Pietro Borghese)|The Holy Family and Saints. This graphic curiosity, a circular picture in a perfect state of preservation, marks the state which the art of painting had attained in the early part of the fifteenth century, and may be considered as the precursor of that great style, which improved by Perugino, was perfected in the age of Michael Angelo and Raffaelle]] réalisée par P. Della Francesca, called Pietro Borghese, vendue par [[[Taylor]]] au prix de 10.10 £. [117]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Raising of Lazarus. A choice specimen of ancient art, being inscribed with the name of the painter, dated 1490. It is surmised that Sebastian del Piombo had this picture in his contemplation when he composed his grand work on the same subject, now in the National Gallery (Andrea Sollinus)|The Raising of Lazarus. A choice specimen of ancient art, being inscribed with the name of the painter, dated 1490. It is surmised that Sebastian del Piombo had this picture in his contemplation when he composed his grand work on the same subject, now in the National Gallery]] réalisée par Andrea Sollinus, vendue par [[[Taylor]]] au prix de 18.18 £. [120]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[St. Ursula and Her Virgins Pierced with Arrows. The group attended by a bishop; one of those holy legends which abundantly supplied the painters of former ages with theme for the exercise of their graphic imaginations. This picture, known heretofore in the collection of the Marquis de Montalto, who placed it in the Convent of Santa Clara, near Cordova, from whence it was transferred to England in 1812 (Cavaliere Francesco Vanni)|St. Ursula and Her Virgins Pierced with Arrows. The group attended by a bishop; one of those holy legends which abundantly supplied the painters of former ages with theme for the exercise of their graphic imaginations. This picture, known heretofore in the collection of the Marquis de Montalto, who placed it in the Convent of Santa Clara, near Cordova, from whence it was transferred to England in 1812]] réalisée par Cavaliere Francesco Vanni, vendue par [[[Taylor]]] au prix de 5.15 £. [130]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[View on a River in Holland, with Buildings and Figures. A most interesting topographical piece, represented with that local truth which is only short of reality. The scene pleasant and seemingly congenial, as the Thames viewed on a serene summer evening. The incidents are no less true, and mark the habits of the time and place; for passing over a bridge on the opposite bank of the smooth river, returning to his country house, perhaps, is a once well known rich burgomaster, drawn thitherwards in his heavy carriage by six greys (Esselyns)|View on a River in Holland, with Buildings and Figures. A most interesting topographical piece, represented with that local truth which is only short of reality. The scene pleasant and seemingly congenial, as the Thames viewed on a serene summer evening. The incidents are no less true, and mark the habits of the time and place; for passing over a bridge on the opposite bank of the smooth river, returning to his country house, perhaps, is a once well known rich burgomaster, drawn thitherwards in his heavy carriage by six greys]] réalisée par Esselyns, vendue par [[[Taylor]]] au prix de 9.19 £. [134]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Judith and Attendant, with the Head of Holofernes. Painted on thick Panel. The style of composition, the drawing, the colouring and effect of this small picture, equally combine in rendering it one of the most able personifications of the subject that can be named. Indeed, the largeness and breadth of style with which it is wrought excite the same admiration, being equally effective as on beholding the subject when painted the size of life (Ippolito Scarsella)|Judith and Attendant, with the Head of Holofernes. Painted on thick Panel. The style of composition, the drawing, the colouring and effect of this small picture, equally combine in rendering it one of the most able personifications of the subject that can be named. Indeed, the largeness and breadth of style with which it is wrought excite the same admiration, being equally effective as on beholding the subject when painted the size of life]] réalisée par Ippolito Scarsella, vendue par [[[Taylor]]] au prix de 6.16 £. [138]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Adoration of the Shepherds. Painted on Panel and in excellent preservation. An interesting and valuable specimen of the German school, partaking of the gusto of the early Italian school. Indeed, the master was cognomened the Garman Raffaelle (C. Schwarts)|The Adoration of the Shepherds. Painted on Panel and in excellent preservation. An interesting and valuable specimen of the German school, partaking of the gusto of the early Italian school. Indeed, the master was cognomened the Garman Raffaelle]] réalisée par C. Schwarts, vendue par [[[Taylor]]] au prix de 5.10 £. [142]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Christ Healing the Sick. Painted on Panel. A masterly sketch, one of those choice impromptus for which this great artist and his illustrious master were famed in their own day, and still continue to be admired by all who possess a cultivated judgment in works of art (Sir Anthony Vandyck)|Christ Healing the Sick. Painted on Panel. A masterly sketch, one of those choice impromptus for which this great artist and his illustrious master were famed in their own day, and still continue to be admired by all who possess a cultivated judgment in works of art]] réalisée par Sir Anthony Vandyck, vendue par [[[Taylor]]] au prix de 2.12 £. [144]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Head of Christ, and the Mater Dolorosa. A pair of oval heads of this cabinet size, and painted with equal taste and spirit, are not frequently offered for sale. Indeed, the works of this master are sought with avidity by the collector, as they supply some of the most generally admired objects of a well arranged cabinet collection (Carlo Dolce)|The Head of Christ, and the Mater Dolorosa. A pair of oval heads of this cabinet size, and painted with equal taste and spirit, are not frequently offered for sale. Indeed, the works of this master are sought with avidity by the collector, as they supply some of the most generally admired objects of a well arranged cabinet collection]] réalisée par Carlo Dolce, vendue par [[[Taylor]]] au prix de 5.0 £. [146]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[The Daughter of Herodias, with the Head of St. John. Composed in the familiar style of the Dutch school, with an obvious intention for the display of the artist's powers in representing the group under the influence of torch light, and accordingly rich in colour and effect (Arnold Boonen)|The Daughter of Herodias, with the Head of St. John. Composed in the familiar style of the Dutch school, with an obvious intention for the display of the artist's powers in representing the group under the influence of torch light, and accordingly rich in colour and effect]] réalisée par Arnold Boonen, vendue par [[[Taylor]]], achetée par Jones au prix de 7.17 £. [147]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Landscape, with St. John and the Lamb. A particularly curious and elaborately wrought picture in small. The figure is sweetly painted, and the landscape abounds with the picturesque character of the country of the painter. A valuable cabinet piece (Adam Elshiemer)|Landscape, with St. John and the Lamb. A particularly curious and elaborately wrought picture in small. The figure is sweetly painted, and the landscape abounds with the picturesque character of the country of the painter. A valuable cabinet piece]] réalisée par Adam Elshiemer, vendue par [[[Taylor]]] au prix de 4.0 £. [155]
  • 1833.03.14/ maison de ventes : Robins (Henry J. & George Henry). Vente de l'œuvre décrite comme [[Interior, Boors Smoking. A most desirable small cabinet specimen of this admired painter. The character expressed in the countenance of the principal figure, with the pipe in his mouth and the jug on his knee, is a veritable personification of Dutch comfort in low life. The group is replete with humour (Egbert Hemskirk)|Interior, Boors Smoking. A most desirable small cabinet specimen of this admired painter. The character expressed in the countenance of the principal figure, with the pipe in his mouth and the jug on his knee, is a veritable personification of Dutch comfort in low life. The group is replete with humour]] réalisée par Egbert Hemskirk, vendue par [[[Taylor]]] au prix de 2.10 £. [157]
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