Ventes d'œuvres le 1833.05.07

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  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[St. James in a Landscape, with Architecture. A composition of surprising merit, and well directed. The result of the most recondite study, elaborately finished, and for clearness and brilliancy of tone almost matchless. From the Buona Campagna Palace (Benvenuti Garofalo. -- Born 1640; Died 1599)|St. James in a Landscape, with Architecture. A composition of surprising merit, and well directed. The result of the most recondite study, elaborately finished, and for clearness and brilliancy of tone almost matchless. From the Buona Campagna Palace]] réalisée par Benvenuti Garofalo. -- Born 1640; Died 1599, vendue par [[[Taylor]]]. [2]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Holy Family with St. Elizabeth. A most striking and finely conceived group, the contonr grand, and imposing, the chiaro 'scuro splendid, and the whole accomplished with that painter-like mastery for which his works have always been pre-eminently admired (Michael Angelo Amerigi da Caravaggio)|The Holy Family with St. Elizabeth. A most striking and finely conceived group, the contonr grand, and imposing, the chiaro 'scuro splendid, and the whole accomplished with that painter-like mastery for which his works have always been pre-eminently admired]] réalisée par Michael Angelo Amerigi da Caravaggio, vendue par [[[Taylor]]]. [3]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Landscape. The scene stretching over an extensive and richly picturesque plain, terminating in a chain of mountains, forms a romantic composition, which is enlivened by a party enjoying the chace. Ladies and cavaliers are mounted, and pursuing the stag with hound and horn. The picture is rendered still more interesting and valuable, from its being the joiut production of two celebrated masters of the same school, the figures being most appropiately introduced by Wouvermans (Moucheron -- Born 1633; Died 1686)|Landscape. The scene stretching over an extensive and richly picturesque plain, terminating in a chain of mountains, forms a romantic composition, which is enlivened by a party enjoying the chace. Ladies and cavaliers are mounted, and pursuing the stag with hound and horn. The picture is rendered still more interesting and valuable, from its being the joiut production of two celebrated masters of the same school, the figures being most appropiately introduced by Wouvermans]] réalisée par Moucheron -- Born 1633; Died 1686, vendue par [[[Taylor]]]. [4]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Amor. A single figure of the god of love looking upwards with an air of devotion, which would seem to denote that the artist meant to embody the abstract notion of the Christian's love of his Creator, rather than the deity of the pagan mythology. It would be difficult in words to convey an adequate idea of the merits of this picture: the head and form are the very perfection of ideal beauty. The upper half of the figure is relieved by a radiant background of golden light; the lower portion is set upon the blue vault of heaven. The colouring of the flesh is chaste and delicate, and the drawing minutely accurate and masterly. On a pedestal, the upper edge of which only is seen, the word "Amor" is inscribed (Domenichino)|Amor. A single figure of the god of love looking upwards with an air of devotion, which would seem to denote that the artist meant to embody the abstract notion of the Christian's love of his Creator, rather than the deity of the pagan mythology. It would be difficult in words to convey an adequate idea of the merits of this picture: the head and form are the very perfection of ideal beauty. The upper half of the figure is relieved by a radiant background of golden light; the lower portion is set upon the blue vault of heaven. The colouring of the flesh is chaste and delicate, and the drawing minutely accurate and masterly. On a pedestal, the upper edge of which only is seen, the word "Amor" is inscribed]] réalisée par Domenichino, vendue par [[[Taylor]]]. [5]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[St. Sebastian; lying apparently dead upon the Ground. attended by two Angels. The hue of death struggles with a glow of returning animation throughout his frame, which the divine comforters of the sufferer seem to have infused into his veins. The figures of the angels are exquisitely drawn, and coloured with unequalled tenderness and brilliance. All the hues of the rainbow are displayed in their wings, affording an opportunity for bolder colouring by contrast, than could otherwise have been ventured upon. Taken as a whole, this is a most affecting composition, exhibiting every excellence of art, from the primary conception to the ultimate execution of the subject (G.C. Procacini)|St. Sebastian; lying apparently dead upon the Ground. attended by two Angels. The hue of death struggles with a glow of returning animation throughout his frame, which the divine comforters of the sufferer seem to have infused into his veins. The figures of the angels are exquisitely drawn, and coloured with unequalled tenderness and brilliance. All the hues of the rainbow are displayed in their wings, affording an opportunity for bolder colouring by contrast, than could otherwise have been ventured upon. Taken as a whole, this is a most affecting composition, exhibiting every excellence of art, from the primary conception to the ultimate execution of the subject]] réalisée par G.C. Procacini, vendue par [[[Taylor]]]. [6]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Vanity and Modesty. The rival qualities are shown by the difference observed in the attire of two females, one of whom seems to be chiding the other for putting her hair in ringlets, and otherwise setting off her personal charms. From the Riciardi Collection at Florence (Dario Varotari)|Vanity and Modesty. The rival qualities are shown by the difference observed in the attire of two females, one of whom seems to be chiding the other for putting her hair in ringlets, and otherwise setting off her personal charms. From the Riciardi Collection at Florence]] réalisée par Dario Varotari, vendue par [[[Taylor]]]. [8]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Assumption of the Virgin. Surrounded with angels and saints. One of those productions of the inventive faculties for which this master was eminent, even in that age so prolific of the imaginative of the art. The multitudinous groups, though composed of that individuality which renders every object a separate study, form a grand and imposing effect as a whole, -- resolving the composition into one of those grand and striking pictures which elevate the art of Painting in the estimation of the eye of Philosophy. For mastery of foreshortening, variety of contour, and energy of execution, this splendid piece may be pronounced a school of study. Such pictures are contemplated by the professors with enthusiastic admiration, and valued by the enlightened connoisseur accordingly. It is probable, that this composition is a finished study by the master, which served as a prototype for the adornment of the interior of some grand cupola, or magnificent plafond (Cavaliere Benaschi)|The Assumption of the Virgin. Surrounded with angels and saints. One of those productions of the inventive faculties for which this master was eminent, even in that age so prolific of the imaginative of the art. The multitudinous groups, though composed of that individuality which renders every object a separate study, form a grand and imposing effect as a whole, -- resolving the composition into one of those grand and striking pictures which elevate the art of Painting in the estimation of the eye of Philosophy. For mastery of foreshortening, variety of contour, and energy of execution, this splendid piece may be pronounced a school of study. Such pictures are contemplated by the professors with enthusiastic admiration, and valued by the enlightened connoisseur accordingly. It is probable, that this composition is a finished study by the master, which served as a prototype for the adornment of the interior of some grand cupola, or magnificent plafond]] réalisée par Cavaliere Benaschi, vendue par [[[Taylor]]]. [10]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[View in Twickenham Meadows. An interesting topographical subject, in which the building is represented with that accuracy which denotes his early style, when he detailed his objects with care; this faculty is evident moreover, in the minuteness with which he has depicted the costume of the female (of the age of George II.) who is pursuing the child: the figures are of an unusually diminutive scale (Richard Wilson)|View in Twickenham Meadows. An interesting topographical subject, in which the building is represented with that accuracy which denotes his early style, when he detailed his objects with care; this faculty is evident moreover, in the minuteness with which he has depicted the costume of the female (of the age of George II.) who is pursuing the child: the figures are of an unusually diminutive scale]] réalisée par Richard Wilson, vendue par [[[Taylor]]]. [11]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Portrait of Lady Venetia Digby in a Landscape, Seated on a bank, with her left hand on a dove, her right hand grasping a serpent: Cupid is prostrate at her feet, and Calumny with a double face, is crouching near her. The three infant angels holding a crown over her head, illustrative of her purity. This adulatory allegory relates to a tale of the court of King Charles I., savoring somewhat of the spirit of slander, so prevalent in that of his profligate successor (Sir Anthony Vandyck)|Portrait of Lady Venetia Digby in a Landscape, Seated on a bank, with her left hand on a dove, her right hand grasping a serpent: Cupid is prostrate at her feet, and Calumny with a double face, is crouching near her. The three infant angels holding a crown over her head, illustrative of her purity. This adulatory allegory relates to a tale of the court of King Charles I., savoring somewhat of the spirit of slander, so prevalent in that of his profligate successor]] réalisée par Sir Anthony Vandyck, vendue par [[[Taylor]]]. [20]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Interior of a Cottage. With a man and woman enjoying themselves in social intercourse, according to the then prevailing habits of the country: he comfortably smoking, and she partaking of the care-killing cordial spirit. Painted with a most skilful hand. A choice cabinet picture (Cornelius Bega)|Interior of a Cottage. With a man and woman enjoying themselves in social intercourse, according to the then prevailing habits of the country: he comfortably smoking, and she partaking of the care-killing cordial spirit. Painted with a most skilful hand. A choice cabinet picture]] réalisée par Cornelius Bega, vendue par [[[Taylor]]]. [30]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[View on a River in Holland, with Buildings and Figures. A most interesting topographical piece, represented with that local truth which is only short of reality. The scene pleasant, and seemingly congenial, as the Thames viewed on a serene summer evening. The incidents are no less true, and mark the habits of the time and place; for passing over a bridge on the opposite bank of the smooth river, returning to his country house, perhaps, is a once well-known rich burgomaster, drawn thitherwards in his heavy carriage by six greys (Esselyns)|View on a River in Holland, with Buildings and Figures. A most interesting topographical piece, represented with that local truth which is only short of reality. The scene pleasant, and seemingly congenial, as the Thames viewed on a serene summer evening. The incidents are no less true, and mark the habits of the time and place; for passing over a bridge on the opposite bank of the smooth river, returning to his country house, perhaps, is a once well-known rich burgomaster, drawn thitherwards in his heavy carriage by six greys]] réalisée par Esselyns, vendue par [[[Taylor]]]. [35]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A Grand Landscape. View of a village, intersected by a river: the banks on either side appear well wooded and enriched with houses and churches. In the foreground by a fence, are figures in conversation, and some felled trees lying near. The time is the rising of the moon, a little after twilight, and the effect is magical (A. Vander Neer)|A Grand Landscape. View of a village, intersected by a river: the banks on either side appear well wooded and enriched with houses and churches. In the foreground by a fence, are figures in conversation, and some felled trees lying near. The time is the rising of the moon, a little after twilight, and the effect is magical]] réalisée par A. Vander Neer, vendue par [[[Taylor]]]. [36]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Holy Family reposing, in a Landscape. The Virgin, with the infant Christ at the breast, and Joseph recumbent, forming a most interesting group, and painted in the best style of the master; the landscape particularly rich in design, and touched with his usual skill. The effect of the picture is admirable (Pietro Francesco Mola)|The Holy Family reposing, in a Landscape. The Virgin, with the infant Christ at the breast, and Joseph recumbent, forming a most interesting group, and painted in the best style of the master; the landscape particularly rich in design, and touched with his usual skill. The effect of the picture is admirable]] réalisée par Pietro Francesco Mola, vendue par [[[Taylor]]]. [41]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[An Oval Landscape. A composition representing one of the favourite sports of the great of former days, in which the lordly knights and fair dames were wont alike to partake. The party are proceeding at the dawn of day, with hawk and hound, to the chase. The freshness of approaching morn may be implied from the brightness of the light above the horizon, whilst the landscape is wrapped in the imaginative semi-obscurity of twilight. A composition, from its cheerful associations and pictorial amenities, is worthy of place in the first collection. The figures are by the masterly pencil of Jan Miel (Claude de Lorraine)|An Oval Landscape. A composition representing one of the favourite sports of the great of former days, in which the lordly knights and fair dames were wont alike to partake. The party are proceeding at the dawn of day, with hawk and hound, to the chase. The freshness of approaching morn may be implied from the brightness of the light above the horizon, whilst the landscape is wrapped in the imaginative semi-obscurity of twilight. A composition, from its cheerful associations and pictorial amenities, is worthy of place in the first collection. The figures are by the masterly pencil of Jan Miel]] réalisée par Claude de Lorraine, vendue par [[[Taylor]]]. [42]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Holy Family. One of the most interesting graphic traits of the Italian school upon record. being not only composed in the gusto of the age, but painted with a luminous richness, equal to that which was so prevalent in the succeeding age. This style predeeded that of Michael Angelo. The picture was formerly in the gallery of King Charles I. (Gasparri Spinelli -- Born 1336; Died 1426)|The Holy Family. One of the most interesting graphic traits of the Italian school upon record. being not only composed in the gusto of the age, but painted with a luminous richness, equal to that which was so prevalent in the succeeding age. This style predeeded that of Michael Angelo. The picture was formerly in the gallery of King Charles I.]] réalisée par Gasparri Spinelli -- Born 1336; Died 1426, vendue par [[[Taylor]]]. [43]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Judith and Attendant, with the Head of Holofernes. Painted on thick panel. The style of composition, the drawing, the colouring and effect of this picture, equally combine in rendering it one of the most able personifications of the subject that can be named. Indeed, the largeness and breadth of style with which it is wrought excite the same admiration, being equally effective as on beholding the subject when painted the size of life (Ippolito Scarsella)|Judith and Attendant, with the Head of Holofernes. Painted on thick panel. The style of composition, the drawing, the colouring and effect of this picture, equally combine in rendering it one of the most able personifications of the subject that can be named. Indeed, the largeness and breadth of style with which it is wrought excite the same admiration, being equally effective as on beholding the subject when painted the size of life]] réalisée par Ippolito Scarsella, vendue par [[[Taylor]]]. [49]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Interior, Boors Smoking. A most desirable small cabinet specimen of this admired painter. The character expressed in the countenance of the principal figure, with the pipe in this mouth and the jug on his knee, is a veritable personification of Dutch comfort in low life. The group is replete with humour (Egbert Hemskirk)|Interior, Boors Smoking. A most desirable small cabinet specimen of this admired painter. The character expressed in the countenance of the principal figure, with the pipe in this mouth and the jug on his knee, is a veritable personification of Dutch comfort in low life. The group is replete with humour]] réalisée par Egbert Hemskirk, vendue par [[[Taylor]]]. [62]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Landscape, with St. John and the lamb. A particularly curious and elaborately wrought picture in small. The figure is sweetly painted, and the landscape abounds with the picturesque character of the country of the painter. A valuable cabinet piece (Adam Elsheimer)|Landscape, with St. John and the lamb. A particularly curious and elaborately wrought picture in small. The figure is sweetly painted, and the landscape abounds with the picturesque character of the country of the painter. A valuable cabinet piece]] réalisée par Adam Elsheimer, vendue par [[[Taylor]]]. [67]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Allegorical of the Triumph of Religion. The Virgin and infant Saviour, with angels and saints, and the chaining of Satan. -- A well-studied group, and treated with that effect and depth with which this master clothed such legendary subjects (Francesco Mazzuoli, called Paregiano)|Allegorical of the Triumph of Religion. The Virgin and infant Saviour, with angels and saints, and the chaining of Satan. -- A well-studied group, and treated with that effect and depth with which this master clothed such legendary subjects]] réalisée par Francesco Mazzuoli, called Paregiano, vendue par [[[Taylor]]]. [69]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Children Devoured by Bears, for having reviled the Prophet Elisha. This Awful story, considered with reference to its graphic version, is related with qualities touching the manual properties of the art, that rank it amongst the most interesting pictured histories of the school. The landscape is represented under a fine effect of aërial perspective (Laurence de la Hire)|The Children Devoured by Bears, for having reviled the Prophet Elisha. This Awful story, considered with reference to its graphic version, is related with qualities touching the manual properties of the art, that rank it amongst the most interesting pictured histories of the school. The landscape is represented under a fine effect of aërial perspective]] réalisée par Laurence de la Hire, vendue par [[[Taylor]]]. [71]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A copy in Miniaure of the great Picture in the Vatican of the Last Judgment, by Michael Angelo. This beautiful gem was formerly in the collection of Pope Clement the Eleventh, and his Holiness presented it to Cardinal Jansen, who attended his inauguration, as Charge des Affaires de France, in whose family it remained till after the French Revolution. -- The numerous figures it contains are a study of drawing and variety, such as is seldom met with (Guilio G. Clovio)|A copy in Miniaure of the great Picture in the Vatican of the Last Judgment, by Michael Angelo. This beautiful gem was formerly in the collection of Pope Clement the Eleventh, and his Holiness presented it to Cardinal Jansen, who attended his inauguration, as Charge des Affaires de France, in whose family it remained till after the French Revolution. -- The numerous figures it contains are a study of drawing and variety, such as is seldom met with]] réalisée par Guilio G. Clovio, vendue par [[[Taylor]]]. [72]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Landscape. One of those genuine transcripts of that species of simple nature which delights the enthusiastic admirer of the romantic; who, after traversing the mountain region, descending to the valley, seats himself tranquilly with the villager. So however high the pursuits of the collector, touching his predilection for the learning displayed in the style of landscape compositions, of Domenichino, the Carracci, and the Poussins, on beholding one of the little graphic pastorals of Hobbema, the recondite predilection subsides, and the mind reposes in the quietude of simple rural scenery. This specimen of the master, had that characteristic fidelity of tone, and lightness of touch, which results from the habit of painting objects in the open air; the scene must be composed from studies wrought upon the spot. A most desirable cabinet picture (Hobbema)|Landscape. One of those genuine transcripts of that species of simple nature which delights the enthusiastic admirer of the romantic; who, after traversing the mountain region, descending to the valley, seats himself tranquilly with the villager. So however high the pursuits of the collector, touching his predilection for the learning displayed in the style of landscape compositions, of Domenichino, the Carracci, and the Poussins, on beholding one of the little graphic pastorals of Hobbema, the recondite predilection subsides, and the mind reposes in the quietude of simple rural scenery. This specimen of the master, had that characteristic fidelity of tone, and lightness of touch, which results from the habit of painting objects in the open air; the scene must be composed from studies wrought upon the spot. A most desirable cabinet picture]] réalisée par Hobbema, vendue par [[[Taylor]]]. [73]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Lot and his daughters, with the Destruction of the Condemned Cities in the Distance. A singularly curious specimen of the thinking and style of the master, who, for the peculiar choice of subjects for the exercise of his pencil, we cognomened, Breughel de l'Enfer (Peter Peterz Breughel -- Died 1642; his age not known)|Lot and his daughters, with the Destruction of the Condemned Cities in the Distance. A singularly curious specimen of the thinking and style of the master, who, for the peculiar choice of subjects for the exercise of his pencil, we cognomened, Breughel de l'Enfer]] réalisée par Peter Peterz Breughel -- Died 1642; his age not known, vendue par [[[Taylor]]]. [74]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Virgin and Child with the Rabbit. An admirable copy from the splendid Corregio; the original in the possession of the Count de Surveilliers (Joseph Buonaparte) who, on recently seeing this imitation, was pleased to observe that it appeared to be nearly a facsimile of the original (Ercole Proccaccini)|The Virgin and Child with the Rabbit. An admirable copy from the splendid Corregio; the original in the possession of the Count de Surveilliers (Joseph Buonaparte) who, on recently seeing this imitation, was pleased to observe that it appeared to be nearly a facsimile of the original]] réalisée par Ercole Proccaccini, vendue par [[[Taylor]]]. [83]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A View of Old London Bridge, as it appeared about 200 years ago, with a Drawbridge over the centre arch, and Houses on both sides. This exceedingly interesting picture is drawn and coloured with a rare fidelity and delicacy. In its details it will bear microscopic inspection, the finish being equal to the best works of Venderheyden. The aërial perspective and effect of light are very fine, and exhibit powers in a master chiefly known for his matchless engravings, and which but few connoisseurs are aware he possessed (Hollar)|A View of Old London Bridge, as it appeared about 200 years ago, with a Drawbridge over the centre arch, and Houses on both sides. This exceedingly interesting picture is drawn and coloured with a rare fidelity and delicacy. In its details it will bear microscopic inspection, the finish being equal to the best works of Venderheyden. The aërial perspective and effect of light are very fine, and exhibit powers in a master chiefly known for his matchless engravings, and which but few connoisseurs are aware he possessed]] réalisée par Hollar, vendue par [[[Taylor]]]. [85]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A Group of Angels singing to the accompaniment of an Organ. From pictures of this age, is derivable information, particularly intereisting to the intelligent inquirer. Herein are accurate representations of the ancient organ and the violin of coeval date. As a composition, a most pleasing specimen of the art (Santi da Titi)|A Group of Angels singing to the accompaniment of an Organ. From pictures of this age, is derivable information, particularly intereisting to the intelligent inquirer. Herein are accurate representations of the ancient organ and the violin of coeval date. As a composition, a most pleasing specimen of the art]] réalisée par Santi da Titi, vendue par [[[Taylor]]]. [86]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Battle of the Giants. A small cabinet picture, of almost incomparable perfection of its kind, being elaborate in design, minute in detail, and yet wrought in a spirit and vigour of pencilling masterly to excess. The composition is replete with incident, and displays the inventive faculties of the master; for the subject, embracing almost numberless episodes, is maintained throughout with such boldness and perspicuity of drawing, that it excites surprise when observing that the whole field of action is comprised in a superficial square of a few inches. The brilliancy of this gem-like picture renders it apparently a work little short of magic (Eglon Vander Neer)|The Battle of the Giants. A small cabinet picture, of almost incomparable perfection of its kind, being elaborate in design, minute in detail, and yet wrought in a spirit and vigour of pencilling masterly to excess. The composition is replete with incident, and displays the inventive faculties of the master; for the subject, embracing almost numberless episodes, is maintained throughout with such boldness and perspicuity of drawing, that it excites surprise when observing that the whole field of action is comprised in a superficial square of a few inches. The brilliancy of this gem-like picture renders it apparently a work little short of magic]] réalisée par Eglon Vander Neer, vendue par [[[Taylor]]]. [87]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Judith and Attendant with the Head of Holofernes. Nothing can be more remote from the style and effect of modern art than this picture, which savours of lamp-light effect, as to light and shadow, incorporated with the hues of day-light; combinations which, though not philosophically correct considered with due allowance for the beau-ideal, when applied, as in this picture, by the judicious hand of a master, produce an imposing and grand effect upon the imagination. This choice specimen of the original thinking of the young painter is worthy being placed in the most renowned public gallery (Barolomeo Manfredi)|Judith and Attendant with the Head of Holofernes. Nothing can be more remote from the style and effect of modern art than this picture, which savours of lamp-light effect, as to light and shadow, incorporated with the hues of day-light; combinations which, though not philosophically correct considered with due allowance for the beau-ideal, when applied, as in this picture, by the judicious hand of a master, produce an imposing and grand effect upon the imagination. This choice specimen of the original thinking of the young painter is worthy being placed in the most renowned public gallery]] réalisée par Barolomeo Manfredi, vendue par [[[Taylor]]]. [93]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Landscape. Presumed to represent a portion of the forest of Soignes and the surrounding neighbourhood, with a distant glimpse of Brussels in the extreme background. In the middle distance, near a lake, a peasant is driving cattle; and in the foreground a party of pleasure, with musical instruments, appear to be sitting down to enjoy a rural concert. The lustre cast over the whole scene by the matchless brilliancy of the sky cannot be surpassed, and may be said to be unequalled. -- From the collection of John Webb, Esq. (P.P. Rubens)|Landscape. Presumed to represent a portion of the forest of Soignes and the surrounding neighbourhood, with a distant glimpse of Brussels in the extreme background. In the middle distance, near a lake, a peasant is driving cattle; and in the foreground a party of pleasure, with musical instruments, appear to be sitting down to enjoy a rural concert. The lustre cast over the whole scene by the matchless brilliancy of the sky cannot be surpassed, and may be said to be unequalled. -- From the collection of John Webb, Esq.]] réalisée par P.P. Rubens, vendue par [[[Taylor]]]. [95]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Portia about to destroy herself by swallowing burning Coals. One of the artist's powerful lamp-light scenes. The Roman heroine seems to have swallowed the fire which is consuming her. The union of bodily and mental anguish is well pourtrayed in her countenance. An open letter and a bust of Brutus are on the table. -- From the Wanstead-House collection (Godfrey Schalcken)|Portia about to destroy herself by swallowing burning Coals. One of the artist's powerful lamp-light scenes. The Roman heroine seems to have swallowed the fire which is consuming her. The union of bodily and mental anguish is well pourtrayed in her countenance. An open letter and a bust of Brutus are on the table. -- From the Wanstead-House collection]] réalisée par Godfrey Schalcken, vendue par [[[Taylor]]]. [96]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Holy Family. The elevated character of this composition might, without injury to that great painter, be ascribed to Leonardo da Vinco, The splendour of colouring displayed upon the Virgin, and the luminous effect distributed upon the other figures near the arch in the background, produce surprising depth and richness. The grouping is no less admirable, the position of the infant Saviour reclining on the lap of the Virgin forms a graceful contour; in the rear of the scene, near steps leading to the arched opening, is St. Joseph conversing with the infant St. John; and further on are buildings, and St. Elizabeth seen reading. The style of certain works of this master are likened in gusto to those of Michael Angelo, by whom, it is said, they were highly commended (Giacomi Carucci da Pontormo)|The Holy Family. The elevated character of this composition might, without injury to that great painter, be ascribed to Leonardo da Vinco, The splendour of colouring displayed upon the Virgin, and the luminous effect distributed upon the other figures near the arch in the background, produce surprising depth and richness. The grouping is no less admirable, the position of the infant Saviour reclining on the lap of the Virgin forms a graceful contour; in the rear of the scene, near steps leading to the arched opening, is St. Joseph conversing with the infant St. John; and further on are buildings, and St. Elizabeth seen reading. The style of certain works of this master are likened in gusto to those of Michael Angelo, by whom, it is said, they were highly commended]] réalisée par Giacomi Carucci da Pontormo, vendue par [[[Taylor]]]. [99]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Design for an Altar Piece. A composition particularly curious, and interesting from the many allegorical and other symbols which the invention of the painter has distributed around the architecture. The Virgin and infant Saviour on her lap designed in the accustomed gusto, are rendered more conspicuous, being contrasted with the localities with which the figures and other objects are detailed, all being coeval with the age of the painter. Skilfully and elaborately finished (Giorgio Vasari)|Design for an Altar Piece. A composition particularly curious, and interesting from the many allegorical and other symbols which the invention of the painter has distributed around the architecture. The Virgin and infant Saviour on her lap designed in the accustomed gusto, are rendered more conspicuous, being contrasted with the localities with which the figures and other objects are detailed, all being coeval with the age of the painter. Skilfully and elaborately finished]] réalisée par Giorgio Vasari, vendue par [[[Taylor]]]. [102]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A Philosopher in his Study. Wrought in that style so out of the accepted principles of the manual practice of art, so imaginative, and yet so effective, as to induce the enthusiastic amateur, on beholding such a work, to pronounce it the effect of magic. This picture is wrought in the very spirit of his great prototype, Rembrandt, for whose work it might pass, without deterioration of his fame (A. de Gelder)|A Philosopher in his Study. Wrought in that style so out of the accepted principles of the manual practice of art, so imaginative, and yet so effective, as to induce the enthusiastic amateur, on beholding such a work, to pronounce it the effect of magic. This picture is wrought in the very spirit of his great prototype, Rembrandt, for whose work it might pass, without deterioration of his fame]] réalisée par A. de Gelder, vendue par [[[Taylor]]]. [106]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Deluge. There are between fifty and sixty figures in this composition. Men, women, and children -- all seem conscious of their inevitable doom, whilst striving to escape by climbing trees and rocks, in order to gain the loftiest spots above the flood of waters. In the distance is seen the ark, riding securely and tranquilly on the bosom of the dark element. The artist, who has made a powerfully effective picture of the scene, seems to have selected the most difficult attitudes into which the human figure could be thrown, in order most likely to display his consummate knowledge of the articulations of the muscles, and the general anatomical structure of the human frame (Bartholomew Sprangher)|The Deluge. There are between fifty and sixty figures in this composition. Men, women, and children -- all seem conscious of their inevitable doom, whilst striving to escape by climbing trees and rocks, in order to gain the loftiest spots above the flood of waters. In the distance is seen the ark, riding securely and tranquilly on the bosom of the dark element. The artist, who has made a powerfully effective picture of the scene, seems to have selected the most difficult attitudes into which the human figure could be thrown, in order most likely to display his consummate knowledge of the articulations of the muscles, and the general anatomical structure of the human frame]] réalisée par Bartholomew Sprangher, vendue par [[[Taylor]]]. [107]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Christ on the Mount of Olives. The poetic perception of this renowned master is eminently displayed in the visionary part of the composition, not only as it relates to the celestial group, but to the imaginative effect of light, which is distributed through the whole scene, in its various graduations, from intense brightness to obscurity. There is, moreover, a greatness of conception, pervading every part of the composition, worthy the reputation of this esteemed master (Nicolo Poussin)|Christ on the Mount of Olives. The poetic perception of this renowned master is eminently displayed in the visionary part of the composition, not only as it relates to the celestial group, but to the imaginative effect of light, which is distributed through the whole scene, in its various graduations, from intense brightness to obscurity. There is, moreover, a greatness of conception, pervading every part of the composition, worthy the reputation of this esteemed master]] réalisée par Nicolo Poussin, vendue par [[[Taylor]]]. [109]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[St. John with the Lamb. A very pleasing cabinet composition, the figure painted with a facile pencil, and the rocks designed with that knowledge of the picturesque which could only proceed from a sedulous study of these imposing objects from nature (Jan Miel, called Giovanni della Vite)|St. John with the Lamb. A very pleasing cabinet composition, the figure painted with a facile pencil, and the rocks designed with that knowledge of the picturesque which could only proceed from a sedulous study of these imposing objects from nature]] réalisée par Jan Miel, called Giovanni della Vite, vendue par [[[Taylor]]]. [115]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Landscape, with St. Joseph. A composition of superlative merit, the countenance of Joseph replete with character and animation; the infant Saviour conceived, and wrought in the same gusto; the light and shadow rendered with potent effect, and the drawing in the best style of the master. From the collection of Sir Mark Masterman Nykes (Guido Reni)|Landscape, with St. Joseph. A composition of superlative merit, the countenance of Joseph replete with character and animation; the infant Saviour conceived, and wrought in the same gusto; the light and shadow rendered with potent effect, and the drawing in the best style of the master. From the collection of Sir Mark Masterman Nykes]] réalisée par Guido Reni, vendue par [[[Taylor]]]. [118]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Diogenes in the Market Place, with his Lantern in broad day-light. This picture is crowded with figures the size of life. In the immediate foreground is a stall loaded with a variety of fruit and vegetables, which are depicted with great truth. The marketeers are full of character, and seem to be much amused by the eccentric philosopher (Jan Victors)|Diogenes in the Market Place, with his Lantern in broad day-light. This picture is crowded with figures the size of life. In the immediate foreground is a stall loaded with a variety of fruit and vegetables, which are depicted with great truth. The marketeers are full of character, and seem to be much amused by the eccentric philosopher]] réalisée par Jan Victors, vendue par [[[Taylor]]]. [124]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Tobit with the Angel. The subject designed in good taste, and painted with that unpretending effect and harmony, which creates the most agreeable sensations to the eye. The expression of the youth Tobit is simple and natural, and the figure of the angel is no less animated than graceful (Georgione, denominated Barbarelli del Castelfranco)|Tobit with the Angel. The subject designed in good taste, and painted with that unpretending effect and harmony, which creates the most agreeable sensations to the eye. The expression of the youth Tobit is simple and natural, and the figure of the angel is no less animated than graceful]] réalisée par Georgione, denominated Barbarelli del Castelfranco, vendue par [[[Taylor]]]. [126]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Flight into Egypt, with Angels bearing the Cross. A singularly well studied composition, rendered with splendid effect. The group of infant spirits is an allegory expressed with the usual executed mastery of the painter. The extreme background is wrapt in a solemnity of tone, judiciously opposed to the general hues of the other parts of the design (Albano)|The Flight into Egypt, with Angels bearing the Cross. A singularly well studied composition, rendered with splendid effect. The group of infant spirits is an allegory expressed with the usual executed mastery of the painter. The extreme background is wrapt in a solemnity of tone, judiciously opposed to the general hues of the other parts of the design]] réalisée par Albano, vendue par [[[Taylor]]]. [127]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Portrait of David Garrick, in his morning gown, seated in his study. A particularly interesting personification of that protean visage, which at will, could assume all the various passions that move the intellegent countenance of man (Hudson -- Born 1701; Died 1779)|Portrait of David Garrick, in his morning gown, seated in his study. A particularly interesting personification of that protean visage, which at will, could assume all the various passions that move the intellegent countenance of man]] réalisée par Hudson -- Born 1701; Died 1779, vendue par [[[Taylor]]]. [129]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Portraits of a Dutch Family in a Landscape. In the middle distance a brace of greyhounds are seen in pursuit of a hare, andit would seem from the greyhounds in the foreground and the horse, which is held by a black servant, that the master of the mansion is preparing to engage in the sport. A lady is seated immediately outsie the entrance to the mansion, which bears the arms of the family sculptured in relief. Two childeren also form part of the domestic group. Nothing can exceed the high finish of the portraits, or the brilliancy of the local colours (Gonzales Coques)|Portraits of a Dutch Family in a Landscape. In the middle distance a brace of greyhounds are seen in pursuit of a hare, andit would seem from the greyhounds in the foreground and the horse, which is held by a black servant, that the master of the mansion is preparing to engage in the sport. A lady is seated immediately outsie the entrance to the mansion, which bears the arms of the family sculptured in relief. Two childeren also form part of the domestic group. Nothing can exceed the high finish of the portraits, or the brilliancy of the local colours]] réalisée par Gonzales Coques, vendue par [[[Taylor]]]. [131]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Portrait of an Italian Nobleman reading a Letter, the superscription of which, no doubt, bears the name of the person whose likeness is here given. The works of this master are very rare, and justly held in high estimation in combining all the excellencies of which this branch of the art is susceptible (Giovanni Viani)|Portrait of an Italian Nobleman reading a Letter, the superscription of which, no doubt, bears the name of the person whose likeness is here given. The works of this master are very rare, and justly held in high estimation in combining all the excellencies of which this branch of the art is susceptible]] réalisée par Giovanni Viani, vendue par [[[Taylor]]]. [132]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Martyrdom of St. Sebastian. Two of the infidel Assassins of the Saint are in the act of binding him with cords to a tree. At their feet is a quiver of arrows, an archer's bow, and a cross-bow constructed according to the olden fashion of that destructive engine. In a corner of the picture is a numerous group coming up armed with bows and arrows. Over the head of the sufferer is an angel with an olive branch in either hand, denoting a promise of eternal peace in the world to come. The age of this production is nearly two centuries and a half, as may be seen by the date (1600) under the name of the painter on the left hand side. Every tint is as fresh as if it had but yesterday left the easel of the artist. The carnations in particular exhibit all their original brightness and delicacy. The head of St. Sebastian and the figure of the Angel hovering above, are, for graceful composition and ideal beauty, equal to any of the best efforts of the Italian masters. The fiendish expression of the executioners is in good contrast with the air of placid resignation which triumphs in the countenance of their victim. All the best characteristics of the now extinct German school are collected in this rare specimen (Joachim Wtenwael)|The Martyrdom of St. Sebastian. Two of the infidel Assassins of the Saint are in the act of binding him with cords to a tree. At their feet is a quiver of arrows, an archer's bow, and a cross-bow constructed according to the olden fashion of that destructive engine. In a corner of the picture is a numerous group coming up armed with bows and arrows. Over the head of the sufferer is an angel with an olive branch in either hand, denoting a promise of eternal peace in the world to come. The age of this production is nearly two centuries and a half, as may be seen by the date (1600) under the name of the painter on the left hand side. Every tint is as fresh as if it had but yesterday left the easel of the artist. The carnations in particular exhibit all their original brightness and delicacy. The head of St. Sebastian and the figure of the Angel hovering above, are, for graceful composition and ideal beauty, equal to any of the best efforts of the Italian masters. The fiendish expression of the executioners is in good contrast with the air of placid resignation which triumphs in the countenance of their victim. All the best characteristics of the now extinct German school are collected in this rare specimen]] réalisée par Joachim Wtenwael, vendue par [[[Taylor]]]. [134]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Entombment. A group designed in the energetic style of the celebrated fouder of the Bolognese school, and evincing his recondite knowledge of Chiaro 'scuro. The solemn tone that pervades the composition clothes it with that awful pathos which is essential to the poetry of the art (Ludovico Carracci)|The Entombment. A group designed in the energetic style of the celebrated fouder of the Bolognese school, and evincing his recondite knowledge of Chiaro 'scuro. The solemn tone that pervades the composition clothes it with that awful pathos which is essential to the poetry of the art]] réalisée par Ludovico Carracci, vendue par [[[Taylor]]]. [135]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[An early Morning Scene; a Shepherd with his Flock in the Mountains; some Cows and a Horse also form part of the group. The master has here succeeded in a remarkable manner in giving the effect of a heavy dew upon the herbage, and imparting the grey tone of the early morning light upon all the points of his landscape. If viewed at a proper distance, the admirable perspective and general truth of this production will be seen to advantage. The name of the master is in the right hand corner (Albert Cuyp)|An early Morning Scene; a Shepherd with his Flock in the Mountains; some Cows and a Horse also form part of the group. The master has here succeeded in a remarkable manner in giving the effect of a heavy dew upon the herbage, and imparting the grey tone of the early morning light upon all the points of his landscape. If viewed at a proper distance, the admirable perspective and general truth of this production will be seen to advantage. The name of the master is in the right hand corner]] réalisée par Albert Cuyp, vendue par [[[Davis]]]. [136]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A Whole-length Portrait of Jerome Buonaparte in his Coronation Robes, as King of Westphalia, with the Sceptor and Westphalian Crown. The Count de Survilliers (Joseph Buonaparte, late King of Spain), in recent private inspection of this portrait pronounced it to be a striking likeness of his brother (Artist unknown)|A Whole-length Portrait of Jerome Buonaparte in his Coronation Robes, as King of Westphalia, with the Sceptor and Westphalian Crown. The Count de Survilliers (Joseph Buonaparte, late King of Spain), in recent private inspection of this portrait pronounced it to be a striking likeness of his brother]] réalisée par Artist unknown, vendue par [[[Taylor]]]. [138]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Interior, a Lady and Gentleman at a Table, with a black Servant serving Tea. An interior, descriptive of one of the polite demestic customs of the seventeenth century, the chamber represented under the influence of that semi-tone which this master so admirably described. The two graphic episodes in this most interesting composition, are introduced with captivating effect, one admitting a view from the lattice upon a canal in the garden, the other opening to an interior chamber. Subjects treated with that local fidelity which characterises this subject, excite the most pleasurable associations, as they open to us, as it were, the living page of life in the days of our forefathers (De Hooch -- Born 1643; Died 1708)|Interior, a Lady and Gentleman at a Table, with a black Servant serving Tea. An interior, descriptive of one of the polite demestic customs of the seventeenth century, the chamber represented under the influence of that semi-tone which this master so admirably described. The two graphic episodes in this most interesting composition, are introduced with captivating effect, one admitting a view from the lattice upon a canal in the garden, the other opening to an interior chamber. Subjects treated with that local fidelity which characterises this subject, excite the most pleasurable associations, as they open to us, as it were, the living page of life in the days of our forefathers]] réalisée par De Hooch -- Born 1643; Died 1708, vendue par [[[Taylor]]]. [140]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Portrait of Queen Mary. By a cotemporary Artist. Executed with great power and breadth, and very highly finished and coloured. This picture is in fine preservation, and exhibits all the freshness of a production of the present day. The hands are beautifully drawn. (Sir Antonio More)|Portrait of Queen Mary. By a cotemporary Artist. Executed with great power and breadth, and very highly finished and coloured. This picture is in fine preservation, and exhibits all the freshness of a production of the present day. The hands are beautifully drawn.]] réalisée par Sir Antonio More, vendue par [[[Taylor]]]. [141]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A grand Marine Picture, commemoration the interesting historical event of her late Majesty Queen Charlotte coming to England in 1761. There are three principal vessels, consisting of the royal yacht, with her Majesty on board, under the command of the celebrated navigator Lord Anson, and two others, which seem to have her in convoy. The artist has Shown the element of the gathering storm which overtook them on the passage, and which is sufficiently evinced by the dark mass of the lowering clouds and the angry buffetings of the waves. In the distance are several ships, variously affected by the agitation of the ocean. This production, which is highly finished, and executed with remarkable spirit and a fine aerial effect, is a proud specimen of native talent in the art (John Clevely)|A grand Marine Picture, commemoration the interesting historical event of her late Majesty Queen Charlotte coming to England in 1761. There are three principal vessels, consisting of the royal yacht, with her Majesty on board, under the command of the celebrated navigator Lord Anson, and two others, which seem to have her in convoy. The artist has Shown the element of the gathering storm which overtook them on the passage, and which is sufficiently evinced by the dark mass of the lowering clouds and the angry buffetings of the waves. In the distance are several ships, variously affected by the agitation of the ocean. This production, which is highly finished, and executed with remarkable spirit and a fine aerial effect, is a proud specimen of native talent in the art]] réalisée par John Clevely, vendue par [[[Taylor]]]. [144]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Gamesters. Three Figures in the Spanish costume, the size of life, engaged at a table, playing at the game of monti. The dealer is attired in a military habit, with a steel corslet and helmet inlaid with gold. The other players seem to be of rank. The drawing and colouring of this picture evince the true characteristics of the master. In rich and sombre tone, with deep but transparent shadows, relieved by strong lights and brilliant local colouring, are indubitable marks of the hand from which it proceeds (M.A. Caravaggio)|The Gamesters. Three Figures in the Spanish costume, the size of life, engaged at a table, playing at the game of monti. The dealer is attired in a military habit, with a steel corslet and helmet inlaid with gold. The other players seem to be of rank. The drawing and colouring of this picture evince the true characteristics of the master. In rich and sombre tone, with deep but transparent shadows, relieved by strong lights and brilliant local colouring, are indubitable marks of the hand from which it proceeds]] réalisée par M.A. Caravaggio, vendue par [[[Taylor]]]. [145]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Continence of Scipio. The magnanimous conqueror is in the act of rendering up his fair prize to her betrothed, who is seeking, by the temptaion of rich presents, to obtain the object of his suit. The figures in this compostion are numerous; the whole is elaborately finished and warmly coloured, and this ancient artist has not omitten to display his minute acquaintance with the anatomical structure of the human form (Martin Hemskirk)|The Continence of Scipio. The magnanimous conqueror is in the act of rendering up his fair prize to her betrothed, who is seeking, by the temptaion of rich presents, to obtain the object of his suit. The figures in this compostion are numerous; the whole is elaborately finished and warmly coloured, and this ancient artist has not omitten to display his minute acquaintance with the anatomical structure of the human form]] réalisée par Martin Hemskirk, vendue par [[[Taylor]]]. [148]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Landscape, with Portraits of a Dutch Family. It is a subject of continual regret amongst the intelligent, that the limners from age to age have neglected to inscribe, even if it had been on the back of the picture, the names of the parties pourtrayed. How many illustrious and good men, how many honoured of memory of the other sex, in their "living resemblance," might but for this neglect have been perpetuated, and placed on the shrine sacred to departed worth, which are only now interesting merely as they refer to the painter's art! Were the ruling powers of our council of taste, portait painters would be subject to fine and imprisoned for similar acts of future neglect. Recently as this family group has been pourtrayed, yet the name therof has already become oblivious (Barent Graat)|Landscape, with Portraits of a Dutch Family. It is a subject of continual regret amongst the intelligent, that the limners from age to age have neglected to inscribe, even if it had been on the back of the picture, the names of the parties pourtrayed. How many illustrious and good men, how many honoured of memory of the other sex, in their "living resemblance," might but for this neglect have been perpetuated, and placed on the shrine sacred to departed worth, which are only now interesting merely as they refer to the painter's art! Were the ruling powers of our council of taste, portait painters would be subject to fine and imprisoned for similar acts of future neglect. Recently as this family group has been pourtrayed, yet the name therof has already become oblivious]] réalisée par Barent Graat, vendue par [[[Taylor]]]. [149]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Battle of the Centaurs and Lapithae. In interesting picture, in the historical school of design, crowded with figures drawn with singular accuracy and display of anatomical knowledge, and a freedom of pencil not surpassed by any known work of art (Luca Giordano)|The Battle of the Centaurs and Lapithae. In interesting picture, in the historical school of design, crowded with figures drawn with singular accuracy and display of anatomical knowledge, and a freedom of pencil not surpassed by any known work of art]] réalisée par Luca Giordano, vendue par [[[Taylor]]]. [151]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A grand Landscape of Swiss Scenery. In the foreground a waterfall with overhanging trees; in the middle distance a rock, boldly projecting over a sheet of water; and the whole is closed in by a mountain barrier. The characteristics of this master -- breadth of effect, united with a peculiar delicacy and truth of pencil, and natural colouring are happily blended in this unusually fine specimen of his powers. (Moucheron -- Born 1670; Died 1744)|A grand Landscape of Swiss Scenery. In the foreground a waterfall with overhanging trees; in the middle distance a rock, boldly projecting over a sheet of water; and the whole is closed in by a mountain barrier. The characteristics of this master -- breadth of effect, united with a peculiar delicacy and truth of pencil, and natural colouring are happily blended in this unusually fine specimen of his powers.]] réalisée par Moucheron -- Born 1670; Died 1744, vendue par [[[Taylor]]]. [152]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A Tinker Smoking. One of those admirable personifications of a living prototype of that humble class, from which the most eminent masters of the Flemish and Dutch school delighted to select their studies. This is treated in a style that might do credit to the pencil of Murillo (Karel du Jardin)|A Tinker Smoking. One of those admirable personifications of a living prototype of that humble class, from which the most eminent masters of the Flemish and Dutch school delighted to select their studies. This is treated in a style that might do credit to the pencil of Murillo]] réalisée par Karel du Jardin, vendue par [[[Taylor]]]. [155]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[The Announcing Angel, a Cartoon. Painted upon different pieces of paper fastened together. This work, considering the perishable nature of the colours and material upon which it is painted, is in remarkable preservation. The figure of the angel is drawn with great delicacy (Baroccio)|The Announcing Angel, a Cartoon. Painted upon different pieces of paper fastened together. This work, considering the perishable nature of the colours and material upon which it is painted, is in remarkable preservation. The figure of the angel is drawn with great delicacy]] réalisée par Baroccio, vendue par [[[Taylor]]]. [157]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[Landscape, with a view of a River. In the foreground is a dismounted cavalier watering his horse at the door of a cabaret, and in the middle distance cattle and figures are seen passing over a bridge, under which appears the distant country. Coloured in the refreshing cool grey tone of the school; the figures and cattle pencilled with great vigour and truth, and equal to any that ever came from the hand of his brother Philip (John Wouvermans)|Landscape, with a view of a River. In the foreground is a dismounted cavalier watering his horse at the door of a cabaret, and in the middle distance cattle and figures are seen passing over a bridge, under which appears the distant country. Coloured in the refreshing cool grey tone of the school; the figures and cattle pencilled with great vigour and truth, and equal to any that ever came from the hand of his brother Philip]] réalisée par John Wouvermans, vendue par [[[Taylor]]]. [158]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A Mountainous Landscape, with Figures in the fore-ground engaged in bird-catching, fishing, &c. In anouther part of the foreground is a herdsman and herdswoman driving a flock of goats and oxen to the distant pastures; and, indifferent parts of the scene figures and vehicles, en route, are introduced. The landscape itself is sweetly composed with every possible variety of hill and dale, wood and water. The lights are charmingly interspersed, and the distances marked with great delicacy and precision. The Figures by A Caracci (A. Caracci)|A Mountainous Landscape, with Figures in the fore-ground engaged in bird-catching, fishing, &c. In anouther part of the foreground is a herdsman and herdswoman driving a flock of goats and oxen to the distant pastures; and, indifferent parts of the scene figures and vehicles, en route, are introduced. The landscape itself is sweetly composed with every possible variety of hill and dale, wood and water. The lights are charmingly interspersed, and the distances marked with great delicacy and precision. The Figures by A Caracci]] réalisée par A. Caracci, vendue par [[[Taylor]]]. [162]
  • 1833.05.07/ maison de ventes : Exeter Hall. Vente de l'œuvre décrite comme [[A Female Head. A magnificent study, of colossal size, wrought in that splendid chiaro scuro, which is so eminently displayed in such of the works of the great master of the Italian schools, as were intended to be contemplated in stations far removed from the eye of the spectator. This countenance is of the epic female sentiment -- beautiful and grand. That it is a study from nature may reasonably be inferred, from the air of truth which beams in the face. Indeed, living prototypes of this grand and dignified character are still to be found in regions not remote from Naples, such as Raffaelle glorified with his pencil, and such as Virgil immortalized with his pen (Correggio)|A Female Head. A magnificent study, of colossal size, wrought in that splendid chiaro scuro, which is so eminently displayed in such of the works of the great master of the Italian schools, as were intended to be contemplated in stations far removed from the eye of the spectator. This countenance is of the epic female sentiment -- beautiful and grand. That it is a study from nature may reasonably be inferred, from the air of truth which beams in the face. Indeed, living prototypes of this grand and dignified character are still to be found in regions not remote from Naples, such as Raffaelle glorified with his pencil, and such as Virgil immortalized with his pen]] réalisée par Correggio, vendue par [[[Taylor]]]. [163]
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