Ventes d'œuvres le 1833.07.11

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Elizabeth Queen of England when Young, high lace ruff, stomacher and petticoat, ornamented with pearls and jewels, a grey gown covered with spheres; in her hair are jewels and a love-lock, to which hangs a precious stone; on a table are splendid bound books, a crown, sword of state, &c. At foot, this inscription, "She had a triple crowne, And was a glorious Queene." This portrait, which is a most desirable picture and fit for any collection, came from the residence of Sir J.G. Shaw, Bart., at Yalden, in Kent From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Zucchero)|Elizabeth Queen of England when Young, high lace ruff, stomacher and petticoat, ornamented with pearls and jewels, a grey gown covered with spheres; in her hair are jewels and a love-lock, to which hangs a precious stone; on a table are splendid bound books, a crown, sword of state, &c. At foot, this inscription, "She had a triple crowne, And was a glorious Queene." This portrait, which is a most desirable picture and fit for any collection, came from the residence of Sir J.G. Shaw, Bart., at Yalden, in Kent From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Zucchero, achetée par Hull au prix de 27.6 £. [20]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Lady Le Despencer of Mereworth. Whole length of a Lady and Child, in the splendid costume of James the First. The lady, whose rich auburn hair hangs loosely over her shoulders, is gathering a flower with one hand whilst with the other she is holding the child by a part of its cloak. The display of a very rich scarf adds to the singularity of the picture. The child, apparently about two years old, bears in one hand an enticing looking bunch of grapes, the other holds, in the most natural manner, the dress of the mother. *This picture is finished with all the minutiae of a miniature. It was purchased privately in Kent From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Mark Garrard)|Lady Le Despencer of Mereworth. Whole length of a Lady and Child, in the splendid costume of James the First. The lady, whose rich auburn hair hangs loosely over her shoulders, is gathering a flower with one hand whilst with the other she is holding the child by a part of its cloak. The display of a very rich scarf adds to the singularity of the picture. The child, apparently about two years old, bears in one hand an enticing looking bunch of grapes, the other holds, in the most natural manner, the dress of the mother. *This picture is finished with all the minutiae of a miniature. It was purchased privately in Kent From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Mark Garrard, achetée par Hull au prix de 22.1 £. [21]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Eleanor Gwynne, whole-length, seated between Beauclerc Duke of St. Albans', and Beauclerc Earl of Burford, her two infant Sons. A very fine picture. The prints of Nell Gwynne and Sons have been sold as high as thirty guineas each From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Sir P. Lely)|Eleanor Gwynne, whole-length, seated between Beauclerc Duke of St. Albans', and Beauclerc Earl of Burford, her two infant Sons. A very fine picture. The prints of Nell Gwynne and Sons have been sold as high as thirty guineas each From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Sir P. Lely, achetée par [[Patterstone [?]]] au prix de 6.10 £. [22]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Sir William Ashburnham, of Ashburnham in Sussex, Bart. aged 70, anno 1679; whole-length, in half-armour; represented ascending a terrace These last four pictures would form appropriate ornaments to a splendid drawing room From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Sir P. Lely)|Sir William Ashburnham, of Ashburnham in Sussex, Bart. aged 70, anno 1679; whole-length, in half-armour; represented ascending a terrace These last four pictures would form appropriate ornaments to a splendid drawing room From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Sir P. Lely, achetée par Hull au prix de 9.9 £. [23]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Elizabeth Dering, married to Sir Robert Southwell, born 1648, died 1681; whole-length, resting her left arm on a pedestal; loose morning dress and red scarf These last four pictures would form appropriate ornaments to a splendid drawing room From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Sir P. Lely)|Elizabeth Dering, married to Sir Robert Southwell, born 1648, died 1681; whole-length, resting her left arm on a pedestal; loose morning dress and red scarf These last four pictures would form appropriate ornaments to a splendid drawing room From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Sir P. Lely, achetée par Hull au prix de 14.14 £. [24]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[----- Lee, Countess of Marlborough; whole-length, standing by a large vase of flowers These last four pictures would form appropriate ornaments to a splendid drawing room From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Sir P. Lely)|----- Lee, Countess of Marlborough; whole-length, standing by a large vase of flowers These last four pictures would form appropriate ornaments to a splendid drawing room From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Sir P. Lely, achetée par Hull au prix de 8.18 £. [25]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Ortenzi Mancini, Duchess of Mazarine; whole-length, standing by a pedestal on which is vase of flowers; a curtain drawn on one side shews a garden in the distance These last four pictures would form appropriate ornaments to a splendid drawing room From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Sir P. Lely)|Ortenzi Mancini, Duchess of Mazarine; whole-length, standing by a pedestal on which is vase of flowers; a curtain drawn on one side shews a garden in the distance These last four pictures would form appropriate ornaments to a splendid drawing room From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Sir P. Lely, achetée par Marshall au prix de 14.0 £. [26]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Richard Brinsley Sheridan when young From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Sir J. Reynolds, achetée par Hull au prix de 7.7 £. [27]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Picture of himself From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Sir J. Reynolds, achetée par Hull au prix de 7.7 £. [28]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Margaret Cavendish, Duchess of Newcastle, giving instruction to her pupil the Princess Mary, daughter of King Charles the First -- a curious picture From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par un.e artiste anonyme, achetée par Sir M Strachey au prix de 2.2 £. [29]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Cromwell, Lady Elizabeth; "only child of Vere Essex Cromwell, Earl of Ardglass, in Ireland, and Baron of Ockingham, in the County of Rutland, born 1674. Her father died 1687, and she was supposed to have been not only heir to his estates, but to his English honours, and as such walked in the funeral procession of Queen Mary. She married Edward Southwell, Esq. and died 1709. There is a picture of her at King's Weston, the magnificent seat of Lord de Clifford." See Noble's Continuation of Grainger. Engraved by J. Smith From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Kneller)|Cromwell, Lady Elizabeth; "only child of Vere Essex Cromwell, Earl of Ardglass, in Ireland, and Baron of Ockingham, in the County of Rutland, born 1674. Her father died 1687, and she was supposed to have been not only heir to his estates, but to his English honours, and as such walked in the funeral procession of Queen Mary. She married Edward Southwell, Esq. and died 1709. There is a picture of her at King's Weston, the magnificent seat of Lord de Clifford." See Noble's Continuation of Grainger. Engraved by J. Smith From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Kneller, achetée par Brown au prix de 2.12 £. [30]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Lady Holland -- aetatis sua 31, A. Dni. 1707 -- loose blue dress with white robe From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Wissing, achetée par Rodd au prix de 0.10 £. [31]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sir Robert Southwell, of King's Weston, born 1636, died 1702 Arms impaling those of Dering in the corner From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Wissing, achetée par Hull au prix de 2.0 £. [32]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Edward Southwell, of King's Weston, Somersetshire, born 1671, died 1731 Arms impaling those of Cromwell and Braithwaite, his two wives From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Kneller, achetée par Hull au prix de 2.2 £. [33]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Thomas Cromwell, Earl of Essex; full face; on panel, finely painted From the circumstance of this portrait being represented as full face and with a beard, it strikes the observer at the first glance not to be like Cromwell, judging from the more common portraits by Holbien, engraved in Lodge and many other collections; but on closer inspection it will be apparent there is much truth in the inscription, which though hidden by paint on a front view of the picture, is very perceptible when viewed obliquely, by reason of the height of the letters; it bears, however, much resemblance to the portrait engraved in Harding's Shakespeare, "from the picture in the possession of Walter Burrell, Esq." From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Holbien)|Thomas Cromwell, Earl of Essex; full face; on panel, finely painted From the circumstance of this portrait being represented as full face and with a beard, it strikes the observer at the first glance not to be like Cromwell, judging from the more common portraits by Holbien, engraved in Lodge and many other collections; but on closer inspection it will be apparent there is much truth in the inscription, which though hidden by paint on a front view of the picture, is very perceptible when viewed obliquely, by reason of the height of the letters; it bears, however, much resemblance to the portrait engraved in Harding's Shakespeare, "from the picture in the possession of Walter Burrell, Esq." From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Holbien, achetée par Rodd au prix de 3.3 £. [34]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Portrait of a Lady; lace collar, open slashed green and white dress, 5 large red and green bows, &c. From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Mark Garrard, achetée par Tuck au prix de 1.11 £. [35]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Sir Arthur Hyde and his Lady. Sir Arthur is represented with a baton and resting his hand upon a helmet -- aetatis 30, 1758, with this motto "Domino contidens a quo trepidabos." Over the lady's head the initials E.H. and this motto, "Plus Pensire qui dire." She is aged 24, 1578; in half-mourning holding a book of prayer; the two in one picture From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (artiste anonyme)|Sir Arthur Hyde and his Lady. Sir Arthur is represented with a baton and resting his hand upon a helmet -- aetatis 30, 1758, with this motto "Domino contidens a quo trepidabos." Over the lady's head the initials E.H. and this motto, "Plus Pensire qui dire." She is aged 24, 1578; in half-mourning holding a book of prayer; the two in one picture From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par un.e artiste anonyme, achetée par Rodd au prix de 2.18 £. [36]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[William Paulet, Marquis of Winchester and Chamberlain throughout several successive reigns This gentleman on being asked how he had retained office under such political changes, is reported to have said, "by being a willow and not an oak." He is painted with the Chamberlain's staff, and the George and Garter; a seal ring on his finger From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (artiste anonyme)|William Paulet, Marquis of Winchester and Chamberlain throughout several successive reigns This gentleman on being asked how he had retained office under such political changes, is reported to have said, "by being a willow and not an oak." He is painted with the Chamberlain's staff, and the George and Garter; a seal ring on his finger From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par un.e artiste anonyme, achetée par Abraham au prix de 3.15 £. [37]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme James Lodovick Stuart, Duke of Richmond and Lenox From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Vanloo, achetée par Rodd au prix de 0.10 £. [38]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Edward Lord Hawke, from Ombersly in Yorkshire; engraved From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Knapton, achetée par Miller WH au prix de 1.2 £. [39]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Charles Lenox, Earl of March and Darnley, born May 1701 -- with his sister Lady Anne Lennox; out of condition From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Kneller, achetée par Abraham au prix de 1.2 £. [40]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme John Wilmot Earl of Rochester -- the celebrated wit and companion of King Charles the Second; in half-armour, flowing hair From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Sir Peter Lely, achetée par Abraham au prix de 7.7 £. [41]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Reverend Mr. Fletcher, of Madely in Shropshire; a companion to the preceding These two individuals are famous both for their piety and humane efforts for the abolition of Negro slavery From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Breda)|The Reverend Mr. Fletcher, of Madely in Shropshire; a companion to the preceding These two individuals are famous both for their piety and humane efforts for the abolition of Negro slavery From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Breda, achetée par Heber au prix de 1.11 £. [42]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Reverend Thomas Clarkson. The original picture from which the print is engraved These two individuals are famous for their piety and humane efforts for the abolition of Negro slavery From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Breda)|The Reverend Thomas Clarkson. The original picture from which the print is engraved These two individuals are famous for their piety and humane efforts for the abolition of Negro slavery From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Breda, achetée par Rodd au prix de 1.1 £. [43]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme John Selden, learned Lawyer and Antiquary; long flowing hair, black cloak From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Sir Peter Lely, achetée par Sir C Grey au prix de 6.6 £. [44]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Lucius Cary Lord Falkland -- three-quarters length; standing in a room holding his scarf, very finely painted. This and the preceding lot came from the residence of the poet Edmund Waller, who says -- "Brave Holland and with him Falkland goes, Who hears this told and does not strait suppose We send the Graces and the Muses forth To civilize and to instruct the North?" From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Dobson)|Lucius Cary Lord Falkland -- three-quarters length; standing in a room holding his scarf, very finely painted. This and the preceding lot came from the residence of the poet Edmund Waller, who says -- "Brave Holland and with him Falkland goes, Who hears this told and does not strait suppose We send the Graces and the Muses forth To civilize and to instruct the North?" From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Dobson, achetée par Tuck au prix de 7.7 £. [45]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Sir Ralph Blake Delaval, Bart. Admiral at the Battle of La Hogue, and Lord of the Admiralty; blue dress, resting his hand on a cocked hat This and the preceding lot came from the residence of the poet Edmund Waller From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Kneller)|Sir Ralph Blake Delaval, Bart. Admiral at the Battle of La Hogue, and Lord of the Admiralty; blue dress, resting his hand on a cocked hat This and the preceding lot came from the residence of the poet Edmund Waller From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Kneller, achetée par Tuck au prix de 4.0 £. [46]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Captain Errington or Erlynton, Ambassador to Scotland from Queen Elizabeth; black cloak and dress, holding a splendid embossed sword, and a gold medallion. This name was variously spelt; Erlyington, Elrington, Errington, Ilrington, &c. &c. -- the arms, however, lead to a conclusion that he must have been son or grandson of "Sir John Erlington, Knight by Margaret his wife, daughter and heire to Thomas Lord Ilchingham, widow to William Blount, sonne and heir to Walter Blount the first Lord Montjoy, who lye entombed in Saint Leonards' Shoreditch." -- See Weever's Funeral Monuments. The arms on the picture which bears the date of 1556 are 4terly. 1st and 4th, arg. a fess dancettée pierced, inter 5 cranes, 3 and 2 sab. for Errington -- 2nd and 3rd az. a fret argt. for Ilchingham From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Lucas De Heer)|Captain Errington or Erlynton, Ambassador to Scotland from Queen Elizabeth; black cloak and dress, holding a splendid embossed sword, and a gold medallion. This name was variously spelt; Erlyington, Elrington, Errington, Ilrington, &c. &c. -- the arms, however, lead to a conclusion that he must have been son or grandson of "Sir John Erlington, Knight by Margaret his wife, daughter and heire to Thomas Lord Ilchingham, widow to William Blount, sonne and heir to Walter Blount the first Lord Montjoy, who lye entombed in Saint Leonards' Shoreditch." -- See Weever's Funeral Monuments. The arms on the picture which bears the date of 1556 are 4terly. 1st and 4th, arg. a fess dancettée pierced, inter 5 cranes, 3 and 2 sab. for Errington -- 2nd and 3rd az. a fret argt. for Ilchingham From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Lucas De Heer, achetée par Hull au prix de 6.16 £. [47]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Lady Fitzherbert resting her cheek upon her hand From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Kneller, achetée par Hull au prix de 2.0 £. [48]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Lady Rooke, wife of Sir George Rooke, Admiral; open loose white satin morning dress From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Kneller, achetée par [[Abraha[m]]] au prix de 2.5 £. [49]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sir William Godolphin; long flowing hair, black cloak From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses réalisée par Sir P. Lely, achetée par Hull au prix de 2.2 £. [50]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Henrietta, Duchess of Bolton; whole-length, dressed in blue; basket of flowers -- on a pedestal are the Arms of Bolton. Engraved "This lady, who was the daughter of the unfortunate Duke of Monmouth, and was in Dublin in 1697, when Charles Pawlet, Second Duke of Bolton, K.G. was Lieut., He saw, admired and married her. The issue of the alliance was Lord Nassau Pawlet, whose only daughter that lived to marriageable estate was Isabella, the Countess of John James, Earl of Egmont" From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses (Kneller)|Henrietta, Duchess of Bolton; whole-length, dressed in blue; basket of flowers -- on a pedestal are the Arms of Bolton. Engraved "This lady, who was the daughter of the unfortunate Duke of Monmouth, and was in Dublin in 1697, when Charles Pawlet, Second Duke of Bolton, K.G. was Lieut., He saw, admired and married her. The issue of the alliance was Lord Nassau Pawlet, whose only daughter that lived to marriageable estate was Isabella, the Countess of John James, Earl of Egmont" From King's Weston, near Bristol; Hall Barn, Beaconsfield, and other Houses]] réalisée par Kneller, achetée par Marshall au prix de 9.9 £. [51]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Robert Sidney Earl of Leicester, Viscount Lisle, whole-length, in his robes, standing in a room richly carpeted; arms in the corner; Viscount's Coronet on table réalisée par Van Somer, vendue par Sir William Young, achetée par Molteno au prix de 21.0 £. [52]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Mary Sidney, married to Sir Brownlow Sherrard, Bart. Whole-length, in white satin, seated on a sofa of rich yellow damask. Companion to the preceding, in frame of richly carved open work This lady was eldest daughter and co-heir of the Hon. Col. Francis Sidney, sixth son of Robert Earl of Bridgewater, which Mary became co-heir to the noble family of the Sidneys and the Barony of Lisle (G. Knapton, 1746)|Mary Sidney, married to Sir Brownlow Sherrard, Bart. Whole-length, in white satin, seated on a sofa of rich yellow damask. Companion to the preceding, in frame of richly carved open work This lady was eldest daughter and co-heir of the Hon. Col. Francis Sidney, sixth son of Robert Earl of Bridgewater, which Mary became co-heir to the noble family of the Sidneys and the Barony of Lisle]] réalisée par G. Knapton, 1746, vendue par Sir William Young, achetée par Rodd au prix de 4.4 £. [53]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sir Brownlow Sherrard, Bart., of Loepthorp, Lincolnshire, in rich fancy costume, attended by a Dalmatian Dog réalisée par G. Knapton, 1746, vendue par Sir William Young, achetée par Rodd au prix de 4.4 £. [54]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Anne, (Lady Yonge,) daughter and co-heiress of John Earl Howard, by Mary, daughter of Sir George Wentwprth. A pair of very splendid gallery Portraits réalisée par Hudson, vendue par Sir William Young, achetée par Hull au prix de 5.0 £. [55]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Right Honorable Sir William Yonge, Bart. K.B., Vice Treasurer of Ireland. Whole length, in his robes, standing at a table A pair of very splendid gallery Portraits réalisée par Hudson, vendue par Sir William Young, achetée par Tuck au prix de 5.0 £. [56]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Lord Chief Justice John Glynn, seated in his Judicial Robes réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par Bryant au prix de 9.15 £. [57]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Given Williams, daughter of Sir Robert Williams, wife of Sir Walter Yonge, of Escott réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par Rodd au prix de 1.15 £. [58]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sir John Yonge, Bart., of Culliton, Devonshire, 1661. He was one of the members secluded by Cromwell, in 1656. Flowing wig and blue sash réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par Tuck au prix de 2.8 £. [59]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Rushee Wentworth, Esq., brother to the Earl of Strafford réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par Sir G Warrender au prix de 0.12 £. [60]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Lady Mary Effingham Howard, daughter of Rushee Wentworth, Esq., first wife to Francis Lord Effingham, (brother to the Earl of Strafford,) in robes; Coronet on table. Three-quarters length réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par [[Sp[...] [or Brown]]] au prix de 2.10 £. [61]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Thomas Lord Effingham Howard, son of Francis Lord Effingham Howard, in Baronial Robes, holding a Coronet réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par Tuck au prix de 3.0 £. [62]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Mrs. Davie, blue dress; and Portrait of a Literary Character réalisée par Vanderbank, vendue par Sir William Young, achetée par Brown au prix de 1.13 £. [63]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Mrs. Davie, blue dress; and Portrait of a Literary Character réalisée par Wissing, vendue par Sir William Young, achetée par Brown au prix de 1.13 £. [64]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Given Williams, married to Sir Walter Yonge, Bart.; sitting on a bank, in a blue dress réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par Hull au prix de 2.2 £. [65]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sir Walter Yonge, Bart.; wig, hand in vest -- Landscape réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par Tuck au prix de 1.18 £. [66]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sir Robert Williams, Bart. of Penryn, in Caenarvonshire; flowing wig and armour. Very finely painted réalisée par Sir P. Lely, vendue par Sir William Young, achetée par Ridge au prix de 3.12 £. [67]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Jane Warburton, daughter of Thomas Warburton, of Winnington, in Cheshire, by Anne, daughter of Sir Robert Williams, of Penryn, who married John Duke of Argyle réalisée par M. Dahl, vendue par Sir William Young, achetée par Sir S Glynne au prix de 1.2 £. [68]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Untitled réalisée par un.e artiste anonyme, vendue par Sir William Young, achetée par Sir C Grey au prix de 0.13 £. [69]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Francis Lord Effingham Howard, Governor of Virginia, died 1694, armour; flowing wig réalisée par Hales, vendue par Sir William Young, achetée par Hull au prix de 1.5 £. [70]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Illegible From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Sir G Warrender au prix de 1.0 £. [71]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Frances Brandon Marchioness of Dorset, aged twenty-one, 1569, in red stomacher, white sleeves worked with red roses, yellow ruff, white and red feathers in the cap which is red and studded with white roses; a pink and a sprig of oak leaves in the hair; on the fingers are rings with a white and a red rose. *Henry Grey, the third Marquis of Dorset, son of the second Marquis of Dorset and Margaret Wotton, married Frances, eldest daughter and one of the heirs of Charles Brandon, Duke of Suffolk, and Mary, sister of Henry the Eighth and Queen of France. This Lady, whose dress is so strongly marked with the emblems of the Houses of York and Lancaster, was grand-daughter of Henry the Seventh, whose promise -- "To Twine the roses red and white together, That both from one kind stalk may flourish." is here beautifully illustrated. It is unquestionably one of the most curious portraits in this collection From Great Kimble & Lower Winchendon, Bucks (Wm. Street)|Frances Brandon Marchioness of Dorset, aged twenty-one, 1569, in red stomacher, white sleeves worked with red roses, yellow ruff, white and red feathers in the cap which is red and studded with white roses; a pink and a sprig of oak leaves in the hair; on the fingers are rings with a white and a red rose. *Henry Grey, the third Marquis of Dorset, son of the second Marquis of Dorset and Margaret Wotton, married Frances, eldest daughter and one of the heirs of Charles Brandon, Duke of Suffolk, and Mary, sister of Henry the Eighth and Queen of France. This Lady, whose dress is so strongly marked with the emblems of the Houses of York and Lancaster, was grand-daughter of Henry the Seventh, whose promise -- "To Twine the roses red and white together, That both from one kind stalk may flourish." is here beautifully illustrated. It is unquestionably one of the most curious portraits in this collection From Great Kimble & Lower Winchendon, Bucks]] réalisée par Wm. Street, achetée par Molteno au prix de 11.11 £. [72]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Jeanne D'Arragon, Reine de Sicile From Great Kimble & Lower Winchendon, Bucks réalisée par Raffaelle, achetée par Forster au prix de 4.4 £. [73]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [["Right Honorable Edward Lord Wotton, Who Married Margaret Daughter of Philip Lord Wharton, and was Ambassador from Queen Elizabeth to Mary Queen of Scotland, Anno 1591." Standing against a table, on which he rests one hand, in the other he holds a glove and his cloak; a sword by his side, arms in the corner, &c. "Sir Edward Wotton was, by James I., created a Baron of the Realm, by the title of Lord Wotton of Marley, in Kent, 13th of May, 1st of his reign; -- in 1616 was treasurer of the King's Household -- married Hesther, *footnote: Query, if Lord Wotton had two wives? The limits of a sale catalogue will not permit discussion, which the description on the picture, and in Banks' Extinct Baronage, would admit of daughter and co-heir of Sir W. Pickering of Yorkshire, Knight; by her he had Thomas who succeeded him, who married Mary, daughter and co-heir of Sir A. Throckmorton, Knight, and left four daughters his heirs. -- Catherine married H. Lord Stanhope, son and heir of Philip Earl of Chesterfield; Hesther to Baptist Viscount Campden; Margaret Sir John Tufton; and Anne to Sir Edward Hales of Tunstall, in Kent, Knight." See Banks' Extinct Baronage From Great Kimble & Lower Winchendon, Bucks (Mark Garrard)|"Right Honorable Edward Lord Wotton, Who Married Margaret Daughter of Philip Lord Wharton, and was Ambassador from Queen Elizabeth to Mary Queen of Scotland, Anno 1591." Standing against a table, on which he rests one hand, in the other he holds a glove and his cloak; a sword by his side, arms in the corner, &c. "Sir Edward Wotton was, by James I., created a Baron of the Realm, by the title of Lord Wotton of Marley, in Kent, 13th of May, 1st of his reign; -- in 1616 was treasurer of the King's Household -- married Hesther, *footnote: Query, if Lord Wotton had two wives? The limits of a sale catalogue will not permit discussion, which the description on the picture, and in Banks' Extinct Baronage, would admit of daughter and co-heir of Sir W. Pickering of Yorkshire, Knight; by her he had Thomas who succeeded him, who married Mary, daughter and co-heir of Sir A. Throckmorton, Knight, and left four daughters his heirs. -- Catherine married H. Lord Stanhope, son and heir of Philip Earl of Chesterfield; Hesther to Baptist Viscount Campden; Margaret Sir John Tufton; and Anne to Sir Edward Hales of Tunstall, in Kent, Knight." See Banks' Extinct Baronage From Great Kimble & Lower Winchendon, Bucks]] réalisée par Mark Garrard, achetée par Hull au prix de 14.14 £. [74]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sir Thomas More Lord Chancellor of England, black cloak trimmed with fur, hand in vest, black hat. Very finely painted From Great Kimble & Lower Winchendon, Bucks réalisée par Holbien, achetée par Marshall au prix de 6.6 £. [75]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Mary I., when Princess From Great Kimble & Lower Winchendon, Bucks réalisée par Holbien, achetée par Abraham au prix de 7.0 £. [76]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Charles II. when a boy. From a larger picture From Great Kimble & Lower Winchendon, Bucks réalisée par Vandyck, achetée par Blanchard au prix de 1.18 £. [77]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Portrait of a Gentleman, 1572. Eight Latin lines From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Sir G Warrender au prix de 0.11 £. [78]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sister of the Duke of Buckingham, seated as "Hebe" From Great Kimble & Lower Winchendon, Bucks réalisée par Stroehling, achetée par Ridge au prix de 3.3 £. [79]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Buckingham, Grenville Temple, Duke of, in robes of the Order of the Garter, holding a scroll of paper in his hand From Great Kimble & Lower Winchendon, Bucks réalisée par Hoare of Bath, achetée par C J Smith au prix de 5.10 £. [80]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme "Elizabeth Regina." -- Portrait of a Lady, in large ruff, jewels, Anno Domini 1567 From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Nichols au prix de 1.14 £. [81]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Charles II, coronation robes, collar of the Garter From Great Kimble & Lower Winchendon, Bucks réalisée par Riley, achetée par Carr au prix de 3.15 £. [82]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Henry Prince of Wales, Son of James I., white satin dress, trimmed with gold, large jewel, and an ancient gold medallion at his breast; over his shoulders a black and gold scarf From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Hull au prix de 2.12 £. [83]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Mary Queen of Scotland, dated 1560, in mourning for her husband Francis II. of France. This portrait bears a strong resemblance to the medals struck upon the occasion. Panel. "Jeannet's Portraits are often mistaken for Holbien's." -- Grainger From Great Kimble & Lower Winchendon, Bucks (Jeannet)|Mary Queen of Scotland, dated 1560, in mourning for her husband Francis II. of France. This portrait bears a strong resemblance to the medals struck upon the occasion. Panel. "Jeannet's Portraits are often mistaken for Holbien's." -- Grainger From Great Kimble & Lower Winchendon, Bucks]] réalisée par Jeannet, achetée par Bromley au prix de 1.10 £. [84]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Henry Howard Earl of Surrey, holding his gloves. Small arched top picture, in the finest time of the painter From Great Kimble & Lower Winchendon, Bucks réalisée par Holbien, achetée par Heber au prix de 5.15 £. [85]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme John Milton, Poet, when young From Great Kimble & Lower Winchendon, Bucks réalisée par Walker, achetée par Mosley au prix de 0.15 £. [86]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Elizabeth of York, Wife of Henry VII. Companion of the preceding -- after "Elizabeth of York, the amiable Queen of Henry VII., by whose marriage the two Houses of York and Lancaster were united, was a pattern of conjugal duty and obsequiousness, but met with a very cold return from the King, whose malignity to the House of York, and jealousy of its title to the crown, extended itself even to his Queen. She died 1503 From Great Kimble & Lower Winchendon, Bucks (Holbien)|Elizabeth of York, Wife of Henry VII. Companion of the preceding -- after "Elizabeth of York, the amiable Queen of Henry VII., by whose marriage the two Houses of York and Lancaster were united, was a pattern of conjugal duty and obsequiousness, but met with a very cold return from the King, whose malignity to the House of York, and jealousy of its title to the crown, extended itself even to his Queen. She died 1503 From Great Kimble & Lower Winchendon, Bucks]] réalisée par Holbien, achetée par Blanchard au prix de 1.2 £. [87]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Lady Jane Grey, proclaimed Queen of England 1553. Small highly finished picture -- after From Great Kimble & Lower Winchendon, Bucks réalisée par Holbien, achetée par Blanchard au prix de 1.0 £. [88]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Robert Devereux Earl of Essex, favorite of Queen Elizabeth, bright armour, ornamented with gold; motto "Basis Virtu tues Constantia;" over which is the date, 1599, in one corner; in the other corner is his Coat of Arms, surrounded by the Garter, with a Ducal Coronet over it From Great Kimble & Lower Winchendon, Bucks (Yeates)|Robert Devereux Earl of Essex, favorite of Queen Elizabeth, bright armour, ornamented with gold; motto "Basis Virtu tues Constantia;" over which is the date, 1599, in one corner; in the other corner is his Coat of Arms, surrounded by the Garter, with a Ducal Coronet over it From Great Kimble & Lower Winchendon, Bucks]] réalisée par Yeates, achetée par Sir C E Grey au prix de 5.5 £. [89]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Elizabeth Countess of Suffolk, daughter and coheiress of George Lord Hume Earl of Dunbar; rich embroidered dress, a pearl suspended by a small ribband, rich embroidered red scarf From Great Kimble & Lower Winchendon, Bucks réalisée par C. Jansen, achetée par Tuck au prix de 1.8 £. [90]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Henry Somerset Marquis of Worcester, Arthur Lord Capel, Stanley Earl of Derby, and the never-to-be-too-highly-praised Charlotte de Tremouille his heroic Countess. Four small portraits, painted on panel From Great Kimble & Lower Winchendon, Bucks réalisée par Russell, achetée par Caulfield au prix de 1.2 £. [91]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Portrait of a Dutch Lady, large muslin ruff, white cap trimmed with point lace; from her hair a jewel pendant, on the clasp is inscribed "Josyna." Finely painted From Great Kimble & Lower Winchendon, Bucks réalisée par Miereveldt, achetée par Brown au prix de 0.14 £. [92]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The beautiful but fickle Countess of Essex and Somerset. This portrait has also, unfortunately, suffered from the saw of some modern goth. It is, however, a beautiful little specimen of the artist; in his best manner From Great Kimble & Lower Winchendon, Bucks (Cornelius Jansen)|The beautiful but fickle Countess of Essex and Somerset. This portrait has also, unfortunately, suffered from the saw of some modern goth. It is, however, a beautiful little specimen of the artist; in his best manner From Great Kimble & Lower Winchendon, Bucks]] réalisée par Cornelius Jansen, achetée par W H Smith au prix de 1.11 £. [93]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Elizabeth Queen of England, lace ruff, head dress, highly embellished with large pearl drops. This portrait has unfortunately been cut, and the face and head-dress only remain; but the prominent features of Elizabeth are enough to distinguish the portrait if there was not a vestige of the costume. -- The high forehead, projecting nose, and lashless but penetrating eyes, are marked too strongly for any one having seen the genuine pictures -- "those taken only by her Majesty's sanction, and by her own limners," to doubt this portrait an original, or that it is not by the hand of Mark Garrard From Great Kimble & Lower Winchendon, Bucks (Mark Garrard)|Elizabeth Queen of England, lace ruff, head dress, highly embellished with large pearl drops. This portrait has unfortunately been cut, and the face and head-dress only remain; but the prominent features of Elizabeth are enough to distinguish the portrait if there was not a vestige of the costume. -- The high forehead, projecting nose, and lashless but penetrating eyes, are marked too strongly for any one having seen the genuine pictures -- "those taken only by her Majesty's sanction, and by her own limners," to doubt this portrait an original, or that it is not by the hand of Mark Garrard From Great Kimble & Lower Winchendon, Bucks]] réalisée par Mark Garrard, achetée par Hull au prix de 1.2 £. [94]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Small oil picture of King James I. on paper From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Cawfield au prix de 0.8 £. [95]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Portrait of an Italian (query Cornaro?) amazing long flowing beard; ruins in the distance; holding in his hand a flower From Great Kimble & Lower Winchendon, Bucks réalisée par Bronzino, achetée par Tuck au prix de 1.16 £. [96]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Portrait of a Venetian Lady, hand resting on a book lettered "Rime di Madalena Capaglia;" a favorite spaniel on the table From Great Kimble & Lower Winchendon, Bucks réalisée par School of Titian, achetée par Mosley au prix de 0.8 £. [97]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Sir Marmaduke Dayrell, Kt., flowered dress, flowing wig, loose red scarf. On the back, the name is slightly traced in pencil, and the mark "5lb. paid" written in ink From Great Kimble & Lower Winchendon, Bucks réalisée par Hales, achetée par [[Abrahams [or] Abraham]] au prix de 1.5 £. [98]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Count Gondamor, Ambassador to James I. from the King of Spain, in rich embroidered cap under a slouched hat; collar of jewels; motto, "Quod Caesare est, Caesari Tribuo." An admirably painted portrait. "Gondamor, who became all things to all men for political purposes, might have been represented with a looking glass in his hand, as St. Paul is at Versailles. He assured the Earl of Bristol, when he was at Madrid, that he was an Englishman in his heart. He was said to have been an overmatch for the King of Denmark in drinking when he was in England, as he was undoubtedly an overmatch for King James in politics." "Not the least of his qualifications was his gallantry to the ladies, to whom he frequently made presents." "There, perhaps, never was a man who had so much art with so little appearance of it" From Great Kimble & Lower Winchendon, Bucks (Vandyke)|Count Gondamor, Ambassador to James I. from the King of Spain, in rich embroidered cap under a slouched hat; collar of jewels; motto, "Quod Caesare est, Caesari Tribuo." An admirably painted portrait. "Gondamor, who became all things to all men for political purposes, might have been represented with a looking glass in his hand, as St. Paul is at Versailles. He assured the Earl of Bristol, when he was at Madrid, that he was an Englishman in his heart. He was said to have been an overmatch for the King of Denmark in drinking when he was in England, as he was undoubtedly an overmatch for King James in politics." "Not the least of his qualifications was his gallantry to the ladies, to whom he frequently made presents." "There, perhaps, never was a man who had so much art with so little appearance of it" From Great Kimble & Lower Winchendon, Bucks]] réalisée par Vandyke, achetée par Sir C E Grey au prix de 4.0 £. [99]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [["Right Honourable Lady Mary Chamber, sister to James Earl of Berkeley" -- Lady Mary, eldest daughter of Charles Earl of Berkeley, and Elizabeth, daughter of Baptist Noel Viscount Cambden, and sister to Edward Earl of Gainsborough; she married Thomas Chambers, of Hanworth, Middlesex, Esq. From Great Kimble & Lower Winchendon, Bucks (artiste anonyme)|"Right Honourable Lady Mary Chamber, sister to James Earl of Berkeley" -- Lady Mary, eldest daughter of Charles Earl of Berkeley, and Elizabeth, daughter of Baptist Noel Viscount Cambden, and sister to Edward Earl of Gainsborough; she married Thomas Chambers, of Hanworth, Middlesex, Esq. From Great Kimble & Lower Winchendon, Bucks]] réalisée par un.e artiste anonyme, achetée par Brown au prix de 1.18 £. [100]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Margaret Beauchamp, Countess of Richmond and Derby, Mother of Henry VII. and her Husband, Thomas Lord Stanley, two very early pictures before oil painting -- it is to be regretted that these pictures, which are undoubtedly genuine, and the earliest portraits in the collection, have materially suffered from injudicious cleaning From Great Kimble & Lower Winchendon, Bucks (artiste anonyme)|Margaret Beauchamp, Countess of Richmond and Derby, Mother of Henry VII. and her Husband, Thomas Lord Stanley, two very early pictures before oil painting -- it is to be regretted that these pictures, which are undoubtedly genuine, and the earliest portraits in the collection, have materially suffered from injudicious cleaning From Great Kimble & Lower Winchendon, Bucks]] réalisée par un.e artiste anonyme, achetée par Bryant au prix de 0.16 £. [101]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme James I. King of England, and VI. of Scotland, white satin dress, hat and jewels, George suspended by a collar of jewels, over all a brown loose cloak; panel From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Carr au prix de 2.12 £. [102]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Ditto Henry VIII. ditto King of England, a more recent painted portrait, after From Great Kimble & Lower Winchendon, Bucks réalisée par Holbien, achetée par Carr au prix de 3.3 £. [103]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Henry VIII. King of England, white slashed and embroidered satin dress, studded with jewels, red cloak, lined with fur From Great Kimble & Lower Winchendon, Bucks réalisée par John Mabuse, achetée par Hull au prix de 3.12 £. [104]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Charles I. small portrait, ribband and George From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Carr au prix de 1.1 £. [105]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Portrait of a Gentleman, supposed Sir Henry Wotton when young; panel From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Abrahams au prix de 1.1 £. [106]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Elizabeth of Bourbon, Queen of Spain From Great Kimble & Lower Winchendon, Bucks réalisée par Rubens, achetée par Tuck au prix de 1.1 £. [107]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Rubens' Children, two little Girls, in gothic pattern frame From Great Kimble & Lower Winchendon, Bucks réalisée par Rubens, achetée par [[Carr Ridge [?]]] au prix de 4.4 £. [108]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Killegrew, Thomas, and Thomas Carew, seated; small sketch of the celebrated picture of King Charles the First's Jester and his Friend, at Windsor Castle From Great Kimble & Lower Winchendon, Bucks réalisée par Vandyke, achetée par [[Abrahams [or] Abraham]] au prix de 1.6 £. [109]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Cowley, Abraham, Poet, black cloak, &c. From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Haines au prix de 0.16 £. [110]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme "La Filié de Piemon," striped dress, open muslin collar; the companion to the preceding From Great Kimble & Lower Winchendon, Bucks réalisée par Jeannet, achetée par Forster au prix de 0.12 £. [111]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme "La Filié de France 1579," richly dressed, hat and feathers; on panel From Great Kimble & Lower Winchendon, Bucks réalisée par Jeannet, achetée par Forster au prix de 0.14 £. [112]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme "Marguerite I. du nom, Femme du S. Louis," as per old inscription seen at the back of the picture; black hood and dress with white muslin, over which is a red mantle From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Malough au prix de 0.5 £. [113]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Anne of Austria, Queen of Louis XIII. of France, open slashed white dress, large ruff, jewels in her hair; on canvas From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Abraham au prix de 1.18 £. [114]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Louis XIII. King of France, in armour, in an octagon border, on panel From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Haines au prix de 0.9 £. [115]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[William Cecil Lord Burleigh, Lord High Treasurer, in the same picture with Lady Burleigh, his second wife, who died 1589 -- Mildred, daughter of Sir Anthony Coke, of Giddy Hall, Essex, Knt.; the lady is in the rich dress of the period, with a jewel suspended by pearls, the date on the picture is 1596, and it has every appearance of being from the pencil of the industrious Mark Garrard. Pictures of this description are rarely met with for sale From Great Kimble & Lower Winchendon, Bucks (Mark Garrard)|William Cecil Lord Burleigh, Lord High Treasurer, in the same picture with Lady Burleigh, his second wife, who died 1589 -- Mildred, daughter of Sir Anthony Coke, of Giddy Hall, Essex, Knt.; the lady is in the rich dress of the period, with a jewel suspended by pearls, the date on the picture is 1596, and it has every appearance of being from the pencil of the industrious Mark Garrard. Pictures of this description are rarely met with for sale From Great Kimble & Lower Winchendon, Bucks]] réalisée par Mark Garrard, achetée par Ridge au prix de 2.2 £. [116]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[John Chetwynd, of Ridgly, Staffordshire, Esq. black flowered dress, slashed sleeves, white collar and tassel On the picture at each corner are his arms -- viz. az. a chevron inter 3 mullets, or. crescent for difference, also the same impaled, with az. a cross saltire engraled agr. and an inscription -- "John Chetwynd of Ridgly, in the Co. Stafford, Esq. married to Elizabeth, second daughter of Sir Thomas Tyringham, of Nether Winchendon, Esq. born 1591, died 1652." In an older hand, coeval with the picture, is Ao. 1652, AEt. 61 From Great Kimble & Lower Winchendon, Bucks (artiste anonyme)|John Chetwynd, of Ridgly, Staffordshire, Esq. black flowered dress, slashed sleeves, white collar and tassel On the picture at each corner are his arms -- viz. az. a chevron inter 3 mullets, or. crescent for difference, also the same impaled, with az. a cross saltire engraled agr. and an inscription -- "John Chetwynd of Ridgly, in the Co. Stafford, Esq. married to Elizabeth, second daughter of Sir Thomas Tyringham, of Nether Winchendon, Esq. born 1591, died 1652." In an older hand, coeval with the picture, is Ao. 1652, AEt. 61 From Great Kimble & Lower Winchendon, Bucks]] réalisée par un.e artiste anonyme, achetée par Tuck au prix de 3.18 £. [117]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme A small panel picture of Five Ladies kneeling, part of a Shrine, very early specimen of the art, probably of the same family Wotton From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Cawfield au prix de 0.5 £. [118]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Lady and her two Sons, Martin and Stephen, supposed of the Wotton Family. -- The lady is represented writing a letter, with writing case open on table; by her are her two sons, one on each side; over the one holding a book of "the Proverbs of Solomon," is inscribed "Martin was borne the 26 of Marche, at 9 of the cloke be fore nonne, in a Dni 1548 -- over the other, "Steve was borne the 21 of Jvli of a Sunday at night and 10 of the Cloke, a Dni 1549 -- over the lady, "I was borne the 7 of September on a Sonday, 1529, Torned from that I was into that ye se, a Dni 1557;" on panel From Great Kimble & Lower Winchendon, Bucks (Sir Antonio More)|Lady and her two Sons, Martin and Stephen, supposed of the Wotton Family. -- The lady is represented writing a letter, with writing case open on table; by her are her two sons, one on each side; over the one holding a book of "the Proverbs of Solomon," is inscribed "Martin was borne the 26 of Marche, at 9 of the cloke be fore nonne, in a Dni 1548 -- over the other, "Steve was borne the 21 of Jvli of a Sunday at night and 10 of the Cloke, a Dni 1549 -- over the lady, "I was borne the 7 of September on a Sonday, 1529, Torned from that I was into that ye se, a Dni 1557;" on panel From Great Kimble & Lower Winchendon, Bucks]] réalisée par Sir Antonio More, achetée par Rodd au prix de 2.8 £. [119]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Catherine Boren, wife of Martin Luther, holding in her hand a pearl and a flower; panel, black and gold frame From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Farrar au prix de 1.2 £. [120]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Marquerite, Princesse de Parma, Governor of the Low Countries, pearls round her neck, an early portrait on panel, and the Duke of Palma; inscribed "Pensoso D'autrui," 1569 From Great Kimble & Lower Winchendon, Bucks réalisée par Sir Antonio More, achetée par Sir T P au prix de 0.10 £. [121]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Portrait of an Italian Lady in the attitude of Prayer, in red dress, slash sleeves, jewel at her breast From Great Kimble & Lower Winchendon, Bucks réalisée par Palma, achetée par Forster au prix de 0.18 £. [122]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Thomas Lord Ellismere, Chancellor; three-quarters length, in black dress, rich embroidered gloves; a book on table covered with green cloth From Great Kimble & Lower Winchendon, Bucks réalisée par Cornelius Jansen, achetée par Hull au prix de 3.3 £. [123]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[William Camden, Clarenceaux King of Arms, scull cap and ruff, grey beard, a finely painted portrait "The world is much indebted to this great man as an historian, an antiquary, a schoolmaster and a founder." -- Grainger From Great Kimble & Lower Winchendon, Bucks (artiste anonyme)|William Camden, Clarenceaux King of Arms, scull cap and ruff, grey beard, a finely painted portrait "The world is much indebted to this great man as an historian, an antiquary, a schoolmaster and a founder." -- Grainger From Great Kimble & Lower Winchendon, Bucks]] réalisée par un.e artiste anonyme, achetée par Tuck au prix de 2.5 £. [124]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Anne Stanhope, Countess of Chesterfield, daughter of Thomas Lord Wotton; small portrait on panel From Great Kimble & Lower Winchendon, Bucks réalisée par Russell, achetée par Tuck au prix de 0.16 £. [125]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme King James I. when a Child, splendid lace dress, holding a Goldfinch; on his high crowned hat is a singular jewel; a curious portrait on panel From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par Willson au prix de 1.0 £. [126]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Sir Nicholas Poynts, of Iron Acton, Gloucestershire, profile, hat and feather, massive gold chain round his neck -- motto, aetatis suae 25, anno 1535; on panel "Je obais qui je dois. Je sers a qui me plaist. Et suis a qui me merite." Son of Sir Ant. P. by Elizabeth, daughter of W. Hadfield, of Devonshire; married Joan, daughter of Thomas Lord Berkely, who brought him 5 sons and 2 daughters; of the latter Jane was wife of John Seymour, and Anne married Sir Thomas Heneage, Treasurer and Householder of Queen Elizabeth From Great Kimble & Lower Winchendon, Bucks (Holbien)|Sir Nicholas Poynts, of Iron Acton, Gloucestershire, profile, hat and feather, massive gold chain round his neck -- motto, aetatis suae 25, anno 1535; on panel "Je obais qui je dois. Je sers a qui me plaist. Et suis a qui me merite." Son of Sir Ant. P. by Elizabeth, daughter of W. Hadfield, of Devonshire; married Joan, daughter of Thomas Lord Berkely, who brought him 5 sons and 2 daughters; of the latter Jane was wife of John Seymour, and Anne married Sir Thomas Heneage, Treasurer and Householder of Queen Elizabeth From Great Kimble & Lower Winchendon, Bucks]] réalisée par Holbien, achetée par Molteno au prix de 6.2 £. [127]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Thomas Howard, Third Duke of Norfolk, cup and feather, the George suspended by a ribband; panel From Great Kimble & Lower Winchendon, Bucks réalisée par Zucchero, achetée par Farrars au prix de 3.10 £. [128]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Catharine of Austria, Infanta of Spain, Duchess of Savoy; rich embroidered dress, high hat and jewel; finely painted in the style of Titian From Great Kimble & Lower Winchendon, Bucks réalisée par Titian, achetée par H Rodd au prix de 3.3 £. [129]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Portrait of Sir Robert Wotton and Anne Bilknap?, on panel, painted as early as 1504; these portraits are supposed to represent some of the Wotton family, -- on the picture is the following curious inscription, which has been also about the Elizabethan era copied (though not accurately) upon the frame "When helithe and also sylver ys in plese Ye may make good cheere be Goddes grase, Bot whin helthe & sylvr ys gone and paste Ye mayn syte done at the dore and faste. Therefore lat us all kneele doone and prey, That all we lake not sylver a nother daye. For yf we don I pot yev ovt of dowt Yt ys a deases as yll as the goutte." The gentleman aged 63, the lady 61 From Great Kimble & Lower Winchendon, Bucks (artiste anonyme)|Portrait of Sir Robert Wotton and Anne Bilknap?, on panel, painted as early as 1504; these portraits are supposed to represent some of the Wotton family, -- on the picture is the following curious inscription, which has been also about the Elizabethan era copied (though not accurately) upon the frame "When helithe and also sylver ys in plese Ye may make good cheere be Goddes grase, Bot whin helthe & sylvr ys gone and paste Ye mayn syte done at the dore and faste. Therefore lat us all kneele doone and prey, That all we lake not sylver a nother daye. For yf we don I pot yev ovt of dowt Yt ys a deases as yll as the goutte." The gentleman aged 63, the lady 61 From Great Kimble & Lower Winchendon, Bucks]] réalisée par un.e artiste anonyme, achetée par Hull au prix de 3.3 £. [130]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Duke of Alva, Governor of the Lower Countries, and Charles V. Emperor of Germany, 2 portraits on panel From Great Kimble & Lower Winchendon, Bucks réalisée par un.e artiste anonyme, achetée par [[Cox [?]]] au prix de 0.6 £. [131]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Small whole length Portrait of a Boy, whip in his hand and dog by his side, presumed one of the Wotton Family, curious costume; Landscape in the distance From Great Kimble & Lower Winchendon, Bucks réalisée par T. Johnson, 1663, achetée par Tuck au prix de 0.10 £. [132]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Temple; "Hester, wife of Sir John Temple, of Stow, in Bucks, Bart.; had 4 sons and 9 daughters, were all married; she lived to see a numerous issue -- 700 and odd descendants from her body." AEtat suae 94 -- 1640. -- Nat. 1546 -- Denat. 1656. This Portrait has been carefully preserved by the family. Part of the inscription has been put on at a more recent date, by one of the "seven hundred and odd," who felt the true "ancestrel pride," and there cannot remain any doubt of its accuracy From Great Kimble & Lower Winchendon, Bucks (artiste anonyme)|Temple; "Hester, wife of Sir John Temple, of Stow, in Bucks, Bart.; had 4 sons and 9 daughters, were all married; she lived to see a numerous issue -- 700 and odd descendants from her body." AEtat suae 94 -- 1640. -- Nat. 1546 -- Denat. 1656. This Portrait has been carefully preserved by the family. Part of the inscription has been put on at a more recent date, by one of the "seven hundred and odd," who felt the true "ancestrel pride," and there cannot remain any doubt of its accuracy From Great Kimble & Lower Winchendon, Bucks]] réalisée par un.e artiste anonyme, achetée par Hull au prix de 2.15 £. [133]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme Patrick Ruthven, General of the Horse to King Charles I. three-quarters length, hand on a table, sword by his side From Great Kimble & Lower Winchendon, Bucks réalisée par Jamieson, achetée par Tuck au prix de 0.10 £. [134]

1833.07.11/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Lucy, daughter of Henry Percy, Earl of Northumberland, wife of James Hay, Earl of Carlisle, after Ditto Vandyke "It was not so much the beauty of this celebrated lady as the sprightliness of her wit and the charms of her behaviour that rendered her an object of general admiration." -- She died 1660, and was buried at Petworth From Great Kimble & Lower Winchendon, Bucks (Old Stone)|Lucy, daughter of Henry Percy, Earl of Northumberland, wife of James Hay, Earl of Carlisle, after Ditto Vandyke "It was not so much the beauty of this celebrated lady as the sprightliness of her wit and the charms of her behaviour that rendered her an object of general admiration." -- She died 1660, and was buried at Petworth From Great Kimble & Lower Winchendon, Bucks]] réalisée par Old Stone, achetée par [[Forster [or] Foster]] au prix de 1.7 £. [135]