Ventes d'œuvres le 1834.04.26

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  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Massacre of the Innocents A duplicate of the celebrated picture. This grand production was painted for the altar of St. Domenico, at Bologna, and rejected by the Monks, from its being 18 inches shorter, and 14 inches narrower than the space assigned for it (Guido)|The Massacre of the Innocents A duplicate of the celebrated picture. This grand production was painted for the altar of St. Domenico, at Bologna, and rejected by the Monks, from its being 18 inches shorter, and 14 inches narrower than the space assigned for it]] réalisée par Guido, vendue par Coesveldt au prix de 115.10 £. [1]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Italian sea-port, with a tower and broken rocks covered with foliage in the fore-ground on the right, with fishermen drawing in their nets, where the water is rippled with a fresh breeze; with buildings and mountainous distance, -- painted with clear and capital effect, -- from Mr. Arman's heirs, Bologna (Salvator Rosa)|An Italian sea-port, with a tower and broken rocks covered with foliage in the fore-ground on the right, with fishermen drawing in their nets, where the water is rippled with a fresh breeze; with buildings and mountainous distance, -- painted with clear and capital effect, -- from Mr. Arman's heirs, Bologna]] réalisée par Salvator Rosa, vendue par Coesveldt au prix de 26.0 £. [4]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The marriage of Bacchus and Ariadne: Ariadne crowned by Hymen, with Cupid floating in the air above them, scattering flowers. The boat which brought Bacchus is to the right, with the fleet of Perseus in the distance This very beautiful specimen formed one of the panels of the sedan chair, Portantina, of the family of Ottalevi of Bologna, for whom it was painted; the remaining panels of which have found their way into some of the most celebrated galleries in Germany (A. Carracci)|The marriage of Bacchus and Ariadne: Ariadne crowned by Hymen, with Cupid floating in the air above them, scattering flowers. The boat which brought Bacchus is to the right, with the fleet of Perseus in the distance This very beautiful specimen formed one of the panels of the sedan chair, Portantina, of the family of Ottalevi of Bologna, for whom it was painted; the remaining panels of which have found their way into some of the most celebrated galleries in Germany]] réalisée par A. Carracci, vendue par Coesveldt, achetée par Norton au prix de 11.11 £. [6]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin seated in a landscape, with the infant Christ on her knee, who is receiving the Cross from the infant St. John, who kneels by their side, -- one of the very finest productions of this rare master; circular, on panel (Matteo Roselli, Master of F. Bartolomeo)|The Virgin seated in a landscape, with the infant Christ on her knee, who is receiving the Cross from the infant St. John, who kneels by their side, -- one of the very finest productions of this rare master; circular, on panel]] réalisée par Matteo Roselli, Master of F. Bartolomeo, vendue par Coesveldt, achetée par Bartie au prix de 15.15 £. [7]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[St. John standing in a landscape, with his left arm resting on a rock, and the right holding the Cross, with the lamb by his side, -- painted with great sweetness and clearness of tone The head and torso only are exactly similar to one of the angels holding the cross in the picture of the Rosario, in the gallery of Bologna (Domenichino)|St. John standing in a landscape, with his left arm resting on a rock, and the right holding the Cross, with the lamb by his side, -- painted with great sweetness and clearness of tone The head and torso only are exactly similar to one of the angels holding the cross in the picture of the Rosario, in the gallery of Bologna]] réalisée par Domenichino, vendue par Coesveldt au prix de 35.14 £. [8]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A grand landscape, with a sea-port, and fishermen landing in the fore-ground; a tower and other buildings to the right; and a mountainous shore in the distance; with effect of sun through a mist This and the two following pictures were brought from the walls of a room in the Papal States (Gaspar Poussin)|A grand landscape, with a sea-port, and fishermen landing in the fore-ground; a tower and other buildings to the right; and a mountainous shore in the distance; with effect of sun through a mist This and the two following pictures were brought from the walls of a room in the Papal States]] réalisée par Gaspar Poussin, vendue par Coesveldt, achetée par Edwards au prix de 8.0 £. [12]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Virgin, seated before a piece of architecture, with the infant Christ standing by her side, to whom the infant St. John is offering a cup of water; with rich landscape back-ground: -- this beautiful picture is in excellent preservation, circular, on panel (F. Bartolomeo)|The Virgin, seated before a piece of architecture, with the infant Christ standing by her side, to whom the infant St. John is offering a cup of water; with rich landscape back-ground: -- this beautiful picture is in excellent preservation, circular, on panel]] réalisée par F. Bartolomeo, vendue par Coesveldt, achetée par White au prix de 14.3 £. [15]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The fathers of the church instructed by St. John of the mysteries of the immaculate conception of the Virgin, who appears in the clouds, surrounded with infant angels. The beautiful small finished picture from the large fresco in the church of Santa Maria, at the Porta del Popolo at Rome (P. da Cortona)|The fathers of the church instructed by St. John of the mysteries of the immaculate conception of the Virgin, who appears in the clouds, surrounded with infant angels. The beautiful small finished picture from the large fresco in the church of Santa Maria, at the Porta del Popolo at Rome]] réalisée par P. da Cortona, vendue par Coesveldt, achetée par Pearkes au prix de 7.0 £. [35]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A landscape, with a lake and richly-wooded banks, behind which the sun is setting, nymphs and satyrs in the fore-ground The left upper corner of this picture was injured by fire when a wing of the Rospigliosi gallery was burnt, but has been repaired (Claude)|A landscape, with a lake and richly-wooded banks, behind which the sun is setting, nymphs and satyrs in the fore-ground The left upper corner of this picture was injured by fire when a wing of the Rospigliosi gallery was burnt, but has been repaired]] réalisée par Claude, vendue par Coesveldt, achetée par Andrews au prix de 8.8 £. [68]
  • 1834.04.26/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A meadow, with a peasant leaning against the trunk of a tree asleep, a goat and sheep before her, and farm buildings to the right; in the centre of the picture are three cows, one of them reposing, with figures and cattle in the distance: capital effect of sunshine. From the gallery of Count Zinzendorff (Paulus Potter, 1636)|A meadow, with a peasant leaning against the trunk of a tree asleep, a goat and sheep before her, and farm buildings to the right; in the centre of the picture are three cows, one of them reposing, with figures and cattle in the distance: capital effect of sunshine. From the gallery of Count Zinzendorff]] réalisée par Paulus Potter, 1636, vendue par Coesveldt, achetée par Isaacs au prix de 7.5 £. [75]