Ventes d'œuvres le 1834.07.07

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Lucy Percy, Countess of Carlisle, whole length, one hand is employed holding her dress, which is of splendid white satin, whilst the other is withdrawing a crimson curtain, as entering into a room; rocky scenery in the back ground. The tout-ensemble of this picture bespeaks grace and dignity, and is certainly a chef d'oeuvre of the master. Painter -- It is a pretty mocking of the life, Here is a touch; Is't good? Poet -- I'll say of it, It tutors nature; artificial strife Live in thesen touches, livelier than life. vide Shakespeare (Vandyck)|Lucy Percy, Countess of Carlisle, whole length, one hand is employed holding her dress, which is of splendid white satin, whilst the other is withdrawing a crimson curtain, as entering into a room; rocky scenery in the back ground. The tout-ensemble of this picture bespeaks grace and dignity, and is certainly a chef d'oeuvre of the master. Painter -- It is a pretty mocking of the life, Here is a touch; Is't good? Poet -- I'll say of it, It tutors nature; artificial strife Live in thesen touches, livelier than life. vide Shakespeare]] réalisée par Vandyck, vendue par Earl of Egmont. [1]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Mary II. consort of William, whole length, in coronation robes, crown on the table, &c., companion picture to the preceding -- two fine specimens of the Master, and rarely met with as a pair réalisée par Kneller, vendue par Earl of Egmont. [2]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme William III. whole length, in his coronation robes, crown and sceptre on table two fine specimens of the Master, and rarely met with as a pair réalisée par Kneller, vendue par Earl of Egmont. [3]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[James I. whole length, standing in a room, his left hand resting upon a table covered with rich crimson velvet on which is the crown and sceptre; his right hand holds the George; black embroidered doublet, over which is a yellow vest, black trunks, red hose, -- rich crimson curtains, &c. in background, -- a singular and desirable portrait (Van Somer)|James I. whole length, standing in a room, his left hand resting upon a table covered with rich crimson velvet on which is the crown and sceptre; his right hand holds the George; black embroidered doublet, over which is a yellow vest, black trunks, red hose, -- rich crimson curtains, &c. in background, -- a singular and desirable portrait]] réalisée par Van Somer, vendue par Earl of Egmont. [4]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Margaret, sister of Henry VIII., Queen of James IV. of Scotland, in black and ermine dress, ornamented with white pearl beads, ermine tippet, holding a missal, 24 in. by 37 Margaret wife of James IV., and mother of James V. King of Scotland was eldest sister of Henry VIII. Her second marriage was with Archibald Douglas Earl of Angus, who had by her a daughter, named Margaret, married to Matthew Stuart, Earl of Lenox, by whom she was mother of Henry Lord Darnley, the unfortunate husband of the more unfortunate Mary Queen of Scots. After her divorce from the Earl of Angus she was married to Henry Stuart, brother to the Lord Avindall. *footnote: This picture has an inscription upon it, also arms painted long subsequent to the painting of the picture, and evidently intended for some other portrait (Holbein)|Margaret, sister of Henry VIII., Queen of James IV. of Scotland, in black and ermine dress, ornamented with white pearl beads, ermine tippet, holding a missal, 24 in. by 37 Margaret wife of James IV., and mother of James V. King of Scotland was eldest sister of Henry VIII. Her second marriage was with Archibald Douglas Earl of Angus, who had by her a daughter, named Margaret, married to Matthew Stuart, Earl of Lenox, by whom she was mother of Henry Lord Darnley, the unfortunate husband of the more unfortunate Mary Queen of Scots. After her divorce from the Earl of Angus she was married to Henry Stuart, brother to the Lord Avindall. *footnote: This picture has an inscription upon it, also arms painted long subsequent to the painting of the picture, and evidently intended for some other portrait]] réalisée par Holbein, vendue par Earl of Egmont. [5]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Pembroke, Anne Clifford, Countess of and Dorset, whole length, ascending a step which leads towards a garden, dressed in white satin, and fur tippet, her head ornamented with flowers réalisée par Vandyck, vendue par Earl of Egmont. [6]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Bradshaw, John, Serjeant at Law, President of the pretended High Court of Justice, who sat upon the trial of King Charles I., black dress, slash sleeves; 25 in. by 30 Bradshaw had the peculiarity of being the only man that ever sat in judgment upon his Sovereign. His reward for presiding at the trial was almost as extraordinary, as the parliament soon after made him a present of Summer Hill, a seat of the Earl of St. Alban's, valued at 1000£. a year. He declared a little before he left the world, that if the King were to be tried and condemned again, he would be the first man that should do it. It may not be a little surprising to find the portrait of so great a Republician in the very midst of so many loyal families, but the name on the picture, the simple word "Bradshaw" will probably shew that it was preserved more out of curiosity of the picture, than from the admiration of the man. There can be little doubt of the originality, and the excessive rarity of the portrait will probably render this memorial of very great interest to the collector (Walker)|Bradshaw, John, Serjeant at Law, President of the pretended High Court of Justice, who sat upon the trial of King Charles I., black dress, slash sleeves; 25 in. by 30 Bradshaw had the peculiarity of being the only man that ever sat in judgment upon his Sovereign. His reward for presiding at the trial was almost as extraordinary, as the parliament soon after made him a present of Summer Hill, a seat of the Earl of St. Alban's, valued at 1000£. a year. He declared a little before he left the world, that if the King were to be tried and condemned again, he would be the first man that should do it. It may not be a little surprising to find the portrait of so great a Republician in the very midst of so many loyal families, but the name on the picture, the simple word "Bradshaw" will probably shew that it was preserved more out of curiosity of the picture, than from the admiration of the man. There can be little doubt of the originality, and the excessive rarity of the portrait will probably render this memorial of very great interest to the collector]] réalisée par Walker, vendue par Earl of Egmont. [7]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme John, Prince of Nassau, whole length, standing holding a baton, his other hand resting on a helmet. A splendid gallery picture, 54 in. by 90, after réalisée par Vandyck, vendue par Earl of Egmont. [8]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Monmouth, James Scott, Duke of, Master of the Horse, whole length, in the robes of the Garter -- a rare Portrait, and fine specimen of the Master; 54 in. by 90 The attempt of the Duke of Monmouth to raise himself to the throne, was no less absurd than that of James to change the religion of the three Kingdoms. He landed with a few of his followers in the west, where he was greatly beloved by the people, who regarded him as rightful heir to the crown; he soon found himself at the head of a numerous body of ploughmen, graziers, and mechanics, who behaved at the battle of Sedgemore much better than could have been expected from such a rabble of undisciplined soldiers; this was in a great measure owing to the intrepidity of the Duke. The defeat was occasioned by Lord Grey retreating with the cavalry, which were thrown into confusion by the noise of the cannon. The unhappy Monmouth was found by some country fellows, two days after, concealed in a field, under some straw with a few pease in his pocket; his head was severed from his body in the fifth stroke by a timid and unskilful executioner, who probably sympathized with the weeping spectators (Lely)|Monmouth, James Scott, Duke of, Master of the Horse, whole length, in the robes of the Garter -- a rare Portrait, and fine specimen of the Master; 54 in. by 90 The attempt of the Duke of Monmouth to raise himself to the throne, was no less absurd than that of James to change the religion of the three Kingdoms. He landed with a few of his followers in the west, where he was greatly beloved by the people, who regarded him as rightful heir to the crown; he soon found himself at the head of a numerous body of ploughmen, graziers, and mechanics, who behaved at the battle of Sedgemore much better than could have been expected from such a rabble of undisciplined soldiers; this was in a great measure owing to the intrepidity of the Duke. The defeat was occasioned by Lord Grey retreating with the cavalry, which were thrown into confusion by the noise of the cannon. The unhappy Monmouth was found by some country fellows, two days after, concealed in a field, under some straw with a few pease in his pocket; his head was severed from his body in the fifth stroke by a timid and unskilful executioner, who probably sympathized with the weeping spectators]] réalisée par Lely, vendue par Earl of Egmont. [9]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Sir Thomas Mallet, a whole length Portrait of a Gentleman in black, said to be; doublet and trunk leather boots, hose, sword, stick, hat, &c. réalisée par Mytens, vendue par Earl of Egmont. [10]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Salisbury, Anne, Countess of, daughter and co-heir of Thomas Tufton, Earl of Thanet; whole length, standing in a room: View of a Cathedral in the distance -- in her Coronation robes réalisée par Kneller, vendue par Earl of Egmont. [11]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme The same Bolton, Charles Powlet, Duke of, whole length, in robes of the garter, standing before a table holding a white rod, hat on table -- a desirable specimen of the master réalisée par Kneller, vendue par Earl of Egmont. [12]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Bolton, Charles Powlet, Duke of, three-quarters length, red dress, star and ribbon of the garter réalisée par Kneller, vendue par Earl of Egmont. [13]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Catherine Percival, Mrs. Dering, long flowing dark hair, loose robe, resting her arm on a velvet cushion réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [14]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme The same Lady as lot 49 Percival, Catherine Lady sister to Sir Robert Southwell, and wife to Sir John Percival, fifth of that name; ob. 1679; aetat 42, when much younger, as a Shepherdess holding a crook, attended by a Lamb réalisée par Lely, vendue par Earl of Egmont. [15]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Sir Philip, with his Lady, grand daughter of Sir W. Usher, a small copy of a picture by Vandyke, oblong réalisée par Vandyke, vendue par Earl of Egmont. [16]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Sir John, same as lot 45 Percival, Sir John (sixth of that name), Bart. Nat. 1661; ob. 1686, aet. 25, in Roman costume réalisée par Wissing, vendue par Earl of Egmont. [17]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival. Portrait of one of the Family of Percival in cloak, long flowing hair, beautifully painted réalisée par Hennemans, vendue par Earl of Egmont. [18]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Arundel, Thomas Earl of, ribbon of the Order of the Garter, 25 in. by 30 He acquired in Italy an elegant taste for painting and architecture, and above all for ancient statues, of which he was passionately fond. He employed collectors in most parts of Europe, and sent even into Greece, where he recveived several fragments of antiquity. He loved the company of antiquarians, and virtuosi, and was himself more a virtuoso than a scholar. He was a patron of Hollar the engraver, and is esteemed the father of virtu in England. The Arundelian marbles at Oxford are lasting monuments of his taste (Miereveldt)|Arundel, Thomas Earl of, ribbon of the Order of the Garter, 25 in. by 30 He acquired in Italy an elegant taste for painting and architecture, and above all for ancient statues, of which he was passionately fond. He employed collectors in most parts of Europe, and sent even into Greece, where he recveived several fragments of antiquity. He loved the company of antiquarians, and virtuosi, and was himself more a virtuoso than a scholar. He was a patron of Hollar the engraver, and is esteemed the father of virtu in England. The Arundelian marbles at Oxford are lasting monuments of his taste]] réalisée par Miereveldt, vendue par Earl of Egmont. [19]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival. Portrait of one the Percival Family as Cupid réalisée par Dhall, vendue par Earl of Egmont. [20]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Crofts, General, father of Henrietta Duchess of Bolton, in armour, long flowing hair réalisée par Kneller, vendue par Earl of Egmont. [21]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Ditto Four of the same Percival Family réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [22]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Ditto Four of the same Percival Family réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [23]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Ditto Four of the same Percival Family réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [24]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Ditto Four of the same Percival Family réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [25]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Four of the same Percival Family réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [26]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Sir John Percival as lot 45 Percival, Sir John (sixth of that name), Bart. Nat. 1661; ob. 1686; aet. 25, and Catherine, daughter of Sir E. Dering, as lot 74 Percival, Catherine Lady, daughter of Sir Edward Dering, Bart., wife of Sir John Percival (sixth of that name) Bart (artiste anonyme)|Sir John Percival as lot 45 Percival, Sir John (sixth of that name), Bart. Nat. 1661; ob. 1686; aet. 25, and Catherine, daughter of Sir E. Dering, as lot 74 Percival, Catherine Lady, daughter of Sir Edward Dering, Bart., wife of Sir John Percival (sixth of that name) Bart]] réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [27]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Sir John Percival, (sixth of that name,) and his wife Lady Dering same as lots 30 Percival, Sir John (sixth of that name), Bart., nat. 1661, ob. 1686, aetat. 25 and 31 Catherine, daughter of Sir E. Dering, Bart., ob. 1692, aetat. 31 réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [28]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Sir John Percival and Catherine Lady Parker, same as lots 48 Percival, Sir John, (fifth of that name), Bart. Nat. 1628; ob. 1665; aetat. 37 and 49 Percival, Catherine Lady sister to Sir Robert Southwell, and wife to Sir John Percival, fifth of that name; ob. 1679; aetat 42 (artiste anonyme)|Sir John Percival and Catherine Lady Parker, same as lots 48 Percival, Sir John, (fifth of that name), Bart. Nat. 1628; ob. 1665; aetat. 37 and 49 Percival, Catherine Lady sister to Sir Robert Southwell, and wife to Sir John Percival, fifth of that name; ob. 1679; aetat 42]] réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [29]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Sir Philip Percival, Bart. and Elizabeth Calthorpe, wife of Sir H. Parker réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [30]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Sir Philip Percival and Lady Catherine, same as lot 67 Percival, Sir Philip, Knt. of the Court of Wards in Ireland; nat. 1599, ob. 1647. Percival, Catherine Lady, grand-daughter to Sir W. Usher, nat. 1598, ob. 1659 réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [31]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Richard Percival and Alice small copies of lots 39 Percival, Richard, (fourth of that name), son of George, Lord of Sydenham, Nailsay, &c. County of Somerset, Register of the Court of Wards in Ireland: nat. 1556; ob. 1621; aetat 65 -- large ruff, gold chain, arms in the corner panel; 19 in. by 22 and 40 Percival, Alice, daughter of John Sherman, county Somerset, and wife of Rich. Percival, Esq. 1599 -- companion to the last; 17 in. by 22 (Garrard)|Richard Percival and Alice small copies of lots 39 Percival, Richard, (fourth of that name), son of George, Lord of Sydenham, Nailsay, &c. County of Somerset, Register of the Court of Wards in Ireland: nat. 1556; ob. 1621; aetat 65 -- large ruff, gold chain, arms in the corner panel; 19 in. by 22 and 40 Percival, Alice, daughter of John Sherman, county Somerset, and wife of Rich. Percival, Esq. 1599 -- companion to the last; 17 in. by 22]] réalisée par Garrard, vendue par Earl of Egmont. [32]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Charles I., on a white horse, attended by his Equerry the Duc d'Espernon, large shield of the arms of England réalisée par Old Stone, vendue par Earl of Egmont. [33]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Alice, companion picture and same as lot 40 Percival, Alice, daughter of John Sherman, county Somerset, and wife of Rich. Percival, Esq., no frame réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [34]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Percival, Richard (fourth of that name), &c. the same portrait as that of lot 39 Percival, Richard, (fourth of that name), son of George, Lord of Sydenham, Nailsay, &c. County of Somerset, Register of the Court of Wards in Ireland: nat. 1556; ob. 1621; aetat 65, with a trifling variation in the dates (artiste anonyme)|Percival, Richard (fourth of that name), &c. the same portrait as that of lot 39 Percival, Richard, (fourth of that name), son of George, Lord of Sydenham, Nailsay, &c. County of Somerset, Register of the Court of Wards in Ireland: nat. 1556; ob. 1621; aetat 65, with a trifling variation in the dates]] réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [35]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Catherine Lady, daughter of Sir Edward Dering, Bart., wife of Sir John Percival (sixth of that name) Bart réalisée par Wissing, vendue par Earl of Egmont. [36]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Two of the Children of Charles I., in singular costume réalisée par Rubens, vendue par Earl of Egmont. [37]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme The Mother of Henrietta, Duchess of Bolton réalisée par Dhall, vendue par Earl of Egmont. [38]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Bolton Henrietta, Duchess of, three-quarters length, standing in a garden gathering a flower réalisée par Dhall, vendue par Earl of Egmont. [39]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Robert, second son to Sir John Percival, Bart. (fifth of that name), ob. 1677, aetat. 20, three-quarters length, sitting with his favorite greyhound réalisée par Wissing, vendue par Earl of Egmont. [40]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Cecil, the Hon. W. Cecil, younger son of James Earl of Salisbury, by his wife the Lady Anne Tufton, second daughter of Thomas Earl of Thanet, 1736 réalisée par Vanderbanck, vendue par Earl of Egmont. [41]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[The same Percival, Sir Philip, Knt. of the Court of Wards in Ireland; nat. 1599, ob. 1647 in a white dress, over which is thrown a loose crimson cloak, holding a lemon in his left hand, 40 by 50 Sir Philip Percival, who in the early part of his life was too easily swayed by his passions, became afterwards a man of a sedate and amiable character. He was a friend of virtue, and a lover of his country. He plunged deeply in business, and proved himself an able man in the management of his private affairs and in every part of his conduct with regard to the public. He at first sided with the King, but shortly after, from what appeared to him reasonable motives, warmly attached himself to the Parliament. He appears to have had no connection with the independent party. He died of a fever 1647, occasioned by his perturbation of mind, from the prospect of those miseries which he apprehended would soon fall upon himself and his country. The Parliament then sitting, though his enemies, buried him at their own expense: and the celebrated Primate Usher (who it appears was somewhat related) preached his funeral sermon (Vandyke)|The same Percival, Sir Philip, Knt. of the Court of Wards in Ireland; nat. 1599, ob. 1647 in a white dress, over which is thrown a loose crimson cloak, holding a lemon in his left hand, 40 by 50 Sir Philip Percival, who in the early part of his life was too easily swayed by his passions, became afterwards a man of a sedate and amiable character. He was a friend of virtue, and a lover of his country. He plunged deeply in business, and proved himself an able man in the management of his private affairs and in every part of his conduct with regard to the public. He at first sided with the King, but shortly after, from what appeared to him reasonable motives, warmly attached himself to the Parliament. He appears to have had no connection with the independent party. He died of a fever 1647, occasioned by his perturbation of mind, from the prospect of those miseries which he apprehended would soon fall upon himself and his country. The Parliament then sitting, though his enemies, buried him at their own expense: and the celebrated Primate Usher (who it appears was somewhat related) preached his funeral sermon]] réalisée par Vandyke, vendue par Earl of Egmont. [42]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Sir Philip, Knt. of the Court of Wards in Ireland; nat. 1599, ob. 1647. Percival, Catherine Lady, grand-daughter to Sir W. Usher, nat. 1598, ob. 1659 -- the two in one picture; arms in the corner réalisée par Dobson, vendue par Earl of Egmont. [43]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Paulet, Lady Nassau; three-quarters length, sitting on a bank, in green dress, attended by her son réalisée par Mercier, vendue par Earl of Egmont. [44]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Philip, Esq. third son of Sir John Percival (sixth of that name), Bart. Nat. 1686 réalisée par Wissing, vendue par Earl of Egmont. [45]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Master Walter; nat. 1599 -- whole length, in red dress and yellow hose, 28 in. by 44, a pleasing picture, and a good specimen of the costume of the day réalisée par Mytens, vendue par Earl of Egmont. [46]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Mordaunt, the Right Hon. Lady, mother to to the Earl of Peterborough, Anno 1722, three quarters length, holding a flowing muslin scarf réalisée par Sir P. Lely, vendue par Earl of Egmont. [47]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Egmont, Catherine, Countess of, inscribed Catherine, daughter of Charles Compton, and sister to Charles Compton Earl of Northampton; Countess of Egmont, with Master Charles Percival, created Baroness of Arden in her own right, 1770. This is also a companion to the two former pictures. The above three pictures by the master of Sir Joshua, are in his best manner and in a beautiful state of preservation (Hudson)|Egmont, Catherine, Countess of, inscribed Catherine, daughter of Charles Compton, and sister to Charles Compton Earl of Northampton; Countess of Egmont, with Master Charles Percival, created Baroness of Arden in her own right, 1770. This is also a companion to the two former pictures. The above three pictures by the master of Sir Joshua, are in his best manner and in a beautiful state of preservation]] réalisée par Hudson, vendue par Earl of Egmont. [48]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Egmont, Catherine Cecil, Countess of, second daughter to James the Earl of Salisbury; nat. 1719, married 1736, ob, 1752, and was buried in Charlton Church, Kent. This lady's mother was the daughter and co-heir to Thomas Tufton, Earl of Thanet, by his wife Catherine, daughter and co-heir of Cavendish, Duke of Newcastle, and first wife of John Earl of Egmont; the companion picture to the last The above three pictures by the master of Sir Joshua, are in his best manner and in a beautiful state of preservation (Hudson)|Egmont, Catherine Cecil, Countess of, second daughter to James the Earl of Salisbury; nat. 1719, married 1736, ob, 1752, and was buried in Charlton Church, Kent. This lady's mother was the daughter and co-heir to Thomas Tufton, Earl of Thanet, by his wife Catherine, daughter and co-heir of Cavendish, Duke of Newcastle, and first wife of John Earl of Egmont; the companion picture to the last The above three pictures by the master of Sir Joshua, are in his best manner and in a beautiful state of preservation]] réalisée par Hudson, vendue par Earl of Egmont. [49]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Egmont, John, Earl of, 1742, in rich crimson robes, lined with ermine; a finely painted Portrait The above three pictures by the master of Sir Joshua, are in his best manner and in a beautiful state of preservation réalisée par Hudson, vendue par Earl of Egmont. [50]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme The companion, Catherine, the eldest daughter of Sir Philip Parker, Bart., Countess of Egmont, 40 in. by 50, seated in a garden, holding a pearl necklace, blue dress, crimson mantel, &c. Sir Godfrey Kneller was paid £ 150 for this picture réalisée par Kneller, vendue par Earl of Egmont. [51]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Egmont, John Lord Percival (seventh of that name), Earl of Egmont, nat. 1682, ob. 1741, in his robes, arms impaling Parker in the corner, a fine specimen of the master réalisée par Kneller, vendue par Earl of Egmont. [52]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Southwell, Helena Gore, wife of Robt. ob 1679, aet. 66, seated, the companion picture réalisée par Lely, vendue par Earl of Egmont. [53]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Southwell, Robert, Esq., ob. 1677, aet. 70, holding his gloves, &c. three quarters length, in a garden réalisée par Lely, vendue par Earl of Egmont. [54]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Charles II. seated in the robes of the Garter, crown on the table réalisée par Riley, vendue par Earl of Egmont. [55]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Monmouth, James Scott, Duke of, Master of the Horse, 1679, three quarters length, in armour, battle in the back ground réalisée par Wissing, vendue par Earl of Egmont. [56]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Southwell, Sir Robert, of King's Weston, near Bristol -- ob. 1702; aet. 56 réalisée par Wissing, vendue par Earl of Egmont. [57]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, John, Earl of Egmont -- aged 55 -- 1738; and Catherine Parker, his Countess, married 1710; ob. 1749. The two in one picture, oblong réalisée par Vanderbanck, vendue par Earl of Egmont. [58]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Ossory, Thomas Butler Lord, three quarters length, in armour; ribband of the Garter; Battle in the distance; very finely painted -- 40 in. by 50 "Thomas Lord Butler, Earl of Ossory, General of his Majesty's subjects of Great Britain, in the service of the Prince of Orange, Lieutenant General of his Majesty's forces in Ireland, Admiral of the fleet, Lord Chamberlain to the Queen, one of the Lords of his Majesty's most honorable privy council, one of the Lords of his Majesty's bedchamber, and Knight of the most noble order of the garter, &c.. &c." Inscription under original print. A pompous list of titles and honors under the portraits of men of rank, sometimes compose the whole history of the person represented. Here we have a man who shone with unborrowed lustre, whose merit was the foundation of his fame, though he seemed born for the camp only, he was perfectly qualified for the court; his courage on board the fleet was scarcely exceeded by that of Prince Rupert, or the Earl of Albemarle, and theirs was never exceeded by that of any other sea officer. He commanded the English troops in the service of the Prince of Orange, and at the battle of Mons contributed greatly to the retreat of Marshal Luxemberg, to whom Lewis XIV. was indebted for the greater part of his military glory; He on this occasion received the thanks of the Duke of Villa Formosa, and of his Catholic Majesty himself. His speech addressed to the Earl of Shaftesbury, in vindication of his father, was universally applauded, it even confounded that intrepid orator, who was, in the senate, what Ossory was in the field; these his great qualities were adorned by a singular modesty, and a probity which nothing could corrupt; poets and historians praise him in much the same terms, as prose naturally rises to the language of poetry on so celebrated a subject. He died of fever, 1680. The Duke of Ormond, his father, said "that he would not exchange his dead son for any living son in Christendom" (Wissing)|Ossory, Thomas Butler Lord, three quarters length, in armour; ribband of the Garter; Battle in the distance; very finely painted -- 40 in. by 50 "Thomas Lord Butler, Earl of Ossory, General of his Majesty's subjects of Great Britain, in the service of the Prince of Orange, Lieutenant General of his Majesty's forces in Ireland, Admiral of the fleet, Lord Chamberlain to the Queen, one of the Lords of his Majesty's most honorable privy council, one of the Lords of his Majesty's bedchamber, and Knight of the most noble order of the garter, &c.. &c." Inscription under original print. A pompous list of titles and honors under the portraits of men of rank, sometimes compose the whole history of the person represented. Here we have a man who shone with unborrowed lustre, whose merit was the foundation of his fame, though he seemed born for the camp only, he was perfectly qualified for the court; his courage on board the fleet was scarcely exceeded by that of Prince Rupert, or the Earl of Albemarle, and theirs was never exceeded by that of any other sea officer. He commanded the English troops in the service of the Prince of Orange, and at the battle of Mons contributed greatly to the retreat of Marshal Luxemberg, to whom Lewis XIV. was indebted for the greater part of his military glory; He on this occasion received the thanks of the Duke of Villa Formosa, and of his Catholic Majesty himself. His speech addressed to the Earl of Shaftesbury, in vindication of his father, was universally applauded, it even confounded that intrepid orator, who was, in the senate, what Ossory was in the field; these his great qualities were adorned by a singular modesty, and a probity which nothing could corrupt; poets and historians praise him in much the same terms, as prose naturally rises to the language of poetry on so celebrated a subject. He died of fever, 1680. The Duke of Ormond, his father, said "that he would not exchange his dead son for any living son in Christendom"]] réalisée par Wissing, vendue par Earl of Egmont. [59]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Sir Philip, Bart. (second of that name). Ob. 1681; aet. 25 -- standing resting his arm on a pedestal; small arms of Percival painted over a larger coat with 12 quarterings réalisée par Sir P. Lely, vendue par Earl of Egmont. [60]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Catherine Lady sister to Sir Robert Southwell, and wife to Sir John Percival, fifth of that name; ob. 1679; aetat 42 -- the companion picture réalisée par Sir P. Lely, vendue par Earl of Egmont. [61]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Sir John, (fifth of that name), Bart. Nat. 1628; ob. 1665; aetat. 37 -- seated in a garden in a loose morning gown: arms impaling Southwell. A very fine specimen of the master réalisée par Sir P. Lely, vendue par Earl of Egmont. [62]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Dering, Mary Harvey Lady, daughter of Sir Daniel Harvey, Ambassador at Constantinople; ob. 1704 -- the companion picture réalisée par Wissing, vendue par Earl of Egmont. [63]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Dering, Sir Edward, Bart., Ob. 1684; father of Catherine Lady Percival, who died 1692 réalisée par Wissing, vendue par Earl of Egmont. [64]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Sir John (sixth of that name), Bart. Nat.1661; ob. 1686; aet. 25 -- arms impaling Dering réalisée par Wissing, vendue par Earl of Egmont. [65]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Thanet, Thomas Tufton, Earl of, in his robes -- coronet on the table, &c. réalisée par Kneller, vendue par Earl of Egmont. [66]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Salisbury, Anne, Countess of, daughter and co-heir of Thomas Tufton, Earl of Thanet. Blue dress; 25 in. by 30 The above two original pictures are in very elegant carved frames réalisée par Dhall, vendue par Earl of Egmont. [67]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Salisbury, James, the fifth Earl of, long flowing wig The above two original pictures are in very elegant carved frames réalisée par Dhall, vendue par Earl of Egmont. [68]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Mary, the second wife of King William III, seated in a garden, holding a bunch of grapes, &c. Small whole length réalisée par Wissing, vendue par Earl of Egmont. [69]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Alice, daughter of John Sherman, county Somerset, and wife of Rich. Percival, Esq. 1599 -- companion to the last réalisée par Garrard, vendue par Earl of Egmont. [70]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Richard, (fourth of that name), son of George, Lord of Sydenham, Nailsay, &c. County of Somerset, Register of the Court of Wards in Ireland: nat. 1556; ob. 1621; aetat 65 -- large ruff, gold chain, arms in the corner panel réalisée par Garrard, vendue par Earl of Egmont. [71]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Madame, the Duchess of Bolton's Sister; inscription and impression of the Poulet seal at the back réalisée par Kneller, vendue par Earl of Egmont. [72]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Monmouth, James Scott, Duke of -- in armour; long flowing wig réalisée par Kneller, vendue par Earl of Egmont. [73]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Catherine, Countess of Egmont, eldest daughter of Sir Philip Parker, of Suffolk, Bart. Nat. 1689; ob. 1749 -- the companion to the last réalisée par Kneller, vendue par Earl of Egmont. [74]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, John Lord, (seventh of that name), Earl of Egmomt, born July 12, 1683; ob. May 1, 1749 -- arms impaling Parker réalisée par Kneller, vendue par Earl of Egmont. [75]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[The same Calthorpe, Elizabeth, daughter and sole heir of Sir P.C. of Ewarton, of the county of Suffolk, Knt., by Amata Boleyn, sister to Queen Anne Boleyn and aunt to Queen Elizabeth, which Elizabeth Calthorpe was the wife of Sir H. Parker, Knt., eldest son and heir of Lord Morley, from whom lineally descended Catharine Parker, Countess of Egmont -- holding a book of Prayer, on panel, two coats of arms in the corner. An old copy on canvas, no frame (Lucas de Heere)|The same Calthorpe, Elizabeth, daughter and sole heir of Sir P.C. of Ewarton, of the county of Suffolk, Knt., by Amata Boleyn, sister to Queen Anne Boleyn and aunt to Queen Elizabeth, which Elizabeth Calthorpe was the wife of Sir H. Parker, Knt., eldest son and heir of Lord Morley, from whom lineally descended Catharine Parker, Countess of Egmont -- holding a book of Prayer, on panel, two coats of arms in the corner. An old copy on canvas, no frame]] réalisée par Lucas de Heere, vendue par Earl of Egmont, achetée par J R P. [76]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Calthorpe, Elizabeth, daughter and sole heir of Sir P.C. of Ewarton, of the county of Suffolk, Knt., by Amata Boleyn, sister to Queen Anne Boleyn and aunt to Queen Elizabeth, which Elizabeth Calthorpe was the wife of Sir H. Parker, Knt., eldest son and heir of Lord Morley, from whom lineally descended Catharine Parker, Countess of Egmont -- holding a book of Prayer, on panel, two coats of arms in the corner (Lucas de Heere)|Calthorpe, Elizabeth, daughter and sole heir of Sir P.C. of Ewarton, of the county of Suffolk, Knt., by Amata Boleyn, sister to Queen Anne Boleyn and aunt to Queen Elizabeth, which Elizabeth Calthorpe was the wife of Sir H. Parker, Knt., eldest son and heir of Lord Morley, from whom lineally descended Catharine Parker, Countess of Egmont -- holding a book of Prayer, on panel, two coats of arms in the corner]] réalisée par Lucas de Heere, vendue par Earl of Egmont. [77]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Moore, Catherine Lady, wife of Sir W.M., of Ross Carhery, daughter of Sir J. Percival réalisée par Dhall, vendue par Earl of Egmont. [78]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme The companion picture. Catherine, daughter of Sir E. Dering, Bart., ob. 1692, aetat 31 réalisée par Dhall, vendue par Earl of Egmont. [79]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Sir John (sixth of that name), Bart., nat. 1661, ob. 1686, aetat. 25, arms impaling Dering réalisée par Dhall, vendue par Earl of Egmont. [80]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Robert, second son of Sir John (fifth of that name), Bart., nat. 1657, ob. 1677, aetat. 21 réalisée par Dhall, vendue par Earl of Egmont. [81]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Sir Philip, (the second of that name) nat. A.D. 1656, ob. 1688, aetat 25 réalisée par Dhall, vendue par Earl of Egmont. [82]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Dering, Mrs. The companion réalisée par Dhall, vendue par Earl of Egmont. [83]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Dering, Charles, Esq. ob. 1719 oval réalisée par Dhall, vendue par Earl of Egmont. [84]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Dering, Colonel Daniel, the companion réalisée par Dhall, vendue par Earl of Egmont. [85]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Dering, Helena Percival, wife of Dan. Dering, Esq ob. 1717, oval réalisée par Dhall, vendue par Earl of Egmont. [86]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Percival, Helen, the second daughter of Sir John réalisée par Riley, vendue par Earl of Egmont. [87]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Theodore Van Cuerenherdt, Master of Goltzius, very fine réalisée par Rubens, vendue par Earl of Egmont. [88]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme His own Portrait, holding the drawing of a head, two inscriptions, one appears to be of the time, panel réalisée par Pourbus, vendue par Earl of Egmont. [89]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme A Cavalier in the time of Charles I., leather doublet, &c. finely painted réalisée par Dobson, vendue par Earl of Egmont. [90]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme A Gentleman, in blue dress, long cravat, and flowing wig, with his Lady, the companion picture, ovals, in square carved frames réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [91]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Baroness de Tott, 10 in. by 12, and Lady Rachel Russell, small oval on copper, 4 in. by 5 réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [92]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Baroness de Tott, 10 in. by 12, and Lady Rachel Russell, small oval on copper, 4 in. by 5 réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [93]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Catherine Dering, Lady Percival, finely painted réalisée par Wissing, vendue par Earl of Egmont. [94]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Portraits of a Gentleman in armour, 25 in. by 30, and ditto in Roman Costume, 28 in. by 36 réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [95]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Portraits of a Gentleman in armour, 25 in. by 30, and ditto in Roman Costume, 28 in. by 36 réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [96]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Portraits of a Cardinal and a Bishop, the former finely painted réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [97]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme George I. The companion picture réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [98]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme Queen Anne. Profile, in coronation robes and collar of the garter réalisée par Kneller, vendue par Earl of Egmont. [99]

1834.07.07/ maison de ventes : Braithwaite (Frederick). Vente de l'œuvre décrite comme [[Busby, Dr. Richard, Master of Westminster School, ob. 1695, aetat. 89; 25 in. by 30 If we view Dr. Busby as an instructor of youth -- as a classical scholar -- the writer of Books upon Grammar -- or as an orator, we must admire him; we shalln do no less when we regard him as a Christian moralist, and munificent protector of merit, and patron of Religion and learning. Dr. Johnson used to relate that Busby declared his rod was his sieve, and whoever could not pass through that was no boy for him (artiste anonyme)|Busby, Dr. Richard, Master of Westminster School, ob. 1695, aetat. 89; 25 in. by 30 If we view Dr. Busby as an instructor of youth -- as a classical scholar -- the writer of Books upon Grammar -- or as an orator, we must admire him; we shalln do no less when we regard him as a Christian moralist, and munificent protector of merit, and patron of Religion and learning. Dr. Johnson used to relate that Busby declared his rod was his sieve, and whoever could not pass through that was no boy for him]] réalisée par un.e artiste anonyme, vendue par Earl of Egmont. [100]