Ventes d'œuvres le 1835.03.03

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  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Holy Family. Correggio. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs Not Used (Heaphy, Jun.)|The Holy Family. Correggio. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs Not Used]] réalisée par Heaphy, Jun., achetée par Wilson au prix de 2.19 £. [6]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Portrait of Rubens. Vandyke. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs Not Used (Stephanoff)|Portrait of Rubens. Vandyke. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs Not Used]] réalisée par Stephanoff, achetée par Adams au prix de 2.12 £. [7]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Blind Fiddler. Wilkie. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|The Blind Fiddler. Wilkie. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par H au prix de 5.15 £. [8]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape and Figures. Both. (Charles Heusch, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|Landscape and Figures. Both. (Charles Heusch, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par B au prix de 4.16 £. [9]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Domestic Harmony. Philip Vandyke. (Charles Heusch, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (G. Sargeant)|Domestic Harmony. Philip Vandyke. (Charles Heusch, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par G. Sargeant, achetée par Taylor au prix de 5.10 £. [10]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Tobit and the Angel. Domenichino. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Allom)|Tobit and the Angel. Domenichino. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Allom, achetée par Taylor au prix de 4.10 £. [11]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Mountebank. Jan Steen. (Charles Heusch, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (G. Sargeant)|The Mountebank. Jan Steen. (Charles Heusch, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par G. Sargeant, achetée par Taylor au prix de 5.7 £. [12]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape and Figures. Berghem. (Charles Heusch, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|Landscape and Figures. Berghem. (Charles Heusch, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par Adams au prix de 6.16 £. [13]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Christ Rejected. B. West. (Lord Darnley.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (G. Sargeant)|Christ Rejected. B. West. (Lord Darnley.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par G. Sargeant, achetée par Taylor au prix de 6.18 £. [14]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Adoration of the Magi. Rembrandt. (His Majesty.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Adoration of the Magi. Rembrandt. (His Majesty.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Taylor au prix de 3.17 £. [15]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[A Dutch Ale House. W. Mieris. (John Slater, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (G. Sargeant)|A Dutch Ale House. W. Mieris. (John Slater, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par G. Sargeant, achetée par Rooke au prix de 2.12 £. [16]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Christ disputing with the Doctors. L. da Vinci. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (West)|Christ disputing with the Doctors. L. da Vinci. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par West, achetée par Capps au prix de 3.18 £. [17]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Virgin and Child. Parmegiano (John Slater, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (W.H. Watt)|Virgin and Child. Parmegiano (John Slater, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par W.H. Watt, achetée par G Taylor au prix de 3.19 £. [18]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Hagar and the Angel. Claude Lorraine. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|Hagar and the Angel. Claude Lorraine. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par Wilson au prix de 4.14 £. [19]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Young Bull. Paul Potter. (W. Walter, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Novice)|The Young Bull. Paul Potter. (W. Walter, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Novice, achetée par Green au prix de 5.19 £. [20]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Last Supper. Murillo. (W.W. Sharp, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Heaphy, Jun.)|The Last Supper. Murillo. (W.W. Sharp, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Heaphy, Jun., achetée par Ready au prix de 3.13 £. [21]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape. Sir G. Beaumont. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Allom)|Landscape. Sir G. Beaumont. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Allom, achetée par Burt au prix de 3.18 £. [22]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape with Figures. Waterloo. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|Landscape with Figures. Waterloo. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par Stevens au prix de 4.19 £. [23]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Cupid. Sir J. Reynolds. (George Vivian, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Heaphy, Jun.)|Cupid. Sir J. Reynolds. (George Vivian, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Heaphy, Jun., achetée par G Taylor au prix de 3.16 £. [24]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape. Albert Cuyp. (Duke of Bedford.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|Landscape. Albert Cuyp. (Duke of Bedford.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par Stevens au prix de 5.19 £. [25]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Jew Merchant. Rembrandt. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Chisholm)|The Jew Merchant. Rembrandt. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Chisholm, achetée par Buck au prix de 3.18 £. [26]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Advocate in his Study. Ostade. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Wilkinson)|Advocate in his Study. Ostade. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Wilkinson, achetée par Rooke au prix de 3.0 [?] £. [27]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape. Wilson. (Dowager Duchess of Buccleugh.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|Landscape. Wilson. (Dowager Duchess of Buccleugh.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par Stevens au prix de 4.18 £. [28]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Watering Place. Gainsborough. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|The Watering Place. Gainsborough. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Burt au prix de 4.14 £. [29]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Tobias and the Angel. Rembrandt. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Allom)|Tobias and the Angel. Rembrandt. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Allom, achetée par G Taylor au prix de 3.16 £. [30]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape and Cattle. A. Cuyp. (W. Wells, Esq. Red-leaf Park.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Novice)|Landscape and Cattle. A. Cuyp. (W. Wells, Esq. Red-leaf Park.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Novice, achetée par Stevens JB au prix de 4.16 £. [31]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Grand Canal. Venice. Canaletto. (Lord Yarborough.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Grand Canal. Venice. Canaletto. (Lord Yarborough.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Stevens JB au prix de 3.18 £. [32]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Merry Fiddler. Berkheyden. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|The Merry Fiddler. Berkheyden. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Rusk au prix de 3.10 £. [33]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Spanish Peasant Boy. Murillo. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (W.H. Watt)|Spanish Peasant Boy. Murillo. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par W.H. Watt, achetée par Frampton au prix de 6.15 £. [34]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Holy Family. Baroccio. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|The Holy Family. Baroccio. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Burt JB au prix de 3.10 £. [35]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Water Mill. Ruysdael. (Col. Hugh Baillie.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|The Water Mill. Ruysdael. (Col. Hugh Baillie.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par T au prix de 4.14 £. [36]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape and Figures. Rubens. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Bradley)|Landscape and Figures. Rubens. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Bradley, achetée par JB au prix de 4.18 £. [37]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Christ and St. Peter. A. Caracci. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Christ and St. Peter. A. Caracci. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Burt au prix de 3.13 £. [38]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape. G. Poussin. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Landscape. G. Poussin. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Burt au prix de 3.19 £. [39]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[St. Martin dividing his Cloak. Rubens. (His Majesty.)Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|St. Martin dividing his Cloak. Rubens. (His Majesty.)Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par G Taylor au prix de 3.10 £. [40]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Dutch Village. Ruysdael. (Sir A. Hume, Bart.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|Dutch Village. Ruysdael. (Sir A. Hume, Bart.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par T au prix de 6.18 £. [41]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape. Salvator Rosa. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Landscape. Salvator Rosa. (R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par JB au prix de 3.19 £. [42]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Farm Yard, Teniers. (Mrs. West.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|The Farm Yard, Teniers. (Mrs. West.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Rooke au prix de 3.8 £. [43]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Portrait of Queen Henrietta. Vandyke. (Robert Vernon, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Portrait of Queen Henrietta. Vandyke. (Robert Vernon, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Burt au prix de 3.18 £. [44]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[A Brisk Gale. W. Vandevelde. (Thomas Hope, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Hofland)|A Brisk Gale. W. Vandevelde. (Thomas Hope, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Hofland, achetée par Wilson au prix de 4.18 £. [45]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Landscape. Gainsborough. (Robert Vernon, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Landscape. Gainsborough. (Robert Vernon, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par J Bohn au prix de 4.0 £. [46]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Dutch Lady. F. Boll. (The late R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Dutch Lady. F. Boll. (The late R. Ludgate, Esq.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par J Bohn au prix de 3.19 £. [47]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[St. John in the Wilderness. A. Caracci. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|St. John in the Wilderness. A. Caracci. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Thorpe au prix de 2.16 £. [48]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Holy Family. Reynolds. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|The Holy Family. Reynolds. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Burt au prix de 3.16 £. [49]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[The Market Cart. Gainsborough. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|The Market Cart. Gainsborough. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par JB au prix de 3.18 £. [50]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Christ in the Sepulchre. Guercino. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Christ in the Sepulchre. Guercino. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Burt au prix de 3.13 £. [51]
  • 1835.03.03/ maison de ventes : Wheatley. Vente de l'œuvre décrite comme [[Bacchus and Ariadne. Titian. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs (Stephanoff)|Bacchus and Ariadne. Titian. (National Gallery.) Paintings & Drawings Executed for Major's Cabinet Gallery of Pictues, with the Names of the Copyists, and the Collections from Which (in Most Instances) by Special Favour They Have Been Permitted to Be Taken. The successful Imitation of the style and manner of colouring of the Originals, (many of which have never before been permitted to be copied;) it is presumed will be acknowledged by the most experienced Connoisseurs]] réalisée par Stephanoff, achetée par Rooke au prix de 3.5 £. [52]
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