Ventes d'œuvres le 1835.04.08

De Wikipast
Aller à la navigation Aller à la recherche
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Landscape, with Architecture. Most probably one of the scenes near Rome, which this artist studiously painted after nature. His works are not often to be met with, and a more perfect and undoubted one than the present could not be found. It is marked with the painter's name (Van Lint)|Landscape, with Architecture. Most probably one of the scenes near Rome, which this artist studiously painted after nature. His works are not often to be met with, and a more perfect and undoubted one than the present could not be found. It is marked with the painter's name]] réalisée par Van Lint, vendue par John Crosbie Graves Esq. [2]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Interior of a Cathedral. A matchless specimen of this Painter's admirable skill in perspective, of his delicate touch, and of his singular judgment in the opposition of lights and shadows. In the front of the picture is a chapel, in which the service of the mass is being performed, and numerous persons are kneeling at prayer. Turning from this part of the scene the eye ranges through a long drawn and dimly lighted aisle, and rests at last upon the grand altar in the distance, which is brilliantly illuminated. A striking effect is produced by the feeble light of a lamp between two columns just sufficient to discover the objects for a little space around it, but failing to overcome the general gloom. The figures are painted by Teniers. The name of Neefs is inscribed on the picture, which has been exhibited at the R.I.I. (Peter Neefs)|Interior of a Cathedral. A matchless specimen of this Painter's admirable skill in perspective, of his delicate touch, and of his singular judgment in the opposition of lights and shadows. In the front of the picture is a chapel, in which the service of the mass is being performed, and numerous persons are kneeling at prayer. Turning from this part of the scene the eye ranges through a long drawn and dimly lighted aisle, and rests at last upon the grand altar in the distance, which is brilliantly illuminated. A striking effect is produced by the feeble light of a lamp between two columns just sufficient to discover the objects for a little space around it, but failing to overcome the general gloom. The figures are painted by Teniers. The name of Neefs is inscribed on the picture, which has been exhibited at the R.I.I.]] réalisée par Peter Neefs, vendue par John Crosbie Graves Esq. [7]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Hermits. One of of the brotherhood, is represented as kneeling at prayer, with a skull, a crucifix, and and open breviary before him; while others are seen walking through the arched grottos, among which the austere recluses have found their gloomy abode. This picture has a beautiful transparence and silvery tone of colour, and is exquisitely perfect both in finish and preservation. It bears the Artist's initials (D. Teniers)|Hermits. One of of the brotherhood, is represented as kneeling at prayer, with a skull, a crucifix, and and open breviary before him; while others are seen walking through the arched grottos, among which the austere recluses have found their gloomy abode. This picture has a beautiful transparence and silvery tone of colour, and is exquisitely perfect both in finish and preservation. It bears the Artist's initials]] réalisée par D. Teniers, vendue par John Crosbie Graves Esq. [9]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Peasant Girl. In the Dulwich Gallery there is a picture, the same in subject, though different in colouring, which has always passed by the name of Rembrandt. It would be presumptuous to say that it is a copy of the present one, which, on the other hand, if not the prototype, displays rather the hand of a rival than of a copyist. No judge, who has carefully examined and compared both pictures, could affirm that the one at Dulwich is superior in any respect to that at present under consideration. Indeed, all who have seen the latter have with confidence pronounced it to be a Murillo, and none have refused it the praise of richer and more glowing colour. The positive merits of the picture are left to speak for themselves (Murillo)|A Peasant Girl. In the Dulwich Gallery there is a picture, the same in subject, though different in colouring, which has always passed by the name of Rembrandt. It would be presumptuous to say that it is a copy of the present one, which, on the other hand, if not the prototype, displays rather the hand of a rival than of a copyist. No judge, who has carefully examined and compared both pictures, could affirm that the one at Dulwich is superior in any respect to that at present under consideration. Indeed, all who have seen the latter have with confidence pronounced it to be a Murillo, and none have refused it the praise of richer and more glowing colour. The positive merits of the picture are left to speak for themselves]] réalisée par Murillo, vendue par John Crosbie Graves Esq. [11]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Landscape. Rich in colour, and much in the manner of Both, to whom it has been often attributed. The figures introduced are well painted, and the leafing of the trees is touched with a light and free hand. Marked with the initials of the painter (Peter Van Asch)|A Landscape. Rich in colour, and much in the manner of Both, to whom it has been often attributed. The figures introduced are well painted, and the leafing of the trees is touched with a light and free hand. Marked with the initials of the painter]] réalisée par Peter Van Asch, vendue par John Crosbie Graves Esq. [12]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[View of the Church of San Giorgio in Venice. Few collections can boast of so charming a specimen of Canaletto's magic power. He has transferred to canvas most of the interesting scenes of Venice with an accuracy of perspective which gives to each of his delineations the illusive effect of a dioramic view. He is not less faithful in the picture before us in representing the clear atmosphere and the crystal waters of that fair city; and the feluccas and gondolas which are seen here and there, seem, indeed, floating and moving over the waves of the blue Adriatic. Exhibited at the R.I.I. (Canaletto)|View of the Church of San Giorgio in Venice. Few collections can boast of so charming a specimen of Canaletto's magic power. He has transferred to canvas most of the interesting scenes of Venice with an accuracy of perspective which gives to each of his delineations the illusive effect of a dioramic view. He is not less faithful in the picture before us in representing the clear atmosphere and the crystal waters of that fair city; and the feluccas and gondolas which are seen here and there, seem, indeed, floating and moving over the waves of the blue Adriatic. Exhibited at the R.I.I.]] réalisée par Canaletto, vendue par John Crosbie Graves Esq. [14]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Christ Healing the Sick. In this small and exquisitely finished cabinet gem there is introduced a wonderful number of figures, of which every one is drawn with correctness and taste. A more desirable specimen of Velvet Brueghel's delicate pencil could hardly be found. It has been exhibited at the R.I.I. (Brueghel)|Christ Healing the Sick. In this small and exquisitely finished cabinet gem there is introduced a wonderful number of figures, of which every one is drawn with correctness and taste. A more desirable specimen of Velvet Brueghel's delicate pencil could hardly be found. It has been exhibited at the R.I.I.]] réalisée par Brueghel, vendue par John Crosbie Graves Esq. [16]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Belshazzar's Feast. A sketch displaying great genius and power of design. The writing on the wall which has filled the banqueters with consternation does not appear in the picture, but the principal light seems to proceed from it. A small etching from another picture by Rubens, contains some of the figures introduced into the present one, and will accompany it (Rubens)|Belshazzar's Feast. A sketch displaying great genius and power of design. The writing on the wall which has filled the banqueters with consternation does not appear in the picture, but the principal light seems to proceed from it. A small etching from another picture by Rubens, contains some of the figures introduced into the present one, and will accompany it]] réalisée par Rubens, vendue par John Crosbie Graves Esq. [17]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Landscape with a Watermill. Marked with the painter's name, and possessing all the excellence and truth which have procured for him his great celebrity The gleams of light among the trees behind the mill make a pleasing contrast with the shade cast by those in the foreground upon the building, and an air of sylvan repose and quiet nature breathes over the entire scene. It is almost needless to state that those pictures of Hobbima, which display water as well as wood are especially valuable (Hobbima)|A Landscape with a Watermill. Marked with the painter's name, and possessing all the excellence and truth which have procured for him his great celebrity The gleams of light among the trees behind the mill make a pleasing contrast with the shade cast by those in the foreground upon the building, and an air of sylvan repose and quiet nature breathes over the entire scene. It is almost needless to state that those pictures of Hobbima, which display water as well as wood are especially valuable]] réalisée par Hobbima, vendue par John Crosbie Graves Esq. [18]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[The Holy Family. A charming picture, in the painter's soft and Correggiesque manner. It is impossible not to direct attention to the radiant beauty of the infant Saviour, and the graceful disposition of the Virgin, holding him on her knee, and receiving a cross from the hand of the child, St. John, who kneels before her. This picture has been exhibited at the R.I.I., and has always attracted great admiration (Annibal Caracci)|The Holy Family. A charming picture, in the painter's soft and Correggiesque manner. It is impossible not to direct attention to the radiant beauty of the infant Saviour, and the graceful disposition of the Virgin, holding him on her knee, and receiving a cross from the hand of the child, St. John, who kneels before her. This picture has been exhibited at the R.I.I., and has always attracted great admiration]] réalisée par Annibal Caracci, vendue par John Crosbie Graves Esq. [20]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Lady Playing the Guitar. A more perfect specimen of this master could not be found; and it would be hard to point out a figure, designed by any of the masters of the Dutch School, in which greater elegance and grace are manifested. The whole is painted with the delicate transparency for which Bega was famous, while, at the same time, the colouring is rich and mellow. The picture bears the artist's monogram, and was exhibited at the R.I.I. (Bega)|A Lady Playing the Guitar. A more perfect specimen of this master could not be found; and it would be hard to point out a figure, designed by any of the masters of the Dutch School, in which greater elegance and grace are manifested. The whole is painted with the delicate transparency for which Bega was famous, while, at the same time, the colouring is rich and mellow. The picture bears the artist's monogram, and was exhibited at the R.I.I.]] réalisée par Bega, vendue par John Crosbie Graves Esq. [22]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[The Healing of the Issue of Blood. The moment chosen by the painter is that at which Christ, having turned round, and discovered the woman who had touched the hem of his garment, is pronouncing the words -- "Daughter, be of good comfort: thy faith hath made thee whole; go in peace." Luke viii. 48. The attitude of the principal figure is finely imagined, and the warm tone of the picture plainly tells from whose hand it came. It has been exhibited at the R.I.I. (Murillo)|The Healing of the Issue of Blood. The moment chosen by the painter is that at which Christ, having turned round, and discovered the woman who had touched the hem of his garment, is pronouncing the words -- "Daughter, be of good comfort: thy faith hath made thee whole; go in peace." Luke viii. 48. The attitude of the principal figure is finely imagined, and the warm tone of the picture plainly tells from whose hand it came. It has been exhibited at the R.I.I.]] réalisée par Murillo, vendue par John Crosbie Graves Esq. [23]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Landscape. The foliage of the trees is rich and free, and in their dark green the eye finds an agreeable repose. A ray of sunshine, breaking through the wood, lights up some figures which are well placed, and appear to have been touched up by the pencil of Teniers, who was in the habit of affording this assistance to D'Artois (Jacques D'Artois)|A Landscape. The foliage of the trees is rich and free, and in their dark green the eye finds an agreeable repose. A ray of sunshine, breaking through the wood, lights up some figures which are well placed, and appear to have been touched up by the pencil of Teniers, who was in the habit of affording this assistance to D'Artois]] réalisée par Jacques D'Artois, vendue par John Crosbie Graves Esq. [24]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[St. John. The figure of the Saint is full of graceful dignity. An elevated and holy feeling is expressed in his heavenly countenance, and the soft mellow light shed around is accordant with the deep calm which has settled there. There is nothing wanting in this picture -- the colouring is exquisite -- the figure possesses roundness and relief in the highest degree -- the drapery is naturally disposed, and the whole is finished in the most soft and delicate style (Sebastian del Piombo)|St. John. The figure of the Saint is full of graceful dignity. An elevated and holy feeling is expressed in his heavenly countenance, and the soft mellow light shed around is accordant with the deep calm which has settled there. There is nothing wanting in this picture -- the colouring is exquisite -- the figure possesses roundness and relief in the highest degree -- the drapery is naturally disposed, and the whole is finished in the most soft and delicate style]] réalisée par Sebastian del Piombo, vendue par John Crosbie Graves Esq. [25]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[The Schoolmaster. A companion to the preceding, and of equal merit. The pedagogue, seated in his chair, beckons to a boy, who is coming too late to school, to step forward and suffer a "pande manum" under the ferula, which is held up in a threatening manner: the rest of the scholars, mean time, devote themselves in their tasks with great affectation of dilignece. This picture bears the name of the painter, and is in fine preservation (Van Tol)|The Schoolmaster. A companion to the preceding, and of equal merit. The pedagogue, seated in his chair, beckons to a boy, who is coming too late to school, to step forward and suffer a "pande manum" under the ferula, which is held up in a threatening manner: the rest of the scholars, mean time, devote themselves in their tasks with great affectation of dilignece. This picture bears the name of the painter, and is in fine preservation]] réalisée par Van Tol, vendue par John Crosbie Graves Esq. [28]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[The Shoemaker. An engraved picture, and worthy of the high reputation of the painter. Beside the shoemaker, who pretends to be too busy to bear any interruption, stands a female, endeavouring to convince him that some work which he has done for her has been badly executed. The incredulous countenance of the one, and the dogged earnestness of the other, are most faithfully expressed (Van Tol)|The Shoemaker. An engraved picture, and worthy of the high reputation of the painter. Beside the shoemaker, who pretends to be too busy to bear any interruption, stands a female, endeavouring to convince him that some work which he has done for her has been badly executed. The incredulous countenance of the one, and the dogged earnestness of the other, are most faithfully expressed]] réalisée par Van Tol, vendue par John Crosbie Graves Esq. [29]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Snow Piece, finished with particular care. The subject is different from those generally treated by this truly English Painter. A fine rosy-checked boy is seen sliding, while his mother, standing near, appears to restrain his little sister, who is longing to follow him. The cold clearness of the air is well represented, and the landscape introduced is painted with a spirited pencil (George Morland)|A Snow Piece, finished with particular care. The subject is different from those generally treated by this truly English Painter. A fine rosy-checked boy is seen sliding, while his mother, standing near, appears to restrain his little sister, who is longing to follow him. The cold clearness of the air is well represented, and the landscape introduced is painted with a spirited pencil]] réalisée par George Morland, vendue par John Crosbie Graves Esq. [30]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[The Splinter. A surgeon is represented as extracting a splinter from a warrior's finger. If this picture were not marked with the initials P.V., it might pass as a production of Giorgione. It has all his strength of colour, and the figures seem full of life and starting from the canvas (Pietro da Vecchio)|The Splinter. A surgeon is represented as extracting a splinter from a warrior's finger. If this picture were not marked with the initials P.V., it might pass as a production of Giorgione. It has all his strength of colour, and the figures seem full of life and starting from the canvas]] réalisée par Pietro da Vecchio, vendue par John Crosbie Graves Esq. [34]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Portrait of a Lady Singing. The countenance of the fair singer is full of devotion, and, in her ecstacy, she seems to have forgotten the Psalm Book, which lies open on her knee. The silvery colouring of the picture is as pleasing as the subject is full of interest (Sir Peter Lely)|Portrait of a Lady Singing. The countenance of the fair singer is full of devotion, and, in her ecstacy, she seems to have forgotten the Psalm Book, which lies open on her knee. The silvery colouring of the picture is as pleasing as the subject is full of interest]] réalisée par Sir Peter Lely, vendue par John Crosbie Graves Esq. [43]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A View in Amsterdam. A matchless specimen of the master, and marked with his name. The effect produced in it, by accurate perspective, along with a just gradation of tints between the foreground and the extreme distance, is absolutely deceptive; and the many figures which are judiciously introduced are designed with correctness and good taste. The picture is in the most perfect state of preservation, and was so highly esteemed by its late possessor, that although repeatedly solicited to part with it, he always refused to do so, as he was unwilling to deprive his collection of what he considered one of its chief ornaments. Exhibited at the R.I.I. (Berkheyden)|A View in Amsterdam. A matchless specimen of the master, and marked with his name. The effect produced in it, by accurate perspective, along with a just gradation of tints between the foreground and the extreme distance, is absolutely deceptive; and the many figures which are judiciously introduced are designed with correctness and good taste. The picture is in the most perfect state of preservation, and was so highly esteemed by its late possessor, that although repeatedly solicited to part with it, he always refused to do so, as he was unwilling to deprive his collection of what he considered one of its chief ornaments. Exhibited at the R.I.I.]] réalisée par Berkheyden, vendue par John Crosbie Graves Esq. [56]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Portrait of Lord Brooke, one of the ancestors of the Earls of Brooke and Warwick, and a distingished general under the Parliament in the time of Charles the First. In Warwick Castle there is to be seen an unfinished sketch or copy of this admirable picture. It is painted with a full, mellow, and free pencil. The carnations are glowing and natural, the tone deep and rich, and the whole figure possesses the highest degree of relief. This most interesting portrait was exhibited at the Royal Irish Institution in the year 1831 (Rubens)|Portrait of Lord Brooke, one of the ancestors of the Earls of Brooke and Warwick, and a distingished general under the Parliament in the time of Charles the First. In Warwick Castle there is to be seen an unfinished sketch or copy of this admirable picture. It is painted with a full, mellow, and free pencil. The carnations are glowing and natural, the tone deep and rich, and the whole figure possesses the highest degree of relief. This most interesting portrait was exhibited at the Royal Irish Institution in the year 1831]] réalisée par Rubens, vendue par John Crosbie Graves Esq. [57]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Sick Woman, attended by her Physician. This picture belonged formerly to Pilkington, the Author of the Painter's Dictionary, and is referred to by him as affording proof of the merit of the painter. He describes it at considerable length. See page 293. Ed. 1798 (E. Hemskerck, (the old))|A Sick Woman, attended by her Physician. This picture belonged formerly to Pilkington, the Author of the Painter's Dictionary, and is referred to by him as affording proof of the merit of the painter. He describes it at considerable length. See page 293. Ed. 1798]] réalisée par E. Hemskerck, (the old), vendue par John Crosbie Graves Esq. [58]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Landscape. The subject is evidently taken from nature, and is treated with the skill for which this painter is celebrated. A charmingly fresh and silvery tone pervades the entire picture, and the trees are painted with a firm, free, and delicate pencil. Exhibited in the year 1831 at the R.I.I. (Ruysdael)|A Landscape. The subject is evidently taken from nature, and is treated with the skill for which this painter is celebrated. A charmingly fresh and silvery tone pervades the entire picture, and the trees are painted with a firm, free, and delicate pencil. Exhibited in the year 1831 at the R.I.I.]] réalisée par Ruysdael, vendue par John Crosbie Graves Esq. [59]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[The Descent of the Cloven Tongues on the day of Pentecost. Grandeur of conception, beauty of outline, exquisite colouring, and felicity of expression, have been attained to by Poelemburg in this magnificent picture. He seems in it to have studiously imitated Raphael, whilst his own extraordinary delicacy of touch appears most successfully employed in bringing a great subject within a small space. The countenances are finished with the delicacy of enamel, and among them that of Rubens, the friend and patron of the artist, is easily to be recognised. This picture has been exhibited in the Gallery of the Royal Irish Institution (Poelemburg)|The Descent of the Cloven Tongues on the day of Pentecost. Grandeur of conception, beauty of outline, exquisite colouring, and felicity of expression, have been attained to by Poelemburg in this magnificent picture. He seems in it to have studiously imitated Raphael, whilst his own extraordinary delicacy of touch appears most successfully employed in bringing a great subject within a small space. The countenances are finished with the delicacy of enamel, and among them that of Rubens, the friend and patron of the artist, is easily to be recognised. This picture has been exhibited in the Gallery of the Royal Irish Institution]] réalisée par Poelemburg, vendue par John Crosbie Graves Esq. [62]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[The Bassano Family. There is more of elegance and taste exhibited in this than in most of the other works of the same master, who generally contented himself with copying from the simplest nature. Rich and agreeable colouring, accurate design, and perfection of chiaro scuro, combine to render more attractive this picture, which in its subject is highly interesting, as it contains portraits of Giacomo Bassano and his four sons, who were all painters (Giacomo Bassano)|The Bassano Family. There is more of elegance and taste exhibited in this than in most of the other works of the same master, who generally contented himself with copying from the simplest nature. Rich and agreeable colouring, accurate design, and perfection of chiaro scuro, combine to render more attractive this picture, which in its subject is highly interesting, as it contains portraits of Giacomo Bassano and his four sons, who were all painters]] réalisée par Giacomo Bassano, vendue par John Crosbie Graves Esq. [65]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Gipsy and Children. The story of the picture is admirably told. A child, whom the gipsy wishes to steal, seems tempted to accompany her by an apple, which is held out as a bribe, but an elder sister prudently endeavours to hold her back. The countenances are full of expression, and the picture, both in point of handling and colour, is most masterly. It was always considered by the painter to be her best performance (Mrs. Taylor)|A Gipsy and Children. The story of the picture is admirably told. A child, whom the gipsy wishes to steal, seems tempted to accompany her by an apple, which is held out as a bribe, but an elder sister prudently endeavours to hold her back. The countenances are full of expression, and the picture, both in point of handling and colour, is most masterly. It was always considered by the painter to be her best performance]] réalisée par Mrs. Taylor, vendue par John Crosbie Graves Esq. [66]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Landscape, with Cattle and Figures. It is enough to say of this fine picture that it is worthy to have come from Berchem's hand, being deficient in none of the various excellences and characteristic marks of his style. The composition and grouping are admirable, and the general tone of colour is mellow and rich (Soolmaker)|A Landscape, with Cattle and Figures. It is enough to say of this fine picture that it is worthy to have come from Berchem's hand, being deficient in none of the various excellences and characteristic marks of his style. The composition and grouping are admirable, and the general tone of colour is mellow and rich]] réalisée par Soolmaker, vendue par John Crosbie Graves Esq. [67]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[An Interior, with a woman plucking a fowl. If this picture did not bear the name of Eeckhout, it might well be attributed to his instructor Rembrandt; so strong and transparent is the colouring, and so judicious the distribution of light and shade (Eeckhout)|An Interior, with a woman plucking a fowl. If this picture did not bear the name of Eeckhout, it might well be attributed to his instructor Rembrandt; so strong and transparent is the colouring, and so judicious the distribution of light and shade]] réalisée par Eeckhout, vendue par John Crosbie Graves Esq. [68]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Mary Magdalene. One of the works of this master upon which his fame as a rival of the great Italian Artists might safely rest. The colouring is delicate and harmonious, and the figure of the beautiful penitent is conceived with great taste. It has been engraved by Salvador Carmona (Raphael Mengs)|Mary Magdalene. One of the works of this master upon which his fame as a rival of the great Italian Artists might safely rest. The colouring is delicate and harmonious, and the figure of the beautiful penitent is conceived with great taste. It has been engraved by Salvador Carmona]] réalisée par Raphael Mengs, vendue par John Crosbie Graves Esq. [69]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Landscape. Trees, with gracefully interwoven branches, overhang a green spot by a river's side. A gew gleams of sunshine, passing through them, rest upon the verdure beneath, and light up the figure of a shepherd who is watering his sheep. A most pleasing picture, and a good specimen of the master, whose name appears upon it (Moucheron)|A Landscape. Trees, with gracefully interwoven branches, overhang a green spot by a river's side. A gew gleams of sunshine, passing through them, rest upon the verdure beneath, and light up the figure of a shepherd who is watering his sheep. A most pleasing picture, and a good specimen of the master, whose name appears upon it]] réalisée par Moucheron, vendue par John Crosbie Graves Esq. [70]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Martha and Mary before Christ. Mary kneels at the Saviour's feet, listening with earnest attention to his words, while Martha enters the chamber, complaining that she does not assist her in her household occupations. Christ appears to be in the act of pronouncing the words, "One thing is needful, and Mary hath chosen that good part, which shall not be taken from her." Few pictures of the French school deserve more praise for good taste in design and judgment in colouring than the one before us. Its general tone is agreeable, the drapery flowing, and the heads of the figures, as is usual with this master, are gracefully disposed. It appears from an engraving of it, by which it will be accompanied, that it formerly belonged to the collection of the Duke of Burgogne. It has appeared in one of the Public Exhibitions of the Royal Irish Institution (Coypel)|Martha and Mary before Christ. Mary kneels at the Saviour's feet, listening with earnest attention to his words, while Martha enters the chamber, complaining that she does not assist her in her household occupations. Christ appears to be in the act of pronouncing the words, "One thing is needful, and Mary hath chosen that good part, which shall not be taken from her." Few pictures of the French school deserve more praise for good taste in design and judgment in colouring than the one before us. Its general tone is agreeable, the drapery flowing, and the heads of the figures, as is usual with this master, are gracefully disposed. It appears from an engraving of it, by which it will be accompanied, that it formerly belonged to the collection of the Duke of Burgogne. It has appeared in one of the Public Exhibitions of the Royal Irish Institution]] réalisée par Coypel, vendue par John Crosbie Graves Esq. [71]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A View of His Own Chateau. A silvery-toned landscape. In the foreground is seen a group of peasants seated at a table before the door of a cabaret. The picture is upon copper, and bears the mark D. T. A print from another picture by Teniers, containing a part of the subject of the present one, will be given to the buyer (D. Teniers)|A View of His Own Chateau. A silvery-toned landscape. In the foreground is seen a group of peasants seated at a table before the door of a cabaret. The picture is upon copper, and bears the mark D. T. A print from another picture by Teniers, containing a part of the subject of the present one, will be given to the buyer]] réalisée par D. Teniers, vendue par John Crosbie Graves Esq. [73]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[A Conversation. A party of Cavaliers and Ladies are represented as assembled at an entertainment. Some are playing backgammon, while others are preparing for a concert. The neatness of touch and transparent mellowness of colouring by which the painter was distinguished are shown to advantage in this production (Palamedes)|A Conversation. A party of Cavaliers and Ladies are represented as assembled at an entertainment. Some are playing backgammon, while others are preparing for a concert. The neatness of touch and transparent mellowness of colouring by which the painter was distinguished are shown to advantage in this production]] réalisée par Palamedes, vendue par John Crosbie Graves Esq. [75]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[The Tribute Money. The strength and harmony of the colouring, the accuracy of the outline, and the skill displayed in the grouping of this Picture, combine to render it a most desirable specimen, as well of the Master, as of the Venetian school to which he belonged (Carlo Loti)|The Tribute Money. The strength and harmony of the colouring, the accuracy of the outline, and the skill displayed in the grouping of this Picture, combine to render it a most desirable specimen, as well of the Master, as of the Venetian school to which he belonged]] réalisée par Carlo Loti, vendue par John Crosbie Graves Esq. [83]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[St. Paul Shaking Off the Viper. The Saint, in the midst of a group of his shipwrecked companions and the inhabitants of Melita, is represented as shaking off into the fire, the viper which had fastened upon his hand. The drawing of the figures is excellent (Tiepolo)|St. Paul Shaking Off the Viper. The Saint, in the midst of a group of his shipwrecked companions and the inhabitants of Melita, is represented as shaking off into the fire, the viper which had fastened upon his hand. The drawing of the figures is excellent]] réalisée par Tiepolo, vendue par John Crosbie Graves Esq. [85]
  • 1835.04.08/ maison de ventes : Littledale. Vente de l'œuvre décrite comme [[Summer. One of those small and pleasing pictures by this Master, which are preferred to his large, but less carefully finished works. The figures are correctly drawn, and the Landscape is touched in with a delicate pencil. An Engraving from the Picture, will be given along with it to the purchaser (Filippo Lauri)|Summer. One of those small and pleasing pictures by this Master, which are preferred to his large, but less carefully finished works. The figures are correctly drawn, and the Landscape is touched in with a delicate pencil. An Engraving from the Picture, will be given along with it to the purchaser]] réalisée par Filippo Lauri, vendue par John Crosbie Graves Esq. [95]
Récupérée de « https://wikipast.epfl.ch/index.php?title=Ventes_d%27œuvres_le_1835.04.08&oldid=3989273 »