Ventes d'œuvres le 1835.07.20

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  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[This chef d'oeuvre, a Battle betwixt Cavalry and Infantry, is one of the most exquisite productions of this elegant minded Artist. It formerly graced the Gallery of the Prince of Orange at the Hague, where it occupied the place of honour; and was esteemed by every Connoisseur as the most distinguished work of art of the Flemish School, in that Collection. The Group consists of Cavalry Officers, and Soldiers in severe conflict. The principal figure (an Officer) is mounted on a pie-bald Horse of great beauty; in the right corner, a mottled grey Horse is just fallen, and his Rider lies dead on his face. Above, in the distance, is a ruined Tower, beautifully lighted, with a number of men rushing towards the scene of action; and a Charge of Cavalry, finely varied and delicately pencilled, fills up the composition on the right: the left is closed by another charge upon Infantry, behind the flying Ensign Bearer. This part of the group is replete with the most varied action and circumstance. Nothing can surpass the expression of the active combatants, or of the wounded men and horses on the ground (Wouvermans)|This chef d'oeuvre, a Battle betwixt Cavalry and Infantry, is one of the most exquisite productions of this elegant minded Artist. It formerly graced the Gallery of the Prince of Orange at the Hague, where it occupied the place of honour; and was esteemed by every Connoisseur as the most distinguished work of art of the Flemish School, in that Collection. The Group consists of Cavalry Officers, and Soldiers in severe conflict. The principal figure (an Officer) is mounted on a pie-bald Horse of great beauty; in the right corner, a mottled grey Horse is just fallen, and his Rider lies dead on his face. Above, in the distance, is a ruined Tower, beautifully lighted, with a number of men rushing towards the scene of action; and a Charge of Cavalry, finely varied and delicately pencilled, fills up the composition on the right: the left is closed by another charge upon Infantry, behind the flying Ensign Bearer. This part of the group is replete with the most varied action and circumstance. Nothing can surpass the expression of the active combatants, or of the wounded men and horses on the ground]] réalisée par Wouvermans, vendue par [[[Harry Phillips]]] au prix de 650 gs. [10]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A woody Approach to a Village. In the foreground, a dog is drinking at a pool of water; a traveller on horseback is followed by a man on foot, and two other men are conversing near them. The road through which the figures are passing, is rugged and uneven. The village is seen through the trees in the distance. The whole composition is treated with great truth, and magically painted. For rural scenes, associated with grandeur, Hobbema stood unrivalled, and this picture fully identifies the talent of this great painted of nature (Hobbema)|A woody Approach to a Village. In the foreground, a dog is drinking at a pool of water; a traveller on horseback is followed by a man on foot, and two other men are conversing near them. The road through which the figures are passing, is rugged and uneven. The village is seen through the trees in the distance. The whole composition is treated with great truth, and magically painted. For rural scenes, associated with grandeur, Hobbema stood unrivalled, and this picture fully identifies the talent of this great painted of nature]] réalisée par Hobbema, vendue par [[[Emmerson]]] au prix de 325 gs. [11]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A View on the River Thames, beyond Windsor, on a warm summer's day. In the centre is a man sitting on the bank of the river, angling, near which is a women holding a child in her arms. The glowing effect of sunshine and summer's heat which pervades this picture, is powerfully magical. In the highest state of preservation (R. Wilson)|A View on the River Thames, beyond Windsor, on a warm summer's day. In the centre is a man sitting on the bank of the river, angling, near which is a women holding a child in her arms. The glowing effect of sunshine and summer's heat which pervades this picture, is powerfully magical. In the highest state of preservation]] réalisée par R. Wilson, vendue par [[[Emmerson]]]. [14]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Italian Landscape, with the Sybil's Temple. The classic edifice is seen amidst bushes on a rocky elevation on the right, and the surrounding country exhibits a wide expanse of hill and dale, adorned with clumps of trees, and bounded by mountains; the hazy appearance of day-break gives a solemn grandeur to the scene. On the left are two young women, one of whom has a bundle of linen under her arm and the other had just milked a goat, and is offering it to a feeble kid. Cows, sheep and goats are also in the group. On the opposite side is a herdsman watering two cows and some sheep. Painted in the artist's most accomplished period. This picture originally adorned the cabinet of M. Lindert de Neuville -- See Smith's Catalogue Raisonne, Page 54, No. 158 (N. Berchem)|An Italian Landscape, with the Sybil's Temple. The classic edifice is seen amidst bushes on a rocky elevation on the right, and the surrounding country exhibits a wide expanse of hill and dale, adorned with clumps of trees, and bounded by mountains; the hazy appearance of day-break gives a solemn grandeur to the scene. On the left are two young women, one of whom has a bundle of linen under her arm and the other had just milked a goat, and is offering it to a feeble kid. Cows, sheep and goats are also in the group. On the opposite side is a herdsman watering two cows and some sheep. Painted in the artist's most accomplished period. This picture originally adorned the cabinet of M. Lindert de Neuville -- See Smith's Catalogue Raisonne, Page 54, No. 158]] réalisée par N. Berchem, vendue par [[[Artis]]], achetée par Clark au prix de 105 £. [15]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Bouquet of Flowers, lying loosely on a marble table, consisting of roses, the marigold, the dragon, and other wild flowers; a bee, a grasshopper, and a butterfly, most exquisitely painted, are introduced. The works of this accomplished artist are exceedingly scarce. (See Smith's Catalogue Raisonne, p.501. No. 22 and 23.) (R. Ruisch)|A Bouquet of Flowers, lying loosely on a marble table, consisting of roses, the marigold, the dragon, and other wild flowers; a bee, a grasshopper, and a butterfly, most exquisitely painted, are introduced. The works of this accomplished artist are exceedingly scarce. (See Smith's Catalogue Raisonne, p.501. No. 22 and 23.)]] réalisée par R. Ruisch, vendue par [[[Artis]]] au prix de 8.0 £. [18]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Toilet. This exquisite picture combines all the indescribable refinements of colour and tone, and that truth of expression which distinguish the finest works of this truly great master, and in addition it possesses a charm very uncommon in his works, for the face of the princial figure is really beautiful. Nothing can go beyond the gentle expression of self-satisfaction with which she views her attendant completing the attractions of her dress, or the arch look of the old woman as she is fastening on the final jewel. It is a production of the most perfect harmony and most charming effect, and has always ranked among the chef-d'oeuvres of the Flemish School (Rembrandt)|The Toilet. This exquisite picture combines all the indescribable refinements of colour and tone, and that truth of expression which distinguish the finest works of this truly great master, and in addition it possesses a charm very uncommon in his works, for the face of the princial figure is really beautiful. Nothing can go beyond the gentle expression of self-satisfaction with which she views her attendant completing the attractions of her dress, or the arch look of the old woman as she is fastening on the final jewel. It is a production of the most perfect harmony and most charming effect, and has always ranked among the chef-d'oeuvres of the Flemish School]] réalisée par Rembrandt, vendue par [[[Bryant]]]. [19]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Trumpeter. An interior, with a stout military officer, wearing a cuirass over a buff jerkin, the sleeves of which are embroidered with gold. He is seated, with his arms folded, and fast asleep. In the centre stands a female, dressed in a morone coloured velvet jacket, bordered with fur, amusing herself by tickling his nose with a straw. The effect appears to amuse a trumpeter, who stands on the right, dressed in the rich costume of the period, holding an emblazoned trumpet, and a large white hat under his arm. He appears to be the bearer of a letter, which is in the hand of the female. Engraved. (See Smith's Catalogue Raisonne, page 131, No. 43.) (G. Terburg)|The Trumpeter. An interior, with a stout military officer, wearing a cuirass over a buff jerkin, the sleeves of which are embroidered with gold. He is seated, with his arms folded, and fast asleep. In the centre stands a female, dressed in a morone coloured velvet jacket, bordered with fur, amusing herself by tickling his nose with a straw. The effect appears to amuse a trumpeter, who stands on the right, dressed in the rich costume of the period, holding an emblazoned trumpet, and a large white hat under his arm. He appears to be the bearer of a letter, which is in the hand of the female. Engraved. (See Smith's Catalogue Raisonne, page 131, No. 43.)]] réalisée par G. Terburg au prix de 64.1 £. [27]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Portrait of Michael Angelo; a noble portrait. The great artist is represented within the defences of a fortress, in the neighbourhood of which are some colossal architectural ruins, the nearer contemplation of which would seem a service of danger, by the skirmishing parties which appear in the intervening space (Sebastian del Piombo)|Portrait of Michael Angelo; a noble portrait. The great artist is represented within the defences of a fortress, in the neighbourhood of which are some colossal architectural ruins, the nearer contemplation of which would seem a service of danger, by the skirmishing parties which appear in the intervening space]] réalisée par Sebastian del Piombo, vendue par [[[Harry Phillips]]] au prix de 39.18 £. [38]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Cupid. The combined breadth, force, colour and softness which distinguish this masterly production, justly rank it among the finest of the artist's works. The outline ofthe slim and elegant figure melts into the golden cloud which surrounds it; the beautiful face has a pensive expression, as if the youthful deity was complaining to his mother of her relentless conduct to Psyche, and was showing her the dart with which himself had been wounded (Coreggio)|Cupid. The combined breadth, force, colour and softness which distinguish this masterly production, justly rank it among the finest of the artist's works. The outline ofthe slim and elegant figure melts into the golden cloud which surrounds it; the beautiful face has a pensive expression, as if the youthful deity was complaining to his mother of her relentless conduct to Psyche, and was showing her the dart with which himself had been wounded]] réalisée par Coreggio, vendue par [[[Harry Phillips]]]. [39]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Holy Family; a very grand picture, in which the relief is so bold and perfect as to be almost a deception; the face of the child is most peculiarly beautiful, and has an expression of melancholy as if fore-knowing that he was to be "a man of sorrows and acquainted with grief. "The colouring is of the highest quality of the Bolognese school (Annibal Caracci)|Holy Family; a very grand picture, in which the relief is so bold and perfect as to be almost a deception; the face of the child is most peculiarly beautiful, and has an expression of melancholy as if fore-knowing that he was to be "a man of sorrows and acquainted with grief. "The colouring is of the highest quality of the Bolognese school]] réalisée par Annibal Caracci, vendue par [[[Harry Phillips]]]. [40]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Christ Scourged. The most profound knowledge of chiaro-scuro is strikingly evinced in this powerful picture; the colouring is of a high class, and the patient expression in the face of the Christ is admirably contrasted with the stolid indiffernce of one of the executioners, and the scoffing brutality of the other (Rembrandt)|Christ Scourged. The most profound knowledge of chiaro-scuro is strikingly evinced in this powerful picture; the colouring is of a high class, and the patient expression in the face of the Christ is admirably contrasted with the stolid indiffernce of one of the executioners, and the scoffing brutality of the other]] réalisée par Rembrandt, vendue par [[[Harry Phillips]]]. [41]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Landscape with Figures. This little bit from nature, pourtrays a hilly ascent, with a cavalier girting his horse; a traveller with a woman and child and a dog are proceeding along the road; and other figures with a rustic cottage, &c. contribute to enrich this bijou (P. Wouvermans)|A Landscape with Figures. This little bit from nature, pourtrays a hilly ascent, with a cavalier girting his horse; a traveller with a woman and child and a dog are proceeding along the road; and other figures with a rustic cottage, &c. contribute to enrich this bijou]] réalisée par P. Wouvermans. [44]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Landscape. This picture has always been considered one of the very best productions of the master. It has a greater variety of colour than is found, perhaps, in any other of his works, and this variety of tints is productive of the most perfect harmony (Van Goyen)|Landscape. This picture has always been considered one of the very best productions of the master. It has a greater variety of colour than is found, perhaps, in any other of his works, and this variety of tints is productive of the most perfect harmony]] réalisée par Van Goyen. [54]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Moses and the Burning Bush. The deity is here represented upborne by angels, in the midst of the flames, announcing to the astonished shepherd his divine mission. The figures are well drawn, the colouring is pleasing, and the story is well told (Filippo Lauri)|Moses and the Burning Bush. The deity is here represented upborne by angels, in the midst of the flames, announcing to the astonished shepherd his divine mission. The figures are well drawn, the colouring is pleasing, and the story is well told]] réalisée par Filippo Lauri, vendue par [[[Harry Phillips]]]. [63]
  • 1835.07.20/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Dutch Boat in a Gale; to the left of the principal object in the middle distance, is a ship of war, her taper masts bending to the gale; there is great motion in the water, and the positions of the two boats and of the ship is varied with great skill; the colouring is very pure and natural (A. V. Everdingen)|Dutch Boat in a Gale; to the left of the principal object in the middle distance, is a ship of war, her taper masts bending to the gale; there is great motion in the water, and the positions of the two boats and of the ship is varied with great skill; the colouring is very pure and natural]] réalisée par A. V. Everdingen, vendue par [[[Harry Phillips]]]. [64]
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