Ventes d'œuvres le 1836.04.13

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  • 1836.04.13/ maison de ventes : Wright (Francis). Vente de l'œuvre décrite comme [[Interior of a Rustic Cottage, hung round with numerous domestic articles; a Peasant sitting on a chair, is putting salt into a kettle, before putting it on the fire; an Old Woman, standing by, is giving directions; several domestic Fowls are feeding on the floor, one of which has just risen from a nest, in which she has evidently dropped an egg, and is shaking her feathers about the floor. To the right is seen a dilapidated arched Brick Oven, such as was formerly used by the Low-German Boors, for baking black bread. This is a splendid example of the Master; is finished in his very highest manner, and is marked with his initials, A. C. The universality of Cuyp's genius is well known. His vigilant attention to nature, under every guise and aspect, enabled him to excel in every thing he undertook. In this most exquisite gem, for instance, however humble and unpromising the subject, he has managed to produce a work, fitted to adorn the collection of a prince. This was purchased by Mr. Hugh Williams, for the late Alex. Smith, Esq. Banker, Edinburgh. Panel (Albert Cuyp)|Interior of a Rustic Cottage, hung round with numerous domestic articles; a Peasant sitting on a chair, is putting salt into a kettle, before putting it on the fire; an Old Woman, standing by, is giving directions; several domestic Fowls are feeding on the floor, one of which has just risen from a nest, in which she has evidently dropped an egg, and is shaking her feathers about the floor. To the right is seen a dilapidated arched Brick Oven, such as was formerly used by the Low-German Boors, for baking black bread. This is a splendid example of the Master; is finished in his very highest manner, and is marked with his initials, A. C. The universality of Cuyp's genius is well known. His vigilant attention to nature, under every guise and aspect, enabled him to excel in every thing he undertook. In this most exquisite gem, for instance, however humble and unpromising the subject, he has managed to produce a work, fitted to adorn the collection of a prince. This was purchased by Mr. Hugh Williams, for the late Alex. Smith, Esq. Banker, Edinburgh. Panel]] réalisée par Albert Cuyp, vendue par Hugh Williams Esq, achetée par [[C R Tait auctioneer thun[...?] St Edin]] au prix de 76.0 gs. [23]
  • 1836.04.13/ maison de ventes : Wright (Francis). Vente de l'œuvre décrite comme [[His Landscapes are as rare as they are beautiful. In this matchless specimen, the lustrous effect of an Italian sky, upon Wood, Water, Hill, and Dale, is portrayed with a splendour of colouring, finish, and brilliancy, that can scarcely be imagined. This gorgeous painting has been examined by many of our very first amateurs, and pronounced by them to be of the very highest class, and, as a Landscape of the Italian School, the finest ever offered for sale in Edinburgh. Canvas (Domenichino)|His Landscapes are as rare as they are beautiful. In this matchless specimen, the lustrous effect of an Italian sky, upon Wood, Water, Hill, and Dale, is portrayed with a splendour of colouring, finish, and brilliancy, that can scarcely be imagined. This gorgeous painting has been examined by many of our very first amateurs, and pronounced by them to be of the very highest class, and, as a Landscape of the Italian School, the finest ever offered for sale in Edinburgh. Canvas]] réalisée par Domenichino, vendue par Hugh Williams Esq. [24]
  • 1836.04.13/ maison de ventes : Wright (Francis). Vente de l'œuvre décrite comme [[Landscapes by this, the greatest landscape painter of the Dutch school, of which Hobbema stands pre-eminent, are rarely to be met with, and this is perhaps the most splendid specimen now on sale; the beautiful foliage of the trees, the rich dewy verdure, the calm transparent water softly reflecting its surrounding objects, are really enchanting. This picture, from the Collection of the Baron Luckhoust, of Rotterdam, was the companion to the one purchased by Mr. Stuart of Dunearn, and which was afterwards sold to Sir R. Peel, for 800 guineas, and now justly valued at 1200 guineas. Mr. Hugh Williams considered this the finest of the two, and selected it in preference to the other, also for the late Alex. Smith, Esq. Panel (Hobbema)|Landscapes by this, the greatest landscape painter of the Dutch school, of which Hobbema stands pre-eminent, are rarely to be met with, and this is perhaps the most splendid specimen now on sale; the beautiful foliage of the trees, the rich dewy verdure, the calm transparent water softly reflecting its surrounding objects, are really enchanting. This picture, from the Collection of the Baron Luckhoust, of Rotterdam, was the companion to the one purchased by Mr. Stuart of Dunearn, and which was afterwards sold to Sir R. Peel, for 800 guineas, and now justly valued at 1200 guineas. Mr. Hugh Williams considered this the finest of the two, and selected it in preference to the other, also for the late Alex. Smith, Esq. Panel]] réalisée par Hobbema, vendue par Hugh Williams Esq, achetée par Mr Tait au prix de 156.0 gs. [25]
  • 1836.04.13/ maison de ventes : Wright (Francis). Vente de l'œuvre décrite comme [[Sea View -- a Calm, supposed to be a View of Scheveling. On the right of the picture, upon the rising ground, is a Group of Fishwomen with creels ready to convey away the fish. A man on a Grey Horse, accompanied by two Dogs, is in the act of making a bargain with one of the Fishermen, (who is standing with his hands in his breast, listening indifferently,) either for the cargo of fish, or to convey a quantity of casks to one of the cruizers which are sailing about; the Man is referring to the Woman, supposed to be his wife, who is in her turn addressing the person on Horseback. An Old Man, and a little Girl are drawing up a Basket containing provisions; a Waggon with two horses going towards the group, closes this side of the picture. On the left are three Fishing Boats just come in, a number of figures close upon the sea, which is receding, are catching shrimps and sandeels. In the front of the picture is a beautiful Sandy Beach; the day is serene and the sky full of warmth. Its predominant tender tones are varied with the most beautiful gradations of tint that genius and art could blend together; the figures are admirably drawn, and the finishing throughout is of the most exquisite description. This is a captivating picture and undoubtedly ranks in the very highest class of this great Master's works; it has been held by many to be the genuine production of Philip Wouwermans. Also purchased for the late Mr. Alexander Smith, by Mr. H. Williams. Canvas (Backhuysen)|Sea View -- a Calm, supposed to be a View of Scheveling. On the right of the picture, upon the rising ground, is a Group of Fishwomen with creels ready to convey away the fish. A man on a Grey Horse, accompanied by two Dogs, is in the act of making a bargain with one of the Fishermen, (who is standing with his hands in his breast, listening indifferently,) either for the cargo of fish, or to convey a quantity of casks to one of the cruizers which are sailing about; the Man is referring to the Woman, supposed to be his wife, who is in her turn addressing the person on Horseback. An Old Man, and a little Girl are drawing up a Basket containing provisions; a Waggon with two horses going towards the group, closes this side of the picture. On the left are three Fishing Boats just come in, a number of figures close upon the sea, which is receding, are catching shrimps and sandeels. In the front of the picture is a beautiful Sandy Beach; the day is serene and the sky full of warmth. Its predominant tender tones are varied with the most beautiful gradations of tint that genius and art could blend together; the figures are admirably drawn, and the finishing throughout is of the most exquisite description. This is a captivating picture and undoubtedly ranks in the very highest class of this great Master's works; it has been held by many to be the genuine production of Philip Wouwermans. Also purchased for the late Mr. Alexander Smith, by Mr. H. Williams. Canvas]] réalisée par Backhuysen, vendue par Hugh Williams Esq. [26]
  • 1836.04.13/ maison de ventes : Wright (Francis). Vente de l'œuvre décrite comme [[Landscape and Cattle Piece. An Italian scene; having the left of its foreground occupied by a Precipitous Rock; the centre, by a Figure and group of Oxen and Sheep; and its left, by a Cart from which some cattle appear to have been just unyoked. In the back ground are Lofty Hills, partially surmounted by ruined Buildings. It is singular, that the identity of Karel du Jardin's works are never questioned by those who have ever seen a single genuine specimen by that Master; whether this arises from the warmth and brilliancy of his atmosphere; the clear sparkle of his skies, the truth, finish, and taste displayed in his cattle and figures -- or through all these qualities combined, the fact is undeniable that, in his peculiar style, he stands alone. Superadded to these distinguishing features, this picture is without a tittle of blemish. Also purchased for the late Mr. Alex. Smith, by Mr. H. Williams. Panel (Karel du Jardin)|Landscape and Cattle Piece. An Italian scene; having the left of its foreground occupied by a Precipitous Rock; the centre, by a Figure and group of Oxen and Sheep; and its left, by a Cart from which some cattle appear to have been just unyoked. In the back ground are Lofty Hills, partially surmounted by ruined Buildings. It is singular, that the identity of Karel du Jardin's works are never questioned by those who have ever seen a single genuine specimen by that Master; whether this arises from the warmth and brilliancy of his atmosphere; the clear sparkle of his skies, the truth, finish, and taste displayed in his cattle and figures -- or through all these qualities combined, the fact is undeniable that, in his peculiar style, he stands alone. Superadded to these distinguishing features, this picture is without a tittle of blemish. Also purchased for the late Mr. Alex. Smith, by Mr. H. Williams. Panel]] réalisée par Karel du Jardin, vendue par Hugh Williams Esq. [27]
  • 1836.04.13/ maison de ventes : Wright (Francis). Vente de l'œuvre décrite comme [[Landscape, representing one of his most delightful subjects, enriched with architectural ruins, and decorated with a charming group of figures and cattle, which appear to have just forded a stream. This happy composition cannot but be admired, as it is probably one of the finest "Berghems" in the country. The aerial perspective, the high clear floating of the sky, and the grace and beauty of the figures, are singularly conspicuous; while the arrangement and propriety of the whole, leaves nothing to be wished for in this example of the Master. A picture, similar in subject and size, but somewhat inferior in composition and quality, was sold, last July, at Christie's in London, belonging to Lord C. Townsend, for £750. The present one was purchased by Mr. H. Williams, for the late Mr. Alex. Smith. Panel (Berghem)|Landscape, representing one of his most delightful subjects, enriched with architectural ruins, and decorated with a charming group of figures and cattle, which appear to have just forded a stream. This happy composition cannot but be admired, as it is probably one of the finest "Berghems" in the country. The aerial perspective, the high clear floating of the sky, and the grace and beauty of the figures, are singularly conspicuous; while the arrangement and propriety of the whole, leaves nothing to be wished for in this example of the Master. A picture, similar in subject and size, but somewhat inferior in composition and quality, was sold, last July, at Christie's in London, belonging to Lord C. Townsend, for £750. The present one was purchased by Mr. H. Williams, for the late Mr. Alex. Smith. Panel]] réalisée par Berghem, vendue par Hugh Williams Esq. [28]
  • 1836.04.13/ maison de ventes : Wright (Francis). Vente de l'œuvre décrite comme [[This most magnificent work is emblematic of the Union of the Temporal with the Spiritual Power, vested in the Roman Pontiff by Charlemagne. As indicative of this important event, a representative from the most influential nations of that period, with various but characteristic emotion, are made to witness the ceremony. The Pontiff, in his new dignity, is clad in imperial robes, and crowned with laurel; while, as allusive to his sacred office, his attendants are presenting him with the Insignia of the Holy See. Amidst its splendid ruins of departed greatness, the Genius of ancient Rome is depicted in the foreground as having cast aside her armour, and mourning at a change through which the military glory of her country would for ever be extinguished. Fame, with trumpet and outspread wings, dictates to History its circumstances; while Painting, with palette in hand, is about to perpetuate the scene on canvass. Then Time, who has been looking on, is seen to weep at changes, of which he himself was alone the cause. This picture must be seen before any idea of its superlative excellence can be formed. Much is said of "colouring and effect," but here colouring and effect of the most impressive sort are combined with the most exquisite finish. Natural objects are not alone grand and effective at a distance, but they bear close examination also; in the same manner also, the works of the most eminent Artists bear a like scrutiny. Canvas (Albano)|This most magnificent work is emblematic of the Union of the Temporal with the Spiritual Power, vested in the Roman Pontiff by Charlemagne. As indicative of this important event, a representative from the most influential nations of that period, with various but characteristic emotion, are made to witness the ceremony. The Pontiff, in his new dignity, is clad in imperial robes, and crowned with laurel; while, as allusive to his sacred office, his attendants are presenting him with the Insignia of the Holy See. Amidst its splendid ruins of departed greatness, the Genius of ancient Rome is depicted in the foreground as having cast aside her armour, and mourning at a change through which the military glory of her country would for ever be extinguished. Fame, with trumpet and outspread wings, dictates to History its circumstances; while Painting, with palette in hand, is about to perpetuate the scene on canvass. Then Time, who has been looking on, is seen to weep at changes, of which he himself was alone the cause. This picture must be seen before any idea of its superlative excellence can be formed. Much is said of "colouring and effect," but here colouring and effect of the most impressive sort are combined with the most exquisite finish. Natural objects are not alone grand and effective at a distance, but they bear close examination also; in the same manner also, the works of the most eminent Artists bear a like scrutiny. Canvas]] réalisée par Albano, vendue par Hugh Williams Esq. [29]
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