Ventes d'œuvres le 1837.05.31

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Portrait of Caroline Princess of Anspach -- celebrated in her youth for her delicacy of complexion -- and afterwards Queen of George II., habited in a rich dress, and leaning her head on her hand ; a young attendant is standing on her left, and a vase of flowers and paroquet, which are skilfully introduced in the foreground of the picture, are delicately painted. (Largillière)|Portrait of Caroline Princess of Anspach -- celebrated in her youth for her delicacy of complexion -- and afterwards Queen of George II., habited in a rich dress, and leaning her head on her hand ; a young attendant is standing on her left, and a vase of flowers and paroquet, which are skilfully introduced in the foreground of the picture, are delicately painted.]] réalisée par Largillière, vendue par Edward Solly, Esq. au prix de 13,2 gs. [24]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A River View, with fishing boats and fishermen on the shore round a fire. réalisée par Van der Capella, vendue par Edward Solly, Esq. au prix de 11.0 gs. [25]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Landscape with trees partly inclosed by a rough paling ; in front are a cock and hen, and two turkeys, one of which is standing on a stone pedestal, around which plants and weeds are grown sic. réalisée par Hondikoeter, vendue par Edward Solly, Esq., achetée par Drinkwater au prix de 18 livres 7 gs. [26]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Dead Hare, hung from the branch of a tree; a brace of partridges, horn, fowling piece, and sporting emblems. réalisée par Weenix, vendue par Edward Solly, Esq. au prix de 11.0 gs. [27]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Interior of an Apartment, with a corps du garde; some of whom are engaged in playing cards, while others are smoking round the fire. Armour and warlike equipments are hung up and scattered about in various parts of the room. réalisée par Abshoven, vendue par Edward Solly, Esq., achetée par Rutley au prix de 9.9 gs. [28]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme The Meeting of the Gods and Goddesses, highly finished. réalisée par Rottenhamer, vendue par Edward Solly, Esq., achetée par Talbot au prix de 6.6 gs. [29]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme View in Rome, near the Capitol, with Tullin, in a chariot drawn by three grey horses, ordering her charioteer to drive over her prostrate father. réalisée par Lingelback, vendue par Edward Solly, Esq., achetée par [[Dr Franks [?]]] au prix de 10.10 gs. [30]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme The Virgin, Child and St. John. réalisée par Schidone, vendue par Edward Solly, Esq. au prix de 5.15 gs. [31]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme The Story of Jupiter and Europa, with river and landscape background. réalisée par P. Veronese, vendue par Edward Solly, Esq., achetée par Smith au prix de 5.15 gs. [32]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Portrait of an old Lady, seated. réalisée par Rembrandt, vendue par Edward Solly, Esq., achetée par Rutley au prix de 6.16 gs. [33]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme The tired Huntsman, lying on the ground, holding a greyhound, and protecting his eyes from the sun. Around are displayed the fruits of the day's sport. réalisée par Weenix, vendue par Edward Solly, Esq., achetée par Rutley au prix de 11.11 gs. [34]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Pastoral subject. réalisée par Dietricy, vendue par Edward Solly, Esq., achetée par Theobald au prix de 23.12 gs. [35]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Female, with a basket of fruit, landscape background. réalisée par Dusart, vendue par Edward Solly, Esq., achetée par Netcher au prix de 10.10 gs. [36]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Musical Party : man playing on the violin, another on the flute, and a woman singing. réalisée par Adrian Ostade, vendue par Edward Solly, Esq. au prix de 11.0 gs. [37]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Musical Party, with woman singing, and boy leaning his head on her lap. The companion. réalisée par Adrian Ostade, vendue par Edward Solly, Esq. au prix de 10.10 gs. [38]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A View on a River by moonlight, with fishermen, &c. at a fire in the foreground. réalisée par Arnold vander Neer, vendue par Edward Solly, Esq., achetée par Smith au prix de 11.0 gs. [39]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Mendicant, with a staff in his hand, in the act of imploring charity. The whole of the figure shows the touch, brilliancy, and freedom of the master. Two boors at the back over a fire. From the collection of mons. Siebel. réalisée par Teniers, vendue par Edward Solly, Esq., achetée par Smart au prix de 35.14 gs. [40]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Interior of an Apartment, with a female at the fireside, and her servant going to market, through the open door the husband is seen sitting. The breadth of sun-light produces an effect almost magical. réalisée par P. de Hooge, vendue par Edward Solly, Esq., achetée par Norton au prix de 50.8 gs. [41]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Fête Champêtre. The Surpirze -- Two lovers, who have retired into a bower formed by a turn in the walk of a garden, are surprized by a party of ladies and gentlemen, who appear fully to enjoy the discomfiture of the lovers, who are deprecating their jokes. One of the party, in the privileged garb of Harlequin, seems to be foremost; they are led on by Hymen, and assisted by Cupid -- the allegory of which is well told. In this and the following picture, Dietricy, who was celebrated for his happy talent of imitating the style of other great masters, has blended with surprizing tact the delicacy and elegance of Watteau with his own force of colouring. (Dietricy)|A Fête Champêtre. The Surpirze -- Two lovers, who have retired into a bower formed by a turn in the walk of a garden, are surprized by a party of ladies and gentlemen, who appear fully to enjoy the discomfiture of the lovers, who are deprecating their jokes. One of the party, in the privileged garb of Harlequin, seems to be foremost; they are led on by Hymen, and assisted by Cupid -- the allegory of which is well told. In this and the following picture, Dietricy, who was celebrated for his happy talent of imitating the style of other great masters, has blended with surprizing tact the delicacy and elegance of Watteau with his own force of colouring.]] réalisée par Dietricy, vendue par Edward Solly, Esq., achetée par Smith au prix de 44.2 gs. [42]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Fête Champêtre. The companion picture. On a stone bench in a garden, surrounded by elegant shrubs and trees, and beneath a statue of Minerva, a young mother of a family is seated with her infant on her lap, and an older child reclining at her feet. The gentleman behind her resting his arm on the pedestal of the statue, with a smile on his countenance, appears to be her husband. These four figures form a group of peculier elegance. Some of the guests have arrayed themselves in the motley characters of a harlequinade; one of whom, in the dress of Pantaloon, is endeavouring to practice some little deception on the lady of the house, while another is amusing the remainder by sustaining the character of the Harlequin. (Dietricy)|A Fête Champêtre. The companion picture. On a stone bench in a garden, surrounded by elegant shrubs and trees, and beneath a statue of Minerva, a young mother of a family is seated with her infant on her lap, and an older child reclining at her feet. The gentleman behind her resting his arm on the pedestal of the statue, with a smile on his countenance, appears to be her husband. These four figures form a group of peculier elegance. Some of the guests have arrayed themselves in the motley characters of a harlequinade; one of whom, in the dress of Pantaloon, is endeavouring to practice some little deception on the lady of the house, while another is amusing the remainder by sustaining the character of the Harlequin.]] réalisée par Dietricy, vendue par Edward Solly, Esq. au prix de 57.15 gs. [43]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Portrait of a General, in armour, with a troncheon in his hand, and his helmet lying on a table. A battle in the background. Highly finished. réalisée par Mieris, vendue par Edward Solly, Esq. au prix de 14.14 gs. [44]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Portrait of himself. réalisée par Vander Werf, vendue par Edward Solly, Esq. au prix de 7.10 gs. [45]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Man in a Spanish dress, sitting at an open window, playing on a violin; on the sill of the window are a paper of tobacco, a pipe and a wine jug; within the apartment a company are regaling. From the collection of Prince de Gavre. réalisée par Van Toll, vendue par Edward Solly, Esq., achetée par French au prix de 30.9 gs. [46]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme The companion picture, a Woman leaning from a window, with a jug in her hand, apparently addressing some person in the street; a party at table in the distance. réalisée par Van Toll, vendue par Edward Solly, Esq., achetée par French au prix de 29.8 gs. [47]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Portrait of Lord Stirling, General in the American Army. Painted in his Corregio manner. réalisée par Sir J. Reynolds, vendue par Edward Solly, Esq., achetée par [[Harry [?]]] au prix de 10.10 gs. [48]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Ferry. A motley group have already embarked, and two men are lifting a woman into the boat; many other figures are introduced, and it is probable the artist in his merry moments intended this picture to represent the return from a kermiss or fair, where all had partaken freely of the wine cup. (Jan Stein)|The Ferry. A motley group have already embarked, and two men are lifting a woman into the boat; many other figures are introduced, and it is probable the artist in his merry moments intended this picture to represent the return from a kermiss or fair, where all had partaken freely of the wine cup.]] réalisée par Jan Stein, vendue par Edward Solly, Esq., achetée par Norton au prix de 43.1 gs. [49]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Fruit and a Bird's Nest with Eggs lying on a marble slab, and sculptured vase filled with flowers. A beautiful specimen. réalisée par Van Oss, vendue par Edward Solly, Esq., achetée par French au prix de 52.10 gs. [50]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Portrait pf a Queen, richly habited, and profusely covered with jewels, an ermine cloak flung loosely over her shoulders, and her right hand resting on a sceptre; a peacock (the emblem of Sovereignty) is introduced to her right. réalisée par Rembrandt, vendue par Edward Solly, Esq., achetée par Webb au prix de 6.6 gs. [51]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Bull Hunt. The enraged animal, surrounded by dogs, has transfixed one on his horns; landscape background. From the Brentano collection. réalisée par Potter, vendue par Edward Solly, Esq. au prix de 15.4 gs. [52]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Saint Cecilia represented playing on the organ. réalisée par Domenichino, vendue par Edward Solly, Esq., achetée par Norton au prix de 22.1 gs. [53]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Interior of a Cathedral, with one of the aisles in perspective, and a chandelier pendant some distance down; the light is distributed with great judgment. Cuyp has enriched this work with many groups of figures. réalisée par De Lorme, vendue par Edward Solly, Esq. au prix de 57.15 gs. [54]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A brisk Gale. A Dutch galliot, men of war, and other vessels, in the offing. réalisée par Backhuysen, vendue par Edward Solly, Esq. au prix de 31.10 gs. [55]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Interior of a Study. In the centre is seated a gentleman, habited in a rich robe and red velvet cap, his left arm resting on a table covered with a rich Turkey carpet, in the act of instructing a pupil who is making observations on an orrery; the third figure is similarly engaged with a globe before him; mathematical instruments and books are scattered about the apartment. From the collection of the Prince de Gavre. (Muscher)|Interior of a Study. In the centre is seated a gentleman, habited in a rich robe and red velvet cap, his left arm resting on a table covered with a rich Turkey carpet, in the act of instructing a pupil who is making observations on an orrery; the third figure is similarly engaged with a globe before him; mathematical instruments and books are scattered about the apartment. From the collection of the Prince de Gavre.]] réalisée par Muscher, vendue par Edward Solly, Esq., achetée par Smith au prix de 32.11 gs. [56]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Fair Time at a Dutch Hostelry. In a spacious and lofty apartment is a long table spread for a repast, with a party enjoying themselves. In the centre of the room, an old man, bearing in his face evident traces of the effects of the wine he has just left, is leading a female out to dance, which he does so comically as to excite the laughter of several of the revellers at the table, while a fiddler standing on a stool is encouraging them by the sound of the violin. The open window looks on to a common, where a tent and crowds of merrymakers indicate that the fair is proceeding with spirit. Every group in this picture appears to have its separate amusement, and the individuality of character, and appearance of unrestrained enjoyment which the artist has diffused through every countenance, cannot be too highly commended. From De Smeth's collection. (Jan Stein)|Fair Time at a Dutch Hostelry. In a spacious and lofty apartment is a long table spread for a repast, with a party enjoying themselves. In the centre of the room, an old man, bearing in his face evident traces of the effects of the wine he has just left, is leading a female out to dance, which he does so comically as to excite the laughter of several of the revellers at the table, while a fiddler standing on a stool is encouraging them by the sound of the violin. The open window looks on to a common, where a tent and crowds of merrymakers indicate that the fair is proceeding with spirit. Every group in this picture appears to have its separate amusement, and the individuality of character, and appearance of unrestrained enjoyment which the artist has diffused through every countenance, cannot be too highly commended. From De Smeth's collection.]] réalisée par Jan Stein, vendue par Edward Solly, Esq., achetée par [[Jessel [?]]] au prix de 54.12 gs. [57]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Holy Family. The Virgin on a stone seat, supporting the Infant Christ, St. John resting on one knee, and St. Elizabeth standing by, are bringing the children together. The composition is in the grand manner of Raffaello. From the collection of Charles I. (Garofalo)|The Holy Family. The Virgin on a stone seat, supporting the Infant Christ, St. John resting on one knee, and St. Elizabeth standing by, are bringing the children together. The composition is in the grand manner of Raffaello. From the collection of Charles I.]] réalisée par Garofalo, vendue par Edward Solly, Esq., achetée par Dr Franks au prix de 25.4 gs. [58]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Infant Christ lying on the ground, with St. Joseph and the Virgin on either side in adoration. In the centre of the middle distance is St. John, represented listening to hear the tidings of the birth of the Saviour. A grand landscape and lake occupy the background. From the Accajuoli Palace at Florence. (Fra Bartolomeo)|The Infant Christ lying on the ground, with St. Joseph and the Virgin on either side in adoration. In the centre of the middle distance is St. John, represented listening to hear the tidings of the birth of the Saviour. A grand landscape and lake occupy the background. From the Accajuoli Palace at Florence.]] réalisée par Fra Bartolomeo, vendue par Edward Solly, Esq., achetée par Dr Franks au prix de 23.2 gs. [59]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Huntsman watering his Horse in a Stream, with a dog near him; to the right another horseman is just plunging into the river; beyond is a road leading to a bridge, at the entrance to which is a round tower; on the road, and passing the bridge are several figures, flock of sheep and cattle. From a private collection at Dort. (Albert Cuyp)|A Huntsman watering his Horse in a Stream, with a dog near him; to the right another horseman is just plunging into the river; beyond is a road leading to a bridge, at the entrance to which is a round tower; on the road, and passing the bridge are several figures, flock of sheep and cattle. From a private collection at Dort.]] réalisée par Albert Cuyp, vendue par Edward Solly, Esq., achetée par [[Breen [?]]] au prix de 32.11 gs. [60]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A River Scene. In the foreground are two cows, and a traveller with a dog; further on the road, which gracefully winds around the edge of the river, are two men on horseback, and two other men observing a boat which is drawn by a grey horse, and is passing a little point of the land. To the right, in front, is a piece of still water and group of trees, and around which is a road, with woman, child and dog more to the right, and partly screened by the trees, are some houses, with a village church about the half distance. A windmill and buildings are continued on the edge of the river as far as the eye can reach; a faithful representation of a delicious Summer's evening at the close of a sultry day, when the reflected light of the departing sun illuminates the loftier objects, and the moon faintly spreads her sparkling beams on the tranquil water. (Vanderneer)|A River Scene. In the foreground are two cows, and a traveller with a dog; further on the road, which gracefully winds around the edge of the river, are two men on horseback, and two other men observing a boat which is drawn by a grey horse, and is passing a little point of the land. To the right, in front, is a piece of still water and group of trees, and around which is a road, with woman, child and dog more to the right, and partly screened by the trees, are some houses, with a village church about the half distance. A windmill and buildings are continued on the edge of the river as far as the eye can reach; a faithful representation of a delicious Summer's evening at the close of a sultry day, when the reflected light of the departing sun illuminates the loftier objects, and the moon faintly spreads her sparkling beams on the tranquil water.]] réalisée par Vanderneer, vendue par Edward Solly, Esq., achetée par [[Darnford [?]]] au prix de 202.13 gs. [61]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Party assembling after the Chase. In the front, a Cavalier in a Spanish dress is seated on a bench, his servant holding his gun; near them is a greyhound and another dog; on the left a gentleman on a white horse is approaching at full gallop; beyond and descending the hill are several figures and dogs. From the same collection as No.60 private collection at Dort. (Albert Cuyp)|Party assembling after the Chase. In the front, a Cavalier in a Spanish dress is seated on a bench, his servant holding his gun; near them is a greyhound and another dog; on the left a gentleman on a white horse is approaching at full gallop; beyond and descending the hill are several figures and dogs. From the same collection as No.60 private collection at Dort.]] réalisée par Albert Cuyp, vendue par Edward Solly, Esq., achetée par Herring au prix de 31.10 gs. [62]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Poulterer's Stall, with a hare and pigeons lying in the front, and a female purchasing a fowl of the poulterer, who has several others in a basket. From Mr. de Heksher's collection. réalisée par William Mieris, vendue par Edward Solly, Esq., achetée par Netcher au prix de 128.2 gs. [63]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Bull attacked on all sides by a pack of dogs is galloping at full speed. A grand gallery picture, painted with great vigour and truth. réalisée par Snyders, vendue par Edward Solly, Esq., achetée par Talbot au prix de 19.19 gs. [64]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Landscape with mountainous scenery. A pretty peasant girl, dressed in a red corset, is crouching down with an earthen pot in her lap to milk a dark-coloured cow; towards the right, and at the foot of a hill, is a flock of sheep; above are two shepherds, one of whom is playing on the flute. (David Teniers)|A Landscape with mountainous scenery. A pretty peasant girl, dressed in a red corset, is crouching down with an earthen pot in her lap to milk a dark-coloured cow; towards the right, and at the foot of a hill, is a flock of sheep; above are two shepherds, one of whom is playing on the flute.]] réalisée par David Teniers, vendue par Edward Solly, Esq., achetée par Dr Frank au prix de 21.0 gs. [65]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme The companion. A hilly Landscape, with a shepherd, seated, watching his flock, and some cattle in a meadow on an eminence. From the collection of l'Abbe Renou. réalisée par David Teniers, vendue par Edward Solly, Esq. au prix de 58.16 gs. [66]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Forest Scene on the brow of a hill, with peasant and sheep. In the foreground a lake with a fisherman, and the left distance fringed with wood. réalisée par Ruysdael, vendue par Edward Solly, Esq., achetée par Tiffin au prix de 42.0 gs. [67]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Exterior of a Cabaret, with a female on a barrow in a state of inebriation; a large group of villagers and boys deriding and laughing at her. réalisée par Jan Stein, vendue par Edward Solly, Esq., achetée par [[Roberts [?]]] au prix de 86.2 gs. [68]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Sea View with Vessels in the distance; the surge breaking on the shore, at a point of which are four figures in conversation; a dog and two casks are also on the pier. réalisée par David Teniers, vendue par Edward Solly, Esq., achetée par Bevan au prix de 22.1 gs. [69]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A View of a Village and surrounding country during harvest time; a group of three men and a woman, the latter with a milk can on her arm, are on a road in the front. The opposite side the view of a fine corn field, where peasants are seen binding sheaves and keeping sheep. Beyond is a village, with its church and lofty spire. Engraved by Le Bas, under the Title of "Vue de Flandres." From the collection of Mons. de Lorangère, and subsequently of M. Blondel de Gagny. (David Teniers)|A View of a Village and surrounding country during harvest time; a group of three men and a woman, the latter with a milk can on her arm, are on a road in the front. The opposite side the view of a fine corn field, where peasants are seen binding sheaves and keeping sheep. Beyond is a village, with its church and lofty spire. Engraved by Le Bas, under the Title of "Vue de Flandres." From the collection of Mons. de Lorangère, and subsequently of M. Blondel de Gagny.]] réalisée par David Teniers, vendue par Edward Solly, Esq. au prix de 64.1 gs. [70]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A View off the Dutch Coast near Scheveling, with fishing boats foul of each other in a squall of wind; a frigate and other vessels in the distance. From Van Rosenbeerg's collection. réalisée par Backhuysen, vendue par Edward Solly, Esq. au prix de 39.18 gs. [71]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A Calm, with a Dutch man of war lying at anchor, and a boat fastened to her stern. On the right is a Dutch ytacht, with men hoisting the sails; in the distance are several vessels, and the low coast stretching out as far as the eye can reach. From the same collection Van Rosenberg's (William van de Velde)|A Calm, with a Dutch man of war lying at anchor, and a boat fastened to her stern. On the right is a Dutch ytacht, with men hoisting the sails; in the distance are several vessels, and the low coast stretching out as far as the eye can reach. From the same collection Van Rosenberg's]] réalisée par William van de Velde, vendue par Edward Solly, Esq. au prix de 77.14 gs. [72]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[View in the Home Pasture of a Farm in Holland, brilliantly illuminated by the sun. In the centre of the picture are two figures, one of whom (probably the proprietor of the farm) appears to be extolling the beauty of a fine ox, on which he is resting his hand. The farm house itself forms the right of the picture, in front of which is a group of three cattle grazing in a field, and a man and woman walking together; to the left is an old thatched building and an ancient ruin, separated from the field by a rugged paling; a hilly country in the distance. This picture may be said to rival the works of Potter and Cuyp, as it largely partakes of the beauties of both these celebrated masters. From the collection of Monsieur le Grand. (Camphuysen)|View in the Home Pasture of a Farm in Holland, brilliantly illuminated by the sun. In the centre of the picture are two figures, one of whom (probably the proprietor of the farm) appears to be extolling the beauty of a fine ox, on which he is resting his hand. The farm house itself forms the right of the picture, in front of which is a group of three cattle grazing in a field, and a man and woman walking together; to the left is an old thatched building and an ancient ruin, separated from the field by a rugged paling; a hilly country in the distance. This picture may be said to rival the works of Potter and Cuyp, as it largely partakes of the beauties of both these celebrated masters. From the collection of Monsieur le Grand.]] réalisée par Camphuysen, vendue par Edward Solly, Esq. au prix de 330.,15 gs. [73]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Interior of an Apartment, with a Lady elegantly dressed in orange silk and diamonds, waited on by a female attendant; near them is a small spaniel; to the right is a table covered with a rich carpet and antique chair with velvet seat and back; beyond which a page is leaning out of window; at the further part of the room is a bed and chair; the wall covered with tapestry. (Eglon Vanderneer)|Interior of an Apartment, with a Lady elegantly dressed in orange silk and diamonds, waited on by a female attendant; near them is a small spaniel; to the right is a table covered with a rich carpet and antique chair with velvet seat and back; beyond which a page is leaning out of window; at the further part of the room is a bed and chair; the wall covered with tapestry.]] réalisée par Eglon Vanderneer, vendue par Edward Solly, Esq., achetée par Dr Frank au prix de 28.7 gs. [74]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme Whole-length Portrait of Philip IV, of Spain, habited in a suit of black, with the order of the Golden Fleece; with a landscape background. réalisée par Velasquez, vendue par Edward Solly, Esq., achetée par Gill au prix de 8.18 gs. [75]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Whole-length Portraits of Henrietta Maria and her Children. The Queen, habited in a dark grey dress, is seated in an arm chair, holding a miniature of the King in her left hand. The young Prince Charles has his right hand clasped in the Queen's, and the Princess Mary is approaching with a rose in her hand. A landscape background. (Vandyke)|Whole-length Portraits of Henrietta Maria and her Children. The Queen, habited in a dark grey dress, is seated in an arm chair, holding a miniature of the King in her left hand. The young Prince Charles has his right hand clasped in the Queen's, and the Princess Mary is approaching with a rose in her hand. A landscape background.]] réalisée par Vandyke, vendue par Edward Solly, Esq., achetée par Chittleburg au prix de 19.19 gs. [76]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[Interior of a Dutch Apartment. An officer, in a rich military costume, is seated at a table playing at cards, with a dog at his side. A lady, in a white satin dress, has risen from her chair to welcome a visitor; through the anti-room is seen the street, and a sentinel keeping guard at the door. (Peter de Hooge)|Interior of a Dutch Apartment. An officer, in a rich military costume, is seated at a table playing at cards, with a dog at his side. A lady, in a white satin dress, has risen from her chair to welcome a visitor; through the anti-room is seen the street, and a sentinel keeping guard at the door.]] réalisée par Peter de Hooge, vendue par Edward Solly, Esq., achetée par Talbot au prix de 59.17 gs. [77]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A rich Landscape, with the story of Mercury and Battus. From the collection of M. Ocke, at Leyden. réalisée par Both, vendue par Edward Solly, Esq. au prix de 23 livres 2 gs. [78]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[An upright Landscape, with old buildings and an archway; a peasant and female are in conversation close beside a cow, with several goats and sheep reposing around, and a female milking a cow; a river and mountainous country in the distance. From Mr. Reichard's collection. (Berghem)|An upright Landscape, with old buildings and an archway; a peasant and female are in conversation close beside a cow, with several goats and sheep reposing around, and a female milking a cow; a river and mountainous country in the distance. From Mr. Reichard's collection.]] réalisée par Berghem, vendue par Edward Solly, Esq., achetée par Chaplin au prix de 112.7 gs. [79]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A View from the Shore, represented under the aspect of a fine calm evening; on the left is a jetty, from which a boat with a mast containing two men, and a row boat with eight persons on board, are putting off; a second boat, full of people, is passing along the middle, towards a yacht lying a little distance off in the right, with her main and fore sails up; a little retired from these are seen three frigates, and still more remote other vessels are faintly seen; light fleecy clouds, tinged with the warmth of the vening sun, are sweetly reflected on the tranquil sea. From a private collection at Rotterdam. (W. van de Velde)|A View from the Shore, represented under the aspect of a fine calm evening; on the left is a jetty, from which a boat with a mast containing two men, and a row boat with eight persons on board, are putting off; a second boat, full of people, is passing along the middle, towards a yacht lying a little distance off in the right, with her main and fore sails up; a little retired from these are seen three frigates, and still more remote other vessels are faintly seen; light fleecy clouds, tinged with the warmth of the vening sun, are sweetly reflected on the tranquil sea. From a private collection at Rotterdam.]] réalisée par W. van de Velde, vendue par Edward Solly, Esq., achetée par Norton au prix de 220.10 gs. [80]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A Poulterer's Stall; a young female bargaining for a hare; a goose, wild ducks, and pigeon, lying on the counter; in the front are a live fowl, a basket, and various accessories. From the collection of M. Hoffman, at Dort. réalisée par Metzu, vendue par Edward Solly, Esq. au prix de 34.2 gs. [81]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The Conversion of Saul. The Apostle is represented riding a grey horse, accompanied on his journey by Roman soldiers, also on horseback. The moment the artist has chosen is when Saul struck by lightning is falling; the terror of the horses, and the alarm of the soldiers, are ably and forcibly depicted. An uncommon picture of this scarce master, from the size and subject. From the collection of D'Orville, Amsterdam. (K. du Jardin)|The Conversion of Saul. The Apostle is represented riding a grey horse, accompanied on his journey by Roman soldiers, also on horseback. The moment the artist has chosen is when Saul struck by lightning is falling; the terror of the horses, and the alarm of the soldiers, are ably and forcibly depicted. An uncommon picture of this scarce master, from the size and subject. From the collection of D'Orville, Amsterdam.]] réalisée par K. du Jardin, vendue par Edward Solly, Esq., achetée par Talbot au prix de 100.16 gs. [82]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[An upright Landscape, a view in a mountainous country. In the fore ground is a stream of water, through which a female with a bundle under her arm, and a dog and goat are passing; other peasants and mules on the opposite side. In the middle distance the river is visible at another turn, on the opposite banks of which are a group of cattle, and an old castle. From the collections of M. Bickerstein and Brentano, Frankfort. (Berghem)|An upright Landscape, a view in a mountainous country. In the fore ground is a stream of water, through which a female with a bundle under her arm, and a dog and goat are passing; other peasants and mules on the opposite side. In the middle distance the river is visible at another turn, on the opposite banks of which are a group of cattle, and an old castle. From the collections of M. Bickerstein and Brentano, Frankfort.]] réalisée par Berghem, vendue par Edward Solly, Esq., achetée par Netcher au prix de 137.11 gs. [83]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[The companion picture. A Rustic Scene; a female seated onthe sic ground spinning; two cows are close behind her, one of them standing on the verge of a hillock; a plough in the foreground, and a dog and a goat are inside a pool of water to the right; figures in the distance ploughing with oxen. From the collection of M. Brentano, Frankfurt. (Berghem)|The companion picture. A Rustic Scene; a female seated onthe sic ground spinning; two cows are close behind her, one of them standing on the verge of a hillock; a plough in the foreground, and a dog and a goat are inside a pool of water to the right; figures in the distance ploughing with oxen. From the collection of M. Brentano, Frankfurt.]] réalisée par Berghem, vendue par Edward Solly, Esq., achetée par Bredael au prix de 215.5 gs. [84]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme A grand gallery picture. A vessel lying to for a pilot boat which is approaching; another large vessel just entered the harbour, and fishing boat going off; various vessels in the offing. réalisée par Backhuysen, vendue par Edward Solly, Esq. au prix de 141.15 gs. [85]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[An Altar Piece, in three compartments, to fold. The centre represents the Taking down from the Cross, with the Virgin and holy women, and a numerous company, on either side a Saint, and on the exterior is painted the Annunciation, in chiaro oscuro. Formerly in the possession of Mr. Delahante, and mentioned by Mr. Passavant. One of the finest examples of the master. (Mabeuze)|An Altar Piece, in three compartments, to fold. The centre represents the Taking down from the Cross, with the Virgin and holy women, and a numerous company, on either side a Saint, and on the exterior is painted the Annunciation, in chiaro oscuro. Formerly in the possession of Mr. Delahante, and mentioned by Mr. Passavant. One of the finest examples of the master.]] réalisée par Mabeuze, vendue par Edward Solly, Esq., achetée par Fuller au prix de 53.11 gs. [86]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme The Holy Family, in a rich landscape; a female Saint presenting the patron to the Virgin. Purchased from the Rezzonico Palace. This and the following picture are brilliant specimens of Venetian colouring. réalisée par Bonifacio, vendue par Edward Solly, Esq., achetée par Fuller au prix de 68.5 gs. [87]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme The Virgin, Child, and St. Joseph; St. Catherine and St. John presenting a Venetian nobleman: landscape background. Purchased at the sale of the late Mr. Woodburn. réalisée par Giorgione, vendue par Edward Solly, Esq., achetée par Holmes au prix de 42.0 gs. [88]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A woody Landscape, with Overshot Mill, and pool of water in the foreground, covered with woods, on the opposite side of which is a figure fishing; a fine group of trees overhanging a winding road, which leads to the bridge over the stream, along which two figures are passing, and a streak of sun penetrating through the interstices of the branches is shining over the little spot along which they are passing. A cottage, with a small garden, forms the extreme right; to the left is another winding road, with several figures in conversation, while through the spaces left by the picturesque nature of the various clusters of trees, several enclosures of meadows and a cultivated country may be seen. From Baron Becker's cabinet. (Hobbima)|A woody Landscape, with Overshot Mill, and pool of water in the foreground, covered with woods, on the opposite side of which is a figure fishing; a fine group of trees overhanging a winding road, which leads to the bridge over the stream, along which two figures are passing, and a streak of sun penetrating through the interstices of the branches is shining over the little spot along which they are passing. A cottage, with a small garden, forms the extreme right; to the left is another winding road, with several figures in conversation, while through the spaces left by the picturesque nature of the various clusters of trees, several enclosures of meadows and a cultivated country may be seen. From Baron Becker's cabinet.]] réalisée par Hobbima, vendue par Edward Solly, Esq., achetée par Sutherland au prix de 325.10 gs. [89]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A View in the Back Court of a House, looking towards a building, which has a lofty arched passage through it, paved with marble, at the end of which are seen a street and some trees; upon the steps of the passage in front is seated a child, dressed in a grey frock and yellow skirt, with a dog in her lap; and under covering of a vine trellis (in a recess, formed by some walls and the corner of the house,) are three men seated at a table regaling, and a woman standing near them with a glass of wine in her hand; various objects, among which are a cask and a pot, concur to give picturesque effect to the scene, which is brightly illumined by the appearance of the most perfect day. From the Malmaison collection, and previously in the collection of Mr. Walscott at Antwerp. (Peter de Hooge)|A View in the Back Court of a House, looking towards a building, which has a lofty arched passage through it, paved with marble, at the end of which are seen a street and some trees; upon the steps of the passage in front is seated a child, dressed in a grey frock and yellow skirt, with a dog in her lap; and under covering of a vine trellis (in a recess, formed by some walls and the corner of the house,) are three men seated at a table regaling, and a woman standing near them with a glass of wine in her hand; various objects, among which are a cask and a pot, concur to give picturesque effect to the scene, which is brightly illumined by the appearance of the most perfect day. From the Malmaison collection, and previously in the collection of Mr. Walscott at Antwerp.]] réalisée par Peter de Hooge, vendue par Edward Solly, Esq., achetée par Byng au prix de 535.10 gs. [90]

1837.05.31/ maison de ventes : Foster (Edward). Vente de l'œuvre décrite comme [[A three-quarter Portrait of Mary de Medicis seated in a chair, on the elbows of which her hands rest, habited in a dark grey dress with Spanish collar and open bosom, round which hangs the order of the Saint Esprit, set in superb jewels; spiritedly painted with a rich empasto, unsurpassed by any Portraits from the hand of this great master. Purchased from a private family at Breda. (Rubens)|A three-quarter Portrait of Mary de Medicis seated in a chair, on the elbows of which her hands rest, habited in a dark grey dress with Spanish collar and open bosom, round which hangs the order of the Saint Esprit, set in superb jewels; spiritedly painted with a rich empasto, unsurpassed by any Portraits from the hand of this great master. Purchased from a private family at Breda.]] réalisée par Rubens, vendue par Edward Solly, Esq. au prix de 63.0 gs. [91]

Ventes d'œuvres le 1837.05.31

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