Ventes d'œuvres le 1837.07.11

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  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait (3/4 length) of the Hon. Richard Fiennes, Rector of Oakley, younger son of the above Elizabeth, (daughter of John Temple, of Stowe,) Viscountess Say and Sele, and wife of the above Fiennes William, first Viscount Say and Sele, and father of the last Viscount Say and Sele, in his Canonicals, standing in his library with a book in his hand resting on a table -- a pleasing and faithful representation (Stone, Jun.)|Portrait (3/4 length) of the Hon. Richard Fiennes, Rector of Oakley, younger son of the above Elizabeth, (daughter of John Temple, of Stowe,) Viscountess Say and Sele, and wife of the above Fiennes William, first Viscount Say and Sele, and father of the last Viscount Say and Sele, in his Canonicals, standing in his library with a book in his hand resting on a table -- a pleasing and faithful representation]] réalisée par Stone, Jun., vendue par Broughton Castle, achetée par Redfern au prix de 2.0 gs. [1]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Presentation of Christ in the Temple. Luke chap. ii. v. 28 and 29 -- A large and beautiful picture of the Old Italian School, the majestic figure of Simeon bearing the infant Jesus, is painted with great force of colouring and finely relieved by the beautiful and expressive figures of the Mother of Christ and Joseph bearing the Purification Offering of Doves, a speculative picture -- (somewhat injured) (Old Italian School)|Presentation of Christ in the Temple. Luke chap. ii. v. 28 and 29 -- A large and beautiful picture of the Old Italian School, the majestic figure of Simeon bearing the infant Jesus, is painted with great force of colouring and finely relieved by the beautiful and expressive figures of the Mother of Christ and Joseph bearing the Purification Offering of Doves, a speculative picture -- (somewhat injured)]] réalisée par Old Italian School, vendue par Broughton Castle, achetée par Revd Walford au prix de 4.0 gs. [44]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Triumph of a Roman General, as decreed by the Senate, representing the Victor in a triumphal car, on the back of which stands a figure of Victory holding a laurel crown, drawn by three noble Arabian horses, followed by captives bound and fastened, urged on by soldiers -- a highly-interesting historical picture, spiritedly drawn and beautifully coloured, of the school of Rubens, unframed and somewhat injured in the back ground (Rubens)|Triumph of a Roman General, as decreed by the Senate, representing the Victor in a triumphal car, on the back of which stands a figure of Victory holding a laurel crown, drawn by three noble Arabian horses, followed by captives bound and fastened, urged on by soldiers -- a highly-interesting historical picture, spiritedly drawn and beautifully coloured, of the school of Rubens, unframed and somewhat injured in the back ground]] réalisée par Rubens, vendue par Broughton Castle, achetée par Walford au prix de 3.0 gs. [48]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait (3/4 length) of Fiennes William, first Viscount Say and Sele, in slashed black dress, with sword, white ruff, mustaches and pointed beard, inscribed ætatis 44, 1628, painted in the truly characteristic style of Vandyke, and judged to be by that master -- this nobleman was one of the principal parliamentary leaders during the Civil War, and the last master of the Court of Wards, afterwards Privy Seal to Charles II. according to the prudent maxim of that Prince, who chose to caress his foes and trust his friends, died 1662 (Vandyke)|Portrait (3/4 length) of Fiennes William, first Viscount Say and Sele, in slashed black dress, with sword, white ruff, mustaches and pointed beard, inscribed ætatis 44, 1628, painted in the truly characteristic style of Vandyke, and judged to be by that master -- this nobleman was one of the principal parliamentary leaders during the Civil War, and the last master of the Court of Wards, afterwards Privy Seal to Charles II. according to the prudent maxim of that Prince, who chose to caress his foes and trust his friends, died 1662]] réalisée par Vandyke, vendue par Broughton Castle, achetée par Rvd Walford au prix de 17.0 gs. [57]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait of Elizabeth, (daughter of John Temple, of Stowe,) Viscountess Say and Sele, and wife of the above Fiennes William, first Viscount Say and Sele, in black slashed dress, white lace ruff and lappet, with starched ornamented ruffles, holding a fan of feathers in her hand, inscribed ætatis 23, 1625 (artiste anonyme)|Portrait of Elizabeth, (daughter of John Temple, of Stowe,) Viscountess Say and Sele, and wife of the above Fiennes William, first Viscount Say and Sele, in black slashed dress, white lace ruff and lappet, with starched ornamented ruffles, holding a fan of feathers in her hand, inscribed ætatis 23, 1625]] réalisée par un.e artiste anonyme, vendue par Broughton Castle, achetée par Rvd Walford au prix de 10.0 gs. [58]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait (fine) of Sir John Twistleton, of Barby, in the county of York, husband of Elizabeth, the grand-daughter of the first Viscount Say and Sele, in long flowing wig, rich lace cravat, blue velvet robe, with white sleeves -- an exquisitely-painted picture, in the most brillant style of the master (Sir Peter Lely)|Portrait (fine) of Sir John Twistleton, of Barby, in the county of York, husband of Elizabeth, the grand-daughter of the first Viscount Say and Sele, in long flowing wig, rich lace cravat, blue velvet robe, with white sleeves -- an exquisitely-painted picture, in the most brillant style of the master]] réalisée par Sir Peter Lely, vendue par Broughton Castle, achetée par Redfern au prix de 5.0 gs. [59]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait of Pope St. Gregory, in plain Pontificals, seated near to a table, on which is placed his Tiara, in the act of composing under the inspiration of the Holy Spirit, signified by the representation of a Dove -- in this fine picture, there is an original and just expression of sentiment, forcibly exhibited in great devotional feeling on the countenance of the Holy Father; the hands being well designed and the whole natural and beautiful, the colouring is striking and full of that force which so conspicuously distinguishes the work of the eminent master (Spagnoletti)|Portrait of Pope St. Gregory, in plain Pontificals, seated near to a table, on which is placed his Tiara, in the act of composing under the inspiration of the Holy Spirit, signified by the representation of a Dove -- in this fine picture, there is an original and just expression of sentiment, forcibly exhibited in great devotional feeling on the countenance of the Holy Father; the hands being well designed and the whole natural and beautiful, the colouring is striking and full of that force which so conspicuously distinguishes the work of the eminent master]] réalisée par Spagnoletti, vendue par Broughton Castle, achetée par Williams au prix de 10.10 gs. [60]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait (3/4 length) of a Spanish Nobleman, in a splendid embroidered dress and scarf, long flowing hair, the countenance is natural, expressive and beautifully coloured, one hand is extended, and finished with great precision, and the effect of the whole is powerfully increased by the luxuriant colouring of the robes (Velasquez)|Portrait (3/4 length) of a Spanish Nobleman, in a splendid embroidered dress and scarf, long flowing hair, the countenance is natural, expressive and beautifully coloured, one hand is extended, and finished with great precision, and the effect of the whole is powerfully increased by the luxuriant colouring of the robes]] réalisée par Velasquez, vendue par Broughton Castle, achetée par Walford au prix de 7.0 gs. [61]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait (fine 3/4 length) of Isabella, Queen of Spain, one hand resting on a table covered with velvet cloth, and the other disposed in an easy manner by her side holding a rich lace handkerchief, attired in a magnificently-raised embroidered dress with shaped bodice, to which is affixed a richly-jewelled belt, and finished with quilted white sleeves relieved in gold, her hair adorned with diamonds, her neck encircled with large pearls, with open lace collar -- This picture, which represents the costume of the day, is in a high state or preservation, it combines grace and elegance with the additional value of being the portrait of a personage no less distinguished for her many private and public virtues, than for the pre-eminent patronage she afforded to the great Columbus, and to the ablest men of her time in literature and science, painted in great truth of colour and true dignity of character (Paul Veronese)|Portrait (fine 3/4 length) of Isabella, Queen of Spain, one hand resting on a table covered with velvet cloth, and the other disposed in an easy manner by her side holding a rich lace handkerchief, attired in a magnificently-raised embroidered dress with shaped bodice, to which is affixed a richly-jewelled belt, and finished with quilted white sleeves relieved in gold, her hair adorned with diamonds, her neck encircled with large pearls, with open lace collar -- This picture, which represents the costume of the day, is in a high state or preservation, it combines grace and elegance with the additional value of being the portrait of a personage no less distinguished for her many private and public virtues, than for the pre-eminent patronage she afforded to the great Columbus, and to the ablest men of her time in literature and science, painted in great truth of colour and true dignity of character]] réalisée par Paul Veronese, vendue par Broughton Castle, achetée par Redfern au prix de 14.0 gs. [62]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait (large fine full-length) of Frances Theresa Stewart, Duchess of Richmond, represented in the emblematical character of Minerva seated at the base of a pillar in a garden, near to a vase filled with flowers, her arm resting on a table, covered with a richly-embroidered cloth, on which is placed a helmet, while the emblems of war are carelessly disposed in the fore-ground, in the distance splendid temples and obelisks -- A highly interesting picture of a lady famed for her purity of morals and upright conduct at the licentious court of Charles the Second, and also for having rejected the wayward love of her Sovereign, and incurred his anger by her marriage with the Duke of Richmond, painted in a style of blended sweetness and grace, which marked some of the happiest effects of Sir Peter Lely (Sir Peter Lely)|Portrait (large fine full-length) of Frances Theresa Stewart, Duchess of Richmond, represented in the emblematical character of Minerva seated at the base of a pillar in a garden, near to a vase filled with flowers, her arm resting on a table, covered with a richly-embroidered cloth, on which is placed a helmet, while the emblems of war are carelessly disposed in the fore-ground, in the distance splendid temples and obelisks -- A highly interesting picture of a lady famed for her purity of morals and upright conduct at the licentious court of Charles the Second, and also for having rejected the wayward love of her Sovereign, and incurred his anger by her marriage with the Duke of Richmond, painted in a style of blended sweetness and grace, which marked some of the happiest effects of Sir Peter Lely]] réalisée par Sir Peter Lely, vendue par Broughton Castle, achetée par Revd Walford au prix de 5.0 gs. [63]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait of Joannes Dun Scotus, a Monk of the Fourteenth Century, who made a vow to abstain from Food until he had Translated the Gospels, and expired in finishing the last Chapter, painted in a bold and faithful style exhibiting the direful effects of Famine (artiste anonyme)|Portrait of Joannes Dun Scotus, a Monk of the Fourteenth Century, who made a vow to abstain from Food until he had Translated the Gospels, and expired in finishing the last Chapter, painted in a bold and faithful style exhibiting the direful effects of Famine]] réalisée par un.e artiste anonyme, vendue par Broughton Castle, achetée par Emanuel au prix de 1.14 gs. [69]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Portrait (fine) of Charles the First when young, in black vest, drop lace collar with tassels, flowing hair, mustaches and pointed beard -- a singular portrait, in which the melancholy expression depicted on the countenance of this ill-fated Prince would appear as a prelude to his future misfortunes (H. Stone)|Portrait (fine) of Charles the First when young, in black vest, drop lace collar with tassels, flowing hair, mustaches and pointed beard -- a singular portrait, in which the melancholy expression depicted on the countenance of this ill-fated Prince would appear as a prelude to his future misfortunes]] réalisée par H. Stone, vendue par Broughton Castle, achetée par Burch au prix de 2.19 gs. [82]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[A curious diversified Early Picture, representing Alpine Scenery -- on the summit of a rock is placed a Convent, approached by a circuitous path; at the base flows a river, on the banks of which appear figures promenading in masquerading costume -- village in the distance (artiste anonyme)|A curious diversified Early Picture, representing Alpine Scenery -- on the summit of a rock is placed a Convent, approached by a circuitous path; at the base flows a river, on the banks of which appear figures promenading in masquerading costume -- village in the distance]] réalisée par un.e artiste anonyme, vendue par Broughton Castle, achetée par Phippy au prix de 1.1 gs. [85]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[Two Portraits of Children, painted in a rich tone of colouring -- the female drawn in the character of Diana, leading a beautiful hound -- the boy as a Shepherd, seated on a bank presenting the Goddess with water from a shell -- sheep in the back ground -- a fine old picture, marked with a German heraldic coat of arms (artiste anonyme)|Two Portraits of Children, painted in a rich tone of colouring -- the female drawn in the character of Diana, leading a beautiful hound -- the boy as a Shepherd, seated on a bank presenting the Goddess with water from a shell -- sheep in the back ground -- a fine old picture, marked with a German heraldic coat of arms]] réalisée par un.e artiste anonyme, vendue par Broughton Castle, achetée par Emanuel au prix de 1.10 gs. [92]
  • 1837.07.11/ maison de ventes : Enoch & Redfern. Vente de l'œuvre décrite comme [[A large and fine Old Picture, (somewhat injured) of the school of Rubens -- representing The Sacrifice of Isaac -- the figure of Abraham, who is in the act of striking his son, but prevented by the Angel, is sketched with great force and powerful effect, and finely relieved by the recumbent figure of Isaac (Rubens)|A large and fine Old Picture, (somewhat injured) of the school of Rubens -- representing The Sacrifice of Isaac -- the figure of Abraham, who is in the act of striking his son, but prevented by the Angel, is sketched with great force and powerful effect, and finely relieved by the recumbent figure of Isaac]] réalisée par Rubens, vendue par Broughton Castle, achetée par Williams au prix de 5.10 gs. [101]
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