Ventes d'œuvres le 1841.05.15

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  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait of a Gentleman of a portly countenance, seen in a three-quarter view, having dark curling hair, mustachios, and a tuft of beard. He wears a high-crowned red velvet cap, with a tassel in front, and a brown mantle with fur cape richly ornamented. Signed and dated, 1637. Painted in an oval spandrel. Smith's Catalogue Raisonnée, p.121 (Rembrandt)|Portrait of a Gentleman of a portly countenance, seen in a three-quarter view, having dark curling hair, mustachios, and a tuft of beard. He wears a high-crowned red velvet cap, with a tassel in front, and a brown mantle with fur cape richly ornamented. Signed and dated, 1637. Painted in an oval spandrel. Smith's Catalogue Raisonnée, p.121]] réalisée par Rembrandt, vendue par Lady Stuart, achetée par Nieuwenhuys au prix de 157.10 £. [58]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A View off the Shore, looking seaward, represented under the aspect of hazy weathere and an overcast sky, portending abundance of rain. On the right are two fishing-boats lying near shore, and a sailor standing up to his knees in water with a rope in his hand. A small vessel is in the centre approaching the two former boats. A frigate and other ships are seen in the distance on the left. Smith's Catalogue, p. 367 (William van de Velde)|A View off the Shore, looking seaward, represented under the aspect of hazy weathere and an overcast sky, portending abundance of rain. On the right are two fishing-boats lying near shore, and a sailor standing up to his knees in water with a rope in his hand. A small vessel is in the centre approaching the two former boats. A frigate and other ships are seen in the distance on the left. Smith's Catalogue, p. 367]] réalisée par William van de Velde, vendue par Lady Stuart, achetée par Nieuwenhuys au prix de 619.10 £. [61]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A View on the Texel, represented under the aspect of a strong-wind and a rolling sea. Among a number of vessels sailing on different tacks in a handsome yacht, having her main and jib sails up and three flags flying: beyond her is aship of war. On the oppostie side is a fishing-smack with three men in it; and a little retired from this a large ship is seen approaching. This very excellent picture has been engraved by Canot. Smith's Catalogue, p. 429 (Ludolph Backhuysen)|A View on the Texel, represented under the aspect of a strong-wind and a rolling sea. Among a number of vessels sailing on different tacks in a handsome yacht, having her main and jib sails up and three flags flying: beyond her is aship of war. On the oppostie side is a fishing-smack with three men in it; and a little retired from this a large ship is seen approaching. This very excellent picture has been engraved by Canot. Smith's Catalogue, p. 429]] réalisée par Ludolph Backhuysen, vendue par Lady Stuart, achetée par Buchanan au prix de 446.5 £. [62]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape, with a lofty square tower on the left, and on the same side and nearer the front is a stone bridge over a moat. In the opposite part of the picture the view extends over a diversified country, illumined by the last rays of a setting sun. This is a free masterly sketch, brilliant and beautiful. Smith's Catalogue, p. 257 (Rubens)|A Landscape, with a lofty square tower on the left, and on the same side and nearer the front is a stone bridge over a moat. In the opposite part of the picture the view extends over a diversified country, illumined by the last rays of a setting sun. This is a free masterly sketch, brilliant and beautiful. Smith's Catalogue, p. 257]] réalisée par Rubens, vendue par Lady Stuart, achetée par Farrar dealer au prix de 304.10 £. [63]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Travellers Halting. The view presents on the left a picturesque house, with a vine growing against it, in the front of which two travellers have halted; one of them, in a scarlet cloack, has dismounted from a while horse, and is bowing to a young lady who stands at the half door of a house; while the other, mounted on a black horse, is turning to take a glass of wine from a boy, at whose side is a greyhound. From the collection of the Chevalier Verhulst, 1770 (Karel du Jardin)|Travellers Halting. The view presents on the left a picturesque house, with a vine growing against it, in the front of which two travellers have halted; one of them, in a scarlet cloack, has dismounted from a while horse, and is bowing to a young lady who stands at the half door of a house; while the other, mounted on a black horse, is turning to take a glass of wine from a boy, at whose side is a greyhound. From the collection of the Chevalier Verhulst, 1770]] réalisée par Karel du Jardin, vendue par Lady Stuart, achetée par Nieuwenhuys au prix de 430.10 £. [64]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape, presenting a thickly-wooded scene, over which is diffused the warmth of a fine summer's evening. On the right, and close to the front, is a man bending on one knee shearing a dog. A basket is placed by his side, and a goat is browsing near. Smith's Catalogue, p.299. This capital picture was engraved under the title of "The Humane Traveller" (Pynacker)|A Landscape, presenting a thickly-wooded scene, over which is diffused the warmth of a fine summer's evening. On the right, and close to the front, is a man bending on one knee shearing a dog. A basket is placed by his side, and a goat is browsing near. Smith's Catalogue, p.299. This capital picture was engraved under the title of "The Humane Traveller"]] réalisée par Pynacker, vendue par Lady Stuart, achetée par Nieuwenhuys au prix de 189.0 £. [65]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Hilly Landscape, with a cascade of water rushing between two rocky banks in the foreground; the trunk of a beech lies across the stream, and its stump remains in a bank on the right A handsome house, with a terrace and a dome top, stands upon an elevation on the further side of the water. The sky is partially obscured with clouds surcharged with rain. An excellent picture. Smith's Catalogue, p.9 (Jacob Ruysdael)|A Hilly Landscape, with a cascade of water rushing between two rocky banks in the foreground; the trunk of a beech lies across the stream, and its stump remains in a bank on the right A handsome house, with a terrace and a dome top, stands upon an elevation on the further side of the water. The sky is partially obscured with clouds surcharged with rain. An excellent picture. Smith's Catalogue, p.9]] réalisée par Jacob Ruysdael, vendue par Lady Stuart, achetée par Norton dealer au prix de 346.10 £. [67]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait of the Baron de Viry, in middle age, with dark hair and beard. The face is presented in nearly a three-quarter view; a full ruff adorns the neck, and a black dress covers the body. Painted in the artist's finished manner. Smith's Catalogue, p.257 These pictures of Ambassador, Baron de Viry and his lady, were painted by Rubens in token of his gratitude for having been employed by him to finish the collection of the Luxemberg Gallery for Mary of Medicis (Rubens)|Portrait of the Baron de Viry, in middle age, with dark hair and beard. The face is presented in nearly a three-quarter view; a full ruff adorns the neck, and a black dress covers the body. Painted in the artist's finished manner. Smith's Catalogue, p.257 These pictures of Ambassador, Baron de Viry and his lady, were painted by Rubens in token of his gratitude for having been employed by him to finish the collection of the Luxemberg Gallery for Mary of Medicis]] réalisée par Rubens, vendue par Lady Stuart, achetée par Nieuwenhuys au prix de 483.0 £. [68]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Companion. Portrait of the Baronne de Viry, of fair complexion and light hair, seen in a front view. The neck is adorned with a full broad ruff, with a serrated edge; she has on a black silk dress, with slashed sleeves; a rich cross, composed of jewels, adorns the front of the bosom, and a chain falls below it. An elegant portrait, of great purity and brilliancy of colour. Smith's Catalogue, p.257. These pictures of Ambassador, Baron de Viry and his lady, were painted by Rubens in token of his gratitude for having been employed by him to finish the collection of the Luxemberg Gallery for Mary of Medicis (Rubens)|The Companion. Portrait of the Baronne de Viry, of fair complexion and light hair, seen in a front view. The neck is adorned with a full broad ruff, with a serrated edge; she has on a black silk dress, with slashed sleeves; a rich cross, composed of jewels, adorns the front of the bosom, and a chain falls below it. An elegant portrait, of great purity and brilliancy of colour. Smith's Catalogue, p.257. These pictures of Ambassador, Baron de Viry and his lady, were painted by Rubens in token of his gratitude for having been employed by him to finish the collection of the Luxemberg Gallery for Mary of Medicis]] réalisée par Rubens, vendue par Lady Stuart, achetée par Seguier au prix de 430.10 £. [69]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Villagers merry-making. A Landscape, with two cottages on the right, in front of which is a company of twenty-four villagers partaking of their various rustic recreations. A couple are dancing to the sound of a bagpipe, played by a man standing on a tub near the entrance to the court, at which is a peasant embracing a female. One the same side, and close to the front, are two men and women. On the opposite side stands an old man in a yellow jacket, behind whom are a pig and some tubs. Collection of M. Selle. Smith's Catalogue, p.287 (Teniers)|Villagers merry-making. A Landscape, with two cottages on the right, in front of which is a company of twenty-four villagers partaking of their various rustic recreations. A couple are dancing to the sound of a bagpipe, played by a man standing on a tub near the entrance to the court, at which is a peasant embracing a female. One the same side, and close to the front, are two men and women. On the opposite side stands an old man in a yellow jacket, behind whom are a pig and some tubs. Collection of M. Selle. Smith's Catalogue, p.287]] réalisée par Teniers, vendue par Lady Stuart, achetée par Chaplin au prix de 225.15 £. [70]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Bowl-Players. A company of sixteen villagers assembled in front of a country alehouse; eight of them appear to be engaged at bowls; four of the players are on the left, one of whom in a blue jacket is about to throw at the mark, near which stands a man in his shirt, with his back to the spectator; the remaining three are near looking on. Close to the door of the house is a social party of six disposed at table. At some distance, on the oppostie side, is a merry company entering the court. Smith's Catalogue, p.287 (Teniers)|Bowl-Players. A company of sixteen villagers assembled in front of a country alehouse; eight of them appear to be engaged at bowls; four of the players are on the left, one of whom in a blue jacket is about to throw at the mark, near which stands a man in his shirt, with his back to the spectator; the remaining three are near looking on. Close to the door of the house is a social party of six disposed at table. At some distance, on the oppostie side, is a merry company entering the court. Smith's Catalogue, p.287]] réalisée par Teniers, vendue par Lady Stuart, achetée par Smart for Burton au prix de 173.5 £. [71]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait of the Duchess de Cruy, when about thirty years of age, seen nearly in a front view, with the head uncovered. The dress consists of black silk, with slashed sleeves, shewing the white silk linings; a lace frill standing up round the shoulders, leaving the bosom exposed; a string of pearls hangs in a festoon in front, one end of which is attached to a bow on the bosom, and a balck gauze kerchief falls over the frill in the left. This capital picture is described in Smith's Catalogue, p.257, as a portrait of Helena Forman (Rubens)|Portrait of the Duchess de Cruy, when about thirty years of age, seen nearly in a front view, with the head uncovered. The dress consists of black silk, with slashed sleeves, shewing the white silk linings; a lace frill standing up round the shoulders, leaving the bosom exposed; a string of pearls hangs in a festoon in front, one end of which is attached to a bow on the bosom, and a balck gauze kerchief falls over the frill in the left. This capital picture is described in Smith's Catalogue, p.257, as a portrait of Helena Forman]] réalisée par Rubens, vendue par Lady Stuart au prix de 273.0 £. [73]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape, iwth a group of harvest people in front taking their repast. A little beyond them stands a grey horse, near which is an ass reposing; and on the right are some men putting hay in ricks under a sort of shed. Engraved by Wiesbrood, No.70, in the Choiseul Gallery. Collection of M. Meijers, Choiseul, P. de Conti. Smith's Collection, p.230 (Philip Wouvermans)|A Landscape, iwth a group of harvest people in front taking their repast. A little beyond them stands a grey horse, near which is an ass reposing; and on the right are some men putting hay in ricks under a sort of shed. Engraved by Wiesbrood, No.70, in the Choiseul Gallery. Collection of M. Meijers, Choiseul, P. de Conti. Smith's Collection, p.230]] réalisée par Philip Wouvermans, vendue par Lady Stuart, achetée par Nieuwenhuys au prix de 409.10 £. [74]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A bold hilly Landscape, with a lofty square rock near the middle, and several peasants with their cattle in the foreground; amongst whom in front is a boy with a basket on his arm, playing with his dog; and beyond, a shepherd and shepherdess sitting on a bank. Painted in the artist's broad free manner. Smith's Catalogue Raisonne, p.39 (Berghem)|A bold hilly Landscape, with a lofty square rock near the middle, and several peasants with their cattle in the foreground; amongst whom in front is a boy with a basket on his arm, playing with his dog; and beyond, a shepherd and shepherdess sitting on a bank. Painted in the artist's broad free manner. Smith's Catalogue Raisonne, p.39]] réalisée par Berghem, vendue par Lady Stuart, achetée par Smith au prix de 168.0 £. [75]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Melchizedek giving bread and wine to Abraham and his Soldiers. The composition consists of about eighteen figures. This is a finished study of superlative beauty, for the large picture in the collection of the Earl of Grosvenor. Collection of M. Julienne. Smith's Catalogue, p.184 (Rubens)|Melchizedek giving bread and wine to Abraham and his Soldiers. The composition consists of about eighteen figures. This is a finished study of superlative beauty, for the large picture in the collection of the Earl of Grosvenor. Collection of M. Julienne. Smith's Catalogue, p.184]] réalisée par Rubens, vendue par Lady Stuart, achetée par Nieuwenhuys au prix de 598.10 £. [76]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A View on the Maes, looking towards the city of Dort, before which are several fishing vessels and a sloop at anchor, the latter having a small boat lying by her. The tower of Dort church and the spire of the house which forms the entrance of the city, are conspicuous objects. The aspect represents early morning, and the gleams of the sun faintly play on the water, while the eastern hemisphere still exhibits the grayness of morning. Smith's Catalogue Raisonne, p.337 (Cuyp)|A View on the Maes, looking towards the city of Dort, before which are several fishing vessels and a sloop at anchor, the latter having a small boat lying by her. The tower of Dort church and the spire of the house which forms the entrance of the city, are conspicuous objects. The aspect represents early morning, and the gleams of the sun faintly play on the water, while the eastern hemisphere still exhibits the grayness of morning. Smith's Catalogue Raisonne, p.337]] réalisée par Cuyp, vendue par Lady Stuart, achetée par Brown for Mr Holford au prix de 1102.10 £. [77]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Companion. A View on the river Maes, represented under the agreeable illusion of sunset. In the centre of the view is a laden brag, alongside of which floats a raft of timber with three men on it. To the left is a small boat, with a square sail, managed by two sailors; in addition are five vessels sailing in various directions on the opposite side. Smith's Catalogue, p.338 (Cuyp)|The Companion. A View on the river Maes, represented under the agreeable illusion of sunset. In the centre of the view is a laden brag, alongside of which floats a raft of timber with three men on it. To the left is a small boat, with a square sail, managed by two sailors; in addition are five vessels sailing in various directions on the opposite side. Smith's Catalogue, p.338]] réalisée par Cuyp, vendue par Lady Stuart, achetée par Brown for Mr Holford au prix de 1522.10 £. [78]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A View on the entrance to a Harbour, with the open sea on the right, represented under the effect of a stiff breeze. The composition exhibits, in front, a fishing smack, with four sailors on board standing towards the shore, under main and jib sails. The shore extending along the left is fenced with numerous piles, and also by a break-water jetty. On the opposite side, and considerably remote from the front, is a ship of war in full sail approaching, and at the same time firing a gun. Mandy other vessels, of different descriptions, may be observed on various tacks. This is a superlative production of the master. Engraved by Canot. Formerly in the collection of the Earl of Bute. Smith's Catalogue, p.430 (Ludolph Backhuyzen)|A View on the entrance to a Harbour, with the open sea on the right, represented under the effect of a stiff breeze. The composition exhibits, in front, a fishing smack, with four sailors on board standing towards the shore, under main and jib sails. The shore extending along the left is fenced with numerous piles, and also by a break-water jetty. On the opposite side, and considerably remote from the front, is a ship of war in full sail approaching, and at the same time firing a gun. Mandy other vessels, of different descriptions, may be observed on various tacks. This is a superlative production of the master. Engraved by Canot. Formerly in the collection of the Earl of Bute. Smith's Catalogue, p.430]] réalisée par Ludolph Backhuyzen, vendue par Lady Stuart, achetée par [[Peel [dealer] for Nieuwenhuys]] au prix de 462.0 £. [79]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Marine View, during a fresh breeze, with a great number of vessls, amongst which are a large Dutch sip of war lowering her sails, two small fishing boats on the right, and another ship of war standing under a press of sail on the opposite side. This picture is of the highest excellence and beauty. Engraved by Canot. Collection of Sir L. Dundas, in 1794. Smith's Catalogue, p.330 (William van de Velde)|A Marine View, during a fresh breeze, with a great number of vessls, amongst which are a large Dutch sip of war lowering her sails, two small fishing boats on the right, and another ship of war standing under a press of sail on the opposite side. This picture is of the highest excellence and beauty. Engraved by Canot. Collection of Sir L. Dundas, in 1794. Smith's Catalogue, p.330]] réalisée par William van de Velde, vendue par Lady Stuart, achetée par Brown for Mr Holford au prix de 1176.0 £. [80]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Sea-port, represented under the appearance of a fine evening after sunset. The scene is composed on the right of a noble arch of the Corinthian order, having in front an esplanade of stone; beyond, is a fort with a tower and bastion. On the opposite side of the picture stands a lofty portico partly visible; and on the further side a vessel riding at anchor. A tower commands the entrance to the port, and a distant mountain bounds the view. The figures which give interest to the scene consist of four men on shore pulling a boat towards the strand: two other boats are also on the water. Smith's Catalogue Raisonnée, p.373 (Claude)|A Sea-port, represented under the appearance of a fine evening after sunset. The scene is composed on the right of a noble arch of the Corinthian order, having in front an esplanade of stone; beyond, is a fort with a tower and bastion. On the opposite side of the picture stands a lofty portico partly visible; and on the further side a vessel riding at anchor. A tower commands the entrance to the port, and a distant mountain bounds the view. The figures which give interest to the scene consist of four men on shore pulling a boat towards the strand: two other boats are also on the water. Smith's Catalogue Raisonnée, p.373]] réalisée par Claude, vendue par Lady Stuart au prix de 640.10 £. [82]
  • 1841.05.15/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Atalanta and Meleager pursuing the Calydonian Boar. This celebrated hunt is represented in the skirts of a forest, from the right of which two well-mounted sportsmen are arriving at full gallop towards the front, preceded by a number of dogs, several of which are scrambling over the trunk of a fallen tree, against which the nymph Atalanta is leaning, in an attitude indicating she has just discharged an arrow from her bow, and wounded the boar on the head, while it was rushing through a pool of water; on the opposite bank of which stands Meleager with a spear in his hand, ready to attack it. Engraved by Bolswert. This landscape, which is painted in a bold, free, or bravura manner, is inscribed No. 131, in the catalogue of Rubens's effects. Smith's Catalogue, p.275 (Rubens)|Atalanta and Meleager pursuing the Calydonian Boar. This celebrated hunt is represented in the skirts of a forest, from the right of which two well-mounted sportsmen are arriving at full gallop towards the front, preceded by a number of dogs, several of which are scrambling over the trunk of a fallen tree, against which the nymph Atalanta is leaning, in an attitude indicating she has just discharged an arrow from her bow, and wounded the boar on the head, while it was rushing through a pool of water; on the opposite bank of which stands Meleager with a spear in his hand, ready to attack it. Engraved by Bolswert. This landscape, which is painted in a bold, free, or bravura manner, is inscribed No. 131, in the catalogue of Rubens's effects. Smith's Catalogue, p.275]] réalisée par Rubens, vendue par Lady Stuart, achetée par Artaria dealer au prix de 997.10 £. [83]