Ventes d'œuvres le 1845.07.11

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  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Interior of an Apartment, in which a young lady richly habited is standing by a harpsichord. The sunlight is admitted from a side window, with the effect of De Hooghe. Highly finished. An excellent example of this rare mater. 21 in. by 18 in. Canvas From the collection of E. Solly, Esq. (Van der Meer, of Delft)|The Interior of an Apartment, in which a young lady richly habited is standing by a harpsichord. The sunlight is admitted from a side window, with the effect of De Hooghe. Highly finished. An excellent example of this rare mater. 21 in. by 18 in. Canvas From the collection of E. Solly, Esq.]] réalisée par Van der Meer, of Delft, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 15.15 £. [5]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Chaunt of McMurrough, from the 1st vol. of Waverley, page 216:-- "All lent forward towards the reciter, many sprang up, and waved their arms in ecstasy, and some laid their hands on their swords." A most spirited specimen by this highly gifted artist. Engraved by Portbury, in the illustrations of Scotland and the Waverley Novels. (McClise, R.A.)|The Chaunt of McMurrough, from the 1st vol. of Waverley, page 216:-- "All lent forward towards the reciter, many sprang up, and waved their arms in ecstasy, and some laid their hands on their swords." A most spirited specimen by this highly gifted artist. Engraved by Portbury, in the illustrations of Scotland and the Waverley Novels.]] réalisée par McClise, R.A., vendue par Edward W. Lake, Esq., achetée par Nieuwenhuys au prix de 16.16 £. [7]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Lake Scene in Italy. The view presents a lake, on the further bank of which is a building amongst trees; in the distance to the left is faintly seen a town, terminated by hills; the foreground is finely broken; and to the right exhibits a youth seated beneath a wide spreading tree, in conversation with a female in picturesque dress. An excellent example of the master. (Richard Wilson)|A Lake Scene in Italy. The view presents a lake, on the further bank of which is a building amongst trees; in the distance to the left is faintly seen a town, terminated by hills; the foreground is finely broken; and to the right exhibits a youth seated beneath a wide spreading tree, in conversation with a female in picturesque dress. An excellent example of the master.]] réalisée par Richard Wilson, vendue par Edward W. Lake, Esq., achetée par [[Smith B[ond] S[treet]]] au prix de 21.10 £. [9]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Frost Piece -- daylight. The view presents itself under the aspect of a clear beautiful day in winter, exhibiting a canal frozen over, and covered with numerous figures skating, and engaged in the pastimes and occupations of the season: a village with its church is seen on the right, and the wooded and picturesque banks of the canal form an agreeable perspective to the horizon. A beautiful picture. (Arnold van der Neer)|A Frost Piece -- daylight. The view presents itself under the aspect of a clear beautiful day in winter, exhibiting a canal frozen over, and covered with numerous figures skating, and engaged in the pastimes and occupations of the season: a village with its church is seen on the right, and the wooded and picturesque banks of the canal form an agreeable perspective to the horizon. A beautiful picture.]] réalisée par Arnold van der Neer, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 54.12 £. [10]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Boy in a rich Dress is seen at a window in the act of putting a bird into a cage, while his companion stands behind him with a cat. Highly finished. Engraved by P. Maleuvre, No.52 in the Choiseul Gallery. Signed. 7 in. by 5 in. Panel. From the collection of the Duc de Choiseul and the Prince de Conti. Smith's Catalogue Raisonné, part iv, page 203. (Adrian van der Werff)|A Boy in a rich Dress is seen at a window in the act of putting a bird into a cage, while his companion stands behind him with a cat. Highly finished. Engraved by P. Maleuvre, No.52 in the Choiseul Gallery. Signed. 7 in. by 5 in. Panel. From the collection of the Duc de Choiseul and the Prince de Conti. Smith's Catalogue Raisonné, part iv, page 203.]] réalisée par Adrian van der Werff, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 54.12 £. [11]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Young Lady elegantly attired in a grey silk bodice and a red satin skirt, represented in nearly a front view, seated at a window, playing on a theorbe: a Turkey carpet is thrown across the window sill. An exquisitely finished picture. Signed, and dated 1674. 10 1/4 in. by 8 1/4 in. Panel. From the collection of T. Slater, Esq. Smith's Catalogue Raisonné, part iv., page 177. (Eglon Hendrick van der Neer)|A Young Lady elegantly attired in a grey silk bodice and a red satin skirt, represented in nearly a front view, seated at a window, playing on a theorbe: a Turkey carpet is thrown across the window sill. An exquisitely finished picture. Signed, and dated 1674. 10 1/4 in. by 8 1/4 in. Panel. From the collection of T. Slater, Esq. Smith's Catalogue Raisonné, part iv., page 177.]] réalisée par Eglon Hendrick van der Neer, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 82.19 £. [12]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Monkey Gamblers. This whimsical but masterly and spirited production represents the interior of a cabaret, in front of which are assembled six monkeys, five of which are habited in gay and fantasic attire; of these, four are crouched on the floor in a group, and three of them are playing at cards, while the fourth holds a glass and jug to supply the company with liquor: two more are on a table at the side, and a seventh sits on the top of a boarded partition. A brilliantly coloured picture. 10 3/4 in. by 12 1/2 in. Panel. From the collections of the Hon. T. Greville and W. Hastings, Esq. Engraved by Pool, and also by Chenu. Smith's Catalogue Raisonné, part iii, page 363; and ditto, Supplement,, page 425. (David Teniers)|The Monkey Gamblers. This whimsical but masterly and spirited production represents the interior of a cabaret, in front of which are assembled six monkeys, five of which are habited in gay and fantasic attire; of these, four are crouched on the floor in a group, and three of them are playing at cards, while the fourth holds a glass and jug to supply the company with liquor: two more are on a table at the side, and a seventh sits on the top of a boarded partition. A brilliantly coloured picture. 10 3/4 in. by 12 1/2 in. Panel. From the collections of the Hon. T. Greville and W. Hastings, Esq. Engraved by Pool, and also by Chenu. Smith's Catalogue Raisonné, part iii, page 363; and ditto, Supplement,, page 425.]] réalisée par David Teniers, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 52.10 £. [13]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Gentleman elegantly dressed in a Silk Mantle, with ribboned sleeves, standing at a window playing on tghe fiolin, and accompanying it with his voice: a red velvet cap and feathers lie on the table near him. A highly finished picure. Emgaved in the Le Brun Gallery, by C.L. Lingeé sic. 10 in. by 8 in. Panel. From the collection of Chevalier Lambert, the Le Brun Gallery, and T. Slater, Esq. Smith's Catalogue Raisonné, part iv, page 174. (Eglon Hendrick van der Neer)|A Gentleman elegantly dressed in a Silk Mantle, with ribboned sleeves, standing at a window playing on tghe fiolin, and accompanying it with his voice: a red velvet cap and feathers lie on the table near him. A highly finished picure. Emgaved in the Le Brun Gallery, by C.L. Lingeé sic. 10 in. by 8 in. Panel. From the collection of Chevalier Lambert, the Le Brun Gallery, and T. Slater, Esq. Smith's Catalogue Raisonné, part iv, page 174.]] réalisée par Eglon Hendrick van der Neer, vendue par Edward W. Lake, Esq., achetée par Artis au prix de 52.10 £. [14]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Interior of a Room, in which are a woman seated near a chimney, with a basket of pears in her lap, and a child near her showing one of them to a maid servant. Light is admitted from a window at the side, and various accessories complete the composition. A beautiful example of the master, and of excedllent quality. 2 ft. 4 in. by 2 ft. 5 in. Canvas. From the collection of M. Geldermeester. Smith's Catalogue Raisonné, part iv, page 223. (Peter de Hooghe)|The Interior of a Room, in which are a woman seated near a chimney, with a basket of pears in her lap, and a child near her showing one of them to a maid servant. Light is admitted from a window at the side, and various accessories complete the composition. A beautiful example of the master, and of excedllent quality. 2 ft. 4 in. by 2 ft. 5 in. Canvas. From the collection of M. Geldermeester. Smith's Catalogue Raisonné, part iv, page 223.]] réalisée par Peter de Hooghe, vendue par Edward W. Lake, Esq., achetée par Nieuwenhuys au prix de 66.3 £. [16]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Couch of Venus. Cupid stung by a bee. A charming cabinet specimen of the master, coloured with unusual richmess, and composed and designed in a most poetic and classic spirit. 12 in. by 20 in. Panel. From the collection of Lord Carysfort. Exhibited by the present proprietor in the British Gallery in 1833. (Benjamin West, late P.R.A.)|The Couch of Venus. Cupid stung by a bee. A charming cabinet specimen of the master, coloured with unusual richmess, and composed and designed in a most poetic and classic spirit. 12 in. by 20 in. Panel. From the collection of Lord Carysfort. Exhibited by the present proprietor in the British Gallery in 1833.]] réalisée par Benjamin West, late P.R.A., vendue par Edward W. Lake, Esq., achetée par Eden au prix de 15.4 £. [17]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Portrait of the Right Hon. Viscount Palmerston, painted about the time when his Lordship was Secretary-at-War. Left by Sir Thomas in the present state, being then part of a half-length portrait, life size; the rest merely chalked in. 21 1/2 in. by 17 1/2 in. Canvas. From the collection of the late Sir Thomas Lawrence. (Sir Thomas Lawrence)|Portrait of the Right Hon. Viscount Palmerston, painted about the time when his Lordship was Secretary-at-War. Left by Sir Thomas in the present state, being then part of a half-length portrait, life size; the rest merely chalked in. 21 1/2 in. by 17 1/2 in. Canvas. From the collection of the late Sir Thomas Lawrence.]] réalisée par Sir Thomas Lawrence, vendue par Edward W. Lake, Esq., achetée par Norton au prix de 14.3 £. [18]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[La Petite Soeur: a girl wearing a cap and a striped dress, inclining her head on one side, and looking steadfastly at some object. Painted with great spirit and truth to nature. Engraved. 13 in. by 10 1/2 in. Canvas. Smith's Catalogue Raisonné, part viii, page 433. (Jean Baptiste Greuze)|La Petite Soeur: a girl wearing a cap and a striped dress, inclining her head on one side, and looking steadfastly at some object. Painted with great spirit and truth to nature. Engraved. 13 in. by 10 1/2 in. Canvas. Smith's Catalogue Raisonné, part viii, page 433.]] réalisée par Jean Baptiste Greuze, vendue par Edward W. Lake, Esq. au prix de 35 gs. [19]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A boy richly habited is seen at a window showing a Mouse to a Cat. -- highly finished. Engraved by P. Maleuvre. No.53 in the Choiseul Gallery. Signed. 7 in. by 5 in. Panel. From the collections of the Duc de Choiseul and the Prince de Conti. Smith's Catalogue Raisonné, part iv., page 203. (Adrian van der Werff)|A boy richly habited is seen at a window showing a Mouse to a Cat. -- highly finished. Engraved by P. Maleuvre. No.53 in the Choiseul Gallery. Signed. 7 in. by 5 in. Panel. From the collections of the Duc de Choiseul and the Prince de Conti. Smith's Catalogue Raisonné, part iv., page 203.]] réalisée par Adrian van der Werff, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 84 £. [20]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Perspective View of the Nave of a Church in Holland, illumined by a warm glow of evening sunshine. In the nearer part of the picture are two gravediggers, and two children with a dog, upon the latter of whom the sunlight falls with a truth and clearness that never have been surpassed. Other figures elegantly attired are seen more removed. A chef d'oeuvre of this master. The figures are by his brother, Job Berkheyden. 3 ft. by 3 ft. 3 in. Canvas. From the Lapeyrière Collection. Sold in Paris in 1825. (Gerrard Berkheyden)|A Perspective View of the Nave of a Church in Holland, illumined by a warm glow of evening sunshine. In the nearer part of the picture are two gravediggers, and two children with a dog, upon the latter of whom the sunlight falls with a truth and clearness that never have been surpassed. Other figures elegantly attired are seen more removed. A chef d'oeuvre of this master. The figures are by his brother, Job Berkheyden. 3 ft. by 3 ft. 3 in. Canvas. From the Lapeyrière Collection. Sold in Paris in 1825.]] réalisée par Gerrard Berkheyden, vendue par Edward W. Lake, Esq., achetée par Evans au prix de 52.10 £. [21]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Portrait of the Artist's Mother -- life size,, half length, within an oval; painted with great truth to nature, and delicately finished. 29 1/2 in. by 24 1/2 in. Canvas. Purchased by the proprietor from the collection of Admiral Lord Radstock, in 1826. (Gabriel Metzu)|The Portrait of the Artist's Mother -- life size,, half length, within an oval; painted with great truth to nature, and delicately finished. 29 1/2 in. by 24 1/2 in. Canvas. Purchased by the proprietor from the collection of Admiral Lord Radstock, in 1826.]] réalisée par Gabriel Metzu, vendue par Edward W. Lake, Esq., achetée par Nieuwenhuys au prix de 17.17 £. [22]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Interior of an Apartment, richly furnished, in which are hung pictures painted by imitation of Van der Poel, Breughel, and Artois. Two ladies and two cavaliers are seated at, or standing near, a table, taking refreshments, assisted by an attendant. Numerous accessories are distributed around. Highly finished and touched with a very spirited pencil. It has been thought to be a pasticcio by Teniers, in the manner of Palamedes. (Palamedes)|The Interior of an Apartment, richly furnished, in which are hung pictures painted by imitation of Van der Poel, Breughel, and Artois. Two ladies and two cavaliers are seated at, or standing near, a table, taking refreshments, assisted by an attendant. Numerous accessories are distributed around. Highly finished and touched with a very spirited pencil. It has been thought to be a pasticcio by Teniers, in the manner of Palamedes.]] réalisée par Palamedes, vendue par Edward W. Lake, Esq., achetée par Theobald au prix de 16.16 £. [23]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Tobit and the Angel on the border of a lake. The youthful Tobit, with the fish, is conducted by an angel; on the opposite bank a richly wooded plantation is reflected in the water, and the effect of twilight is truly depicted. The figures are admirably finished, and the head of Tobit in particular is full of fine expression. Engraved. 10 in. by 15 in. Copper? (Oval,) From the collection of George Morant, Esq. (Adam Elsheimer)|Tobit and the Angel on the border of a lake. The youthful Tobit, with the fish, is conducted by an angel; on the opposite bank a richly wooded plantation is reflected in the water, and the effect of twilight is truly depicted. The figures are admirably finished, and the head of Tobit in particular is full of fine expression. Engraved. 10 in. by 15 in. Copper? (Oval,) From the collection of George Morant, Esq.]] réalisée par Adam Elsheimer, vendue par Edward W. Lake, Esq., achetée par H Graves au prix de 13.2 £. [24]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Calm -- early morning. Three Dutch fishing boats are unloading their cargoes on a sandy beach in the front of the picture, the men busily employed; one is engaged in cleaning a net. The mists of early morning still hang in indolent masses over the sea, but are gradually dissolving before the influence of the sun, whose rays begin to penetrate and illumine every object, and enable the eye to distinguish in the distance here and there a white sail, and the hulls of vessels, producing altogether a most charming effect. This is a rare and silvery gem of the master, and nearly approaches the best specimens of W. van de Velde. 15 in. by 20 in. Canvas. Formerly in the collection of W.D. Acraman, Esq., and subsequently in that of Dr. Fletcher, from which it was purchased by the present proprietor. (Van der Capella)|A Calm -- early morning. Three Dutch fishing boats are unloading their cargoes on a sandy beach in the front of the picture, the men busily employed; one is engaged in cleaning a net. The mists of early morning still hang in indolent masses over the sea, but are gradually dissolving before the influence of the sun, whose rays begin to penetrate and illumine every object, and enable the eye to distinguish in the distance here and there a white sail, and the hulls of vessels, producing altogether a most charming effect. This is a rare and silvery gem of the master, and nearly approaches the best specimens of W. van de Velde. 15 in. by 20 in. Canvas. Formerly in the collection of W.D. Acraman, Esq., and subsequently in that of Dr. Fletcher, from which it was purchased by the present proprietor.]] réalisée par Van der Capella, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 88.4 £. [25]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Infant Diana: a pretty little girl, the size of life, appears in a garden scene in a fancy costume as Diana; she is of fair complexion, with light curling hair, and is engaged in feeding a bullfinch from a shell, and rests her left foot on the stone basin of a fountain, out of which a handsome spaniel is drinking. Painted with a richness of colour, and intensity of effect, worthy of this popular scholar of Rembrandt. Signed "N. Maes." 4 ft. 1 in. by 2 ft. 4 in. Canvas. (Nicholas Maes)|The Infant Diana: a pretty little girl, the size of life, appears in a garden scene in a fancy costume as Diana; she is of fair complexion, with light curling hair, and is engaged in feeding a bullfinch from a shell, and rests her left foot on the stone basin of a fountain, out of which a handsome spaniel is drinking. Painted with a richness of colour, and intensity of effect, worthy of this popular scholar of Rembrandt. Signed "N. Maes." 4 ft. 1 in. by 2 ft. 4 in. Canvas.]] réalisée par Nicholas Maes, vendue par Edward W. Lake, Esq., achetée par Gritten au prix de 27.6 £. [26]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Interior of a Chamber, where on the right a female is making a bed, and accosting a child, who has just opened the door of the apartment, and stands with its hand still applied to the latch. The view here opens through to an inner room, and a garden behind; and the painter has admitted a double light through the door and window, with a magic effect. A clear and beautiful specimen. (Peter de Hooghe)|Interior of a Chamber, where on the right a female is making a bed, and accosting a child, who has just opened the door of the apartment, and stands with its hand still applied to the latch. The view here opens through to an inner room, and a garden behind; and the painter has admitted a double light through the door and window, with a magic effect. A clear and beautiful specimen.]] réalisée par Peter de Hooghe, vendue par Edward W. Lake, Esq., achetée par Evans au prix de 25.4 £. [27]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Le Jeu aux Quilles. In the skittle-ground of a guyngette are assembled twenty persons, engaged in drinking, smoking, playing at nine-pins, and other recreations. The figure in the principal group has just helped a woman to a glass of wine, and beyond them a party are eagerly playing their game of nine-pins. The scene is surrounded by picturesque buildings, with thatched roofs, and terminated by a umbrageous tree, and other foliage. A matchless chef-d'oeuvre of the master. Signed and dated 1682. 22 1/2 in. by 19 1/2 in. Canvas Purchased by the present proprietor from the collection of the late W. Hastings, Esq. (Cornelius Dusart)|Le Jeu aux Quilles. In the skittle-ground of a guyngette are assembled twenty persons, engaged in drinking, smoking, playing at nine-pins, and other recreations. The figure in the principal group has just helped a woman to a glass of wine, and beyond them a party are eagerly playing their game of nine-pins. The scene is surrounded by picturesque buildings, with thatched roofs, and terminated by a umbrageous tree, and other foliage. A matchless chef-d'oeuvre of the master. Signed and dated 1682. 22 1/2 in. by 19 1/2 in. Canvas Purchased by the present proprietor from the collection of the late W. Hastings, Esq.]] réalisée par Cornelius Dusart, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 158.11 £. [28]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[View of the Bleaching Grounds in the Environs of Haarlem. The foreground is composed of wooded ridges, and the immediate centre is occupied by cottages, the residences of bleaching women, whose linen is stretched upon the ground. Looking over an extensive country, the great church of Haarlem with its spire appears in the distance. A brilliant sky completes the effect of this excelloent picture. (Jacob Ruysdael)|View of the Bleaching Grounds in the Environs of Haarlem. The foreground is composed of wooded ridges, and the immediate centre is occupied by cottages, the residences of bleaching women, whose linen is stretched upon the ground. Looking over an extensive country, the great church of Haarlem with its spire appears in the distance. A brilliant sky completes the effect of this excelloent picture.]] réalisée par Jacob Ruysdael, vendue par Edward W. Lake, Esq. au prix de 42.5 £. [29]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Musical Cook-Maid. A kichen, in front of which sits a young woman dessed in a yellow jacket and a green skirt, having on her lap a duck on a dish, which she appears to have just plucked; and is now playing on a pipe to arouse a child by her side. Her skill has also attracted the attention of a youth, who stands by with a staff in his hand listening. A basket containing feathers, and a pail with an earthern pan on it, are in front, and a variety of culinary objects are about the place. A highly wrought production. 11 in. by 9 1/2 in. Panel Supplement to Smith's Catalogue Raisonné, page 27. (Peter van Slingelandt)|The Musical Cook-Maid. A kichen, in front of which sits a young woman dessed in a yellow jacket and a green skirt, having on her lap a duck on a dish, which she appears to have just plucked; and is now playing on a pipe to arouse a child by her side. Her skill has also attracted the attention of a youth, who stands by with a staff in his hand listening. A basket containing feathers, and a pail with an earthern pan on it, are in front, and a variety of culinary objects are about the place. A highly wrought production. 11 in. by 9 1/2 in. Panel Supplement to Smith's Catalogue Raisonné, page 27.]] réalisée par Peter van Slingelandt, vendue par Edward W. Lake, Esq., achetée par Burton au prix de 69.6 £. [30]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape and Figures. Near a lake, on the edge of a thick wood, are seen three men with two dogs, who have been engaged in sporting, while a fourth man is standing on the bank fishing. The figures and dogs are by Teniers, and quite important. A choice example. Engraved in the Le Brun Gallery, by Le Grand. 15 1/2 in. by 22 in. Panel. From the Le Brun Gallery, and the collection of the Earl of Mulgrave. (Lucas van Uden)|A Landscape and Figures. Near a lake, on the edge of a thick wood, are seen three men with two dogs, who have been engaged in sporting, while a fourth man is standing on the bank fishing. The figures and dogs are by Teniers, and quite important. A choice example. Engraved in the Le Brun Gallery, by Le Grand. 15 1/2 in. by 22 in. Panel. From the Le Brun Gallery, and the collection of the Earl of Mulgrave.]] réalisée par Lucas van Uden, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 42.0 £. [31]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape, with Market Cart and Figures. On the left, an elder tree in full blossom overhangs the red tiled roofs of picturesque buildings; on the right, between sandbanks and hedges, a market cart, loaded with calves, is ascending a steep road leading to a common, at the termination of which, and in the distance, is seen the church of Henney, in Suffolk, the birthplace of Gainsborough. A clouded sky causes the sun to burst with powerful effect on the buildings and part of the landscape. Painted with the feeling and mastery of J. Ruysdael and Wynants. A capital example of this period of the master. (Gainsborough)|A Landscape, with Market Cart and Figures. On the left, an elder tree in full blossom overhangs the red tiled roofs of picturesque buildings; on the right, between sandbanks and hedges, a market cart, loaded with calves, is ascending a steep road leading to a common, at the termination of which, and in the distance, is seen the church of Henney, in Suffolk, the birthplace of Gainsborough. A clouded sky causes the sun to burst with powerful effect on the buildings and part of the landscape. Painted with the feeling and mastery of J. Ruysdael and Wynants. A capital example of this period of the master.]] réalisée par Gainsborough, vendue par Edward W. Lake, Esq., achetée par [[Smith B[ond] S[treet]]] au prix de 18.7 £. [32]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Dead Hare and Birds: with a spaniel and fowling-piece resting against a tree; seen in a wooded and beauiful landscape. A most exquisitely finished specimen of this rare master. 13 1/2 in. by 11 in. Canvas. From the collection of Lord Charles Townshend. (Peter Gysels)|A Dead Hare and Birds: with a spaniel and fowling-piece resting against a tree; seen in a wooded and beauiful landscape. A most exquisitely finished specimen of this rare master. 13 1/2 in. by 11 in. Canvas. From the collection of Lord Charles Townshend.]] réalisée par Peter Gysels, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 53.11 £. [33]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Cock and three Hens, and other objects. In a farmyard is seen a majestic cock (probably the model spoken of in the Life of Hondikoeter) and three hens, one sitting on a basket; a turkey and accessories. A pigeon on full wing in the air and beyond, a building: in the centre the prospect is opened into a delightful distance. A truly admirable example of the master. 3 ft. 4 in. by 3 ft. Canvas. From the collection of Lady Hampden. (Melchior Hondikoeter)|A Cock and three Hens, and other objects. In a farmyard is seen a majestic cock (probably the model spoken of in the Life of Hondikoeter) and three hens, one sitting on a basket; a turkey and accessories. A pigeon on full wing in the air and beyond, a building: in the centre the prospect is opened into a delightful distance. A truly admirable example of the master. 3 ft. 4 in. by 3 ft. Canvas. From the collection of Lady Hampden.]] réalisée par Melchior Hondikoeter, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 42.0 £. [34]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Weary Traveller. A young man, wearing a slouched hat, a whitish jacket, and grey hose, lying asleep at the foot of a tree, with his staff in his hand. A well studied work of the master; painted in a rich golden tone. Signed, and dated 1644. 5 5/8 in. by 7 1/2 in. Panel. Smith's Supplement to his Catalogue Raisonné, page 83. Exhibited by the present proprietor in the British Gallery in 1826. (Adrian Ostade)|The Weary Traveller. A young man, wearing a slouched hat, a whitish jacket, and grey hose, lying asleep at the foot of a tree, with his staff in his hand. A well studied work of the master; painted in a rich golden tone. Signed, and dated 1644. 5 5/8 in. by 7 1/2 in. Panel. Smith's Supplement to his Catalogue Raisonné, page 83. Exhibited by the present proprietor in the British Gallery in 1826.]] réalisée par Adrian Ostade, vendue par Edward W. Lake, Esq., achetée par Norton au prix de 17.17 £. [35]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An Interior, with a Lady at her Toilet. A young lady of quality, of lovely appearance, partly dessed, in a pink satin petticoat, is seen at her toilet, assisted by her maid. She affects to notice a beautiful spaniel fawning at her feet, but is evidently conscious of an approaching intruder; -- a cavalier, who is cautiously advancing on the right, where a duonna is seated. Various accessories enrich the scene. A capital example of this highly esteemed and excellent master. (Ochterveldt)|An Interior, with a Lady at her Toilet. A young lady of quality, of lovely appearance, partly dessed, in a pink satin petticoat, is seen at her toilet, assisted by her maid. She affects to notice a beautiful spaniel fawning at her feet, but is evidently conscious of an approaching intruder; -- a cavalier, who is cautiously advancing on the right, where a duonna is seated. Various accessories enrich the scene. A capital example of this highly esteemed and excellent master.]] réalisée par Ochterveldt, vendue par Edward W. Lake, Esq., achetée par Woodin au prix de 73.10 £. [36]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Lover. A young man of handsome features, and richly habited, is seen standing in the garden of a palace, with an impassioned expression, pressing his left hand on his breast. A rare and exquisie gem. Signed. 6 3/4 in. by 5 1/2 in. Copper?. Exhibited by the present proprietor, in the British Gallery in 1836. (Ary de Voys)|The Lover. A young man of handsome features, and richly habited, is seen standing in the garden of a palace, with an impassioned expression, pressing his left hand on his breast. A rare and exquisie gem. Signed. 6 3/4 in. by 5 1/2 in. Copper?. Exhibited by the present proprietor, in the British Gallery in 1836.]] réalisée par Ary de Voys, vendue par Edward W. Lake, Esq., achetée par Eckford au prix de 42.0 £. [37]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Rustic Occupations. A young woman in a bright yellow gown, kneeling to milk a goat: on the farther side of her is a man hammering the hoop of a cask; three chicks and a flock of sheep complete the grouping in the foreground. A pasticcio, in the rich and brilliant manner of Bassano. 1 ft. 4 in. by 1 ft. 7 1/2 in. Canvas. Smith's Catalogue Raisonné, part iii, page 325. (David Teniers)|Rustic Occupations. A young woman in a bright yellow gown, kneeling to milk a goat: on the farther side of her is a man hammering the hoop of a cask; three chicks and a flock of sheep complete the grouping in the foreground. A pasticcio, in the rich and brilliant manner of Bassano. 1 ft. 4 in. by 1 ft. 7 1/2 in. Canvas. Smith's Catalogue Raisonné, part iii, page 325.]] réalisée par David Teniers, vendue par Edward W. Lake, Esq., achetée par Warman au prix de 13.2 £. [38]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Storm off the Coast of the Mediterranean. On the left are high cliffs, with a building on the summit; towards the centre a lofty rock, and in the mid-distance a lighthouse. Out to sea to the right are several vessels endeavouring to weather the storm and close to shore is a fishing boat in distress, and figures on the beach hurrying to the rescue. The whole is canopied by a tempestuous and effective sky. An excellent example. (Vernet)|Storm off the Coast of the Mediterranean. On the left are high cliffs, with a building on the summit; towards the centre a lofty rock, and in the mid-distance a lighthouse. Out to sea to the right are several vessels endeavouring to weather the storm and close to shore is a fishing boat in distress, and figures on the beach hurrying to the rescue. The whole is canopied by a tempestuous and effective sky. An excellent example.]] réalisée par Vernet, vendue par Edward W. Lake, Esq., achetée par Evans au prix de 63.0 £. [39]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[An elderly Peasant, dressed in a purplish jacket, and dark grey hose, lying on his back, in a sound sleep; an old archway of brickwork forms the background. A well-studied work of the master. Signed and dated 1644. 5 5/8 in. by 7 1/2 in. Panel. Smith's Supplement to the Catalogue Raisonné, page 83. Exhibited by the present proprietor in the British Gallery in 1836. (Adrian Ostade)|An elderly Peasant, dressed in a purplish jacket, and dark grey hose, lying on his back, in a sound sleep; an old archway of brickwork forms the background. A well-studied work of the master. Signed and dated 1644. 5 5/8 in. by 7 1/2 in. Panel. Smith's Supplement to the Catalogue Raisonné, page 83. Exhibited by the present proprietor in the British Gallery in 1836.]] réalisée par Adrian Ostade, vendue par Edward W. Lake, Esq., achetée par Norton au prix de 14.14 £. [40]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[La Flageoleuse. Within a cabaret, and in front, is seated a female of agreeable appearance, playing on a pipe to a man dressed in a green velvet cap trimmed with fur, and a grey jacket; he is seated at a table holding a jug in one hand, and a full glass in the other, and is listening with delight to the music: three other figures are seen at the further end of the apartment warming themselves by the fire, and conversing. A beautiful cabinet specimen. Signed, and dated 1677. 10 1/2 in. by 8 1/2 in. Panel. Smith's Catalogue Raisonné, part iii, page 406. (David Teniers)|La Flageoleuse. Within a cabaret, and in front, is seated a female of agreeable appearance, playing on a pipe to a man dressed in a green velvet cap trimmed with fur, and a grey jacket; he is seated at a table holding a jug in one hand, and a full glass in the other, and is listening with delight to the music: three other figures are seen at the further end of the apartment warming themselves by the fire, and conversing. A beautiful cabinet specimen. Signed, and dated 1677. 10 1/2 in. by 8 1/2 in. Panel. Smith's Catalogue Raisonné, part iii, page 406.]] réalisée par David Teniers, vendue par Edward W. Lake, Esq., achetée par Burton au prix de 36.15 £. [42]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Landscape, with a dappled grey horse and figures In the foreground and under the bank of a mountainous scene, stands a dappled grey horse, saddled and bridled, and held by a boy: to the left is a cavalier, who has dismounted; and more in front sits a fine dog. Painted in the best time of the master, and of the choicest quality. Signed "A, Cuyp." (Albert Cuyp)|A Landscape, with a dappled grey horse and figures In the foreground and under the bank of a mountainous scene, stands a dappled grey horse, saddled and bridled, and held by a boy: to the left is a cavalier, who has dismounted; and more in front sits a fine dog. Painted in the best time of the master, and of the choicest quality. Signed "A, Cuyp."]] réalisée par Albert Cuyp, vendue par Edward W. Lake, Esq., achetée par Nieuwenhuys au prix de 100.16 £. [43]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Polish Ambassador, of an intelligent and animated countenance, seen in nearly a front view, half-length, with long flowing auburn hair. His dress consists of a black velvet turban or cap, decorated with festoons of pearls, looped up with studs of precious stones, and worn over a party coloured band, a jewelled gorget on the breast, over a richly worked vest, and a dark robe embroidered in gold, secured in front by a rich gold clasp, set with emeralds; over his shoulder is thrown a crimson mantle. A splendid portrait, and a capital example. 2 ft. 9 in. by 2 ft. 6 in. Canvas. (With arch top.) (Rembrandt)|The Polish Ambassador, of an intelligent and animated countenance, seen in nearly a front view, half-length, with long flowing auburn hair. His dress consists of a black velvet turban or cap, decorated with festoons of pearls, looped up with studs of precious stones, and worn over a party coloured band, a jewelled gorget on the breast, over a richly worked vest, and a dark robe embroidered in gold, secured in front by a rich gold clasp, set with emeralds; over his shoulder is thrown a crimson mantle. A splendid portrait, and a capital example. 2 ft. 9 in. by 2 ft. 6 in. Canvas. (With arch top.)]] réalisée par Rembrandt, vendue par Edward W. Lake, Esq. au prix de 106 gs. [44]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Interior, with four boors smoking and drinking. The principal figure dressed in a crimson cap, and a light blue jacket, with bright yellow sleeves, and light brown hose, seated on a part of a tub lighting his pipe, and is in conservation sic with two others who are smoking and drinking; and there is a fourth figure to the left; two jugs and other accessories complete the composition. A bright and excellent specimen. (David Teniers)|Interior, with four boors smoking and drinking. The principal figure dressed in a crimson cap, and a light blue jacket, with bright yellow sleeves, and light brown hose, seated on a part of a tub lighting his pipe, and is in conservation sic with two others who are smoking and drinking; and there is a fourth figure to the left; two jugs and other accessories complete the composition. A bright and excellent specimen.]] réalisée par David Teniers, vendue par Edward W. Lake, Esq., achetée par Eckford au prix de 70.7 gs. [45]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Woody Landscape, with a cottage and a figure. On the right, embosomed in trees, a picturesque cottage is seated on the bank of a streamlet, over which a rustic bridge leads across to a noble tree to the left; in the centre of the sequestered scene is seated a peasant, with his back to the spectator. It is impossible to praise too much the quality of this picture as an example of art, in which it partakes much of the beauies of Hobbema. 18 1/2 in. by 24 in. Panel. From the collection of he Earl of Egmont. (Isaac Ostade)|A Woody Landscape, with a cottage and a figure. On the right, embosomed in trees, a picturesque cottage is seated on the bank of a streamlet, over which a rustic bridge leads across to a noble tree to the left; in the centre of the sequestered scene is seated a peasant, with his back to the spectator. It is impossible to praise too much the quality of this picture as an example of art, in which it partakes much of the beauies of Hobbema. 18 1/2 in. by 24 in. Panel. From the collection of he Earl of Egmont.]] réalisée par Isaac Ostade, vendue par Edward W. Lake, Esq., achetée par Evans au prix de 60.18 gs. [46]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Triumph of Religion: Time disclosing religious truth. Time is repreesented bearing in his arms a female clad in white robes: her right hand points upwards, as if to the source of revelations; and her left is extended towards two venerable men, St. Matthew and St. Mark, who follow her with their gospels in their hands, treading under foot the enemies of religion, who are prostrate, or flying before the powers of truth: under her feet lie several allegorical emblems of her triumph. The picture is bounded at the sides by spiral columns. An excellent example, executed for a design to be worked in tapestry. (Peter Paul Rubens)|The Triumph of Religion: Time disclosing religious truth. Time is repreesented bearing in his arms a female clad in white robes: her right hand points upwards, as if to the source of revelations; and her left is extended towards two venerable men, St. Matthew and St. Mark, who follow her with their gospels in their hands, treading under foot the enemies of religion, who are prostrate, or flying before the powers of truth: under her feet lie several allegorical emblems of her triumph. The picture is bounded at the sides by spiral columns. An excellent example, executed for a design to be worked in tapestry.]] réalisée par Peter Paul Rubens, vendue par Edward W. Lake, Esq., achetée par Gritten au prix de 18.18 £. [47]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Sea View off the Coast during a fresh gale, and the appearance of much rain. This excellent picture is disinguished by a coaster with red sails, and a boat at her sterrn, scudding along in the centre of the view; beyond which to the right and in the distance, is a man-of-war at anchor, and two other vessels: to the left, in the mid-distance, is a fishing boat, whose white canvas catches and reflects with bright effect the gleams of sun which flash through the clouds. A town, with a church and a windmill, and the low coast of Holland are seen in the distance. The stormy sky is marvellously painted, and the whole picture exhibits a knowledge of char'-oscuro and power of effect, worthy of Rembrandt. A rare example. 1 ft. 7 in. by 2 ft. 1 in. Panel. Exhibited by the present proprietor in the British Gallery in 1837. (Jacob Ruysdael)|A Sea View off the Coast during a fresh gale, and the appearance of much rain. This excellent picture is disinguished by a coaster with red sails, and a boat at her sterrn, scudding along in the centre of the view; beyond which to the right and in the distance, is a man-of-war at anchor, and two other vessels: to the left, in the mid-distance, is a fishing boat, whose white canvas catches and reflects with bright effect the gleams of sun which flash through the clouds. A town, with a church and a windmill, and the low coast of Holland are seen in the distance. The stormy sky is marvellously painted, and the whole picture exhibits a knowledge of char'-oscuro and power of effect, worthy of Rembrandt. A rare example. 1 ft. 7 in. by 2 ft. 1 in. Panel. Exhibited by the present proprietor in the British Gallery in 1837.]] réalisée par Jacob Ruysdael, vendue par Edward W. Lake, Esq., achetée par Ld Forrester au prix de 107.2 £. [48]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A View from the Shore of Scheveling, during an approaching storm. this most excellent picture exhibits to the left the shore and sandhills of Scheveling, where many figures are seen busily engaged. Off the beach in front a fisherman has just hauled up his boat; near is a cask floatng, and close beyond a man shrimping. In the offing to the right, and in front, is a fishing smack at anchor, labouring in the surf; on the left are two jetties, and beyond a man-of-war taking in her sails; and other vessels are seen in he distance. Black masses of clouds roll from the left, and announce an approaching storm. The ebb and flow of the tide on the sands is painted to an illusion. A mos rare and matchless example of this master, in which he successfully competes with Backhuysen -- for in composition, treatment, and brilliancy, it can scarcely be excelled. Signed on the head of the cask. (John Dubbels)|A View from the Shore of Scheveling, during an approaching storm. this most excellent picture exhibits to the left the shore and sandhills of Scheveling, where many figures are seen busily engaged. Off the beach in front a fisherman has just hauled up his boat; near is a cask floatng, and close beyond a man shrimping. In the offing to the right, and in front, is a fishing smack at anchor, labouring in the surf; on the left are two jetties, and beyond a man-of-war taking in her sails; and other vessels are seen in he distance. Black masses of clouds roll from the left, and announce an approaching storm. The ebb and flow of the tide on the sands is painted to an illusion. A mos rare and matchless example of this master, in which he successfully competes with Backhuysen -- for in composition, treatment, and brilliancy, it can scarcely be excelled. Signed on the head of the cask.]] réalisée par John Dubbels, vendue par Edward W. Lake, Esq., achetée par Norton au prix de 79.16 £. [49]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Village Fair. A row of cottages, and several stalls and booths occupy the rght, and numerous figures are dispersed throughout the busy scene; amongst them is an old woman sitting in a chair by the side of a cask, and distributing drink to those around. A lovely gem 9 in. Panel. (Circle.) From the collection of St. Victor. Smith's Catalogue Raisonné, part 1, No.165. (Adrian Ostade)|A Village Fair. A row of cottages, and several stalls and booths occupy the rght, and numerous figures are dispersed throughout the busy scene; amongst them is an old woman sitting in a chair by the side of a cask, and distributing drink to those around. A lovely gem 9 in. Panel. (Circle.) From the collection of St. Victor. Smith's Catalogue Raisonné, part 1, No.165.]] réalisée par Adrian Ostade, vendue par Edward W. Lake, Esq., achetée par Rutley au prix de 78.15 £. [50]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Sea Shore. A man and woman emptying baskets of fish. The scene represents the sea coast; and the principal group consists of two gentlemen, one of whom mounted on a dark roan horse has a gun in his hand, the other has alighted from a bay horse, and holds he bridle of his steed. The attention of both of them is directed to a man and woman, who are on their knees emptying a basket of fish; a youth lies on the ground near them. At some distance off is a man wih a pack on his back, preceded by a woman going towards a tower on a hill. A transparent and beautiful example. 12 in. by 13 1/2 in. Panel. From the collections of Lucien Buonaparte, Lord Eldin, and == O'Neil, Esq. Supplement to Smith's Catalogue raisonné, p.197. (Philip Wouvermans)|A Sea Shore. A man and woman emptying baskets of fish. The scene represents the sea coast; and the principal group consists of two gentlemen, one of whom mounted on a dark roan horse has a gun in his hand, the other has alighted from a bay horse, and holds he bridle of his steed. The attention of both of them is directed to a man and woman, who are on their knees emptying a basket of fish; a youth lies on the ground near them. At some distance off is a man wih a pack on his back, preceded by a woman going towards a tower on a hill. A transparent and beautiful example. 12 in. by 13 1/2 in. Panel. From the collections of Lucien Buonaparte, Lord Eldin, and == O'Neil, Esq. Supplement to Smith's Catalogue raisonné, p.197.]] réalisée par Philip Wouvermans, vendue par Edward W. Lake, Esq., achetée par Gritten au prix de 100.16 £. [51]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Rustic Courtship. The view exhibits a woody and sequestered scene, with a stream slong the front, in which is a red cow, with a white face, standing in a side view; on the bank beyond her are three sheep and a lamb, lying down together; and a little retired from these on the left, is a peasant, wearing a red jacket, seated with his arms round the waist of a woman, at whose side lies a dog; beyond them is a red cow browsing near a large tree. Besides these may be noticed three more sheep, and a heifer; and other cattle are faintly perceived at some distance off in the shade. Dated 1672. A most choice and lovely example of the master. 10 3/4 in. by 1 ft. 1 1/4 in. Exhibited by the present proprietor in the Gritish Gallery in 1837. Smith's Catalogue Raisonné, part v., page 413. (Adrian van de Velde)|Rustic Courtship. The view exhibits a woody and sequestered scene, with a stream slong the front, in which is a red cow, with a white face, standing in a side view; on the bank beyond her are three sheep and a lamb, lying down together; and a little retired from these on the left, is a peasant, wearing a red jacket, seated with his arms round the waist of a woman, at whose side lies a dog; beyond them is a red cow browsing near a large tree. Besides these may be noticed three more sheep, and a heifer; and other cattle are faintly perceived at some distance off in the shade. Dated 1672. A most choice and lovely example of the master. 10 3/4 in. by 1 ft. 1 1/4 in. Exhibited by the present proprietor in the Gritish Gallery in 1837. Smith's Catalogue Raisonné, part v., page 413.]] réalisée par Adrian van de Velde, vendue par Edward W. Lake, Esq. au prix de 180 gs. [52]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Storm at Sea. The impressive scene is represented as passing on a lee shore, the sky overcast, and a general gloom. On the left are breakers, against which the sea bursts with fury, threatening inevitable destruction to an approaching galliot, whose crew of six sailors are thrown into visible consternation and dismay. An excellent production of the master, full of poetry and feeling. (William van de Velde)|A Storm at Sea. The impressive scene is represented as passing on a lee shore, the sky overcast, and a general gloom. On the left are breakers, against which the sea bursts with fury, threatening inevitable destruction to an approaching galliot, whose crew of six sailors are thrown into visible consternation and dismay. An excellent production of the master, full of poetry and feeling.]] réalisée par William van de Velde, vendue par Edward W. Lake, Esq., achetée par Norton au prix de 31.10 £. [53]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Portrait of Paul Pontius, the celebrated engraver, seen in a front view, life size, dressed in a black satin doublet slashed with white, with slashed sleeves, and a mantle thrown over his left shoulder, while the forefinger of that hand is pointing downwards; very effrecive, and spirited. A most capital portrait. Etched in a masterly manner by Van Dyck. 29 1/2 in. by 25 in. Canvas. From the collection of Cardinal Valentine. (Van Dyck)|The Portrait of Paul Pontius, the celebrated engraver, seen in a front view, life size, dressed in a black satin doublet slashed with white, with slashed sleeves, and a mantle thrown over his left shoulder, while the forefinger of that hand is pointing downwards; very effrecive, and spirited. A most capital portrait. Etched in a masterly manner by Van Dyck. 29 1/2 in. by 25 in. Canvas. From the collection of Cardinal Valentine.]] réalisée par Van Dyck, vendue par Edward W. Lake, Esq. au prix de 16.7 £. [54]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Artist: a young man with rich flowing flaxen hair, with an attiude and look of deep reflection, is intently engaged with his paper crayons, and portfolio, executing a drawing, and measuring the proportions with a feather. A very interesting and excellent work of this great master. 26 in. by 21 in. Canvas. From the collection of Colonel Cholmondeley. (Gerard Terburg)|The Artist: a young man with rich flowing flaxen hair, with an attiude and look of deep reflection, is intently engaged with his paper crayons, and portfolio, executing a drawing, and measuring the proportions with a feather. A very interesting and excellent work of this great master. 26 in. by 21 in. Canvas. From the collection of Colonel Cholmondeley.]] réalisée par Gerard Terburg, vendue par Edward W. Lake, Esq. au prix de 48.6 £. [55]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Herdsmen with Cattle; the view exhibits a mountanious sic scene, destitute of trees or bushes. A herdsman, wearing a sheepskin jacket, stands on a bank in front, playing on a pipe; three cows and four sheep are near him, and his dog is close to the front. A highly finished and charming cabinet specimen. 6 1/4 in. by 11 1/2 in. Panel. Painted with a feeling of Karl du Jardin. Exhibited by the present proprietor in the British Gallery in 1838., Smith's Catalogue Raisonné, No.230. (Nicholas Berghem)|Herdsmen with Cattle; the view exhibits a mountanious sic scene, destitute of trees or bushes. A herdsman, wearing a sheepskin jacket, stands on a bank in front, playing on a pipe; three cows and four sheep are near him, and his dog is close to the front. A highly finished and charming cabinet specimen. 6 1/4 in. by 11 1/2 in. Panel. Painted with a feeling of Karl du Jardin. Exhibited by the present proprietor in the British Gallery in 1838., Smith's Catalogue Raisonné, No.230.]] réalisée par Nicholas Berghem, vendue par Edward W. Lake, Esq., achetée par Bryant au prix de 48,6 £. [56]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[A Lady with a Fan in her Hand. This capital picture represents a young lady seen in a front view, having light hair, drawn back and secured on the head by a bandeau. Her dress is composed of a black silk robe, laced in front with black ribbons over a yellow boddice, with a muslin tippet and ruffles: she wears a necklace, and a bow of gold tissue on her breast, with a costly drop and pearls: she is standing at a window, holding a rich fan in her right hand, whils the left hand rests on the window sill. The background is partly enclosed by an amber satin curtain. A most admirable example, and doubtless painted in competition with with the celebrated "Lady with a Fan," of his great master, Rembrandt, now in Her Majesty's collection. (Gerbrant van den Eckhout)|A Lady with a Fan in her Hand. This capital picture represents a young lady seen in a front view, having light hair, drawn back and secured on the head by a bandeau. Her dress is composed of a black silk robe, laced in front with black ribbons over a yellow boddice, with a muslin tippet and ruffles: she wears a necklace, and a bow of gold tissue on her breast, with a costly drop and pearls: she is standing at a window, holding a rich fan in her right hand, whils the left hand rests on the window sill. The background is partly enclosed by an amber satin curtain. A most admirable example, and doubtless painted in competition with with the celebrated "Lady with a Fan," of his great master, Rembrandt, now in Her Majesty's collection.]] réalisée par Gerbrant van den Eckhout, vendue par Edward W. Lake, Esq. au prix de 78 gs. [57]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Evening Gun: a view on the Dutch coast, during a Calm. The placid scene presents on the left a yacht, firing a salute, with her stern to the spectator, her main and foresails up, and five persons on board, one of whom is amusing the sailors with the sound of a violin; beyond her is a row-boat, containing several passengers, and still more remote is a ship-of-war, a sloop, and some small craft are in the distance. An admirable production, of matchless quality. The name of the mastger is written on the mooring post at the side. 1 ft. 3 in. by 1 ft. 3/4 in. Panel. Exhi bited by the present propiretor in the British Gallery in 1836. Smith's Catalogue Rasnné sic, part vi., page 508, and ditto, Supplement, page 772. (William van de Velde)|The Evening Gun: a view on the Dutch coast, during a Calm. The placid scene presents on the left a yacht, firing a salute, with her stern to the spectator, her main and foresails up, and five persons on board, one of whom is amusing the sailors with the sound of a violin; beyond her is a row-boat, containing several passengers, and still more remote is a ship-of-war, a sloop, and some small craft are in the distance. An admirable production, of matchless quality. The name of the mastger is written on the mooring post at the side. 1 ft. 3 in. by 1 ft. 3/4 in. Panel. Exhi bited by the present propiretor in the British Gallery in 1836. Smith's Catalogue Rasnné sic, part vi., page 508, and ditto, Supplement, page 772.]] réalisée par William van de Velde, vendue par Edward W. Lake, Esq., achetée par Farrer au prix de 244.10 £. [58]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Our Saviour upon the Cross. On the right the castellated wall of Jerusalem appears, and descending, leads to the holy city, seen in the valley beneath; above and in front are the rocky heights of Mount Calvary, from the midst of which rises the cross, upon which appears our Saviour. The sombre, but transparent background of stormy sky, traversed by a partial gleam of light, marks the awful moment of the departure of the spirit. The drawing and colouring of the figure are admirable, and the whole presents a most masterly example. 3 ft. 6 in. by 2 ft. 6 in. Panel. From the Van Lankeren Collection at Antwerp; imported from thence by Mr. John Smith, and sold by him to the present proprietor. (Peter Paul Rubens)|Our Saviour upon the Cross. On the right the castellated wall of Jerusalem appears, and descending, leads to the holy city, seen in the valley beneath; above and in front are the rocky heights of Mount Calvary, from the midst of which rises the cross, upon which appears our Saviour. The sombre, but transparent background of stormy sky, traversed by a partial gleam of light, marks the awful moment of the departure of the spirit. The drawing and colouring of the figure are admirable, and the whole presents a most masterly example. 3 ft. 6 in. by 2 ft. 6 in. Panel. From the Van Lankeren Collection at Antwerp; imported from thence by Mr. John Smith, and sold by him to the present proprietor.]] réalisée par Peter Paul Rubens, vendue par Edward W. Lake, Esq. au prix de 73 gs. [59]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Combat between Richard Coeur de Lion, and Saladin at the great siege of Ascalon. The conflagration of the city bursting between the towers on the right, shrouds the background in smoke. Beneath the towers is seen the army of the Crusaders, and in the van the English, with their banners flying, advancing upon the Saracens. The point of time is when the King of England, finding the wings of his army wavering, leads on the main body in person and secures the victory. The Saracens on the left, totally routed, are flying in dismay. The principal incident, the combat between Richard and Saladin, is represented by the splendid group in the centre, in the meleé of the dead and dying. A composition unsurpassed in any period of art. This interesting passage of English History is most vigorously depicted. It is quite national. A grand chef d'oeuvre. It has been twice engraved, and was esteemed by the great artist as his principal work. (De Loutherbourg)|The Combat between Richard Coeur de Lion, and Saladin at the great siege of Ascalon. The conflagration of the city bursting between the towers on the right, shrouds the background in smoke. Beneath the towers is seen the army of the Crusaders, and in the van the English, with their banners flying, advancing upon the Saracens. The point of time is when the King of England, finding the wings of his army wavering, leads on the main body in person and secures the victory. The Saracens on the left, totally routed, are flying in dismay. The principal incident, the combat between Richard and Saladin, is represented by the splendid group in the centre, in the meleé of the dead and dying. A composition unsurpassed in any period of art. This interesting passage of English History is most vigorously depicted. It is quite national. A grand chef d'oeuvre. It has been twice engraved, and was esteemed by the great artist as his principal work.]] réalisée par De Loutherbourg, vendue par Edward W. Lake, Esq. au prix de 136 gs. [60]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Castle of Bentheim. The view represents this celebrated and picturesque castle seated in the right on a precipitous height, and beneath its walls in the foreground is seen a female peasant, mounted on a donkey, in conversation with another female, and accompanied by two cows and a dog: the figure of a man is in the rear. A clear brilliant specimen. 11 1/2 in. by 9 in. Panel. Purchased from the collection of E. Solly. (Nicholas Berghem)|The Castle of Bentheim. The view represents this celebrated and picturesque castle seated in the right on a precipitous height, and beneath its walls in the foreground is seen a female peasant, mounted on a donkey, in conversation with another female, and accompanied by two cows and a dog: the figure of a man is in the rear. A clear brilliant specimen. 11 1/2 in. by 9 in. Panel. Purchased from the collection of E. Solly.]] réalisée par Nicholas Berghem, vendue par Edward W. Lake, Esq. au prix de 71 gs. [61]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[The Fathers of the Church consecrating the Apotheosis of the Virgin. This beautiful composition is diversified, and full of copious and exquisite details, in accordance with the subject. A unique and richly coloured specimen, most delicately finished. 20 in. by 15 in. Canvas ; and rosewood case. (Murillo)|The Fathers of the Church consecrating the Apotheosis of the Virgin. This beautiful composition is diversified, and full of copious and exquisite details, in accordance with the subject. A unique and richly coloured specimen, most delicately finished. 20 in. by 15 in. Canvas ; and rosewood case.]] réalisée par Murillo, vendue par Edward W. Lake, Esq. au prix de 46 gs. [62]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[L'Anxieté Plaintive: a young woman of a fair complexion and a countenance expressive of anxiety. She is seen in nearly a profile view, having light hair turned back on her forehead, and bound with a blue ribbon; her dress is simply composed of a loose white morning gown, and a muslin scarf round her neck. This is an admirably finished picture. 1 ft. 6 1/2 in. by 1 ft. 3 in. Canvas. Smith's Catalogue Raisonné, part viii, page 442. (Jean Baptiste Greuze)|L'Anxieté Plaintive: a young woman of a fair complexion and a countenance expressive of anxiety. She is seen in nearly a profile view, having light hair turned back on her forehead, and bound with a blue ribbon; her dress is simply composed of a loose white morning gown, and a muslin scarf round her neck. This is an admirably finished picture. 1 ft. 6 1/2 in. by 1 ft. 3 in. Canvas. Smith's Catalogue Raisonné, part viii, page 442.]] réalisée par Jean Baptiste Greuze, vendue par Edward W. Lake, Esq., achetée par M Hertford au prix de 204.15 £. [63]
  • 1845.07.11/ maison de ventes : Christie's. Vente de l'œuvre décrite comme [[Sunset at Sea, after a Storm, with shipwrecked mariners on a raft. The celebrated picture exhibited at the Royal Academy in 1826, and purchased by the late Sir Thomas Lawrence, whilst President, whose eulogies of it were constant and unbounded. Full of poetry and sublime effect, it may be pronounced in the words of Sir Thomas, to be one of the finest efforts of modern art. It is so universally known and has been so much admired, that further description or comment are unnecessary, except to proclaim it to be the chef d'oeuvre of this justly popular artist. Engraved by Lewis. 3 ft. 1 in. by 4 ft. 9 in. Canvas. Purchased by the proprietor from the collection of the late Sir Thomas Lawrence, P.R.A. (Danby, A.R.A.)|Sunset at Sea, after a Storm, with shipwrecked mariners on a raft. The celebrated picture exhibited at the Royal Academy in 1826, and purchased by the late Sir Thomas Lawrence, whilst President, whose eulogies of it were constant and unbounded. Full of poetry and sublime effect, it may be pronounced in the words of Sir Thomas, to be one of the finest efforts of modern art. It is so universally known and has been so much admired, that further description or comment are unnecessary, except to proclaim it to be the chef d'oeuvre of this justly popular artist. Engraved by Lewis. 3 ft. 1 in. by 4 ft. 9 in. Canvas. Purchased by the proprietor from the collection of the late Sir Thomas Lawrence, P.R.A.]] réalisée par Danby, A.R.A., vendue par Edward W. Lake, Esq., achetée par Hogarth au prix de 202.13 £. [64]
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