Ventes d'œuvres le 1859.07.27

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  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Earl of Arundel. A magnificent full length portrait of one of the earliest and most enthusiastic patrons of the fine arts; he is habited in black, and wears the garter; in the bckground a view of the house and gardens of Arundel Castle. (Paul Vansomer)|The Earl of Arundel. A magnificent full length portrait of one of the earliest and most enthusiastic patrons of the fine arts; he is habited in black, and wears the garter; in the bckground a view of the house and gardens of Arundel Castle.]] réalisée par Paul Vansomer, vendue par Lord Northwick, achetée par Colnaghi and Co. au prix de 105.0 £. [26]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Portrait of the Earl of Dorset and his Secretary. The Earl is represented standing erect, preparing to receive a communication from his secretary, who holds in his right hand a letter addressed to his lordship, and in the other a petition from the Merchant Adventurers. Admirably painted. (Mark Gerrard)|Portrait of the Earl of Dorset and his Secretary. The Earl is represented standing erect, preparing to receive a communication from his secretary, who holds in his right hand a letter addressed to his lordship, and in the other a petition from the Merchant Adventurers. Admirably painted.]] réalisée par Mark Gerrard, vendue par Lord Northwick, achetée par Farrer, New Bond Str. au prix de 94.10 £. [32]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Meeting of Joachim and Anna. "On a certain feast day Joachim brought double offerings to the Lord, but the high priest, Isaachas, refused, saying,-- It is not lawful seeing that thou hast no issue in Israel; and Joachim was exceeding sorrowful, and would not be seen by his wife, but went into the pastures by the shepherds, and fasted forty days and nights. His wife, Anna, remained in her house, praying. And behold an Angel said to her, Anna, thy prayer is heard, see thy husband, Joachim is coming; for an Angel had spoken to him also; and they met at the Golden Gate, and Anna embraced her husband, saying -- I, who was barren, shall become a joyful mother!" -- See Mrs. Jameson's Legends of Madonna. (Vander Goes)|The Meeting of Joachim and Anna. "On a certain feast day Joachim brought double offerings to the Lord, but the high priest, Isaachas, refused, saying,-- It is not lawful seeing that thou hast no issue in Israel; and Joachim was exceeding sorrowful, and would not be seen by his wife, but went into the pastures by the shepherds, and fasted forty days and nights. His wife, Anna, remained in her house, praying. And behold an Angel said to her, Anna, thy prayer is heard, see thy husband, Joachim is coming; for an Angel had spoken to him also; and they met at the Golden Gate, and Anna embraced her husband, saying -- I, who was barren, shall become a joyful mother!" -- See Mrs. Jameson's Legends of Madonna.]] réalisée par Vander Goes, vendue par Lord Northwick, achetée par Gritten, Piccadilly au prix de 22.1 £. [35]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Magi. A rocky Landscape, in the foreground of which the Virgin is seated, with the infant Jesus and Joseph, receiving the offerings of the Magi, who are surrouned by numerous attendants. A well preserved example of his rare master. (Baldassare Peruzzi)|The Adoration of the Magi. A rocky Landscape, in the foreground of which the Virgin is seated, with the infant Jesus and Joseph, receiving the offerings of the Magi, who are surrouned by numerous attendants. A well preserved example of his rare master.]] réalisée par Baldassare Peruzzi, vendue par Lord Northwick, achetée par Henry Graves and Co. au prix de 44.2 £. [36]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Christ in the Judgment Hall.-- The principal subject represents the Saviour being conducted by Pilate down a flight of steps from the Upper into the Lower Judgment Hall, where several of the priests are seen exciting the populace to demand the condemnation of their prisoner. An admirable and highly finished production of art, elaborate in its composition, and varied in its details. From the collection of Allan Gilmore, Esq. (Mazzolino di Ferrara)|Christ in the Judgment Hall.-- The principal subject represents the Saviour being conducted by Pilate down a flight of steps from the Upper into the Lower Judgment Hall, where several of the priests are seen exciting the populace to demand the condemnation of their prisoner. An admirable and highly finished production of art, elaborate in its composition, and varied in its details. From the collection of Allan Gilmore, Esq.]] réalisée par Mazzolino di Ferrara, vendue par Lord Northwick, achetée par Chr. J. Nieuwenhuys au prix de 339.3 £. [37]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Italian Landscape with figures. A classical composition, embracing great extent and variety of scenery; a group of four figures is placed on an eminence on the left of the picture; to the right, a herd of cattle, driven by peasants, and in the foreground, a man urging a dog. The colouring is very pleasing and excellent throughout. (Locatelli)|An Italian Landscape with figures. A classical composition, embracing great extent and variety of scenery; a group of four figures is placed on an eminence on the left of the picture; to the right, a herd of cattle, driven by peasants, and in the foreground, a man urging a dog. The colouring is very pleasing and excellent throughout.]] réalisée par Locatelli, vendue par Lord Northwick, achetée par Benjamin Gibbons, Esq. au prix de 189.0 £. [39]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Alessandro Farnese, Prince of Parma. He is represented in three quarter length, dressed in an elaborate suit of armour, and holds in one hand a letter and in the other a baton. A very fine portrait; the details, especially the armour, are finished in the most masterly manner. (Moroni)|Alessandro Farnese, Prince of Parma. He is represented in three quarter length, dressed in an elaborate suit of armour, and holds in one hand a letter and in the other a baton. A very fine portrait; the details, especially the armour, are finished in the most masterly manner.]] réalisée par Moroni, vendue par Lord Northwick, achetée par Lord Northwick au prix de 42.0 £. [40]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A View in the Garden of a Château; in the foreground, a finely sculptured fountain, on the pedestal of which is grouped a rich assemlage of fruits and flowers, and in the midst a monkey, whose enjoyment is disturbed by the sudden appearance of a hawk; to the right, in the foreground, a fine peacock displays the beauty of its plumage. A very important work. (J.B. Weenix)|A View in the Garden of a Château; in the foreground, a finely sculptured fountain, on the pedestal of which is grouped a rich assemlage of fruits and flowers, and in the midst a monkey, whose enjoyment is disturbed by the sudden appearance of a hawk; to the right, in the foreground, a fine peacock displays the beauty of its plumage. A very important work.]] réalisée par J.B. Weenix, vendue par Lord Northwick, achetée par Marquess of Hertford au prix de 367.10 £. [51]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Charles Brandon, Duke of Suffolk, Lord Great Master to King Henry VIII. He is represented in a black velvet dress, trimmed with fur, and a cap with a white feather, holding the hilt of his sword in his left hand, the right resting on a pillar. A rare and beautiful portrait. (Sir Anthony More)|Charles Brandon, Duke of Suffolk, Lord Great Master to King Henry VIII. He is represented in a black velvet dress, trimmed with fur, and a cap with a white feather, holding the hilt of his sword in his left hand, the right resting on a pillar. A rare and beautiful portrait.]] réalisée par Sir Anthony More, vendue par Lord Northwick, achetée par John W. Brett, Esq. au prix de 90.6 £. [62]
  • 1859.07.27/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Magi. Under the Porch of an extensive Gothic building, through which a distant landscape is seen, the Virgin is seated with the Infant in her lap, attended by Joseph. Two of the Magi are kneeling before her, presenting their gifts, the third is approaching; behind him are the attendants of the Magi and a dog. An important work of this rare master, in a beautiful state of preservation. (Van Eyck)|The Adoration of the Magi. Under the Porch of an extensive Gothic building, through which a distant landscape is seen, the Virgin is seated with the Infant in her lap, attended by Joseph. Two of the Magi are kneeling before her, presenting their gifts, the third is approaching; behind him are the attendants of the Magi and a dog. An important work of this rare master, in a beautiful state of preservation.]] réalisée par Van Eyck, vendue par Lord Northwick, achetée par John W. Brett, Esq. au prix de 519.15 £. [66]
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