Ventes d'œuvres le 1859.08.03

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  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Saviour on the Cross, with two Angels near him and the Creator in the clouds; in the foreground, on the left, the Magdalen and St. John are supporting the fainting figure of the Virgin; on the right, the centurian with the soldiers; in the background, a Landscape. (Martin Schoen)|The Saviour on the Cross, with two Angels near him and the Creator in the clouds; in the foreground, on the left, the Magdalen and St. John are supporting the fainting figure of the Virgin; on the right, the centurian with the soldiers; in the background, a Landscape.]] réalisée par Martin Schoen, vendue par Lord Northwick, achetée par Money au prix de 12.1 £. [38]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Dido on the Funeral Pile. The pile is placed in the centre of the picture, and on either side are ranges of buildings, along which various figures are grouped contemplating the scene; to the right of the picture a distant landscape is seen. (Ippolito Scarscella)|Dido on the Funeral Pile. The pile is placed in the centre of the picture, and on either side are ranges of buildings, along which various figures are grouped contemplating the scene; to the right of the picture a distant landscape is seen.]] réalisée par Ippolito Scarscella, vendue par Lord Northwick, achetée par Cecil D. Gardner, Esq. au prix de 26.5 £. [39]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Angel appearing to St. Jerome. The Saint is depicted at the entrance of his retreat, holding an open book and reposing on two others, looking towareds the Angel, who makes known to him the divine commands. The expression is pleasing, the drawing refined, and the execution careful. A noble gallery picture. From the Walsh Porter, and Saltmarshe collections. (Guido Reni)|The Angel appearing to St. Jerome. The Saint is depicted at the entrance of his retreat, holding an open book and reposing on two others, looking towareds the Angel, who makes known to him the divine commands. The expression is pleasing, the drawing refined, and the execution careful. A noble gallery picture. From the Walsh Porter, and Saltmarshe collections.]] réalisée par Guido Reni, vendue par Lord Northwick, achetée par T.B. Bulkeley Owen, Esq. au prix de 367.10 £. [40]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Virgin and Child, with the Infant St. John. In the centre of a building the Virgin is eated with the Infant Jesus, who is holding up his right hand, and contemplates the Infant St. John kneeling at his feet. In the background a landscape, with the Angel and Tobit. (Gaudenzio di Ferrara)|The Virgin and Child, with the Infant St. John. In the centre of a building the Virgin is eated with the Infant Jesus, who is holding up his right hand, and contemplates the Infant St. John kneeling at his feet. In the background a landscape, with the Angel and Tobit.]] réalisée par Gaudenzio di Ferrara, vendue par Lord Northwick, achetée par J.S.W.S. Erle Drax, M.P. au prix de 24.3 £. [48]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Magi. An extensive Landscape, in the centre of which the Infant Saviour is lying, surrounded by the Virgin and Saints, who are kneeling in the act of worshipping; and above is the Creator with two descending figures of angels. (Domenico Ghirlandaio)|The Adoration of the Magi. An extensive Landscape, in the centre of which the Infant Saviour is lying, surrounded by the Virgin and Saints, who are kneeling in the act of worshipping; and above is the Creator with two descending figures of angels.]] réalisée par Domenico Ghirlandaio, vendue par Lord Northwick, achetée par Lord Northwick au prix de 21.0 £. [51]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Virgin and Child seated on a throne, attended by St. Peter and St. Jerome. This fine work, which is in the finest state of preservation, was painted for the church of Saint Jerome, at Lucca; it subsequently was possessed byHis Royal Highness the Duke of Lucca, at the sale of whose collection it was purchased by Lord Northwick. It has been engraved, and is cited in "Nel Dizzionario Biografico." Exhibited at Manchester, in 1857. (Pietro Perugino)|The Virgin and Child seated on a throne, attended by St. Peter and St. Jerome. This fine work, which is in the finest state of preservation, was painted for the church of Saint Jerome, at Lucca; it subsequently was possessed byHis Royal Highness the Duke of Lucca, at the sale of whose collection it was purchased by Lord Northwick. It has been engraved, and is cited in "Nel Dizzionario Biografico." Exhibited at Manchester, in 1857.]] réalisée par Pietro Perugino, vendue par Lord Northwick, achetée par H.R.H. Duke D'Aumale au prix de 367.10 £. [52]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Saint Catherine. A fine erect figure, clothed in green, standing on a pedestal and holding a palm branch in her hand; the figure rests upon a broken portion of a wheel -- allusive to her martyrdom. Painted in the artist's best style of colouring and drapery. It is inscribed -- Joanis Baptiste Coneglanesis Opvs. This picture was at the Manchester Exhibition, and was highly praised. (Conegliano)|Saint Catherine. A fine erect figure, clothed in green, standing on a pedestal and holding a palm branch in her hand; the figure rests upon a broken portion of a wheel -- allusive to her martyrdom. Painted in the artist's best style of colouring and drapery. It is inscribed -- Joanis Baptiste Coneglanesis Opvs. This picture was at the Manchester Exhibition, and was highly praised.]] réalisée par Conegliano, vendue par Lord Northwick, achetée par Marquis of Hertford au prix de 840.0 £. [56]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Virgin, seated on a throne, holds the child who is standing before her, surrounded by several saints, one of whom introduces the donor, who is kneeling. A choir of angels is seen above under a canopy. This fine work was painted to adorn the church of St. Domenico at Bologna, and mentioned by Vasari in his "Lives of the Painters" as his best work. Rom the Solly collection. (Girolamo da Treviso)|The Virgin, seated on a throne, holds the child who is standing before her, surrounded by several saints, one of whom introduces the donor, who is kneeling. A choir of angels is seen above under a canopy. This fine work was painted to adorn the church of St. Domenico at Bologna, and mentioned by Vasari in his "Lives of the Painters" as his best work. Rom the Solly collection.]] réalisée par Girolamo da Treviso, vendue par Lord Northwick, achetée par National Gallery au prix de 472.10 £. [66]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Annunciaton. The Virgin is standing beneath the portico of a building, and opposite to her is Saint Bernard; above is the Almighty, and the descending figure of an angel. This important work has all the intensity of that religious feeling, so much prized in this Painter. (Francesco Francia)|The Annunciaton. The Virgin is standing beneath the portico of a building, and opposite to her is Saint Bernard; above is the Almighty, and the descending figure of an angel. This important work has all the intensity of that religious feeling, so much prized in this Painter.]] réalisée par Francesco Francia, vendue par Lord Northwick, achetée par Van Cuycke, Paris au prix de 84.0 £. [68]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Incredulity of St. Thomas. In the centre the Saviour holding a crucifix, turns toward the unbelieving St. Thomas, who approaches eagerly from the left; on the right is St. Francis, beside whom the patron is kneeling. From the Solly collection. Exhibited at Manchester in 1857. (Pietro Perugino)|The Incredulity of St. Thomas. In the centre the Saviour holding a crucifix, turns toward the unbelieving St. Thomas, who approaches eagerly from the left; on the right is St. Francis, beside whom the patron is kneeling. From the Solly collection. Exhibited at Manchester in 1857.]] réalisée par Pietro Perugino, vendue par Lord Northwick, achetée par Miss Solly au prix de 78.15 £. [69]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Holy Family. The Virgin seated under a tree, with the Infant Saviour, who is extending his arms towards the little St. John kneeling at his feet. A river with distant buildings forms the background. An exquisite work of this rare master, painted with great feeling, and particularly delicate in the silvery tones of the drapery. (Lorenzo di Credi)|Holy Family. The Virgin seated under a tree, with the Infant Saviour, who is extending his arms towards the little St. John kneeling at his feet. A river with distant buildings forms the background. An exquisite work of this rare master, painted with great feeling, and particularly delicate in the silvery tones of the drapery.]] réalisée par Lorenzo di Credi, vendue par Lord Northwick, achetée par Alexander Barker, Esq. au prix de 525.0 £. [75]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Birth of Jupiter. The scene is supposed to be an Enchanted Island, wherein the Infant God is represented, cradled in the midst of luxuriant vegetation; his mother, Rhea, is lifting the veil which covers him, two nymphs and in attendance, and on either side are the Corybantes, playing on musical instruments. In the distance Mount Ida. From the Orleans Gallery. (Giulio Romano)|The Birth of Jupiter. The scene is supposed to be an Enchanted Island, wherein the Infant God is represented, cradled in the midst of luxuriant vegetation; his mother, Rhea, is lifting the veil which covers him, two nymphs and in attendance, and on either side are the Corybantes, playing on musical instruments. In the distance Mount Ida. From the Orleans Gallery.]] réalisée par Giulio Romano, vendue par Lord Northwick, achetée par National Gallery au prix de 920.0 £. [79]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Virgin and Child. The Virgin kneeling in adoratin before the Infant Jesus, to whom the painter has given a simple and natural expression which cannot be too much admired. The gracefulness of the blue and red drapery, and the correctness of the drawing, are also admirable. (Lorenzo di Credi)|Virgin and Child. The Virgin kneeling in adoratin before the Infant Jesus, to whom the painter has given a simple and natural expression which cannot be too much admired. The gracefulness of the blue and red drapery, and the correctness of the drawing, are also admirable.]] réalisée par Lorenzo di Credi, vendue par Lord Northwick, achetée par Chr. J. Nieuwenhuys au prix de 64.1 £. [80]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Holy Family. The Virgin, with a book in one hand, is seated, supporting on her lap the Infant Christ, whom the young St. John is embracing; behind them, the Magdalen, seen in profile, holds a vase in her hand. A half figure of a Saint is seen to the right, and in the distance Roman architecture and a landscape. Engraved by Bonasone. (Parmegiano)|The Holy Family. The Virgin, with a book in one hand, is seated, supporting on her lap the Infant Christ, whom the young St. John is embracing; behind them, the Magdalen, seen in profile, holds a vase in her hand. A half figure of a Saint is seen to the right, and in the distance Roman architecture and a landscape. Engraved by Bonasone.]] réalisée par Parmegiano, vendue par Lord Northwick, achetée par William Gibbs, Esq. au prix de 105.0 £. [85]
  • 1859.08.03/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Kings. Philip, the good Duke of Burgundy, is represented as the principal of the Magi, who kneels before the Infant Saviour; he is surrounded by his attendants. In the background, the portraits of the Artists are seen through the opening of a window casement. (Hubert van Eyck)|The Adoration of the Kings. Philip, the good Duke of Burgundy, is represented as the principal of the Magi, who kneels before the Infant Saviour; he is surrounded by his attendants. In the background, the portraits of the Artists are seen through the opening of a window casement.]] réalisée par Hubert van Eyck, vendue par Lord Northwick, achetée par Eley, Esq. au prix de 14.14 £. [89]
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