Ventes d'œuvres le 1859.08.09

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  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Triptique. The centre represents the Adoration of the Magi, who are seen in the foreground of the picture presenting their gifts to the Infant Saviour; to the right, in a courtyard, they are again seen preparing to depart, accompanied by their attendants. The wings represent the Nativity and the Circumcision. A beautiful work in a fine state of preservation. (Roger of Bruges)|A Triptique. The centre represents the Adoration of the Magi, who are seen in the foreground of the picture presenting their gifts to the Infant Saviour; to the right, in a courtyard, they are again seen preparing to depart, accompanied by their attendants. The wings represent the Nativity and the Circumcision. A beautiful work in a fine state of preservation.]] réalisée par Roger of Bruges, vendue par Lord Northwick, achetée par Jean Meffre, Paris au prix de 61.19 £. [33]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Resurrection. The Saviour just risen from the Tomb, on which he stands, holds in his left hand a banner, while the right is raised as in the act of blessing; behind are two Angels praying; and to the left, near the tomb, is Mary Magdalen. A richly diversified landscape forms the background. From the Solly Collection. (Girolamo di Santa Croce)|The Resurrection. The Saviour just risen from the Tomb, on which he stands, holds in his left hand a banner, while the right is raised as in the act of blessing; behind are two Angels praying; and to the left, near the tomb, is Mary Magdalen. A richly diversified landscape forms the background. From the Solly Collection.]] réalisée par Girolamo di Santa Croce, vendue par Lord Northwick, achetée par Farrer, New Bond Street au prix de 25.4 £. [38]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Mary Magdalen amidst the pleasures of the World. A quaint old painting -- the figures in the costume of the time; interesting as illustrating the state of the arts in Holland in the early part of the sixteenth century; and valuable on account of the rarity of the easel pictures of this artist. This subject is etched by the master. (Lucas van Leyden)|Mary Magdalen amidst the pleasures of the World. A quaint old painting -- the figures in the costume of the time; interesting as illustrating the state of the arts in Holland in the early part of the sixteenth century; and valuable on account of the rarity of the easel pictures of this artist. This subject is etched by the master.]] réalisée par Lucas van Leyden, vendue par Lord Northwick, achetée par Chr. Jo. Nieuwenhuys au prix de 40.19 £. [39]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Adoration of the Magi. The Virgin is represented with the Infant Saviour, and attended by Joseph; one of the Magi is kneeling before them presenting a gold cup to the Saviour; behind him are the two other Kings, with a number of attendants, A beautiful work, inimitable in the finish and perfection of its details, and in a fine state of preservation. (Lucas van Leyden)|The Adoration of the Magi. The Virgin is represented with the Infant Saviour, and attended by Joseph; one of the Magi is kneeling before them presenting a gold cup to the Saviour; behind him are the two other Kings, with a number of attendants, A beautiful work, inimitable in the finish and perfection of its details, and in a fine state of preservation.]] réalisée par Lucas van Leyden, vendue par Lord Northwick, achetée par W. Daven. Bromley, Esq. au prix de 56.14 £. [57]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Vision of Saint George. The Pope and his attendant priests are kneeling at the altar, where the miaracle is exposed to view. On the left side of the picture are St. Gerion, St. Peter the Hermit, the Mother of the Maccabees (with her martyred sons), St. John the Baptist, the Holy Virgin, &c.; and on the other side are St. Joseph, St. Helena, St. Ursula (with three out of her 11,000 Virgins}, the sainted Queen of Hungary, and St. Barbara, holding in her hand the tower in which she so barbarously suffered martyrdom. In front of the altar are the Donataire, or patron for whom the picture was painted, with one son, and on the other wide,his lady and five daughters. (Meister Wilhelm, of Cologne)|The Vision of Saint George. The Pope and his attendant priests are kneeling at the altar, where the miaracle is exposed to view. On the left side of the picture are St. Gerion, St. Peter the Hermit, the Mother of the Maccabees (with her martyred sons), St. John the Baptist, the Holy Virgin, &c.; and on the other side are St. Joseph, St. Helena, St. Ursula (with three out of her 11,000 Virgins}, the sainted Queen of Hungary, and St. Barbara, holding in her hand the tower in which she so barbarously suffered martyrdom. In front of the altar are the Donataire, or patron for whom the picture was painted, with one son, and on the other wide,his lady and five daughters.]] réalisée par Meister Wilhelm, of Cologne, vendue par Lord Northwick, achetée par Lord Northwick au prix de 95.11 £. [58]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The taking down from the Cross. At the foot of the Cross, the Virgin, clothed in a blue mantle, descending from the foreground, is seated, holding the dead body of the Saviour on her knees, supported by St. John and the Magdalen. In the background are St. Francis and St. Bernard; a Landscape is seen in the distance. A fine example of this rare master, and beautifully preserved. (Timoteo della Vite)|The taking down from the Cross. At the foot of the Cross, the Virgin, clothed in a blue mantle, descending from the foreground, is seated, holding the dead body of the Saviour on her knees, supported by St. John and the Magdalen. In the background are St. Francis and St. Bernard; a Landscape is seen in the distance. A fine example of this rare master, and beautifully preserved.]] réalisée par Timoteo della Vite, vendue par Lord Northwick, achetée par J.S.W.S. Erle Drax, M.P. au prix de 210.0 £. [59]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Death of the Virgin. Thie noble picture is incomparably the finest example of the early Italian school in Thirlestaine House -- beautiful though many of the examples contained therein undoubterdly are -- and from its fine state of preservation and the brilliancy of its colour, must prove an object of peculiar interest to those who wish to study high art in its earliest and purest conditions of development. The subject of the picture represents the outstretched figure of the Virgin, wrapped in a blue mantle, placed upon a couch, or bier, covered with bright scarlet drapery. The countenance placid, though pallid in death -- the eyes closed and the hands crossed over the body. Around are the eleven Apostles kneeling, with their faces directed heaven-ward, gazing intently and with expressions of profound awe at the figure of the Saviour, which -- enclosed in an elliptical aureole or napkin, on which is represented the soul of the Virgin, just received into glory, in the likeness of a little child. On the left hand of the picture stands the figure of St. Lawrence, with his familiar attribute, the gridiron; and at the opposite side, that of St. Stephen, carrying the censer, and recognized by the stones placed on his head and shoulders. The background represents a mountainous landscape, in which are introduced several castellated buildings. The whole subject is treated in a bold and striking manner, full of character, and with a dignity and grandeur every way worthy the reputation of its great master. (Giotto)|The Death of the Virgin. Thie noble picture is incomparably the finest example of the early Italian school in Thirlestaine House -- beautiful though many of the examples contained therein undoubterdly are -- and from its fine state of preservation and the brilliancy of its colour, must prove an object of peculiar interest to those who wish to study high art in its earliest and purest conditions of development. The subject of the picture represents the outstretched figure of the Virgin, wrapped in a blue mantle, placed upon a couch, or bier, covered with bright scarlet drapery. The countenance placid, though pallid in death -- the eyes closed and the hands crossed over the body. Around are the eleven Apostles kneeling, with their faces directed heaven-ward, gazing intently and with expressions of profound awe at the figure of the Saviour, which -- enclosed in an elliptical aureole or napkin, on which is represented the soul of the Virgin, just received into glory, in the likeness of a little child. On the left hand of the picture stands the figure of St. Lawrence, with his familiar attribute, the gridiron; and at the opposite side, that of St. Stephen, carrying the censer, and recognized by the stones placed on his head and shoulders. The background represents a mountainous landscape, in which are introduced several castellated buildings. The whole subject is treated in a bold and striking manner, full of character, and with a dignity and grandeur every way worthy the reputation of its great master.]] réalisée par Giotto, vendue par Lord Northwick, achetée par Pearce, High Holborn au prix de 63.0 £. [64]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Annunciaton; under a richly decorated portico the Virgin is standing, and before her an angelo kneeling, presenting to her a lily; to the left another angel in the attitude of prayer; above them, the Creator is seen surrounded by Cherubim; a distant landscape with buildings forms the background. A beautiful composition. (Francesco Granacci)|The Annunciaton; under a richly decorated portico the Virgin is standing, and before her an angelo kneeling, presenting to her a lily; to the left another angel in the attitude of prayer; above them, the Creator is seen surrounded by Cherubim; a distant landscape with buildings forms the background. A beautiful composition.]] réalisée par Francesco Granacci, vendue par Lord Northwick, achetée par Tho. Ware Smart, Esq. au prix de 30.9 £. [67]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Emperor Charlemagne, bust in profile, seen through a richly ornamented casement; he is represented with a crown on his head, wearing a cuirass and a mantle, on which is inscribed "Carolus Magus, Roma Imperatore." An extraordinary portrait , considered to be unique. (Jan de Mabuse)|The Emperor Charlemagne, bust in profile, seen through a richly ornamented casement; he is represented with a crown on his head, wearing a cuirass and a mantle, on which is inscribed "Carolus Magus, Roma Imperatore." An extraordinary portrait , considered to be unique.]] réalisée par Jan de Mabuse, vendue par Lord Northwick, achetée par Lord Northwick au prix de 43.1 £. [78]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Virgin and Child; the Virgin seated in a landscape with the Infant upon her lap, is looking down with an affectionate smile upon the Infant, and pressing one of his extended arms to her breast, her left hand applied o the left hand of the child, touches the extremities of its fingers, thus balancing it in its seat. This beautiful work formerly adorned the collection of the late Lord Radstock. (Correggio)|The Virgin and Child; the Virgin seated in a landscape with the Infant upon her lap, is looking down with an affectionate smile upon the Infant, and pressing one of his extended arms to her breast, her left hand applied o the left hand of the child, touches the extremities of its fingers, thus balancing it in its seat. This beautiful work formerly adorned the collection of the late Lord Radstock.]] réalisée par Correggio, vendue par Lord Northwick, achetée par J.S.W.S. Erle Drax, M.P. au prix de 115.10 £. [79]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Coronation of the Virgin, with the Twelve Apostles round the Tomb. The tomb below is filled with flowers, and around it the Twelve Apostles; John and his brother James in front looking up; St. Thomas holds the girdle looking up to the throne set in heaven, whereon the Virgin sits beside her divine Son, and with joined hands and eyes meekly cast down, bends to receive the golden coronet he is about to place on her brow; eight seraphim hover above her head; on the left an angel strikes the tambourine; on the right another sounds the viol, The legend relates that when the Madonna ascended into heaven in the sight of the Apostles, Thomas was absent; but after three days he returned, and doubting the truth of her glorious translation, he desired that her tomb should be opened, which was done, and lo! it was found full of flowers springing up; then the Virgin, taking pity on his weakness and want of faith, threw down to him her girdle, that this tangible proof remaining in his hands might remove all doubts for ever from his mind. This fine Picture was painted for the Monastery of St. Francisco in Perugia, as recited in the works of Vasari and Dappa, (Raffaelle)|The Coronation of the Virgin, with the Twelve Apostles round the Tomb. The tomb below is filled with flowers, and around it the Twelve Apostles; John and his brother James in front looking up; St. Thomas holds the girdle looking up to the throne set in heaven, whereon the Virgin sits beside her divine Son, and with joined hands and eyes meekly cast down, bends to receive the golden coronet he is about to place on her brow; eight seraphim hover above her head; on the left an angel strikes the tambourine; on the right another sounds the viol, The legend relates that when the Madonna ascended into heaven in the sight of the Apostles, Thomas was absent; but after three days he returned, and doubting the truth of her glorious translation, he desired that her tomb should be opened, which was done, and lo! it was found full of flowers springing up; then the Virgin, taking pity on his weakness and want of faith, threw down to him her girdle, that this tangible proof remaining in his hands might remove all doubts for ever from his mind. This fine Picture was painted for the Monastery of St. Francisco in Perugia, as recited in the works of Vasari and Dappa,]] réalisée par Raffaelle, vendue par Lord Northwick, achetée par J.S.W.S. Erle Drax, M.P. au prix de 178.10 £. [81]
  • 1859.08.09/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Nativity.-- A grand Landscape, in the foreground of which Joseph is seated, leaning on his staff; near him the Virgin kneeling, with his hands joined, contemplates the Infant Christ, who is held by an Angel before her; behind them, St. John kneeling on one knee, and three shepherds, who have brought their offerings. A noble work of art, which is said to have been formerly borne as a banner through the streets of Florence at the celebration of the religious Festivals of Christmas and Easter. (Pinturicchio)|The Nativity.-- A grand Landscape, in the foreground of which Joseph is seated, leaning on his staff; near him the Virgin kneeling, with his hands joined, contemplates the Infant Christ, who is held by an Angel before her; behind them, St. John kneeling on one knee, and three shepherds, who have brought their offerings. A noble work of art, which is said to have been formerly borne as a banner through the streets of Florence at the celebration of the religious Festivals of Christmas and Easter.]] réalisée par Pinturicchio, vendue par Lord Northwick, achetée par J.S.W.S. Erle Drax, M.P. au prix de 252.0 £. [94]
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