Ventes d'œuvres le 1859.08.11

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  • 1859.08.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Holy Family. The Virgin is seated near a bower, with the Infant Saviour in her lap, whom St. John is amusing with a bird attached to a string. St. Elizabeth is on the left of the Virgin, with one hand round the Infant St. John. St. Joseph stands behind, leaning against the trunk of a tree. The beautiful work is engraved by Bolswert. (P.P. Rubens)|The Holy Family. The Virgin is seated near a bower, with the Infant Saviour in her lap, whom St. John is amusing with a bird attached to a string. St. Elizabeth is on the left of the Virgin, with one hand round the Infant St. John. St. Joseph stands behind, leaning against the trunk of a tree. The beautiful work is engraved by Bolswert.]] réalisée par P.P. Rubens, vendue par Lord Northwick, achetée par J.R. Isaac, Liverpool au prix de 117.12 £. [2]
  • 1859.08.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[L'Umana Fragilita. A strange but wonderfully imaginative composition, painted in a masterly spirit, and with an elaboration of detail not unusually met with in emblematical subjects, and the colouring of a full, deep, and mellow tone. This picture formerly adorned the walls of the Ghigi Palace at Rome; and is thus described in Lady Morgan's Life and Times of Salvator Rosa, where we are told the picture was purchased from Salvator Rosa by Don Maria Ghigi, brother to Pope Alexander VII.;-- L'Umana Fragilita represents a beautiful girl seated on a glass globe; her brow was crowned with flowers, the fairest and the frailest; her arm was filled by a lone infant, which she appeared to caress, while its twin brother, cradled at her feet, was occupied in blowing air-bubbles from a tube; a child somewhat older, was mischievously employed in setting fire to a wreath of flax twined round a spindle; above this group of blooming youth and happy infancy, with wings outspread (spennachiate) and threatening aspect,, hovered the grim figure of death, dictating the following sentence 'Conceptio culpa, nasci poena, vita labor, necosse mori.' The label affixed to this painted allegory called the picture L'Umanita Fragilita. (Salvator Rosa)|L'Umana Fragilita. A strange but wonderfully imaginative composition, painted in a masterly spirit, and with an elaboration of detail not unusually met with in emblematical subjects, and the colouring of a full, deep, and mellow tone. This picture formerly adorned the walls of the Ghigi Palace at Rome; and is thus described in Lady Morgan's Life and Times of Salvator Rosa, where we are told the picture was purchased from Salvator Rosa by Don Maria Ghigi, brother to Pope Alexander VII.;-- L'Umana Fragilita represents a beautiful girl seated on a glass globe; her brow was crowned with flowers, the fairest and the frailest; her arm was filled by a lone infant, which she appeared to caress, while its twin brother, cradled at her feet, was occupied in blowing air-bubbles from a tube; a child somewhat older, was mischievously employed in setting fire to a wreath of flax twined round a spindle; above this group of blooming youth and happy infancy, with wings outspread (spennachiate) and threatening aspect,, hovered the grim figure of death, dictating the following sentence 'Conceptio culpa, nasci poena, vita labor, necosse mori.' The label affixed to this painted allegory called the picture L'Umanita Fragilita.]] réalisée par Salvator Rosa, vendue par Lord Northwick, achetée par Ferguson, Esq. au prix de 346.10 £. [24]
  • 1859.08.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Nymphs, Satyrs, and Fauns. This subject appears to have reference to the nurture and education of Bacchus, for a beautiful infant resembling that Deity is seen standing behind a Nymph, who sits on an elevation in the centre of the group; the attention of both of them is directed to a Satyr, who is raising a horn to his lips; a second Nymph sits at the feet of the former, with a large vase in her hand, and two Bacchanalian Boys lying in front, one of whom is asleep. Engraved by J. Marriette. (Niccolo Poussin)|Nymphs, Satyrs, and Fauns. This subject appears to have reference to the nurture and education of Bacchus, for a beautiful infant resembling that Deity is seen standing behind a Nymph, who sits on an elevation in the centre of the group; the attention of both of them is directed to a Satyr, who is raising a horn to his lips; a second Nymph sits at the feet of the former, with a large vase in her hand, and two Bacchanalian Boys lying in front, one of whom is asleep. Engraved by J. Marriette.]] réalisée par Niccolo Poussin, vendue par Lord Northwick, achetée par H.R.H. Duke D'Aumale au prix de 315.0 £. [37]
  • 1859.08.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Glorification of the Virgin. Thie noble picture was formerly the altar piece at the Church of St. Faustino and Jovito, at Breccia; in the fore-ground a full-length figure of St. Bernardino, of Sienna, holding in his right hand a golden circlet, enclosing the sacred monogram I.H.S., and in his left an open book, having the three mitres, which he is said to have declined, at his feet; on his right are St. Jerome and St. Joseph, leaning on his budding rod, and on his left, the figures of St. Francis and St. Nicholas; above, in the clouds, are the Virgin and Child, attended on the right by St. Catherine, and on the left by St. Clare. From the Collection of Dr. Faccioli of Verona. (Moretto, of Breccia)|The Glorification of the Virgin. Thie noble picture was formerly the altar piece at the Church of St. Faustino and Jovito, at Breccia; in the fore-ground a full-length figure of St. Bernardino, of Sienna, holding in his right hand a golden circlet, enclosing the sacred monogram I.H.S., and in his left an open book, having the three mitres, which he is said to have declined, at his feet; on his right are St. Jerome and St. Joseph, leaning on his budding rod, and on his left, the figures of St. Francis and St. Nicholas; above, in the clouds, are the Virgin and Child, attended on the right by St. Catherine, and on the left by St. Clare. From the Collection of Dr. Faccioli of Verona.]] réalisée par Moretto, of Breccia, vendue par Lord Northwick, achetée par National Gallery au prix de 577.10 £. [43]
  • 1859.08.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Marriage of the Virgin.-- The Priest, with a ring in his hand stands on the left, attended by an assistant holding a book, and a page kneeling, holding a torch; Joseph and Mary stand before him -- the latter is in front, with her left hand on that of Joseph; three females are behind them; three angels strewing flowers upon their heads are flying above. A noble gallery picture. Engraved by Bolswert and Lanneers. (P.P. Rubens)|The Marriage of the Virgin.-- The Priest, with a ring in his hand stands on the left, attended by an assistant holding a book, and a page kneeling, holding a torch; Joseph and Mary stand before him -- the latter is in front, with her left hand on that of Joseph; three females are behind them; three angels strewing flowers upon their heads are flying above. A noble gallery picture. Engraved by Bolswert and Lanneers.]] réalisée par P.P. Rubens, vendue par Lord Northwick, achetée par Bethell Walrond, Esq. au prix de 183.15 £. [46]
  • 1859.08.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Village Fête. A number of peasants are assembled feasting and dancing before a cabaret, to the music of a bagpipe which a man is playing standing on a tub; to the righ of the picture, in the distance, Teniers' chateau is seen, with the artist, his wife and family, walking in front. Painted in the crisp manner and in the silvery tone so peculiar to this master's works. From the Collection of J. Cave, Esq. (David Teniers)|A Village Fête. A number of peasants are assembled feasting and dancing before a cabaret, to the music of a bagpipe which a man is playing standing on a tub; to the righ of the picture, in the distance, Teniers' chateau is seen, with the artist, his wife and family, walking in front. Painted in the crisp manner and in the silvery tone so peculiar to this master's works. From the Collection of J. Cave, Esq.]] réalisée par David Teniers, vendue par Lord Northwick, achetée par Farrer, New Bond St. au prix de 262.10 £. [70]
  • 1859.08.11/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[An Italian Landscape with a ruined building, and two peasants seated near a flight of steps; in the foreground, a cow is standing, two others are lying down, and near them two sheep and a goat and a white horse; a lake bounded by a range of hills completes the composition. A clear and brilliant example of the master, signed and dated 1547. (Karl Du Jardin)|An Italian Landscape with a ruined building, and two peasants seated near a flight of steps; in the foreground, a cow is standing, two others are lying down, and near them two sheep and a goat and a white horse; a lake bounded by a range of hills completes the composition. A clear and brilliant example of the master, signed and dated 1547.]] réalisée par Karl Du Jardin, vendue par Lord Northwick, achetée par Warneck, Paris au prix de 44.2 £. [71]
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