Ventes d'œuvres le 1859.08.23

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  • 1859.08.23/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Holy Family with St. Philip and St. Anthony, and St. Sebastian. In the foreground is the Virgin, seated on a block of stone, in front of a column; the Infant Christ is on her lap, and bends forward to caress the little St. John, who kneels by the side of the Virgin; to the left of the picture are St. Anthony, and St. Philip with his Cross -- on the right, St. Joseph, and St. Sebastian pierced with arrows; above is a choir of Angels. From Mr. Solly's collection. (Bagnacavallo)|Holy Family with St. Philip and St. Anthony, and St. Sebastian. In the foreground is the Virgin, seated on a block of stone, in front of a column; the Infant Christ is on her lap, and bends forward to caress the little St. John, who kneels by the side of the Virgin; to the left of the picture are St. Anthony, and St. Philip with his Cross -- on the right, St. Joseph, and St. Sebastian pierced with arrows; above is a choir of Angels. From Mr. Solly's collection.]] réalisée par Bagnacavallo, vendue par Lord Northwick, achetée par J.M. Smith, N. Bond Str. au prix de 45.3 £. [42]
  • 1859.08.23/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Lot and his Daughters. Lot and his daughters are represented at the entrance of the cave in which, on their flight into Zoar, they are recorded to have dwelt. The patriarch is asleep, his head resting in his daugfhter's lap. There is a fine expression of mingled wonder and alarm in the countenance of the daughter, who appears pointing to some object in the distant landscape. A large gallery picture, boldly and vigourously treated. Formerly in the Orleans Gallery. (Velasquez)|Lot and his Daughters. Lot and his daughters are represented at the entrance of the cave in which, on their flight into Zoar, they are recorded to have dwelt. The patriarch is asleep, his head resting in his daugfhter's lap. There is a fine expression of mingled wonder and alarm in the countenance of the daughter, who appears pointing to some object in the distant landscape. A large gallery picture, boldly and vigourously treated. Formerly in the Orleans Gallery.]] réalisée par Velasquez, vendue par Lord Northwick, achetée par Lord Northwick au prix de 147.0 £. [43]
  • 1859.08.23/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Lion Hunt. The composition consists of four huntsmen, mounted on fiery coursers, attacking a lion and lioness. In the conflict, one of the horses has fallen and pitched his rider head-foremost to the ground, and an enraged lion has has seized him on the back with its fore paws, and at the same instant has fixed the claws of one of its hinder feet in the face of a prostrate horseman, who is plunging a sword into the animal;s belly. Engraved by Soutman and Le Bas. Smith's catalogue, p.274, No.926. (P.P. Rubens)|A Lion Hunt. The composition consists of four huntsmen, mounted on fiery coursers, attacking a lion and lioness. In the conflict, one of the horses has fallen and pitched his rider head-foremost to the ground, and an enraged lion has has seized him on the back with its fore paws, and at the same instant has fixed the claws of one of its hinder feet in the face of a prostrate horseman, who is plunging a sword into the animal;s belly. Engraved by Soutman and Le Bas. Smith's catalogue, p.274, No.926.]] réalisée par P.P. Rubens, vendue par Lord Northwick, achetée par Lord Northwick au prix de 157.10 £. [45]
  • 1859.08.23/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Alchymist. The interior of a Chemist's Laboratory. The operator is standing at a furnace watching the result of some experiment; three of his assistants busily engaged are at a furnace in another part of the room; they are overlooked by a man from a little window above; numerous alembics, retorts, crucibles, books, &c. are distributed in every part of the room; a spaniel lies asleep in front. Smith's Catalogue, No.520, page 398. (David Teniers)|The Alchymist. The interior of a Chemist's Laboratory. The operator is standing at a furnace watching the result of some experiment; three of his assistants busily engaged are at a furnace in another part of the room; they are overlooked by a man from a little window above; numerous alembics, retorts, crucibles, books, &c. are distributed in every part of the room; a spaniel lies asleep in front. Smith's Catalogue, No.520, page 398.]] réalisée par David Teniers, vendue par Lord Northwick, achetée par Agnew, Manchester au prix de 708.15 £. [47]
  • 1859.08.23/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[A Nusical Party. The group is composed of a young man playing on a musical instrument, and two females seated on the ground in a landscape, adorned with buildings and a lake. A very fine picture of the Venetian School, painted with great breadth, and with that deep toned brightness for which the masters of that school were so famous. (Giorgione)|A Nusical Party. The group is composed of a young man playing on a musical instrument, and two females seated on the ground in a landscape, adorned with buildings and a lake. A very fine picture of the Venetian School, painted with great breadth, and with that deep toned brightness for which the masters of that school were so famous.]] réalisée par Giorgione, vendue par Lord Northwick, achetée par Marquis of Lansdowne au prix de 787.10 £. [51]
  • 1859.08.23/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[St. John. The surprising beauty of this admirable work, whether for colouring, breadth of effect, or exquisite finish, renders all eulogy superfluous. The most accomplished connoisseur, and the most superficial lover of the art, would be alike attracted by it. The Apostle is represented as in the act of writing the Apocalypse. From the Lucien Buonaparte Gallery, afterwards in the collection of Sir Simon Clarke. Note: The commission held by Messrs. Agnew, of Manchester, for the St. John, by Carol Dolci, was Two Thousand Guineas formerly in the Ricciardi Palace. (Carlo Dolci)|St. John. The surprising beauty of this admirable work, whether for colouring, breadth of effect, or exquisite finish, renders all eulogy superfluous. The most accomplished connoisseur, and the most superficial lover of the art, would be alike attracted by it. The Apostle is represented as in the act of writing the Apocalypse. From the Lucien Buonaparte Gallery, afterwards in the collection of Sir Simon Clarke. Note: The commission held by Messrs. Agnew, of Manchester, for the St. John, by Carol Dolci, was Two Thousand Guineas formerly in the Ricciardi Palace.]] réalisée par Carlo Dolci, vendue par Lord Northwick, achetée par S. Scott, Esq. au prix de 2165.10 £. [52]
  • 1859.08.23/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[The Stoning of St. Stephen. The Saint is represented kneeling, with an expression of countenance mild and full of resignation, and finely contrasted with the savage and furious zeal of his persecutors. A vision of the Saviour and the Father surrounded by Angels, appears in the clouds. "But he being full of the Holy Ghost, looked up steadfastly into heaven, and saw the glory of God, and Jesus standing on the right hand of God.-- Acts vii, 55. This magnificent work formerly adorned the Balbi Palace, and was brought to this country by that eminent collector Mr. Mawson. (Benvenuto Garofalo)|The Stoning of St. Stephen. The Saint is represented kneeling, with an expression of countenance mild and full of resignation, and finely contrasted with the savage and furious zeal of his persecutors. A vision of the Saviour and the Father surrounded by Angels, appears in the clouds. "But he being full of the Holy Ghost, looked up steadfastly into heaven, and saw the glory of God, and Jesus standing on the right hand of God.-- Acts vii, 55. This magnificent work formerly adorned the Balbi Palace, and was brought to this country by that eminent collector Mr. Mawson.]] réalisée par Benvenuto Garofalo, vendue par Lord Northwick, achetée par Lord Northwick au prix de 1606.10 £. [53]
  • 1859.08.23/ maison de ventes : Phillips (Harry). Vente de l'œuvre décrite comme [[Christ delivering the Keys of Heaven to St. Peter, in the presence of four other Disciples. The Saviour is represented with his left hand raised above his head, and Peter while receiving the keys looks up in his master's face. The figures are life size. This fine work was painted for the chapel of the tomb of John Breughel and his family, in the church of Notre Dame de la Chapelle, at Brussels, from whence it was sold in 1765, to defray the expenses of repairing the church, to M. Braamcamp, it afterwards become sic the property of M. Van Lankeren of Antwerp, at the sale of whose effects in 1833 it was purchased by the late Noble Owner. (P.P. Rubens)|Christ delivering the Keys of Heaven to St. Peter, in the presence of four other Disciples. The Saviour is represented with his left hand raised above his head, and Peter while receiving the keys looks up in his master's face. The figures are life size. This fine work was painted for the chapel of the tomb of John Breughel and his family, in the church of Notre Dame de la Chapelle, at Brussels, from whence it was sold in 1765, to defray the expenses of repairing the church, to M. Braamcamp, it afterwards become sic the property of M. Van Lankeren of Antwerp, at the sale of whose effects in 1833 it was purchased by the late Noble Owner.]] réalisée par P.P. Rubens, vendue par Lord Northwick, achetée par Chr. Jo. Nieuwenhuys au prix de 483.0 £. [68]
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