Ventes d'œuvres le 1821.-.-

1821.-.-/ -. Vente de l'œuvre décrite comme [[Jerusalem at the time of the Crucifixion -- "Now from the sixth hour there was darkness over all the land until the ninth hour. And, behold! the veil of the Temple was rent in twain from the top to the bottom: and the earth did quake, and the rocks rent. And the graves were opened, and many bodies of the saints which slept arose. Matthew, ch. 27, v. 45, 51, 52 (Mr. Hofland)|Jerusalem at the time of the Crucifixion -- "Now from the sixth hour there was darkness over all the land until the ninth hour. And, behold! the veil of the Temple was rent in twain from the top to the bottom: and the earth did quake, and the rocks rent. And the graves were opened, and many bodies of the saints which slept arose. Matthew, ch. 27, v. 45, 51, 52]] réalisée par Mr. Hofland, vendue par Hofland. [1]

1821.-.-/ -. Vente de l'œuvre décrite comme Goodrich Castle, on the Wye réalisée par Mr. Hofland, vendue par Hofland. [2]

1821.-.-/ -. Vente de l'œuvre décrite comme Crickhowel, South Wales, painted on the spot réalisée par Mr. Hofland, vendue par Hofland. [3]

1821.-.-/ -. Vente de l'œuvre décrite comme Landscape; Composition réalisée par Mr. Hofland, vendue par Hofland. [4]

1821.-.-/ -. Vente de l'œuvre décrite comme Study from Nature réalisée par Mr. Hofland, vendue par Hofland. [5]

1821.-.-/ -. Vente de l'œuvre décrite comme Landscape; Composition réalisée par Mr. Hofland, vendue par Hofland. [6]

1821.-.-/ -. Vente de l'œuvre décrite comme Chalk-pit at Gravesend; a Sketch réalisée par Mr. Hofland, vendue par Hofland. [7]

1821.-.-/ -. Vente de l'œuvre décrite comme Moonlight; Copy from Vanderneer réalisée par Mr. Hofland, vendue par Hofland. [8]

1821.-.-/ -. Vente de l'œuvre décrite comme A Scene near Halstead; Ulswater réalisée par Mr. Hofland, vendue par Hofland. [9]

1821.-.-/ -. Vente de l'œuvre décrite comme Edinburgh; from the Cannon Mills réalisée par Mr. Hofland, vendue par Hofland. [10]

1821.-.-/ -. Vente de l'œuvre décrite comme Brecon, South Wales: Evening. -- Painted réalisée par Mr. Hofland, vendue par Hofland. [11]

1821.-.-/ -. Vente de l'œuvre décrite comme Moonlight; a Sketch from a Picture réalisée par Mr. Hofland, vendue par Hofland. [12]

1821.-.-/ -. Vente de l'œuvre décrite comme [[Richmond from Twickenham Park -- A goodly land it is, and faire, I weene, There Wisdom, with her Bacon, loves to stray, Planting those trees that shall for aye be greene In History's page, and gentle poet's lay: There windeth Thames his silver wavelets gay; And Heaven's own minstrelsy his deep groves haunt; White streaming banners o'er his bosom play, Where youth and beauty innocently flaunt; Yet bears he many a sigh from Royal Shene, Who mourneth desolate, her matchless maiden queene. Old Poem. A Print from this picture will be published by subscription: proposals may be seen in the room, and names received (Mr. Hofland)|Richmond from Twickenham Park -- A goodly land it is, and faire, I weene, There Wisdom, with her Bacon, loves to stray, Planting those trees that shall for aye be greene In History's page, and gentle poet's lay: There windeth Thames his silver wavelets gay; And Heaven's own minstrelsy his deep groves haunt; White streaming banners o'er his bosom play, Where youth and beauty innocently flaunt; Yet bears he many a sigh from Royal Shene, Who mourneth desolate, her matchless maiden queene. Old Poem. A Print from this picture will be published by subscription: proposals may be seen in the room, and names received]] réalisée par Mr. Hofland, vendue par Hofland. [13]

1821.-.-/ -. Vente de l'œuvre décrite comme Crickhowel Bridge, on the river Usk réalisée par Mr. Hofland, vendue par Hofland. [14]

1821.-.-/ -. Vente de l'œuvre décrite comme Tretower, South Wales: painted on the spot réalisée par Mr. Hofland, vendue par Hofland. [15]

1821.-.-/ -. Vente de l'œuvre décrite comme A Study from Nature réalisée par Mr. Hofland, vendue par Hofland. [16]

1821.-.-/ maison de ventes : Triphook (Robert). Vente de l'œuvre décrite comme The First Sketch by Romney in oils, for the Head of Prospero, from Shakspeare's Tempest, for his large picture, framed, fine réalisée par Romney, vendue par Robert Triphook au prix de 2.2 £. [17]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Moses Striking the Rock. -- "Behold I will stand before thee upon the rock of Horeb, and thou shalt strike the rock, and there shall water come out of it that the people may drink; and Moses did so in the sight of the Elders of Israel." -- Genesis. -- The Landscape represents the sullen desert, "Dusk with horrid shades, by human steps untrod." -- To the left is Moses in a red drapery, surrounded by Aaron, Joshua, Hur, and another of the Elders of Israel, uplifting the sacred rod; while from the rock gushes a stream of water. -- The mind of the Prophet seems to be lost in amazement, at the beneficence of the Almighty; and in its joy, to have forgot to convey its image to the countenance. Aaron, arrayed in his sacred robes, and Joshua, covered with a purple drapery, are piously offering up thanks to Heaven; while Hur, bowing his head in the dust, is prostrated, in silent adoration of the Deity. To the right are the people; but whose sufferings have prevailed over the immediate expressions of their gratitude; on every face, are marked the torments of a burning thirst, and an eagerness almost approaching to franticness, to satisfy its cravings. -- The scene of distress is every where affectingly delineated; but the group which forms the most pathetic episode to the picture, is that of a mother, daughter, and infant child: -- the daughter, whose keen, yet tear-fraught eye, declares her parting spirit to be tasting of its bitterest cup, is extended dying in the arms of her mother, -- who, with the feelings of maternal tenderness, mingled with the wild air of desperation, is imploring assistance from her companions in misery; while even threatening that fragile thread of reason, is her daughter's infant clinging around her neck, and vainly pressing her milkless bosom; -- behind her is a son, piously supporting his aged father, whose daughter, forgetful of her own thirst, is affectionately looking back upon her parent, as she runs to procure him water from the stream. -- But no where is the genius of Poussin so powerfully displayed, as in the depth of expression on the countenance of the mother, in the centre of the picture -- who, distracted at the piteous cries of the infant at her breast, and striving in vain to reach the water, seems as if her soul had burst its shakles with that look of anguish. -- This master-piece was originally painted for Stella; Felibien informs us that two paintings from the same subject were finished by Poussin, but describes this as being far the most masterly, and relates an anecdote which authenticates its identity, -- it being remarked as very improbable that in so short a time the water should have worn so deep a bed -- Poussin archly replied, "that it only betrayed a want of consideration in the representation of a miracle, to be surprised at meeting with the miraculous." (Nicolo Poussin)|Moses Striking the Rock. -- "Behold I will stand before thee upon the rock of Horeb, and thou shalt strike the rock, and there shall water come out of it that the people may drink; and Moses did so in the sight of the Elders of Israel." -- Genesis. -- The Landscape represents the sullen desert, "Dusk with horrid shades, by human steps untrod." -- To the left is Moses in a red drapery, surrounded by Aaron, Joshua, Hur, and another of the Elders of Israel, uplifting the sacred rod; while from the rock gushes a stream of water. -- The mind of the Prophet seems to be lost in amazement, at the beneficence of the Almighty; and in its joy, to have forgot to convey its image to the countenance. Aaron, arrayed in his sacred robes, and Joshua, covered with a purple drapery, are piously offering up thanks to Heaven; while Hur, bowing his head in the dust, is prostrated, in silent adoration of the Deity. To the right are the people; but whose sufferings have prevailed over the immediate expressions of their gratitude; on every face, are marked the torments of a burning thirst, and an eagerness almost approaching to franticness, to satisfy its cravings. -- The scene of distress is every where affectingly delineated; but the group which forms the most pathetic episode to the picture, is that of a mother, daughter, and infant child: -- the daughter, whose keen, yet tear-fraught eye, declares her parting spirit to be tasting of its bitterest cup, is extended dying in the arms of her mother, -- who, with the feelings of maternal tenderness, mingled with the wild air of desperation, is imploring assistance from her companions in misery; while even threatening that fragile thread of reason, is her daughter's infant clinging around her neck, and vainly pressing her milkless bosom; -- behind her is a son, piously supporting his aged father, whose daughter, forgetful of her own thirst, is affectionately looking back upon her parent, as she runs to procure him water from the stream. -- But no where is the genius of Poussin so powerfully displayed, as in the depth of expression on the countenance of the mother, in the centre of the picture -- who, distracted at the piteous cries of the infant at her breast, and striving in vain to reach the water, seems as if her soul had burst its shakles with that look of anguish. -- This master-piece was originally painted for Stella; Felibien informs us that two paintings from the same subject were finished by Poussin, but describes this as being far the most masterly, and relates an anecdote which authenticates its identity, -- it being remarked as very improbable that in so short a time the water should have worn so deep a bed -- Poussin archly replied, "that it only betrayed a want of consideration in the representation of a miracle, to be surprised at meeting with the miraculous."]] réalisée par Nicolo Poussin, vendue par Henry Bodicote. [18]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sea-piece réalisée par Anderson, vendue par Henry Bodicote. [19]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Portrait of a Dutch Lady réalisée par Vander Helst, vendue par Henry Bodicote. [20]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Madona in the School of réalisée par Carlo Dolce, vendue par Henry Bodicote. [21]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Saint Carlo Borromeo (of Milan,) healing the blind réalisée par Dominichino, vendue par Henry Bodicote. [22]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape and Figures réalisée par Molinaer, vendue par Henry Bodicote. [23]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sea Piece (a calm) painted in his best time réalisée par W. Vandervelde, vendue par Henry Bodicote. [24]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme View in Holland réalisée par Toorenberg, vendue par Henry Bodicote. [25]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme View from Nature réalisée par Fouquieres, vendue par Henry Bodicote. [26]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Head of James the First when a boy réalisée par Cornelius Jansen, vendue par Henry Bodicote. [27]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Flowers réalisée par Van Spander, vendue par Henry Bodicote. [28]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme The Silence réalisée par Sebastian Bourdon, vendue par Henry Bodicote. [29]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Portrait of Ann Hyde, Duchess of York (Reign of Charles II.) réalisée par Terburgh, vendue par Henry Bodicote. [30]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme A group of Welch figures on the coast réalisée par Loutherbourg, vendue par Henry Bodicote. [31]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape, with figures, by Teniers réalisée par Hobbima, vendue par Henry Bodicote. [32]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape and cattle réalisée par Jansen, vendue par Henry Bodicote. [33]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme View in Holland réalisée par Toorenberg, vendue par Henry Bodicote. [34]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme View near Matlock réalisée par Loutherbourg, vendue par Henry Bodicote. [35]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Birds, fish, vegetables, and still life réalisée par Snyders, vendue par Henry Bodicote. [36]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Portrait of Margaret Clifford, Countess of Cumberland (Reign of Charles I.) réalisée par Cornelius Jansen, vendue par Henry Bodicote. [37]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape, view in Switzerland réalisée par Loutherbourg, vendue par Henry Bodicote. [38]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Venus and Adonis réalisée par Brueghel, vendue par Henry Bodicote. [39]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape from nature réalisée par Morland, vendue par Henry Bodicote. [40]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Fruit (from the Orleans collection) réalisée par Mignon, vendue par Henry Bodicote. [41]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Market Girl réalisée par Zoffany, vendue par Henry Bodicote. [42]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Judgment of Paris réalisée par Woodford, vendue par Henry Bodicote. [43]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Portrait of a Lady, in the character of Mary, Queen of Scots -- This Portrait, though it does not possess the air of dignified, yet melancholy loveliness of the original, and has a smile of archness playing around her features, which accords not with the thoughtful character of afflicted Majesty, -- still partakes of her beauty, and for execution, well deserves the appellation of Hogarth's chef d'oeuvre in Portrait painting (Hogarth)|Portrait of a Lady, in the character of Mary, Queen of Scots -- This Portrait, though it does not possess the air of dignified, yet melancholy loveliness of the original, and has a smile of archness playing around her features, which accords not with the thoughtful character of afflicted Majesty, -- still partakes of her beauty, and for execution, well deserves the appellation of Hogarth's chef d'oeuvre in Portrait painting]] réalisée par Hogarth, vendue par Henry Bodicote. [44]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Winter scene in Holland réalisée par De Koningh, vendue par Henry Bodicote. [45]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme April Day, or the fool bit réalisée par G. Turner, vendue par Henry Bodicote. [46]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Fruit (from the Orleans collection) réalisée par Mignon, vendue par Henry Bodicote. [47]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme A Sportsman watering Horses réalisée par Snellincks, vendue par Henry Bodicote. [48]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sir Robert Walpole réalisée par Sir G. Kneller, vendue par Henry Bodicote. [49]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sea-piece -- a calm réalisée par Peters, vendue par Henry Bodicote. [50]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Windermere Lake réalisée par Daniels, vendue par Henry Bodicote. [51]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Cattle and Figures réalisée par Walling, vendue par Henry Bodicote. [52]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sea-piece, view of the Dutch coast réalisée par Van Os, vendue par Henry Bodicote. [53]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Lime-kiln, by moon-light réalisée par Loutherbourg, vendue par Henry Bodicote. [54]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape and cattle réalisée par Vander Leeuw, vendue par Henry Bodicote. [55]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme The outer Court of a prison, with prisoners playing at bowls réalisée par Bamboccio, vendue par Henry Bodicote. [56]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme A Monk, by candle-light réalisée par un.e artiste anonyme, vendue par Henry Bodicote. [57]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape, cattle, and figures (morning) réalisée par Loutherbourg, vendue par Henry Bodicote. [58]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Cattle and figures réalisée par Jones, vendue par Henry Bodicote. [59]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Portrait unknown réalisée par Cornelius Jansen, vendue par Henry Bodicote. [60]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Psyche plucking the feathers from the wings of time réalisée par Caravaggio, vendue par Henry Bodicote. [61]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Portrait of himself, painted for the King of Spain réalisée par Mengs, vendue par Henry Bodicote. [62]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Winter scene on the Dutch Coast, -- (off Schevelling) réalisée par Loutherbourg, vendue par Henry Bodicote. [63]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme An old woman and boy by candle-light réalisée par Scalken, vendue par Henry Bodicote. [64]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme An Italian Sea-port réalisée par Vetringa, vendue par Henry Bodicote. [65]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme St. Jerome, -- (a study) réalisée par Ludovico Caracci, vendue par Henry Bodicote. [66]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Landscape, with cattle going to water, -- (sunset). This painting exhibits the picturesque grouping of the Flemish School, united to the grander features of Italian Scenery; in the foreground to the right, is seen a peasant girl, with some cattle, emerging from the gloom, formed by a mass of rocks, and a clump of trees; the girl is seated on a horse, and the man carrying a lamb, fondly regarded by its mother, which he is patting on the head; on the same side, in the distance, which gradually recedes, till it mingles with the horizon, rises the ruined tower of a castle on the border of a lake, surrounded by some lowly cots, built with the remnants of its dismantled fabric (Loutherbourg)|Landscape, with cattle going to water, -- (sunset). This painting exhibits the picturesque grouping of the Flemish School, united to the grander features of Italian Scenery; in the foreground to the right, is seen a peasant girl, with some cattle, emerging from the gloom, formed by a mass of rocks, and a clump of trees; the girl is seated on a horse, and the man carrying a lamb, fondly regarded by its mother, which he is patting on the head; on the same side, in the distance, which gradually recedes, till it mingles with the horizon, rises the ruined tower of a castle on the border of a lake, surrounded by some lowly cots, built with the remnants of its dismantled fabric]] réalisée par Loutherbourg, vendue par Henry Bodicote. [67]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape and figures -- (afternoon) réalisée par Jones, vendue par Henry Bodicote. [68]

1821.-.-/ -. Vente de l'œuvre décrite comme A Snow-piece réalisée par Mr. Glover, vendue par Glover. [69]

1821.-.-/ -. Vente de l'œuvre décrite comme Drachenfeldts, on the Rhine réalisée par Mr. Glover, vendue par Glover. [70]

1821.-.-/ -. Vente de l'œuvre décrite comme A Farm-yard réalisée par Mr. Glover, vendue par Glover. [71]

1821.-.-/ -. Vente de l'œuvre décrite comme Lions at Exeter 'Change réalisée par Mr. Glover, vendue par Glover. [72]

1821.-.-/ -. Vente de l'œuvre décrite comme Kingston Bridge réalisée par Mr. Glover, vendue par Glover. [73]

1821.-.-/ -. Vente de l'œuvre décrite comme In the Upper Vale of the Arno, Italy réalisée par Mr. Glover, vendue par Glover. [74]

1821.-.-/ -. Vente de l'œuvre décrite comme Nanty Bellan, near Wrexham, North Wales réalisée par Mr. Glover, vendue par Glover. [75]

1821.-.-/ -. Vente de l'œuvre décrite comme Cockermouth Castle réalisée par Mr. Glover, vendue par Glover. [76]

1821.-.-/ -. Vente de l'œuvre décrite comme Waterfall at Terni, Italy réalisée par Mr. Glover, vendue par Glover. [77]

1821.-.-/ -. Vente de l'œuvre décrite comme The great Waterfall at Tivoli réalisée par Mr. Glover, vendue par Glover. [78]

1821.-.-/ -. Vente de l'œuvre décrite comme The Vale of Llanrwst, North Wales réalisée par Mr. Glover, vendue par Glover. [79]

1821.-.-/ -. Vente de l'œuvre décrite comme On the Road to Mount Cenis, looking towards Susa réalisée par Mr. Glover, vendue par Glover. [80]

1821.-.-/ -. Vente de l'œuvre décrite comme La Riccia, Italy réalisée par Mr. Glover, vendue par Glover. [81]

1821.-.-/ -. Vente de l'œuvre décrite comme View on the Thames, near Thames Ditton réalisée par Mr. Glover, vendue par Glover. [82]

1821.-.-/ -. Vente de l'œuvre décrite comme Matlock réalisée par Mr. Glover, vendue par Glover. [83]

1821.-.-/ -. Vente de l'œuvre décrite comme Kennilworth Castle réalisée par Mr. Glover, vendue par Glover. [84]

1821.-.-/ -. Vente de l'œuvre décrite comme Public-house near Pont Aber-glass-lyn, North Wales réalisée par Mr. Glover, vendue par Glover. [85]

1821.-.-/ -. Vente de l'œuvre décrite comme Langdale Pikes, near Windermere réalisée par Mr. Glover, vendue par Glover. [86]

1821.-.-/ -. Vente de l'œuvre décrite comme Raven Cragg, near Whythbourne Lake, Westmoreland réalisée par Mr. Glover, vendue par Glover. [87]

1821.-.-/ -. Vente de l'œuvre décrite comme Entrance to Haddon Hall, Derbyshire réalisée par Mr. Glover, vendue par Glover. [88]

1821.-.-/ -. Vente de l'œuvre décrite comme Derwent Water, Westmoreland -- Storm passing réalisée par Mr. Glover, vendue par Glover. [89]

1821.-.-/ -. Vente de l'œuvre décrite comme Landscape, with Cattle -- composition réalisée par Mr. Glover, vendue par Glover. [90]

1821.-.-/ -. Vente de l'œuvre décrite comme Kirkstall Abbey, near Leeds réalisée par Mr. Glover, vendue par Glover. [91]

1821.-.-/ -. Vente de l'œuvre décrite comme Copy from Claude réalisée par Mr. Glover, vendue par Glover. [92]

1821.-.-/ -. Vente de l'œuvre décrite comme Sunset réalisée par Mr. Glover, vendue par Glover. [93]

1821.-.-/ -. Vente de l'œuvre décrite comme Moonlight -- Doune Castle, Scotland réalisée par Mr. Glover, vendue par Glover. [94]

1821.-.-/ -. Vente de l'œuvre décrite comme Mill on the River Machno, North Wales réalisée par Mr. Glover, vendue par Glover. [95]

1821.-.-/ -. Vente de l'œuvre décrite comme Landscape and Cattle réalisée par Mr. Glover, vendue par Glover. [96]

1821.-.-/ -. Vente de l'œuvre décrite comme Bridge of Saint Maurice, Switzerland réalisée par Mr. Glover, vendue par Glover. [97]

1821.-.-/ -. Vente de l'œuvre décrite comme View near Vallombrosa, Italy réalisée par Mr. Glover, vendue par Glover. [98]

1821.-.-/ -. Vente de l'œuvre décrite comme Narni, Italy réalisée par Mr. Glover, vendue par Glover. [99]

1821.-.-/ -. Vente de l'œuvre décrite comme Ulswater, from Gobray Park réalisée par Mr. Glover, vendue par Glover. [100]

1821.-.-/ -. Vente de l'œuvre décrite comme Harlech Castle, North Wales, Snowdon in the Distance réalisée par Mr. Glover, vendue par Glover. [101]

1821.-.-/ -. Vente de l'œuvre décrite comme Patterdale, Westmoreland réalisée par Mr. Glover, vendue par Glover. [102]

1821.-.-/ -. Vente de l'œuvre décrite comme Maecenas's Villa, Tivoli réalisée par Mr. Glover, vendue par Glover. [103]

1821.-.-/ -. Vente de l'œuvre décrite comme Hay-field near Primrose-hill réalisée par Mr. Glover, vendue par Glover. [104]

1821.-.-/ -. Vente de l'œuvre décrite comme Turtle Doves réalisée par Mr. Glover, vendue par Glover. [105]

1821.-.-/ -. Vente de l'œuvre décrite comme Family of Monkeys réalisée par Mr. Glover, vendue par Glover. [106]

1821.-.-/ -. Vente de l'œuvre décrite comme The Screech-Owl réalisée par Mr. Glover, vendue par Glover. [107]

1821.-.-/ -. Vente de l'œuvre décrite comme Cattle réalisée par Mr. Glover, vendue par Glover. [108]

1821.-.-/ -. Vente de l'œuvre décrite comme A Public-house near Loch Katrine, Scotland réalisée par Mr. Glover, vendue par Glover. [109]

1821.-.-/ -. Vente de l'œuvre décrite comme The Crown Pigeon, from the East Indies réalisée par Mr. Glover, vendue par Glover. [110]

1821.-.-/ -. Vente de l'œuvre décrite comme Loch Katrine and Benn Vennue, Scotland réalisée par Mr. Glover, vendue par Glover. [111]

1821.-.-/ -. Vente de l'œuvre décrite comme Ulswater -- Morning réalisée par Mr. Glover, vendue par Glover. [112]

1821.-.-/ -. Vente de l'œuvre décrite comme Matlock -- Moonlight réalisée par Mr. Glover, vendue par Glover. [113]

1821.-.-/ -. Vente de l'œuvre décrite comme Cortona, Italy -- Evening réalisée par Mr. Glover, vendue par Glover. [114]

1821.-.-/ -. Vente de l'œuvre décrite comme On the River Brent, near Twyford Abbey réalisée par Mr. Glover, vendue par Glover. [115]

1821.-.-/ -. Vente de l'œuvre décrite comme Nepi, Italy réalisée par Mr. Glover, vendue par Glover. [116]

1821.-.-/ -. Vente de l'œuvre décrite comme Mont Blanc -- the rosy hue at sunset réalisée par Mr. Glover, vendue par Glover. [117]

1821.-.-/ -. Vente de l'œuvre décrite comme Chepstow, from Wind Cliff réalisée par William Glover, vendue par Glover. [118]

1821.-.-/ -. Vente de l'œuvre décrite comme Portrait of Mr. Glover's Mother réalisée par Mr. Glover, vendue par Glover. [119]

1821.-.-/ -. Vente de l'œuvre décrite comme Ulswater réalisée par William Glover, vendue par Glover. [120]

1821.-.-/ -. Vente de l'œuvre décrite comme Tintern Abbey réalisée par William Glover, vendue par Glover. [121]

1821.-.-/ -. Vente de l'œuvre décrite comme Mont Juvat, in the Val D'Aoste, Italy réalisée par Mr. Glover, vendue par Glover. [122]

1821.-.-/ -. Vente de l'œuvre décrite comme Ulswater réalisée par William Glover, vendue par Glover. [123]

1821.-.-/ -. Vente de l'œuvre décrite comme Chepstow Castle réalisée par William Glover, vendue par Glover. [124]

1821.-.-/ -. Vente de l'œuvre décrite comme [[One of the most beautiful pictures of Claude Loraine Mr. Glover has long since held the opinion, that nothing would tend more to the improvement of modern Art, as well as its encouragement, than by exhibiting, in all public Exhibitions, a few of the finest specimens of Pictures of established fame. He has here put up the best Claude, and the best Wilson, he could procure, as a safe standard for himself to work up to, and as a criterion for the public to judge by. Had there been such opportunities at all times, Mr. Glover feels assured Wilson would not have died for want, and numbers of others have lived in distress, whose Works now sell at immense prices. Should Mr. Glover pass the ordeal without suffering greatly by the comparison, he hopes other Artists, more worthy, will join him another year: his Exhibition will be open to all who will each bring with them a fine specimen of the old Masters to hang with their own (Claude Loraine)|One of the most beautiful pictures of Claude Loraine Mr. Glover has long since held the opinion, that nothing would tend more to the improvement of modern Art, as well as its encouragement, than by exhibiting, in all public Exhibitions, a few of the finest specimens of Pictures of established fame. He has here put up the best Claude, and the best Wilson, he could procure, as a safe standard for himself to work up to, and as a criterion for the public to judge by. Had there been such opportunities at all times, Mr. Glover feels assured Wilson would not have died for want, and numbers of others have lived in distress, whose Works now sell at immense prices. Should Mr. Glover pass the ordeal without suffering greatly by the comparison, he hopes other Artists, more worthy, will join him another year: his Exhibition will be open to all who will each bring with them a fine specimen of the old Masters to hang with their own]] réalisée par Claude Loraine, vendue par Glover. [125]

1821.-.-/ -. Vente de l'œuvre décrite comme The Campo Vaccino, Rome réalisée par Mr. Glover, vendue par Glover. [126]

1821.-.-/ -. Vente de l'œuvre décrite comme Saint Peter's, Rome, from near the Villa Madama réalisée par Mr. Glover, vendue par Glover. [127]

1821.-.-/ -. Vente de l'œuvre décrite comme The River Esk, near Langham, Scotland réalisée par Mr. Glover, vendue par Glover. [128]

1821.-.-/ -. Vente de l'œuvre décrite comme Tivoli, with the Temple of the Sibyl, Italy réalisée par Mr. Glover, vendue par Glover. [129]

1821.-.-/ -. Vente de l'œuvre décrite comme Worksworth, near Matlock, Derbyshire -- Morning réalisée par Mr. Glover, vendue par Glover. [130]

1821.-.-/ -. Vente de l'œuvre décrite comme Mill at Vallombrosa, Italy réalisée par Mr. Glover, vendue par Glover. [131]

1821.-.-/ -. Vente de l'œuvre décrite comme Patterdale, Cumberland réalisée par Mr. Glover, vendue par Glover. [132]

1821.-.-/ -. Vente de l'œuvre décrite comme Tivoli -- the Sibyl's Temple, and St. Peter's, Rome, in the distance réalisée par Mr. Glover, vendue par Glover. [133]

1821.-.-/ -. Vente de l'œuvre décrite comme Asti, Italy réalisée par Mr. Glover, vendue par Glover. [134]

1821.-.-/ -. Vente de l'œuvre décrite comme Matlock Church, Derbyshire réalisée par Mr. Glover, vendue par Glover. [135]

1821.-.-/ -. Vente de l'œuvre décrite comme St. Laurent Ruiné, near the Lago di Bolsenna, Italy réalisée par Mr. Glover, vendue par Glover. [136]

1821.-.-/ -. Vente de l'œuvre décrite comme Loch Katrine, Scotland réalisée par Mr. Glover, vendue par Glover. [137]

1821.-.-/ -. Vente de l'œuvre décrite comme Tivoli -- the Campagna, and St. Peter's, Rome, in the distance réalisée par Mr. Glover, vendue par Glover. [138]

1821.-.-/ -. Vente de l'œuvre décrite comme The Seat of Lord Northwick, at Harrow réalisée par Mr. Glover, vendue par Glover. [139]

1821.-.-/ -. Vente de l'œuvre décrite comme View of Harrow, from Lord Northwick's Grounds réalisée par Mr. Glover, vendue par Glover. [140]

1821.-.-/ -. Vente de l'œuvre décrite comme The Campo Vaccino; Temple of Concord, Jupiter Tonans, &c. at Rome réalisée par Mr. Glover, vendue par Glover. [141]

1821.-.-/ -. Vente de l'œuvre décrite comme Maecenas's Villa, Tivoli réalisée par Mr. Glover, vendue par Glover. [142]

1821.-.-/ -. Vente de l'œuvre décrite comme The End of the Lovers' Walk, Matlock réalisée par Mr. Glover, vendue par Glover. [143]

1821.-.-/ -. Vente de l'œuvre décrite comme Ulswater réalisée par Mr. Glover, vendue par Glover. [144]

1821.-.-/ -. Vente de l'œuvre décrite comme Aqueduct, Nepi, Italy réalisée par Mr. Glover, vendue par Glover. [145]

1821.-.-/ -. Vente de l'œuvre décrite comme Cruachan Benn, near Dalmally, Scotland réalisée par Mr. Glover, vendue par Glover. [146]

1821.-.-/ -. Vente de l'œuvre décrite comme Fall at Terni, Italy réalisée par Mr. Glover, vendue par Glover. [147]

1821.-.-/ -. Vente de l'œuvre décrite comme Matlock -- Moonlight réalisée par Mr. Glover, vendue par Glover. [148]

1821.-.-/ -. Vente de l'œuvre décrite comme Athens -- the Parthenon, &c. réalisée par Mr. Glover, vendue par Glover. [149]

1821.-.-/ -. Vente de l'œuvre décrite comme The Temple of Clytumnus réalisée par Mr. Glover, vendue par Glover. [150]

1821.-.-/ -. Vente de l'œuvre décrite comme Cattle réalisée par Mr. Glover, vendue par Glover. [151]

1821.-.-/ -. Vente de l'œuvre décrite comme Ulswater réalisée par Mr. Glover, vendue par Glover. [152]

1821.-.-/ -. Vente de l'œuvre décrite comme View from Lord Northwick's House, at Harrow -- London in the distance réalisée par Mr. Glover, vendue par Glover. [153]

1821.-.-/ -. Vente de l'œuvre décrite comme The King-Duck, from Melville Island, North Pole réalisée par Mr. Glover, vendue par Glover. [154]

1821.-.-/ -. Vente de l'œuvre décrite comme Pheasants réalisée par Mr. Glover, vendue par Glover. [155]

1821.-.-/ -. Vente de l'œuvre décrite comme Interior of Tintern Abbey, Monmouthshire réalisée par Mr. Glover, vendue par Glover. [156]

1821.-.-/ -. Vente de l'œuvre décrite comme Vale of Munster, between Basle and Berne, Switzerland réalisée par Mr. Glover, vendue par Glover. [157]

1821.-.-/ -. Vente de l'œuvre décrite comme Elter Water, and Furness Fells réalisée par Mr. Glover, vendue par Glover. [158]

1821.-.-/ -. Vente de l'œuvre décrite comme Ulswater réalisée par Mr. Glover, vendue par Glover. [159]

1821.-.-/ -. Vente de l'œuvre décrite comme [[Landscape Mr. Glover has long since held the opinion, that nothing would tend more to the improvement of modern Art, as well as its encouragement, than by exhibiting, in all public Exhibitions, a few of the finest specimens of Pictures of established fame. He has here put up the best Claude, and the best Wilson, he could procure, as a safe standard for himself to work up to, and as a criterion for the public to judge by. Had there been such opportunities at all times, Mr. Glover feels assured Wilson would not have died for want, and numbers of others have lived in distress, whose Works now sell at immense prices. Should Mr. Glover pass the ordeal without suffering greatly by the comparison, he hopes other Artists, more worthy, will join him another year: his Exhibition will be open to all who will each bring with them a fine specimen of the old Masters to hang with their own (Wilson)|Landscape Mr. Glover has long since held the opinion, that nothing would tend more to the improvement of modern Art, as well as its encouragement, than by exhibiting, in all public Exhibitions, a few of the finest specimens of Pictures of established fame. He has here put up the best Claude, and the best Wilson, he could procure, as a safe standard for himself to work up to, and as a criterion for the public to judge by. Had there been such opportunities at all times, Mr. Glover feels assured Wilson would not have died for want, and numbers of others have lived in distress, whose Works now sell at immense prices. Should Mr. Glover pass the ordeal without suffering greatly by the comparison, he hopes other Artists, more worthy, will join him another year: his Exhibition will be open to all who will each bring with them a fine specimen of the old Masters to hang with their own]] réalisée par Wilson, vendue par Glover. [160]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Countess of Abingdon réalisée par Sir G. Kneller, vendue par Henry Bodicote. [161]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sea-piece -- an engagement réalisée par Peters, vendue par Henry Bodicote. [162]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Italian Scenery réalisée par Wilson, vendue par Henry Bodicote. [163]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Water-mill réalisée par Williams, vendue par Henry Bodicote. [164]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sea-piece, with vessels off the Dutch coast réalisée par Van Os, vendue par Henry Bodicote. [165]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape from nature réalisée par Ruysdael, vendue par Henry Bodicote. [166]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sir Cloudesley Shovel réalisée par Sir G. Kneller, vendue par Henry Bodicote. [167]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Castle in North Wales -- landscape, cattle, and figures réalisée par Loutherbourg, vendue par Henry Bodicote. [168]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme View of Falmouth Harbour during a fog réalisée par Copley Fielding, vendue par Henry Bodicote. [169]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Norwegian Scenery réalisée par Roland Roghman, vendue par Henry Bodicote. [170]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape, Italian scenery réalisée par Poussin, vendue par Henry Bodicote. [171]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Banditti. -- In an unfrequented dell, overbrowed by rocks, and near the mouth of a cavern, are discovered the gigantic, and wildly attired figures of two banditti; the one, whose posture is most erect, is pointing to his companion down the pass, apparently concerting an attack on the retinue of some hapless traveller, while the other, absorbed in sullen attention with his discourse, is firmly clenching his battle axe, as a token of his savage satisfaction (Loutherbourg)|Banditti. -- In an unfrequented dell, overbrowed by rocks, and near the mouth of a cavern, are discovered the gigantic, and wildly attired figures of two banditti; the one, whose posture is most erect, is pointing to his companion down the pass, apparently concerting an attack on the retinue of some hapless traveller, while the other, absorbed in sullen attention with his discourse, is firmly clenching his battle axe, as a token of his savage satisfaction]] réalisée par Loutherbourg, vendue par Henry Bodicote. [172]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Landscape, cattle, and figures. -- The foreground is occupied by the skirt of a wood at the foot of a mountain, sloping to the edge of a lake; it consists of a group of rugged trees, some decayed by time, and others shattered by the tempest, wildly interspersed with fragments of rocks, on which some sportsmen are resting; on the opposite side of the lake, indistinctly seen through the blue haze in the distance, are a few scattered ruins, and the appearance of a village; -- the horizon bounded by a barrier of mountains (Salvator Rosa)|Landscape, cattle, and figures. -- The foreground is occupied by the skirt of a wood at the foot of a mountain, sloping to the edge of a lake; it consists of a group of rugged trees, some decayed by time, and others shattered by the tempest, wildly interspersed with fragments of rocks, on which some sportsmen are resting; on the opposite side of the lake, indistinctly seen through the blue haze in the distance, are a few scattered ruins, and the appearance of a village; -- the horizon bounded by a barrier of mountains]] réalisée par Salvator Rosa, vendue par Henry Bodicote. [173]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Woody scenery, with figures from nature; presents an arch formed by the branches of an oak, and the decayed arms of a tree, through which a path is seen winding through a wood; some gipsies are carousing under a copse to the left; and to the right, is a sportsman taking the opportunity of testifying, rather abruptly, his admiration of the glowing features of one of the "Nut brown maids!!" (Loutherbourg)|Woody scenery, with figures from nature; presents an arch formed by the branches of an oak, and the decayed arms of a tree, through which a path is seen winding through a wood; some gipsies are carousing under a copse to the left; and to the right, is a sportsman taking the opportunity of testifying, rather abruptly, his admiration of the glowing features of one of the "Nut brown maids!!"]] réalisée par Loutherbourg, vendue par Henry Bodicote. [174]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape and figures réalisée par Berghem, vendue par Henry Bodicote. [175]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Landscape, cattle and figures; picturesque view of ruins on a woody eminence, beneath which is a water-mill turned by a stream, forming a sheet of water in the foreground; to the right are some cattle and figures, with a miller loading his cart (Loutherbourg)|Landscape, cattle and figures; picturesque view of ruins on a woody eminence, beneath which is a water-mill turned by a stream, forming a sheet of water in the foreground; to the right are some cattle and figures, with a miller loading his cart]] réalisée par Loutherbourg, vendue par Henry Bodicote. [176]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Portrait of himself réalisée par Wright of Derby, vendue par Henry Bodicote. [177]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Windermere Lake. Since this view has been taken, a gentleman's house has been erected on the Island, -- to the right of which, may be discovered the village of Ambleside réalisée par Loutherbourg, vendue par Henry Bodicote. [178]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[A country Church-yard; sunset; -- composition from Gray's Elegy "The curfew tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The ploughman homeward plods his weary way, And leaves the world to darkness and to me." Painting possesses this advantage over Poetry; the eye of the bard cannot brook to dwell on the littlenesses of nature; his province is confined to the influence of some well-timed epithet, which gleams its imagery on the fancy, like the spel of enchantment, and whose creations live anew to the eye of every beholder; while with the painter, the minutest circumstances are made subordinate to the grand effect, -- time, motion, life, all are arrested, and become charm-bound to the canvass; -- the beauties of the poet are heightened by the mind, which is engaged in their contemplation, but the beauties of the painter are naked equally to all. Thus, in this painting, together with the objects depicted in the foregoing verse -- "the glimmering landscape," -- the "ivy mantled tower," -- and "the moping owl that to the moon complains," are all embraced in the same glance; and the melancholy tinge which the parting day sheds over the landscape, is finely in unison with the pathos that reigns in the poet (Loutherbourg)|A country Church-yard; sunset; -- composition from Gray's Elegy "The curfew tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The ploughman homeward plods his weary way, And leaves the world to darkness and to me." Painting possesses this advantage over Poetry; the eye of the bard cannot brook to dwell on the littlenesses of nature; his province is confined to the influence of some well-timed epithet, which gleams its imagery on the fancy, like the spel of enchantment, and whose creations live anew to the eye of every beholder; while with the painter, the minutest circumstances are made subordinate to the grand effect, -- time, motion, life, all are arrested, and become charm-bound to the canvass; -- the beauties of the poet are heightened by the mind, which is engaged in their contemplation, but the beauties of the painter are naked equally to all. Thus, in this painting, together with the objects depicted in the foregoing verse -- "the glimmering landscape," -- the "ivy mantled tower," -- and "the moping owl that to the moon complains," are all embraced in the same glance; and the melancholy tinge which the parting day sheds over the landscape, is finely in unison with the pathos that reigns in the poet]] réalisée par Loutherbourg, vendue par Henry Bodicote. [179]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Jacob wrestling with the angel. With the exception of the life and sufferings of our Saviour, many subjects are more competent and more interesting for painting than those of Scripture, on account of the inspired character of its subjects, which elevates human nature above the dominion of passion, a sympathy with whose frailties is the cause that we love her; but whether it be to lend a sanctity to her labours, or evince the triumphs of genius over sterility, it is not less true that none have been more universally selected: here had the painter's reverence for truth led him to believe it profanation to indulge his fancy, this beautiful painting could have no claim to our interest. The passage in the bible anticipates none of the beauties of the picture -- and all that has a charm in the landscape is De Loutherberg's own. The left of the foreground is occupied by Jacob and the Angel wrestling, and by a group of decayed trees; to the right winds the brook of Jabbok, silvered by the rays of the moon, but whose reflection is mellowed by the glimmerings of day-break; in the back ground, through an opening formed by the bold outline of a mass of rocks, and a bank overshadowed with trees, is seen the herd of Laban, journeying through the valley; behind is the distance hardly discernible from the mingled obscure of light and darkness, occasioned by the shades of the night, fading into the sickly smile of returning day (Loutherbourg)|Jacob wrestling with the angel. With the exception of the life and sufferings of our Saviour, many subjects are more competent and more interesting for painting than those of Scripture, on account of the inspired character of its subjects, which elevates human nature above the dominion of passion, a sympathy with whose frailties is the cause that we love her; but whether it be to lend a sanctity to her labours, or evince the triumphs of genius over sterility, it is not less true that none have been more universally selected: here had the painter's reverence for truth led him to believe it profanation to indulge his fancy, this beautiful painting could have no claim to our interest. The passage in the bible anticipates none of the beauties of the picture -- and all that has a charm in the landscape is De Loutherberg's own. The left of the foreground is occupied by Jacob and the Angel wrestling, and by a group of decayed trees; to the right winds the brook of Jabbok, silvered by the rays of the moon, but whose reflection is mellowed by the glimmerings of day-break; in the back ground, through an opening formed by the bold outline of a mass of rocks, and a bank overshadowed with trees, is seen the herd of Laban, journeying through the valley; behind is the distance hardly discernible from the mingled obscure of light and darkness, occasioned by the shades of the night, fading into the sickly smile of returning day]] réalisée par Loutherbourg, vendue par Henry Bodicote. [180]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Sea-piece, an approaching storm, signal for a pilot réalisée par Loutherbourg, vendue par Henry Bodicote. [181]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme St. Paul's harbour, in the Island of Malta réalisée par Loutherbourg, vendue par Henry Bodicote. [182]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Land-storm. A road discovered on the edge of a precipice, near which the horses of a waggon have taken fright, at the breaking of a tree by the blast, -- on the left rises a huge and rugged pile of rocks, down which a torrent dashes in foam; and in the back ground, rearing its aged head amid the storm, is the turret of a castle (Loutherbourg)|Land-storm. A road discovered on the edge of a precipice, near which the horses of a waggon have taken fright, at the breaking of a tree by the blast, -- on the left rises a huge and rugged pile of rocks, down which a torrent dashes in foam; and in the back ground, rearing its aged head amid the storm, is the turret of a castle]] réalisée par Loutherbourg, vendue par Henry Bodicote. [183]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[The Annunciation -- (allegorical). -- "And the angel came in unto Mary, and said, `Hail thou that art highly favoured. The Lord is with thee, blessed art thou among women; the Holy Ghost shall come upon thee, and the power of the highest shall overshadow thee -- therefore also that holy thing which shall be born of thee, shall be called the Son of God." -- St. Luke, c. i. v. 28 and 35 (Paul Veronesa)|The Annunciation -- (allegorical). -- "And the angel came in unto Mary, and said, `Hail thou that art highly favoured. The Lord is with thee, blessed art thou among women; the Holy Ghost shall come upon thee, and the power of the highest shall overshadow thee -- therefore also that holy thing which shall be born of thee, shall be called the Son of God." -- St. Luke, c. i. v. 28 and 35]] réalisée par Paul Veronesa, vendue par Henry Bodicote. [184]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[One of the passes from France into Switzerland. This landscape discloses a wild and rugged ascent in the midst of mountains, precipices, and rocks, -- equally characteristic of Alpine scenery, and the romantic genius of Salvator Rosa. Two travellers on mules are mounting the pass, -- and to the right is a peasant descending towards a sheet of water in a deep ravine; the pinnacles of a rock form a giant rampart to the left, and to the right may be discovered a distant valley skirted by a range of Alps, rearing their hoary heads above the clouds, and mantled with eternal snows (Salvator Rosa)|One of the passes from France into Switzerland. This landscape discloses a wild and rugged ascent in the midst of mountains, precipices, and rocks, -- equally characteristic of Alpine scenery, and the romantic genius of Salvator Rosa. Two travellers on mules are mounting the pass, -- and to the right is a peasant descending towards a sheet of water in a deep ravine; the pinnacles of a rock form a giant rampart to the left, and to the right may be discovered a distant valley skirted by a range of Alps, rearing their hoary heads above the clouds, and mantled with eternal snows]] réalisée par Salvator Rosa, vendue par Henry Bodicote. [185]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[The death of Germanicus. -- It is indispensably necessary for the interest of this painting, to recapitulate the leading points of this ill-fated General's history. -- Germanicus was the nephew of Tiberius, and when their common ancestor, Augustus, died, the acclamations of the people hailed him as their Monarch, but he, respecting more the birth-right of his uncle, than his own aggrandizement, resolutely withstood the golden temptation, and by his eloquence and arms, established the precarious power of Tiberius; but the Emperor finding his own greatness eclipsed in the glory of his kinsman, soon suffered envy to gain the ascendancy over gratitude, and (shortly afterwards), procured his destruction by poison, through the means of Piso. The unfortunate Germanicus then fighting the battles of his country, feeling himself the victim of treachery, assembled his friends around his couch, and addressed them in the energy of language, uttered by a being, lingering out the last hour of human decay. -- "It is but a mockery of friendship," said he "to pursue the memory of the dead, with idle lamentations, but to honour it, is to remember his last wishes, and to perform his last commands; strangers will weep the fall of Germanicus, but you are my friends, and if you have loved me rather than my fortunes, you will vindicate your friendship: show to the Roman people my wife and orphan children, descendants of the godlike Augustus; then pity will be felt for the accusing; and the accused, if they should even forge the mandate of their Sovereign for this deed, will not be believed; but if believed, not pardoned." (Nicolo Poussin)|The death of Germanicus. -- It is indispensably necessary for the interest of this painting, to recapitulate the leading points of this ill-fated General's history. -- Germanicus was the nephew of Tiberius, and when their common ancestor, Augustus, died, the acclamations of the people hailed him as their Monarch, but he, respecting more the birth-right of his uncle, than his own aggrandizement, resolutely withstood the golden temptation, and by his eloquence and arms, established the precarious power of Tiberius; but the Emperor finding his own greatness eclipsed in the glory of his kinsman, soon suffered envy to gain the ascendancy over gratitude, and (shortly afterwards), procured his destruction by poison, through the means of Piso. The unfortunate Germanicus then fighting the battles of his country, feeling himself the victim of treachery, assembled his friends around his couch, and addressed them in the energy of language, uttered by a being, lingering out the last hour of human decay. -- "It is but a mockery of friendship," said he "to pursue the memory of the dead, with idle lamentations, but to honour it, is to remember his last wishes, and to perform his last commands; strangers will weep the fall of Germanicus, but you are my friends, and if you have loved me rather than my fortunes, you will vindicate your friendship: show to the Roman people my wife and orphan children, descendants of the godlike Augustus; then pity will be felt for the accusing; and the accused, if they should even forge the mandate of their Sovereign for this deed, will not be believed; but if believed, not pardoned."]] réalisée par Nicolo Poussin, vendue par Henry Bodicote. [186]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[The marriage of St. Catherine, painted for the Grand Duke of Tuscany, genuine, and in the most perfect state of preservation -- (on panel). St. Catherine was the daughter of a Pagan King, but whose mother had instructed her in the sacred truths of Christianity. Her father, observing with displeasure the dominion some hidden passion had gained over her thoughts, and resolving to dissipate the suspicion which haunted him, commanded her into his presence, and imperiously bade her accept in marriage the hand of one of his kindsmen -- an infidel. She endeavoured to move him from his purpose, by every plea that misery could invent, -- to reach the feelings of a parent, -- and imploring his compassion, professed her Christian faith; but at last, despairing of his pity or relentment, eluded his tyranny by flying from his court. She wandered through Egypt, enthusiastically preaching the cross; but neither youth nor beauty could take away the beam from the eyes of bigotry, and at the tender age of twenty-four she fell victim to her zeal. Her memory has been long canonized in the Catholic Breviary, and has frequently afforded a subject for the painter, who has allegorized the legend, by representing her betrothment to the Infant Jesus. The group of figures in this painting are the Virgin Mary in a drapery of red and blue, with her head uncovered, and her hair simply braided across the forehead, by a white fillet supporting our Saviour on her knee, who, with infantine simplicity is placing a ring on the finger of St. Catherine -- the Princess clothed in a vesture of dark green, and crowned with a circlet of gold, is kneeling and raising her eyes to heaven with a look of adoration; behind, is Joseph, leaning on his staff, and intently regarding the passing scene (Parmigiano)|The marriage of St. Catherine, painted for the Grand Duke of Tuscany, genuine, and in the most perfect state of preservation -- (on panel). St. Catherine was the daughter of a Pagan King, but whose mother had instructed her in the sacred truths of Christianity. Her father, observing with displeasure the dominion some hidden passion had gained over her thoughts, and resolving to dissipate the suspicion which haunted him, commanded her into his presence, and imperiously bade her accept in marriage the hand of one of his kindsmen -- an infidel. She endeavoured to move him from his purpose, by every plea that misery could invent, -- to reach the feelings of a parent, -- and imploring his compassion, professed her Christian faith; but at last, despairing of his pity or relentment, eluded his tyranny by flying from his court. She wandered through Egypt, enthusiastically preaching the cross; but neither youth nor beauty could take away the beam from the eyes of bigotry, and at the tender age of twenty-four she fell victim to her zeal. Her memory has been long canonized in the Catholic Breviary, and has frequently afforded a subject for the painter, who has allegorized the legend, by representing her betrothment to the Infant Jesus. The group of figures in this painting are the Virgin Mary in a drapery of red and blue, with her head uncovered, and her hair simply braided across the forehead, by a white fillet supporting our Saviour on her knee, who, with infantine simplicity is placing a ring on the finger of St. Catherine -- the Princess clothed in a vesture of dark green, and crowned with a circlet of gold, is kneeling and raising her eyes to heaven with a look of adoration; behind, is Joseph, leaning on his staff, and intently regarding the passing scene]] réalisée par Parmigiano, vendue par Henry Bodicote. [187]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme A Cupid. This picture was purchased on the continent for a Correggio, but considered in this country a Dominichino réalisée par Dominichino, vendue par Henry Bodicote. [188]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Conway Castle, North Wales réalisée par Loutherbourg, vendue par Henry Bodicote. [189]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme View in the South of France -- (sunset) réalisée par Loutherbourg, vendue par Henry Bodicote. [190]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Fruit and flowers réalisée par Mignon, vendue par Henry Bodicote. [191]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Italian scenery, near Rome, with figures by Sir Joshua Reynolds. The foreground is formed by a sheet of water, and an ancient ruin overgrown with weeds, which some female figures are contemplating, and by a group of trees to the left; behind, stretches a vast plain, and in the distance, on an eminence, is a temple, the solitariness of the scene, and the extent of the landscape, wonderfully expressed (Wilson)|Italian scenery, near Rome, with figures by Sir Joshua Reynolds. The foreground is formed by a sheet of water, and an ancient ruin overgrown with weeds, which some female figures are contemplating, and by a group of trees to the left; behind, stretches a vast plain, and in the distance, on an eminence, is a temple, the solitariness of the scene, and the extent of the landscape, wonderfully expressed]] réalisée par Wilson, vendue par Henry Bodicote. [192]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[The Temple of Tivoli -- (No. 81 lib. ver.) -- "Adjoining to the temple of the Tiburtine Sibyl, is a shabby modern building, which extends to the temple of Vesta. This beautiful specimen of ancient architecture, proudly situated on a rock which hangs over one of the cascades is a small rotunda, surrounded by an open portico of Corinthian columns." -- Travels on the Continent, by Mariana Starke, 1820. -- Claude always chose nature in her sweetest moments, either when suffused by the melancholy tints of sunset, or when she began to chase away her sorrows in the light of morning. He has here given us a faithful view from the enchanting scenery of Tivoli in the "lingering light" of evening -- minutely described, as above, by a modern traveller, a century and a half afterwards (Claude Lorraine)|The Temple of Tivoli -- (No. 81 lib. ver.) -- "Adjoining to the temple of the Tiburtine Sibyl, is a shabby modern building, which extends to the temple of Vesta. This beautiful specimen of ancient architecture, proudly situated on a rock which hangs over one of the cascades is a small rotunda, surrounded by an open portico of Corinthian columns." -- Travels on the Continent, by Mariana Starke, 1820. -- Claude always chose nature in her sweetest moments, either when suffused by the melancholy tints of sunset, or when she began to chase away her sorrows in the light of morning. He has here given us a faithful view from the enchanting scenery of Tivoli in the "lingering light" of evening -- minutely described, as above, by a modern traveller, a century and a half afterwards]] réalisée par Claude Lorraine, vendue par Henry Bodicote. [193]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Slate Quarry in Derbyshire réalisée par Loutherbourg, vendue par Henry Bodicote. [194]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Water-mill, North Wales réalisée par Loutherbourg, vendue par Henry Bodicote. [195]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Sea-piece, illumined by a flash of lightning, in a thunder storm at night; to the right is seen a part of wreck, and to the left, the remainder of the crew (having taken to their boat) in imminent danger of being overwhelmed and dashed among the rocks (Loutherbourg)|Sea-piece, illumined by a flash of lightning, in a thunder storm at night; to the right is seen a part of wreck, and to the left, the remainder of the crew (having taken to their boat) in imminent danger of being overwhelmed and dashed among the rocks]] réalisée par Loutherbourg, vendue par Henry Bodicote. [196]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape, cattle, and figures -- (evening) réalisée par Berghem, vendue par Henry Bodicote. [197]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape and figures -- (morning) réalisée par Pynacker, vendue par Henry Bodicote. [198]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[The incredulity of St. Thomas. -- "Then said he to Thomas, reach hither thy finger and behold my hands, and reach hither thy hand and thrust it into my side, and be not faithless, but believing: and Thomas answered and said to him, my Lord and my God!! -- St. John, ch. XX.; 27 and 28 verses (Flink)|The incredulity of St. Thomas. -- "Then said he to Thomas, reach hither thy finger and behold my hands, and reach hither thy hand and thrust it into my side, and be not faithless, but believing: and Thomas answered and said to him, my Lord and my God!! -- St. John, ch. XX.; 27 and 28 verses]] réalisée par Flink, vendue par Henry Bodicote. [199]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[Mount Vesuvius by moonlight. -- To the right, rise a mass of rocks, shadowed with copsewood; over which, wave three solitary cypresses, whose solemnity is heightened by the pale lustre of the moon. In the foreground, broken by the fragments of some rocks on the border of a lake, is moored a boat, and a few figures contemplating the grandeur of the landscape; at their feet, sleep the waters of the lake, reddened by the glare of the volcano, yet bearing the image of the moon upon its bosom, calm and unruffled; on the opposite side of the lake to the left, is the volcano, "pouring forth its streams of molten fire;" and to the right stretches a distant landscape, as far as the eye can measure. Transparency of colouring and depth of landscape are conspicuous beauties; but the subject alone was sufficient to have inspired his pencil with excellence: Philosophy might "wander through the eternity of thought," and yet fail in defining the sensations awakened by this spectacle -- the lovely face of nature, imaged in a mood so awful yet so serene -- the slumbering lake illumined with the fires of desolation -- and the blue vault of the moon-lit heaven stained with the dusky wreath of smoke, speak a silent eloquence to the heart, which no lore hath yet taught the tongue to utter (Pether)|Mount Vesuvius by moonlight. -- To the right, rise a mass of rocks, shadowed with copsewood; over which, wave three solitary cypresses, whose solemnity is heightened by the pale lustre of the moon. In the foreground, broken by the fragments of some rocks on the border of a lake, is moored a boat, and a few figures contemplating the grandeur of the landscape; at their feet, sleep the waters of the lake, reddened by the glare of the volcano, yet bearing the image of the moon upon its bosom, calm and unruffled; on the opposite side of the lake to the left, is the volcano, "pouring forth its streams of molten fire;" and to the right stretches a distant landscape, as far as the eye can measure. Transparency of colouring and depth of landscape are conspicuous beauties; but the subject alone was sufficient to have inspired his pencil with excellence: Philosophy might "wander through the eternity of thought," and yet fail in defining the sensations awakened by this spectacle -- the lovely face of nature, imaged in a mood so awful yet so serene -- the slumbering lake illumined with the fires of desolation -- and the blue vault of the moon-lit heaven stained with the dusky wreath of smoke, speak a silent eloquence to the heart, which no lore hath yet taught the tongue to utter]] réalisée par Pether, vendue par Henry Bodicote. [200]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme View in Suffolk réalisée par Gainsborough, vendue par Henry Bodicote. [201]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Portrait of the celebrated Mrs. Croft (Reign of Charles II) réalisée par Sir Peter Lely, vendue par Henry Bodicote. [202]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Water-mill, North Wales réalisée par Loutherbourg, vendue par Henry Bodicote. [203]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme View from nature (sun-set) réalisée par Loutherbourg, vendue par Henry Bodicote. [204]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Battle piece réalisée par Hugtenburgh, vendue par Henry Bodicote. [205]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape and figures (morning) réalisée par Barret, vendue par Henry Bodicote. [206]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme George, Prince of Denmark réalisée par Sir G. Kneller, vendue par Henry Bodicote. [207]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme This and the companion picture were painted in commemoration of the visit of Peter the Great to the United States of Holland réalisée par Storck, vendue par Henry Bodicote. [208]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Portrait of his late Majesty (engraved) réalisée par Zoffany, vendue par Henry Bodicote. [209]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape, with water-mill, &c. réalisée par Ronbout, vendue par Henry Bodicote. [210]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme The delapidated part of Conway Castle réalisée par Loutherbourg, vendue par Henry Bodicote. [211]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme King William at the battle of Boyne réalisée par Mytens, vendue par Henry Bodicote. [212]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Moonlight réalisée par C. Fielding, vendue par Henry Bodicote. [213]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme Landscape, cattle and figures réalisée par Vinckerboom, vendue par Henry Bodicote. [214]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[The subject is Virgil, the poet, reciting that beautiful episode from the 6th book of the AEneid, wherein the virtues of the young Marcellus are so chastely, though at the same time so justly apostrophized. A tear is seen trembling in the eye of the Emperor Augustus, as the poet, in whose countenance the anguish of his heart is visibly pourtrayed, pronounces the words, "Tu Marcellus eris," Octavia, unable to endure the misery which the name of her beloved son so forcibly called to her mind, has swooned, and it is here that the consummate art of the painter is displayed in all its beauty. The pallid hue of death upon her cheek, the listless arm and drooping head, denote the unconscious state to which the "weight of woe" has reduced her, and is finely contrasted with the manly grief pourtrayed on the fixed countenance of the Emperor. The keeping of the picture is throughout excellent; the costume accords with the best accounts we have received from antiquity of the habiliments of the Romans, and the tout ensemble, produces the most striking effect on the senses (Verhaghen)|The subject is Virgil, the poet, reciting that beautiful episode from the 6th book of the AEneid, wherein the virtues of the young Marcellus are so chastely, though at the same time so justly apostrophized. A tear is seen trembling in the eye of the Emperor Augustus, as the poet, in whose countenance the anguish of his heart is visibly pourtrayed, pronounces the words, "Tu Marcellus eris," Octavia, unable to endure the misery which the name of her beloved son so forcibly called to her mind, has swooned, and it is here that the consummate art of the painter is displayed in all its beauty. The pallid hue of death upon her cheek, the listless arm and drooping head, denote the unconscious state to which the "weight of woe" has reduced her, and is finely contrasted with the manly grief pourtrayed on the fixed countenance of the Emperor. The keeping of the picture is throughout excellent; the costume accords with the best accounts we have received from antiquity of the habiliments of the Romans, and the tout ensemble, produces the most striking effect on the senses]] réalisée par Verhaghen, vendue par Henry Bodicote. [215]

1821.-.-/ maison de ventes : Bodicote (Henry F.). Vente de l'œuvre décrite comme [[A land water-spout. The painting represents the scene of desolation occasioned by the bursting of a cloud in its career against the pinnacle of a rock; the cloud is in the act of opening, and the waste of waters deluging the vale beneath. Scarely a trait of the fair face of nature can be recognized, rocks, trees, habitations, all are uptorn and mingled with the impetuous torrent; to the right, are discovered a father and mother seeking for refuge on the shattered trunk of a tree; the fragment, to which the daughter was clinging, has yielded to the destructive sweep, and her parents, in their eagerness to save their child, are precipitated with her into a watery grave: to the left, is seen the vestige of a water-mill; and to heighten the sublimity of the spectacle, a flash of lightning is bursting in the heavens, and illumining, with a pallid glare, the scene of elemental chaos (Loutherbourg)|A land water-spout. The painting represents the scene of desolation occasioned by the bursting of a cloud in its career against the pinnacle of a rock; the cloud is in the act of opening, and the waste of waters deluging the vale beneath. Scarely a trait of the fair face of nature can be recognized, rocks, trees, habitations, all are uptorn and mingled with the impetuous torrent; to the right, are discovered a father and mother seeking for refuge on the shattered trunk of a tree; the fragment, to which the daughter was clinging, has yielded to the destructive sweep, and her parents, in their eagerness to save their child, are precipitated with her into a watery grave: to the left, is seen the vestige of a water-mill; and to heighten the sublimity of the spectacle, a flash of lightning is bursting in the heavens, and illumining, with a pallid glare, the scene of elemental chaos]] réalisée par Loutherbourg, vendue par Henry Bodicote. [216]